Showing 811 items matching "australian border"
-
Eltham District Historical Society IncDocument - Folder, Shillinglaw family
Phillip Shillinglaw and four of his children arrived in the Port Phillip District in 184, travelling on the "India". His grandson, also Phillip, settled in Eltham where his house, Shillinglaw Cottage, still stands. Contents Sleeve containing list of "Descendants of George Shillinglaw". Sleeve containing "Bird family tree". Sleeve containing "Kidd family history". Sleeve containing Shillinglaw and Aldous connection Flier: "150th Anniversary Shillinglaw Family, 20 October 1991". Photograph: Shllinglaw group, 1 January 1909. Photograph: Shillinglaw group with carriage, 1907. Sleeve containing two lists of Bunker family members. Letter Ken Shillinglaw to EDHS, 12 December 1980: Provides information on Shillinglaw family and Shillinglaw Cottage. Newsletter items: "Shillinglaw Family History:, Eltham District Historical Society, January 2008 and March 2008. Email Helen Castafaro nee Shillinglaw, 7 March 2013: Enquiring about Shillinglaw family bible. Funeral notice and Tribute: Melva Lucie Richards, 2 October 2017. Journal article: "Glad were they to rest on Australia's Shore", Ancestors, March 2008. Elizabeth Crawford's story of Philip Shillinglaw and children. Printout, "Eltham Court, Tuesday, February 21", Advertiser, 22 February 1929.Elizabeth Shillinglaw fined for filing to destroy noxious weeks under the Vermin and Noxious Weeds Act. Sleeve containing "About the Shillinglaws", Borders Family History Society Newsletter 5, November 1987; map of Shillinglaw Wall; leaflet "Traquair"; Note that material is not connected to Eltham Shillinglaw family according to Margaret Ball September 2017. Newspaper clippings, A4 photocopies, etcgeorge shillinglaw, thomas shillinglaw, william shillinglaw, andrew shillinglaw, philip shillinglaw, anne shillinglaw, caroline shillinglaw, edward edwards, philip edwards, caroline edwards, james edwards, charlotte edwards, margaret edwards, edith edwards, elizabeth edwards, marth edwards, sarah ann kidd, sarah ann shillinglaw, jane shillinglaw, christopher watson, jean watson, elizabeth ann shillinglaw, mary ann shillinglaw, margaret susan shillinglaw, alfred philip shillinglaw, arthur james shillinglaw, florence may shillinglaw, edward thomas bunker, edward ernest bunker, sebella doris noye, florence joyce bunker, graham leslie gibson, lehanne gibson, glenn leslie gibson, janine gibson, ernest geoffrey bunker, shirley mary sealy, wayne geoffrey bunker, jennifer thorton, leslie bunker, anthony bunker, bruce bunker, christina bunker, robin gaye bunker, colin anderson, malcolm stewart anderson, yana gaye anderson, alisha rae anderson, carley johanna anderson, debby lee bunker, christopher alan mcgeachin, ronald graham woof, benjamine alan mcgeachin, scott william mcgeachin, justin lee mcgeachin, brit raymond woff, kerry ann woff, ronald james woff, sharon mary bunker, dennis alfred kernaghan, terry alfred kernaghan, jason jeffrey kernaghan, michelle ann bunker, christopher hayes, ian lindsay eastlake, shane anthony bunker, arron john hayes, cheryl eastlake, troy william eastlake, philip alan bunker, ethol myra bunker, richard johnson, sadie forence bunker, walter hardley, margaret hardley, ernest john ball, robert john ball, sharon ann ball, damien sproule-carroll, kieran peter sproule-carroll, riley john sproule-carroll, tyson josh sproule-carroll, elyshia jade sproule-carroll, elizabeth hardley, john ewan horton, keith campbell bell, paula nash, sarah mounsey, winona horton, ned robert horton, archie james horton, kiraly ewan horton, andrew burgess, finley rusty burgess, rose elizabeth jonty burgess, zoe vera pat burgess, wade james ewan horton, simone o'reilly, matthew john ewan horton, ethan jude walter horton, william john leslie horton, ada eveleen bunker, walter britton, lorna valerie britton, graeme bunton, donna lee britton, steve mcleod, gavin mcleod, dannielle mcleod, nicole mcleod, adam mcleod, andrew graeme bunton, lyle walter britton, denise britton, karen britton, robin britton, zade lookie, ryan lookie, matt lookie, graeme britton, wendy harris, jason britton, laurel britton, marjorie