Colour print of Ballarat Horse Tram No. 1 with horses in Wendouree Parade near Depot Junction with passengers loading for its first traip. Photo by Warren Doubleday on 7-11-1992. See also item 4086 for the actual launch photo.Yields information about the launch and the first operation of the horse tram in Wendouree Parade by the BTPS and has a strong association with those involved.Colour print with plain back.tramways, horse tram, tram 1, launch, btps, tramcars, reconstruction, wendouree parade

Most likely the original photo was taken at or around the time of the official opening of the baby health centre. The building is located in Windella Avenue, Kew East and is still extant. The photo is taken in front of the front verandah of the building. This print is on Kodak photo paper, likely printed circa 1978. The East Kew Baby Health Centre was the first such centre built in the former City of Kew, and one of the first in Victoria. Few photos of the building at the time of its establishment are known. Reproduction print of black and white photograph of group of mothers and their babies, with nurse, in front of health centre.Reverse: "East Kew Baby Health Centre". kew east, baby health centre, windella avenue, maternal health, nursing

Handwritten inscription refers to 16th Reinforcements G.S.G (General Service Group). Transported back to Australia via Troop Ship SS Riverina. Printed by Cambridge. Printed at the University Press, for The British and Foreign Bible Society 146 Queen Victoria Street London.Was given to Richard Evans who was born in Chiltern Valley ( who served in WW1 )Blue soft cover fabric weave. Parchment coloured pages with small black print. 64 pages. No. 69029. Pt. R Evans 16th Reinforcements G G G Aus Imperial Forces Abroad 20/11/ 18 Stamped British and Foreign Bible Society Bible House 214/3 Flinders Lane Melbourne. chiltern, chiltern valley, richard evans, ww1, gospel st mark

Colour print showing two W class trams in Harbour Esplanade with the "Telstra Dome" in the background. Photo is probably soon after the opening of the section of the City Circle route in Jan. 2003.Yields information about the Melbourne Docklands.Colour print on paper - Kodak Professional papertrams, tramways, harbour esplanade, docklands melbourne, telstra dome, w class trams

Colour print showing a B class tram (Bundoora RMIT) reversing at the western end of the then new LaTrobe St bridge. This section of track was opened during March 2000 - see Reference.Yields information about the LaTrobe St bridge.Colour print on paper - Kodak Professional Papertrams, tramways, bundoora rmit, latrobe street, docklands melbourne, route 86, b class

A cream programme with purple ink print with a purple border. Also on the front cover are the words, ' Castlemaine Choral Society. Season 1925. 13 th. Grand Concert. Town Hall, Castlemaine, Tuesday, 15th December, 1925. A list of artists follows. The Bendigo Choral Society will also assist. Programme, 3d. W.R.B. Nicholson, Hon. Sec. Inside is the programme. The music is titled, ' Haydn's Creation.'Leader Printprogram, music, castlemaine choral society, lydia chancellor, collection, music, choir, singing, 'haydn's creation, ' castlemaine town hall, buildings, concert, programme, amusements, entertainment, castlemaine choral society, bendigo choral society

The pennant was part of the collection owned by Helen Veitch when she was a student at the Ballarat Teachers' College in 1948. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.)lBlue wool felt pennant with a yellow felt edge with 2 loops stitched to the side edge. The pennant is printed in yellow with the words 'Ballarat Teachers' College' and Coat of Arms.Printed - Ballarat Teachers' College & Coat of Armsballarat teachers' college, pennant, helen veitch

Thirty four page knitting pattern book featuring black and cream printed graphics and text. The colour cover shows a woman wearing a red knitted top and cardigan.front: [printed] Knitwear Classics / By / Evelyn Bellamyknitting, pattern, fashion, knitwear, evelyn bellamy

