Showing 770 items
matching velvet
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Kiewa Valley Historical Society
Projector
Possibly early 1950sDark brown box with lid and clip fastener. The lid has a handle at the top.Lid & inside of box lined in red velvet. There is a separate narrow compartment for the reel. There is an electric cord and 3 papers. The reel is dark grey steel. The cord is brown rubber and very long. At the front is an attached plastic label with a switch in the centre. There is a black, red and gold disc with a Bell and Howell guarantee. A Registration card indicating model 606 & Serial no. 9039 and another card with a Safety message in 8 languages.On the base: G.B. Bell & Howell / 8 mm projector / Model 606 / 110-250 / volts / 5 Amps A/C/ or D/C/ England London. Above this label is : Lamp 400 Watts Max.. 9039 is printed in silver on the side. Inside bottom of lid: Cabinet by Raddports Pty. Ltd. / NSW / Leatheretteprojector, g. b. bell & hovell -
The Cyril Kett Optometry Museum
Model eye, F Davidson & Co, Dunn's Model Eye, early 20th century
Model eyes were used by students to practise skills of ophthalmoscopy and retinoscopy. This item shows more variety of fundus view and refractive state than most.This fine example is preserved in excellent condition, perhaps through lack of use. It is the most complex of the five model eyes in the collection.Cased metal model eye for teaching ophthalmoscopy and retinoscopy. 17 numbered interchangeable fundi illustrating various pathological conditions. Double cell lens holder in front can hold lenses for retinoscopy. Axis scale on front. 6 lenses provided to simulate various refractive states. Rotating disc changes between 3 pupil sizes. Model eye, fundi samples & lenses enclosed in snap closing wooden case, covered in black leatherette and lined with burgundy velvet.Inside case:'F.DAVIDSON & Co,/ 29 GREAT PORTLAND STREET,/ LONDON, W/ DUNN'S MODEL EYE'optometry, ophthalmology, model eye, teaching, ophthalmoscopy, retinoscopy -
Seaworks Maritime Museum
GODAVARI clock
A clock with a coloured photograph of a frigate GODAVARI and the statue of liberty in the background. A small quartz clock in the upper right corner. Gold writing in the bottom edge stating ‘Presented by The Commanding Officer & Officers.’ There is also a stamp ship crest for the ship GODAVARI next to the writing. There is a wooden stand insert on the secured by two screws. There are two metal holders on the upper part of the display as well. Copwud clock mechanism in the top left corner. Item is housed in blue velvet box with twin clasps.‘Presented by The Commanding Officer V Officers’ The DOGAVARI crest. Lower right corner, verso: PMA0146 On wooden stand holder: PMA0146/1 -
Tennis Australia
Token, 1652
A metal token mounted and framed to display both sides, with an information blurb describing the token as an early form of currency used as change by/at a tennis court and inn complex in Oxford, England. Token is personalised to relate specifically to one of the court keepers, a Thomas Wood. Second information sheet enclosed in pocket on backing of frame identifies the token as the "tradesmen's token" of an Oxford Tennis Court keeper. Materials: Ink, Wood, Metal, Cardboard, Glass, Velvet, Paper, Adhesive labeltennis -
Geoffrey Kaye Museum of Anaesthetic History
Kit, Snake bite, Felton Grimwade & Co
Prior to the first antivenom development in Australia, many of the snake men had a vast array of snakebite remedies they either used for themselves in the case of bites or pedaled to the public. Treatments such as ammonia, strychnine, chlorinated lime, potassium permanganate, suction caps, alcohol, gunpowder, petrol, toad urine, iodide swabs and pig face plant juice were some that were used and sold. The first antivenom produced in Australia was in 1930 for tiger snake bites. Subsequently, in response to public pressure, other antivenoms were produced. Taipan, 1955; Brown snake, 1956; Death Adder, 1958; Papuan black snake, 1959; Sea snake, 1961; and the polyvalent, 1962.Black box with hinged opening and gold leaf printed text on the top. Inside the box is lined with blue satin and velvet, and contains one (1) syringe with glass chamber and metal plunger and black rubber stopper, one (1) glass bottle with a label stating it contains chloride of lime, one (1) glass bottle with a label stating it contains pure alcohol and two (2) needles with metal connectors, one of which is broken. There is also a small wooden block with a groove in the top of it.Gold lettering on top of box: CHLORIDE OF LIME ANTIDOTE / FOR / SNAKE BITE / FELTON GRIMWADE & CO. / MELBOURNE.hydrochloride lime, alcohol, antidote, venom, snake bite -