eveleen britton, brian reid, paul reid, diane reid, brandon reid, catelyn reid, julie reif, ronald edward britton, megan britton, sean britton, michelle britton, dorothy joan britton, graham paul, deona paul, lucas paul, fletcher paul, cohen paul, oakley paul, ian leslie britton, gordon keith bunker, jean kinsmore, alan gordon bunker, lorraine bunker, jimmy pryor, sue pryor, lindy pryor, craig pryor, dannielle pryor, jessica pryor, dylan pryor, kaytlin pryor, davin pryor, rebecca pryor, nicole pryor, maurice bunker, marjorie mcnelley, maurine isobel bradley, rowina lee bunker, justin dale bunker, doris bunker, eva bessie bunker, john ramsay trevena, myra edith trevena, jeffrey charles amey, carolyn amey, michael andrew aitkin, wesley matthew amery, june dulcie trevena, michael scorgie, mark andrew scorgie, vickie berry, nyssa scorgie, paul timothy scorgie, philip david scorgie, marien ludus, peter john trevena, lesley richardson, craig trevena, lisa helen trevena, rhonda jean trevena, richard maurice lawrence, matthew stewart lawrence, glenn richard lawrence, ernest samuel shillinglaw, anna lucy barlow, melva lucie shillinglaw, donald george richards, katheryn lucille richards, philip scicluna, leslie ernest shillinglaw, kenneth ernest shillinglaw, valerie joy shillinglaw, lynette ann shillinglaw, heather marie shillinglaw, philip john shillinglaw, raymond leslie shillinglaw, ada maria shillinglaw, william pearce chrisfield, mary shillinglaw, william james somerville, joseph shillinglaw, jane davidson, samuel shillinglaw, agnes mary mcintosh, arthur samuel shillinglaw, agnes mary shillinglaw, barbara ethol shillinglaw, lillian muriel shillinglaw, elsie gladys shillinglaw, catherine shillinglaw, edward bottle, sarah shillinglaw, charles aldous, margaret shillinglaw, james shillinglaw, elizabeth shillinglaw, john docherty, ann shillinglaw, william henry long, john peter long, mary ann long, elizabeth ann clements, doras pearce, lillias long, bertha long, eliza long, arthur long, hedley long, agnes long, philip thomas long, martha agnes long, ella-fanny long, martha shillinglaw, william lilburne, liliac whilhelmina lilburne, arthur edmond lilburne, claire jepson, william harvey lilburne, john ross, margaret wilson, james bird, mary ann bird, william bird, sarah ann bird, william kidd, caroline bird, jane bird, maria bird, george stebbing, george kidd, janet bird, ship fairlie master r cowan, janet kilpatrick, william james bird, mary jane bird, george hugh bird, edwin john bird, edward ernest pepper, george pepper, ernest henry pepper, francis pepper, howard pepper, david pepper, jessie pepper, ivan pepper, evelyn bird, ernest reginald bird, arthur andrew bird, ellen may bird, ada janet bird, helen lyon, harold bird, roger bird, william mealy, edwin mealy, lloyd mealy, warwick mealy, winifred mealy, janet mealy, stan lowe, dave lowe, alie lowe, beryl lowe, ted lowe, lily low, elleen lowe, samuel kidd, john kilpatrick, mary gilmour, james logan, ship talbot, thomas kidd, sarah kidd, james kidd, caroline kidd, adeline kidd, sabina kidd, susan kidd, jane kidd, mathew kidd, maria kidd, mary kidd, james kilpatrick, sarah boxen, jane kilpatrick, hugh kilpatrick, mary kilpatrick, william bridbane, sarah kilpatrick, william kilpatrick, andrew kilpatrick, david kilpatrick, emily saunders, montague pepper, william pepper, catherine pepper, albert pepper, henriette pepper, alexander pepper, alice pepper, edward pepper, sarah pepper, sarah bird, mary bird, george bird, edwin bird, ada bird, ellen bird, arthur bird, reginald bird, carline bird, ruth logan, john logan, jane logan, william logan, helen logan, andrew logan, hugh logan, mary logan, sarah logan, sarah anne bird, ernest pepper, frank pepper, jne perrin nee brown, marriott's market garden bentleigh, david lowe, alice lowe, ten lowe, lily lowe, eileen lowe, nell bird, 204 pitt street eltham, wendy bird, very bird, bird bros eltham, yarra valley mills, marlene bird, duncan fraser, view hill pitt streeet eltham, eltham methodist church, hilda pepper, rickliffe stret eltham, view hill crescent eltham, ann tonkin, james clark, margaret tonkin, richard martin, sarah tonkin, duncan mccallum, isabella