Photos show BTPS ex Melbourne trams at Gardens Loop or Carlton St Wendouree Parade along with Ballarat Tram 27. At the time W3 661 and W4 671 had not been fully commissioned,Yields information about BTPS Operations and work in 1980Set of three colour prints - BTPS Trams in Wendouree Parade with rounded corners. Has details of the location and dates on each print in pencil on rear along with photographers number.ballarat, tramways, tramcars, w3 class, w4 class, wendouree parade, gardens loop., carlton st, btps, tram 671, tram 661, tram 27

The Malvern Tramways Band (Stonnington City Brass) was one of the leading brass bands in Victoria and Australia for many years. The conductor, Mr Harry Shugg, arrived to conduct the band in 1915 having previously been conductor of the Geelong Harbour Trust Band. Harry Shugg went on to conduct the band for an amazing 31 years where they won numerous competitions. On the back of the postcard is a handwritten message dated 16/12/1921 from Harry Shugg to a M. W. BoinaThis postcard is significant as it presents an photo of a very famous band and their conductor. It is also significant as it has a message on the back written by Mr Harry Shugg with no address which means that the postcard was handed to the recipient. It is part of a series of four postcards which show the different groups that Harry Shugg conducted over his lifetime.Rectangular black and white photograph printed on a postcard. On the back is a hand written message.Back: Printed: "Postcard", "Kodak Australia" "Correspondence | Address Only" Vertical print: " Muntz Studio, Malvern" Message: "To M. W. Boina, Wishing the Compliments of the Season Harry Shugg (Winners South St 1921)"malvern tramways band, stonnington city brass, brass band, victorian bands' association, victorian bands' league, harry shugg

Used for pinning onto clothing or other accessories. Advertisement of the RTBU is printed on one side.A recent item advertising the RTBU.Round metallic badge with the text "WE RUN THE NETWORK" and "RAIL TRAM TRAM & BUS UNION" printed in front in concentric red and white circles. Nestled within are the lines "RTBU" and "THE POWER OF UNION" printed in white, horizontally on a blue background.public transport, rtbu, unions

Slide. Fortuna Hustlers Gold Mine ( Railway Reserve), right of centre, railway goods shed and railway station at top of image.Mitchell and Mollison Streets and Railway Place in image. Shop in Mitchell Street has 'F. Futterer', printed above verandah.No. 28 printed on bottom of slidemine, gold, fortuna hustlers(railway reserve), bendigo mines-jack hattam collection

Green flyer advertising the R.S.L. (Bendigo Sub-Branch) Diggers Carnival Grand Exhibition of Flowers held on the night of Friday, December 3rd, (no year printed). There were 14 competitive Sections for flowers. Prizes are detailed. At the end is mentioned a cookery competition.Cambridge Press Print, Bendigo.event, social, exhibition of flowers, r.s.l. bendigo collection - rsl diggers carnival grand exhibition of flowers, bendigo horticultural society, relief patriotic fund, club building fund, cambridge press print

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).‘Oak Tree’ pattern. Sample of original Morris & Co wallpaper, designed circa 1896 by John Henry Dearle (1859–1932). Oakleaf and acorns in pale blue on cream ground. Sample manufactured ca.1920–ca.1930. Printed border : OAK TREE / MORRIS & COdecorative arts & design, wallpapers -- morris & co, john henry dearle, wall coverings – history, wallpapers – history, interior decoration – history

Time is an abstraction, a filing system used to arrange events and memories into a logical system of cause and effect. This new print was created with images arranged from drawings made while sitting by paths near nature, creeks and overlapping streets. I am a local artist and illustrator with a history of drawing, painting and printmaking.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

When I visit Merri-bek I wonder, when I step on the tarmac of the Barkly Square carpark, what was here before? In fact, at this spot and across Brunswick there were clay pits, which would feed the pottery workshops in Brunswick that produced the pottery, gargoyles and decorative items for Marvellous Melbourne homes and suburbs. Marvellous for those who had profited from gold, property and finance, not so for those working in the clay pits. My print is a contemplation on what is beneath our feet and our relationship to the ground. I am a design academic working at RMIT University and began my print and design practice on a Golding foot-treadle Letterpress machine.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

