Silver trophy with no lid. No inscriptions. Materials: Silver/Metaltennis

Photograph of a gala dinner Materials: Photographic emulsion, Papertennis

Programme of 1963 Australian Championships. Materials: Ink, Papertennis

In 1974, the Royal Blind Society established within it's manufacturing division a facility to build high quality tandems for blind and partially sighted members of its sports club. By the end of 1978, the manufacturing division expanded and a new series of high quality, hand built racing cycles were developed to suit the individuals needs of the cycling enthusiast. A demand in the bicycle hire industry prompted the development of a strong universal bicycle and the new 24" Mixti family cycle was born. By 1979 the Royal Blind Society was manufacturing both family bicycles and tandems for the bicycle hire industry in N.S.W., Victoria and the A.C.T. Both cycles received an enthusiastic reception, so much so, that in 1982 they were the first bicycle manufacturer to win an Australian Design Award. In these two advertising leaflets, the specifications for the Ladies, Family and Gents bicycles are supplied along with images of each bicycle.2 x A4 col. pages of advertising materialroyal blind society of new south wales, mitchell manufacturing

cut of material from the warrant officer class 2

RAF Officer Peaked Cap, grey material with crown

The Royal Regiment of Scotland plaque with the cloth material on the plaque

This photograph was taken during a bus excursion to Tatong in North East Victoria, held by the Wooragee Landcare Group in September 2004. The purpose of the excursion was to look at land use on small farms. As part of this, the excursion included a visit to Samaria Farm, run by Sue and Don Matheson. In this photo, taken at Samaria Farm, Don Matheson is discussing the management of his commercial rose garden. Events like this meet Wooragee Landcare's organisational goals of promoting best land management practices, cooperating and engaging with landowners, and providing information on plant management and care. This object is significant as a record of Wooragee Landcare's activities and community involvement. Landscape colour photograph printed on gloss photographic material. Reverse: "WAN NA E0NA2N2 NNN+ 1 4240/ don matheson, sue matheson, matheson, tatong, excursion, bus trip, wooragee landcare, wooragee, landcare, wooragee landcare group, samaria farm, roses, commercial rose garden, rose growing, education, activity, 2004, rose, farm, small farms, land use

French. Collected by Charles Henry Honybun during World War One.A French water bottle covered in brown corduroy materialhonybun, first world war, france, ww1

Studley Park Road, like most streets in Kew, was originally a dirt road. Street works during the Great Depression included bituminising major roads in the district. This photograph of Council works originated in the City of Kew Engineers Department as a record of works undertaken. It was given to the collection by a Mrs Fisher in 1998.Well provenanced photograph of Council-funded public works in Kew during the Great Depression. Original sepia monochrome positive of Council workers standing on and beside a dray in Studley Park Road, Kew while resurfacing of the street was taking place. The Kew Junction is just visible behind the men.Typed reverse: "B4 / Kew C.C. / Spreading premixed material on Studley Park Road with drag spreader, view from rear of machine, March 1934"roadworks -- kew (vic.), street works -- kew (vic.), public works kew (vic.), studley park road -- kew (vic.), city of kew -- engineers department, city of kew -- public works -- great depression -- 1930s

Black Material with red lapels and cuffs. Silky material lined. No buttons or other adornments other than two shoulder tabs with silver buttons:laurel leaves, crown,snakedress uniform, jacket

Red material vest: Four brass buttons with Australia and Crown Embossed on them. Lined with beige taffeta material. Black silky back. Two pockets in front of vest.dress uniform, vest

Carved wooden rocking chair. Back was originally upholstered in material with flowered pattern on striped background and seat upholstered in hessian. Now re-upholstered in red/black material.furniture, domestic

A Scepter 'X-L 2' racquet with vinyl cover. Handle of racquet sealed in clear plastic. Materials: Composite Materials, Plastic, Adhesive tape, Leather, Nylon, Vinyltennis

A sealed Wilson 'Championship Extra Duty' dome-top tennis ball can. Key winder attached to base. Materials: Metal, Ink, Rubber, Synthetic material, Wooltennis

A sealed can of three Sears 'Butch Buchholz Autographed' tennis balls. Has intact metal ring-pull seal. Materials: Metal, Ink, Rubber, Synthetic materialtennis

A sealed Ten Pro tennis ball can. Has intact metal ring-pull seal and a plastic reclosure cap. Materials: Metal, Ink, Rubber, Synthetic materialtennis

A Swallow & Ariell's Biscuits tin containing six white tennis balls and one yellow-green tennis ball. Materials: Metal, Paint, Rubber, Wool, Synthetic materialtennis

Item is part of soldiers clothing kit and proudly identifies the wearer as 'Australian'.As with all items of kit and clothing, these items can have lasting memories for the soldier.Army shoulder attachment 'Australia' x three. Top two are identical: heavier duty material backing; silver text. 3rd is on a lighter duty material with gold text.'Australia'.diamond valley vietnam veterans sub branch, uniform

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

These volumes reproduce the diary material and the landscapes and sketches of Charles La Trobe, the Superintendent of the Port Phillip District of New South Wales ( 1839- 1851) and Lieutenant Governor of the colony of Victoria ( 1851-54 ). La Trobe is regarded as the man most responsible for the establishment of Warrnambool in 1847. His diaries document his trips to the Warrnambool region in 1845, 1846, 1848 and 1849 before and after the town site was settled.These volumes are of artistic significance being beautifully and expensively produced. The volumes contain information of vital importance to our knowledge of our early Warrnambool history. Other important details in the diary include information on early shipwrecks and the first settlers in our district in our district, especially the Allan brothers..1 This is a burgundy leather bound book of 380 pages. It has gold lettering on the cover and the spine and an oval inset in the centre of the front cover containing a coloured portrait of Charles La Trobe. The pages contain black and white and coloured art works and sketches and printed material. There is a burgundy coloured ribbon for marking pages The book is encased in a hard leather cover with a cut out window with gold edging. .2 This is a burgundy leather bound book of 343 pages. It has gold lettering on the cover and the spine and a rectangular inset in the centre of the front cover containing a coloured sketch of a rock, sea and cliffs drawn by Charles La Trobe. The pages contain sepia and black and white drawings and printed material. There is a burgundy coloured ribbon for marking pages. The book is encased in a hard leather cover with a cut out window with gold edging . .1 Charles Joseph La Trobe AUSTRALIAN NOTES 1839-1854 .2 Charles Joseph La Trobe LANDSCAPES AND SKETCHES charles la trobe, early warrnambool, la trobe journals

This is a small paper back book with a cream-coloured cover with yellow and brown printing. The pages are unnumbered but there are 48 pages containing printed material, copies of photographs and other illustrated material. non-fictionFifty year history of the Grassmere Cricket Associationwarrnambool, grassmere cricket association, cricket, bushfield cricket club, wangoom cricket club, winslow cricket club, woolsthorpe cricket club, purnim cricket club, mailors flat cricket club, woodford cricket club, hawkesdale cricket club, orford cricket club, yambuk cricket club, killarney cricket club

Cream Fuji silk nightdress with flower pattern in the material. Applique embroidery on V neck and cap sleeves. Ties and small pocket at waist. Cut on bias. Edges bound with material.costume, female nightwear

A Slazenger Professional, wood/fibreglass squash racquet, with synthetic handle grip still sealed in original plastic wrap. Materials: Wood, Fibreglass, Ink, Synthetic material, Nylon, Plastictennis