tonkin, thomas giblett, flora tonkin, john sinclair strachan, carol tonkin, samuel wood, charlotte tonkin, john thomas moyes, albertha tonkin, leslie frederick burley goodwin, alexandrina hutchinson tonkin, william henry johns, florateina tonkin, benjamin clayton, henrietta tonkin, william johansen, caroline farie kidd, ruth wilson, alexander stewart, james george reynolds, alice jackson reynolds, william henry mills, alfred mason, matthew kidd, mary ann kidd, alexander kirk stewart, caroline fairlie kidd, grace mckenzie, james leslie stewart, william alexander stewart, olive rose stewart, alfred henry grimshaw, john lee grimshaw, mary yates, angus george stewart, percival roy stewart, clive thornton stewart, amy cunningham, mary anne kidd, james g renolds, william a williams, aldous family, barlow family, bird family, blemmier family, bottle family, britton family, brown family, bunker family, crichton family, christfield family, docherty family, hobson family, hardley family, johnston family, kidd family, kinsmore family, lilburne family, long family, macrobinson family, mcgrath family, mcintosh family, mcnelley family, murphy family, noble family, noye family, somerville family, taylor family, trevena family, trivett family, watson family, white family, margaret ball, corrie shillinglaw, carrie watson, melva lucie richards, kathryn richardson, barque india, ship roland, shillinglaw cottage, raymond shillinglaw, valerie shillinglaw, lynette shillinglaw, heather shillinglaw, melva lucie richards nee shillinglaw, carrie shillinglaw nee watson, j r trevena nee bunker, w hardley nee bunker, sadie hartley nee bunker, dupplin gardens coburg, jean shillinglaw nee blemner, sarah ann shillinglaw nee kidd, helen castafaro nee shillinglaw, lesley ernest shillinglaw, helen shillinglaw, jean shilling nee blemner, sarah aldous nee shillinglaw, florence may beerereg nee shillinglaw, elizabeth annie mooney nee aldous, james mooney, percival john aldous, ada lillian wilson nee aldous, charles douglas wilson, alice blemner gunn nee aldous, ernest james gunn, ethel vera brian nee aldous, thomas lindsay brian, peter brian, thomas brian, john aldous, anna marion aldous nee read, elizabeth ann aldous, elizabeth annie aldous, florence may aldous, alice blamire gunn nee aldous, william beere, charles peace, ethel vera aldous, phillip shillinglaw, elizabeth crawford, ship india, martha lilburne nee shillinglaw -
Victorian Railway History LibraryBook, Holmes, Lloyd, Steam Across The Border, 2012
A history of the cross border railway at Wodonga-Albury between Victoria and New South Wales.ill, maps, p.72.non-fictionA history of the cross border railway at Wodonga-Albury between Victoria and New South Wales.railroad operations - australia - history, rail gauges - australia - history -
Victorian Railway History LibraryBook, Jennings, Reece, Line Clear 100 Years of Train Working Adelaide-Serviceton, 1964
A history of the South Australian Government Railways southern railway from Adelaide to Serviceton across the Victorian border .ill, maps, p.80.non-fictionA history of the South Australian Government Railways southern railway from Adelaide to Serviceton across the Victorian border .railroad operations - south australia - history, railroad construction - south australia - history -
Victorian Railway History LibraryBooklet, Alexander, W. Brian, Casino and the Murwillumbah Branch, 1991
A pictorial history of the branch line railway from Casino in northern N.S.W. to Murwillumbah near the Queensland border.ill, p.48.non-fictionA pictorial history of the branch line railway from Casino in northern N.S.W. to Murwillumbah near the Queensland border.railroad operations - new south wales - pictorial works, locomotives - new south wales - history -
Bendigo Military MuseumBadge - LAPEL BADGE, RAA 8th DIVISION
WW2 Royal Australia Artillery, 8th Australian Division lapel badge. Badge believed to belong to PTE Alfred William Baron VX29810. Part of the Cooper Collection.Horizontally aligned oval enamel and metal badge divided diagonally red over blue and edges with a grey border. Metal pin on back for attaching to a lapel.cooper collection, badge, royal australian artillery, 8th division -