Merri-bek’s bi-annual collection and the communities’ tendency to dump rubbish makes these temporal sculptures part of the visual landscape of walking in Merri-bek. The collections of personal items, untold stories and connections which we all piece together whilst on an afternoon stroll. Over the years trends in pet ownership and technology advances can be documented in discarded items, also commenting on wealth and material value of objects. I have been living, parenting, working and volunteering in Merri-bek for the last 9 years. As time passes the community and landscape shift and change as does my connection to it. A once dedicated art practice is now tumbled around with life and family. Photography, video, drawing and painting are used to explore ideas around the everyday and meaning we attach to small moments of time.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

With two young kids, I often find myself at Coburg Lake on a weekend, playing amongst the natural beauty of the park area, rugged embankments, local birdlife, and... ‘Bin Chicken Island’. Bin Chicken Island has become a running joke in the community, known for its wafting stench and as an environmental eyesore (never go to the park on a warm day with an easterly breeze). So much so that someone added a campground listing on the island to Google Maps. Whenever I drive past the lake, I always keep an eye out for disgruntled backpackers who have realised that the only camping to be had is by the Bin Chickens themselves. I am a local graphic designer who lives in Pascoe Vale and works in Brunswick. I head up the design studio, Atticus Design.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

The image is based on a 3D component of one of my recent series of jewellery artworks. The heart metaphorically alludes to two locations of Merri-bek. One is Moreland Road, the other is Wallace Street in Brunswick. These locations pinpoint a time of collective trauma and communal experiential reflection. I was born in Brunswick in 1984 and have lived and worked there since. Brunswick for me is filled with stories of family, community, growth, tragedy and history experienced across a Greek Diasporic framework.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

My work is dedicated to the animal residents that cohabit with us in the suburbs. I focused on the Red Wattlebird, as it is always a welcome visitor across the gardens and parks of Merri-bek. The frayed edges of the page from my notebook are reminiscent of the act of note taking and how we remember and observe things in our daily lives. I am a local artist and writer living in Naarm with a studio in Coburg as part of Schoolhouse Studios.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

Ancestral Bouquet is a visual homage to the different plant species each migrant community brought with them to the lands of Merri-bek. It is a celebration of these plant communities and those (elderly migrants) who still know and practice traditional forms of food harvest and preparation. I was born and raised in unceded Wurundjeri Willum Country, in Coburg. My Father lived in the Southern Suburbs of Naarm as a refugee from Palestine, and eventually found Coburg as a place he could fit in as a migrant. My arts practice varies in modalities, and always comes back to the story of displaced cultures, my folklore, and my connection to Coburg and the Merri Creek.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

This image of Coburg Olympic Swimming Pool represents my connection to Merri-bek / Moreland. Being brought up around water, swimming has played a key role in my family and I feel a sense of the community when swimming in a public pool. The gum trees and the proximity of this pool to the river reminds me of my home town, Albury. For me, a public pool is a gathering place, a place of leisure and play, somewhere to learn and grow, spend time and let go.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print

Grey cardboard cover with black print on front, 52 white pages with black print. Coloured map of Anzac area inside front cover showing maps of cemeteries with names & plot locations of those buried who fell in the Great War.Inside back cover: “Printed by H M Stationery Office Press - Harrow”books military, memorials - tombstones, war graves

Prints of photos used in the production by Brian Andrews of the book "By Birney to Golden Square" - item 8533 See items 8637 to 8642 for negatives and prints of the Ballarat and Bendigo photos and related image files held on the BTM See btm8799 - Brian Andrews Photos - Bendigo listing.pdf for listing of the photographs. Demonstrates the work of the photographer.Set of 65 Black and white prints contained within Archival sleeves within an Archival binder.trams, tramways, bendigo, brian andrews, sec tranways