Port Melbourne Historical & Preservation Society
Document - Scrapbook, J Kitchen & Sons Pty Ltd labels, J Kitchen & Sons Pty Ltd, c. 1930
Large scrapbook (99 pages) of Kitchen's labels (e.g Velvet, Solvol, electrine), soap wrappings, posters and candle box covers . Thick cardboard cover with dark green spine . Brown paper pages. Some handwritten notations e.g. "K Wood Feb-y 1928". Dates from 1927 to approx 1933. Some loose labels (page 82) in a plastic sleeve (so added recently). Stamp inside front cover "Unichema Aust Pty Ltd (inc in NSW)industry, manufacturing, advertising, domestic life, j kitchen & sons pty ltd -
Whitehorse Historical Society Inc.
Accessory - Hat pins in box, c1950
Worn by Martha Edwards of Forest Hill (donors grand mother).1 hat pin with large pearl top|.2 hat pin with small pearl top|.3 hat pin with small pearl top|.4 hat pin with small silver top|.5 hat pin with round silver top| .6 hat pin with round silver top|.7 hat pin with silver top[|.8 hat pin with silver top|.9 green velvet covered jewellery box satin and suede lined. (Total 9)costume accessories, hat accessories -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family, 1889
1889 Wedding Day of Robert and Bessie Anderson.Robert Anderson Snr. on Wedding Day with second Mrs Anderson.. Robert Anderson seated, dressed in suit with waistcoat. Bessie Anderson standing dressed in skirt and velvet jacket with vest and ribbon and cameo at throat. Seems to be some confusion on the Family Tree re Robert's 2nd wife's name. There is confusion as to whether Robert Snr's 2nd wife was Bessie Fleming or Annie Grant. Photo is titled Bessie but it may be Annie?? Lee O'Donnell, descendent of Wilhelmenia, believes it is Annie.T.Teed. St. George's Studios, 238 Bourke Street, Melbourne.local history, photography, photographs, slides, film, robert and bessie anderson, wedding day, sepia photograph, mrs emma anderson jacobs -
Flagstaff Hill Maritime Museum and Village
Container - Metal Case, To. Jindudo, Mid-20th century
The purpose and contents of the case are unknown. However, the word "Kwairobai" has been used in a group of words listed as solid fuels - coal, coke, fire wood, charcoal and spunk and ‘Kwairobai’ - in a 1939 book 'Consular Reports Issue 31' in reference to the publication of Japanese Trade-marks. This particular Trade-mark, No. 53, is a "cross in a triangle". the maker was To. Jinjudo of Osaka, Japan. This case belonged to Dr William Roy Angus and is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, 1901-1970, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Force. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This case is an example of objects belonging to Dr. W. R. Angus, 1901-1970, surgeon and oculist. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Case, a rectangular brass case neatly covered in brown velvet fabric with a paper label attached. It has a long sliding cover with three rows of cutout stars with a red background, and a decorative brass thumb grip at one end that has three Japanese characters on it. Inside are three cylindrical rolls of white fabric with unknown contents. The label has English and Japanese text, and a logo with three Japanese characters. It was made by To. Jimjudo in Osaka Japan. This object is part of the W. R. Angus Collection.On the label and thumb grip; [unknown] Japanese characters On the label; “KWAIROBAI / KIMIGASODE / MANUFACTURED BY TO. JINJUDO / OSAKA JAPAN”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, dr ryan, w.r. angus collection, metal case, velvet covered case, kwairobai, kimigasode, to. jinjudo, osaka jap -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: 1959 'TELLING THE TALE' CALENDAR
A large 1959 calendar with a print titled 'Telling the Tale.' The print depicts 9 gentlemen enjoying a dinner in the late 18th century. The room has a carved stone fireplace, oak panelling and many shooting trophies. The clothes being worn are typical of the 1770's Coats of velvet, elaborate waistcoats and lace ruffles at the throat and wrists. The artist is Vine Lerche. A Bemrose Gravure Reproduction. Morgan Fairest Ltd. Sole manufacturer of the 'Banks' Labellers. Sheffield 4 England.drawing, reproduction, calendar, lydia chancellor, collection, calander, history, print, 18th century history, 'telling the tale, ' vine lerche, art, artworks, 18th century clothing, drawing -
Bendigo Historical Society Inc.