Warrnambool and District Historical Society Inc.Ephemera - Labels, Gaspers Modern Print, Giffen Russell, Early 20th century
These labels come from the business of Giffen Russell and Company, a wine and spirits store in Fairy Street, Warrnambool. Giffen Russell commenced business in 1878 and was joined by Joseph Powell as a partner in 1881. The business of Giffen Russell and Co. was operating in the early 1900s and still went by that name in the 1940s with H.L.Lynch the proprietor at that time. These labels are of considerable interest as they show the extent of the goods sold by Giffen Russell, a prominent wine and spirits dealer in Warrnambool in the late 19th and early 20th centuries. .1 A sheet of white paper with a gilt edge and black printing .2 A sheet of white paper with a blue border and blue printing .3 A sheet of paper with blue printing and decoration on a green background .4 A sheet of white paper with a blue border and blue printing .5 A sheet of white paper with a decorative blue border and blue printing .6 A sheet of white paper pasted on to a piece of card. The printing is gold and blue surrounded by decorative patterns, including bunches of grapes .1Australian Gin bottled by Giffen Russell & Co. Warrnambool .2 Finest Virgin Olive Oil Product of Italy .3 Pure Australian Wine Frontignac bottled by Giffen Russell & Co. Warrnambool .4 Raw Linseed Oil bottled by Giffen Russell & Co, .5 Finest Brown Malt bottled by Giffen Russell & Co. Warrnambool .6 Seppelts Invalid Port bottled by Giffen Russell, Merchants, Warrnambool giffen russell, wine merchant, history of warrnambool -
Wodonga & District Historical Society IncPhotograph - Bethanga Bridge
The Bethanga Bridge was built between 1927 and 1930 as a joint venture between Victoria and New South Wales and was a key element of the River Murray Waters Agreement. It consists of nine spans of 82 metres long. Each span is supported between double reinforced concrete pylons and a riveted steel camel back Pratt truss. The overall span of the bridge is a length of 752 metres. It was completed in 1929 at a cost of £194,000. The road deck was initially constructed from timber but was replaced in 1961 with a concrete waffle slab deck 7.7metres wide. In 1961 the bridge deck and truss structure were raised 300 millimetres to allow for the enlargement of the lake. The bridge was designed in NSW by road engineer Percy Alan and the trusses were built by the Charles Ruwolt Pty. Ltd. Charles Ruwolt Pty. Ltd. was originally established by Charles Ruwolt as a foundry at Wangaratta in 1902 and transferred its operations to Richmond, Melbourne in 1914. By 1938 it had become one of the biggest engineering companies in Australia. After Charles Ruwolt’s death in 1946, Vickers Ltd. acquired the company and in 1948 the firm became known as Vickers Ruwolt Pty. Ltd. Because of the Bethanga Bridge’s unique location, over the waters of a dam with the border running down the centre of the body of water, the Bethanga Bridge is the only built structure shared by both Victoria and New South Wales. As the border of New South Wales aligns with the southern bank of the Murray River all of the other bridges along its length are deemed to be in New South Wales. The Bethanga Bridge is listed on both the New South Wales State Heritage Register and the Victorian Heritage Database. In 2015 the Bethanga Bridge was nominated for a heritage award by the Institution of Engineering Australia.These images are significant because they document the construction of a bridge which links Victoria and New South Wales and has been recognised for its historical, technical and engineering significance.A collection of photos documenting the construction of the Bethanga Bridge which links the States of Victoria and New South Wales as part of the construction of the Hume Dam .bethanga bridge, hume dam constuction, charles ruwolt, percy allan engineer -
National Vietnam Veterans Museum (NVVM)Photograph, Leadership group the day before the Battle of Ngok Tavak, 9/05/1968 12:00:00 AM