Printed program for the annual house swimming Sports at Watsonia High 1967. Includes sample winners' tickets given to placegetters in each event. [WaHIGH]Part of the Watsonia High collection of Glynne Pietzsch who was a student at Watsonia High in the 1960s.Printed program for the school swimming sports, and samples of place cards.glynne pietzsch, glynne cousins pietzsch, watsonia high school, school sports, swimming

Negative copy of an original print and associated print copy of Ethel Osborne photos of the Duchess of York (later Queen Elizabeth the Queen Mother) with Ethel Elizabeth Osborne opening the Emily McPherson College, 27 April 1927. Sir William McPherson behind the DuchessNegative black and white film 120 6x9 format 2 strips Associated B&W printFuji Safety Neopan SSaudrey osborne, ethel osborne, audrey josephine cahn (nee osborne), ethel elizabeth osborne (nee goodson), duchess of york, emily mcpherson college, sir william mcpherson, audrey cahn

Colour print of the BTPS Sebastopol store late 1978 with trams 11 (part outside), 671, 661 and 33. Tram 33 was taken to the depot on 11/12/1978 when 14 was taken to Melbourne for the 1979 Australia Day Pagent. Photographer unknown.Yields information about BTPS trams stored at Sebastopol late 1978.Colour print on plain paper.tramcars, tramways, ballarat, btps, sebastopol, offsite store, tram 11, tram 671, tram 661, tram 14

Menu printed for the 1965 Golden Jubilee of the SHC Old Collegians' Association DinnerSmall printed menu produced for the 1965 Golden Jubilee dinner for the SHC Old Collegians' Associationold collegians, sisters of mercy, catholic education, ballarat

Taken on 25 October 1930, various houses with the Hume Dam under construction are depicted in the background. The construction of the Hume Dam took place from 1919 to 1936. At the time of construction, it was the second largest dam in the world. It was also one of the earliest civil projects developed after the Federation. Some of the Dam workers consisted of World War I veterans. Dam workers often settled their families in Mitta Junction Village and Wodonga. Archaeological surveys were completed by Austral Archaeology, which was done when the Department of Land & Water Conservation was doing work to improve Hume Dam. The archaeological report that came out of the survey recommended three sites of interest where archaeological excavation should be done: Camp Ganger’s Quarters, Stableman’s Quarters, and the Industrial Dump. The excavation uncovered artefacts. Mitta Mitta: Mitta Mitta is situated between Mount Welcome and Mount Misery. It is named after the river that explorers Hume and Hovell discovered in 1824. The town would eventually become a huge gold mining town. Mitta Mitta is called Midamodunga by the local Indigenous peoples Wodonga: Wodonga is situated on the Murray River and is part of North East Victoria. Hume and Hovell: Hamilton Hume (1979-1873) and William Hilton Hovell (1786-1875). W. H. Hovell was born in Norfolk England and Hume was born in Parramatta, New South Wales Hovell and Hume undertook an exploration journey in 1824 and thought they discovered a river, which turned out to be the Murray River. They returned home in 1825, but returned to the area in 1826 and discovered coal in the area. This photo is historically significant as it shows the Hume Dam under construction in 1930. The Dam was named after Hamilton Hume, who is an important historical figure for this area as he helped discover the area where resources were found.Sepia rectangular photograph printed unmountedReverse: 84-19-5 / 1997.3185/ Values & spillway. / When completed the wall / will be as high as the / scaffolding. [featuring trademark: kodak print]construction, houses, veterans, mitta junction village, hume dam, world war i, federation, wodonga, archaeological survey, excavation, austral archaeology, department of land & water conservation, camp ganger's quarter's, stableman's quarters, industrial dump, artefacts, mitta mitta, mount welcome, mount misery, murray river, hamilton hume, william hilton hovell, hume and hovell expedition