Medal - JOSEPH DAVIES COLLECTION: MEDAL 1909, 1909
Joseph Davies collection, bravery award medal awarded to Joseph Davies for an act of bravery in rescuing a fellow miner from a shaft of the Goldfields Consolidated mine Bendigo after an explosion on July 16th 1909. Circular medal with a blue and gold ribbon & pin clasp, showing 2 miners on one side and the word Courage, bust of Edward VII on other side, name Joseph Davies etched on rim. Encased in a red leather box with satin & velvet lining.trophies & awards, public events, bravery -
Bendigo Historical Society Inc.
Ephemera - GREETING CARD, 1898
Greeting Card: Rectangle shaped Forget Me Not Christmas Greeting Card with green velvet cover. A Cream coloured moulded plastic like material fan shaped over a cream padded fan shaped silk material. 'Forget Me Not' is inscribed and has a cream ribbon woven through the fan. Painted flower across the front. Small metal lace work is in the left hand corner. The back is card with Christmas 1898' hand written. Back is torn. Box 625.ephemera, mementoes, christmas, christmas greeting card -
Bendigo Historical Society Inc.
Clothing - WOMEN'S LONG FAWN SILK SKIRT WITH TRAIN, 1900-10
Women's long fawn silk skirt with train. Fawn silk lined, 3 panels in front, 4 panels in back. Plackett in front seam with 5 hook & eye fasteners. 1inverted pleat at centre back, 2 V shaped inserts at lower back giving fullness. Much fuller at back, with a flat front. Two hooks at rear waist to attach a bodice. Matching velvet ribbon - 1 cm wide lining the hemline. Machine & hand stitching.costume, female, long fawn silk skirt with train -
Bendigo Historical Society Inc.
Accessory - F. G. JONES COLLECTION: MASONIC JEWEL, 1950
Object. Masonic Jewel - Presented by Lodge No. 52 Zenith Lodge Past Masters jewel 1949 1950. Jewel consists of a mason's square, suspended from a sky blue ribbon with stylized acanthus scrollwork top and bottom. Housed in a black rectangular box with hinged lid & small brass clasp & lined with grey velvet & cream silk. Engraved on back Presented to Wor. Bro. F. G. Jones. P. M. 1949 1950 by Zenith Lodge No 52, Bendigo.societies, freemasons, regalia, f. g. jones collection, masonic jewel, zenith lodge no. 52 bendigo -
Bendigo Historical Society Inc.
Clothing - LEATHER HAT BOX, 1887
Leather, oval shaped hat box (in which is stored a men's silk top hat - 11400.834). Lined in blue velvet, and blue silk. Looped handle, 29cm long, attached with 2.5cm circular metal studs - possibly brass. An oval shaped insert, lined with blue velvet and silk, hold the inverted top hat. This hat was owned by John Sargood ( refer enclosed notes) whose initials are marked on trhe hat-box - J.S. - two cms high. An internal strap of black fabric, has a leather tab at one end with a metal key shaped fastener. Unfortunately the other end is broken off. This strap would hold the hat in the cavity. An outer leather strap, 4cm wide passes over the lid, and fastens at a 6.5cm diameter, circular metal disk with key lock. End of this strap is also broken - a piece of leather is inside the hat box. Strap is marked with a two cm high letter H which lines up with the owners initials when closed J.H.S..Sargood Family Notes in Clothing Box 157.costume accessories, male, leather hat box -
Warrnambool and District Historical Society Inc.
Box, Bouquet of Roses Toilet Soap, Mid 20th century
The business of Kitchen and Sons began in 1856 when John Kitchen began to make tallow candles in their backyard in Emerald Hill but had to move two years later due to it being an offensive trade. Bad luck plagued them again after two years when fire destroyed their premises. However after rebuilding , the expanded and moved to Footscray ten years later. Over the next 30years the business expanded further employing upwards of 300 people and became one of the leading manufacturers of soaps, candles and associated products in Australia and New Zealand. They were makers of long standing brands such as Velvet soap and Solvol and by the mid 1920's were employing about 1400 people. It was around this time that they merged with the Lever Co of Sydney and after absorption of other soap companies over the next 40 years , the company became known as Lever & Kitchen in 1962. This box contained gift soaps and probably belongs to the period prior to 1924. Miss C M Trigg of Wangoom was the owner. A common item with links to a district family.White card box with overlapping lid which is covered in white paper with green and red text. A red banner across right bottom corner. Light grey floral pattern as background.Miss C M Trigg Wangoom written in black ink on left corner. Made by J Kitchen & Sons Pty Ltd.warrnambool, warrnambool history, wangoom, c m trigg wangoom -
Ballarat Fire Brigade
Trophy, prior to May 1888
Large silver shield with highly detailed casting & hand engraving of a scene from the garden of eden. Shield is approximatley 630mm W x 850mm H surrounded by a 70mm wide mauve velvet material band. A gold curved rectangular plate withthe donor and winner name is set into the band. Shield was presented to the brigade in Sydney in May 1888 for first prize in the hose & ladder event as part of the centenial demonstration. Trophy was donated by the Australian Mutual Fire Insurance Society and presented by Walter Church, Manager.Centennial Demonstration / Sydney May 1888 / Hose & Ladder / First Prize Won By / W.Trahar, P.Cockburn / W.Smith, R.Young / W.Perkins, R.Johnstone / A.Reynolds, J.Coward / Captn W.Trotman, Apparatus Off W.Dark. (on gold plaque) Presented by the / Australian Mutual Fire / Insurance Society / Walter Church, Manager / Won bysydney, centennial-demonstration, sydney-may-1888, may-1888, hose-and-ladder, first-prize, w-trahar, w-smith, w-perkins, a-reynolds, p-cockburn, r-young, r-johnstone, j-coward, captain-w-trotman, apparatus-officer-w-dark, australian-mutual-fire-insurance-society, walter-church -
Bendigo Military Museum
Uniform - BADGES, C.1939 - 45
Badges belonged to Thomas Henry ISER V24933 and VX102660 2nd AIF. Refer Cat No 383.2 for his service history..1,.2) Badge, "AUSTRALIA" shoulder, blackend brass with brass split pin. .3,.4) Crown shaped metal badge signifying rank of major with brass back plate holding maroon velvet, plush fabric, dark bronze with split pins. .5,.6 & 7) Badge, rank "pip" officer with brass split pins. central circle with three acorns surrounded by circle bearing motto, a third circle has a chain and this whole section is squared off with stylised leaves or feathers making a pointed edge"TRIA JUNGTA IN UNO" motto surrounding acorns in reliefnumismatics-badges-military, army uniform -
Flagstaff Hill Maritime Museum and Village
Clothing - Mourning Outfit, petticoat, Late 19th to early-20th centuries
This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The full-length black silk tailor-made petticoat is one of three pieces of a ladies’ Edwardian mourning outfit. The petticoat is made from black silk lined with lightweight cotton. The petticoat and lining are constructed from eight panels each, brought together at the waist and gently gathered into the band. The back seam opening is fastened with brass hooks and fabric eyes. The lining has been reinforced with a heavier-weight hem. The hemline is finished with black velvet ribbon than encloses both the petticoat and lining. flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria, petticoat, undergarment, slip -
Bendigo Military Museum
Memorabilia - MEDALLION, BILLIARDS CHAMPION 1951
The medallion is a 1951 Commemorative being 100 years of Government and discovery of gold in Victoria. The winner K.M. Mcleod is believed to be Kenneth Meadowbank McCleod. He enlisted initially in 1915 but was discharged medically unfit in 1916, re enlisted in 1917 No 3840 and served in the 4th LH Regt, discharged from the AIF on 6.12.1919. Refer Cat No 1805P. There were two Billiard Tables in the Soldiers Memorial Institute in what was called the Billiard room. This was a source of income for the Bendigo Branch for some 70 years. One table was sold in 1967 as usage had declined and the last one was sold in 1994..1) Medallion circular bronze, front depicts 2 gold miners, oround outside is text, centre is engraved with details of who was presented with the item. Rear has a depiction of a horse carrying a man and a woman which depicts "Equality & Justice is Freedom" .2) Container for the medallion, rectangular shape brown colour, front has in gold a Coat of Arms with "Victoria" under. inside lid is a cream silk lining with the makers details in gold, medallion is set in red velvet. lid is hinged in brass with a brass closing catch.On face of Medallion, "Centenary of Government of Victoria 1851 - 1951". Centre of Medallion, "Awarded to K.M. McLeod Bendigo RSL Centenary Billiards Champion"brsl, smirsl, medallion, billiards -
Flagstaff Hill Maritime Museum and Village
Functional object - Spectacles and Case, Carter & Foord, 1902-1930s
The spectacles and case are an example of eyewear from the early 20th century. The case was made by Carter & Foord of Ballarat. According to the tag inside, the spectacles frame cost three pounds, three shillings and sixpence (£3.3.6). Carter & Foord was established in 1902. The firm advertised as opticians, oculists, watchmakers and jewellers. The staff repaired scientific instruments and were sole agents for the gramophone, demonstrating its advantages whenever there was an opportunity. In 1902 the business was located at 46 Lydiard Street, Ballarat. The staff in the ophthalmic department, under the care of Harold Foord, specialised in sight testing using up-to-date equipment and this service was free of charge. Customers were promised that they would be fitted with glasses guaranteed to correct the most complex sight. Mr F M Clacius performed the grinding of specific lenses. Julia Carter, Harold Foord and Clacius were all formerly from the business Carter & Warner, which had been sold to Frederick Clark around 1903 after Mr Carder passed away. Carter & Foord operated a few doors away from the former business. In 1912 advertisements in the Geelong Advertiser invited the community to visit Harold Foord, of Carter & Foord, to have their eyes examined at no charge. These spectacles are similar to others in the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The W.R. Angus Collection spans the years 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria, with whom Dr Angus worked for several years. Dr Tom and his brother had worked as surgeons including in eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant and had been Acting House surgeon at the Nhill hospital where their two daughters were born. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later took on the part-time role of Port Medical Officer and was the last person appointed to that position. After convalescing from injury resulting from his service during WWII, Dr Angus studied ophthalmology at the Royal Melbourne Eye and Ear Hospital. He created cosmetically superior artificial eyes by pioneering the use of intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering artificial eye improvements. He had been an Honorary Consultant Ophthalmologist at Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.The Carter &O Foord spectacles are significant as an example of early 20th-century eyewear and fashion. They are connected to the history of regional Victoria, being made in Ballarat and purchased for local use. The spectacles are significant for being connected to the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1938 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Other items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army.Spectacles in a hard brown textured case with rounded corners and a hinged lid. The case is lined with brown velvet. The opaque yellow oval frames, raised at the outer top corners, are decorated with sparkling jewell decorations on the bridge. The arms are reinforced with metal inside. Also in the case is a pale blue cleaning cloth and a cardboard price tag with handwritten text. An inscription in gold lettering is stamped inside the case. The case was made by Carter & Foord of Ballarat. The design of the frames is called ‘ewell These spectacles are part of the W.R. Angus Collection.Stamped: “CARTER & FOORD / STURT ST BALLARAT” Handwritten label: “JEWELL / £3.3.6”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, nhill base hospital, mira hospital nhill, oculist, spectacles, eyewear, glasses, carter & foord, ballarat oculist, w.r. angus collection, ophthalmology, royal melbourne eye and ear hospital., artificial eyes, intrascleral cartilage, eye surgery -
Uniting Church Archives - Synod of Victoria
Travelling Communion Set, c1940s
The Rev A W Pederick was a chaplain who served in the New Guinea Campaign during WWII. His service included the Kokoda Trail. Brown leather carry case with a brown metal base, a carry handle and two lockable latches on the font. The box has a blue velvet lining. The box holds a paten, diameter 12.0 cm, and a wafer tin which are held in pouches in the lid. Two bottles with cork and silver lids are in fitted compartments inside the box which also contains a small white embroidered cloth. There is embossed gold lettering on the front of the box. The box also holds a letter from the Rev Douglas W Risstrom."CHAPLAIN A. W. PEDERICK" inside the lid: "The gift of the Methodist Padres Auxiliary of Australia"portable communion set, rev a w pederick -
Bendigo Historical Society Inc.
Clothing - LADIES PINK CRUSHED VELVET LONG SLEEVED JACKET, 1950's
Clothing. High round neckline, full length, centre front opening - rounded at the lower edge, and trimmed with two velvet covered buttons, under which is a small metal hook and eye to fasten at the waistline. Sleeves are full length, and trimmed with two fabric covered 2.5 cm buttons at the top edge of a 9.5 cm opening - this may have been a turn-back cuff, or a peaked edge. Left turn back is badly worn. The jacket is fully lined with a similar colour, nylon fabric. This is a home sewn garment.costume, female, ladies pink crushed jacket -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLACK SKIRT/TULLE/ VELVET UNDER-SKIRT OR PETTICOAT, 1890's
Clothing. This petticoat is multi-layered with one layer of taffeta at the hemline, with black velvet, the top edge of which is scalloped-55 cms deep, and finished at the top edge - the scalloped edge, with a cotton braid 2mm deep. Two layers of tulle, over the taffeta, are gathered into a 1 cm wide waistband, which fastens with a metal hook, but no loop is visible. A 23 cm long plackett has a metal press-stud closure. Two cotton tape loops - 10.5 cm long are attached inside the waistband.costume, female underwear, black silk/ tulle/ velvet petticoat -
The Beechworth Burke Museum
Textile - Banner, c1872
This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. Back panel is painted design of two men. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. Silk macrame fringe and tassels to central panel and padded lotus and bowl motif hanging tassel from side panels. Velvet lettering applied to front "CHINA" CHINA /beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes -
Warrnambool and District Historical Society Inc.
Headwear - Lady's boudoir cap, Hat, Early 20th Century
This boudoir cap was worn by women wearing a negligee in the 19th century in their boudoir in the morning. In the early 20th century women wore these boudoir caps while sleeping to protect their hair styles. The name "Ogier"' inside the cap indicates that it has a connection to the Ogier family in Warrnambool.This is an interesting example of a woman's head-wear in the past.This lady's boudoir cap has white, discoloured, net with floral woven edging and leaves and dots in the body of the net. It is circular in construction drawn on thread to the centre of the head and decorated with a tassel folded over. There are two layers of lace, the bottom one is attached to a black, velvet covered wire and has bunched flowers with violet ribbon as decoration. The top layer also has the bunched flowers. The cap is lined with cream silk. The lace hangs down at the back. The brim is stiffened inside as is the crown. On the item inside is a small piece of red ribbon with a name written. OGIERvintage women's clothing, boudoir caps -
Tennis Australia
Velvet box, 1963
Velvet-lined box (1/8 ) set of silver plate (2/8) and six cups (3-8/8). Plate inscr: 'EHRENPREIS/DES REGIERUNGSPRASIDENTEN IN KOLN/ANL. DER INT. HALLEN-TENNIS MEISTERSCHAFT/VON DEUTSCHLAND/1963/HERREN-DOPPEL'. Base of plate stamped: 'WILKENS' and with graphical stamps and '835' and '7837'. Cups are stamped same except third number is '7836'. Adhesive brand label on base of each cup is 'ANLAUFGESCHUTZT'. Adhesive label on base of box states: 'A.WORTMANN/JUWELIER'. Materials: Silver/Metal, Woodtennis -
Warrnambool and District Historical Society Inc.
Photograph, Old Lyndoch - Photograph of Painting, Late 19th century (original painting); late 20th century (photograph of painting)
This is a photograph of a painting by the noted artist George Webb (1861-1949). Webb was best known for his portraits of civic dignitaries in Melbourne and Adelaide but he also produced many landscapes and seascapes. Some of these feature Warrnambool landmarks as he married, in the late 1890s, Christina Lake, the step-daughter of George Rolfe who owned the property known as ‘Lyndoch’, near the mouth of the Hopkins River. Webb painted the early cottages at ‘Old Lyndoch’ using a photograph taken some time earlier. The painting was given to Dick Allan, the chauffeur in the employ of Florence Lake, Christina’s sister. Florence Lake owned and resided at Lyndoch after her parents’ death. Dick Allan’s son, living in Tasmania, acquired the painting and Les O’Callaghan obtained the photograph of the painting from him. Although this is only a photograph of an original painting, it is of some considerable importance as the painting has great historical significance and this is the only representation we have of it. The man in the photograph represents George Rolfe and the story of Rolfe and his ownership and development of the property of Lyndoch is an important one in Warrnambool’s history. The original by George Webb is also an important work of art in its own right.This is a colour photograph of a painting. The frame of the original painting can be seen at the bottom of the photograph. The photograph is in on old frame which has two wooden edgings with the outer one having an ornate gold plaster edging and an inner one with a gold velvet insert next to the glass. The ornate gold plaster has a piece missing near the top left hand corner. The photograph is set into a gold-coloured wooden frame inside the glass. The photograph is mounted onto cardboard and covered with cardboard at the back with a small piece of wood attached (from the original frame). The backing is nailed on. lyndoch, george webb, george rolfe -
Stawell Historical Society Inc
Photograph, Mrs Eliza Chamings nee Harris, William Harris, Ursula Chamings & Granny Harris -- Studio Portrait
Eliza Chamings nee Harris. William Harris. Ursula Chamings. Granny Harris.B/W photo Studio seated adults with standing child. adult daughter sitting in straight backed chair wearing light suit with braid on hem, long sleeved white blouse, father sittinginrolled armseatreceeding hair line and beard in grey three piece suit with fob watch, grand daughter Hair in ringlets bow in hair,lace collar briad yoke velvet? dress, mother black ornate bonnet with black ribbon tied to head black long sleeved dress sittin gin straight backed chair,Eliza Chamings nee Harris, William Harris, Ursula Chamings, Granny Harris. Reverse stamp W.J. Chapman Photo Stawellstawell -
Bendigo Military Museum
Award - MEDAL SET WW1, Post 1918
Medals were all awarded to soldiers returning from active service that identifies campaigns in which they served. Awarded to George Bailey Jackson No 2172 AIF. Refer 3446P for his Service details. Set of 3 WW1 service medals court mounted. 1. The 1914-15 Star - Red, white & blue ribbon with gold medal, star shaped, crown on top and crossed swords. 2. British War Medal 1914-1920. Orange ribbon with blue and white edges. King George on front of round silver medal, and mounting horse on back. 3. The Victory Medal. Purple, green, yellow and red ribbon, gold circular medal with angel on front. Inscription on back. Brass pin on back of blue velvet mount.1. 1914 Star has year 1914-15 Inscribed. 2. British War Medal - Inscribed "Georg IVS Britt. OMN: REX ET IND: IMP. 3. Victory Medal - on back -"The Great War for Civilisation 1914-1919. The name, rank & unit of the soldier is also stamped on each medal.passchendaele barracks trust, ww1 service medals, g. b. jackson