Captain John E D White, Australian Army Training Team in Vietnam (AATTV) took over command of 11 Mobile Strike Force (Mike Force) Company in Da Nang, Vietnam, in February 1968. He was 26 years old. The 2 NVA Division was moving from Laos into South Vietnam and his mission was to establish contact with the division and trace its movements south. In mid-March the company was air lifted to the Special Forces camp of Kham Duc, near the Laotian border. They used an old French Foreign Legion fort as a temporary base from which patrols could be sent out. White called it Ngok Tavak after a nearby mountain. Initially, patrols failed to find the enemy, but in late April a patrol clashed with the enemy. At the same time, White received intelligence that the NVA division was closing in. At night they could hear explosions in the distance heading toward them. White decided their best chance was to leave the fort and take to the jungle to adopt guerrilla tactics. However, in the meantime a platoon of United States Marine Corps artillery arrived bringing with them two howitzers and a stockpile of ammunition. To abandon the fort was to abandon the guns. White contacted Da Nang, explaining the predicament, and was ordered to remain where he was. A Civilian Irregular Defense Group (CIDG) platoon was sent to reinforce his numbers. This was a para military force comprised mainly of indigenous highlanders, trained by United States Special Forces. They also brought with them two mortars and their crews. At 3.15am on 10 May 1968 some members of the CIDG chose to assist the NVA to attack the fort instead of supporting Mike Force, and close hand to hand fighting followed, along with grenade attacks and heavy machine gun fire. Air support offered a brief respite from the NVA attack, and some NVA forces were pushed back outside the perimeter by counter attacks, but at 9am White contacted Da Nang to advise that his position was untenable. A second attack was imminent and they could not withstand it, so they would have to withdraw. The wounded were evacuated by helicopter (under orders from Major Mai, the NVA had not attacked the previous medical helicopters that collected the wounded under the cover of air strikes) and at 1pm the rest of the force evacuated east, into the jungle. The NVA did not notice their withdrawal, and continued mortar attacks on the fort for another ninety minutes. Seven kilometres from the fort White called for a helicopter withdrawal of his forces. The force was successfully lifted to Kham Duc and then Da Nang. (Credit AWM)Coloured image of 7 soldiers (5 shirtless) posed on the edge of a foxhole with jungle in background. L-R Willie Swicegood (USA), John White (AATTV-Aus), Ken Benway (USA), Frank Lucas (Aust), Clay Aitkins (USA), Glenn Miller (USA), Don Cameron (Aust)john white, aattv, battle of ngok tavak -
Port Melbourne Historical & Preservation SocietyPhotograph - Corner The Boulevard and Beacon Road, Andrew U'REN, C. 1970s - 1980s
From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of the corner of The Boulevard and Beacon Road from the foreshore looking towards the city. The flats are on the left and the BP refinery site is on the right. There is a large white border at the bottom.A star in blue ink on the front. Type of photographic paper and exposure details on the reverse.built environment - domestic, the boulevard, beacon road, bp australia, nancy u'ren nee morris -
Federation University Bookplate CollectionWork on paper - Bookplate, Ex Libris Elie Flanagan
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Winner of the Australian Primary Student Design Award section of the Australian Bookplate Design competition 2020.Freehand drawn quartered shield within a rectangular border. The four segments of the shield are drawn with - clockwise from upper left, Boy doing handstand, earth & rocket, Girl on skateboard surmounting smiley sketch, dog in landscape.Ellie Flanagan lower right of sketched frame. -
Dandenong/Cranbourne RSL Sub BranchWork on paper - Korean War Medal, Circa 1950
Korean Veterans Association of Australia Inc. Donated to Dandenong RSL by Major General J C Hughes AO DSO MC.Korean Veterans Association Patron: Major General J C Hughes AO, DSO, MC. The Korean War 1950 - 1953. Bordered by the Flags of 21 Nations. -
Buda Historic Home & Garden CastlemainePhotograph, Leviny Silver Standing Cup, c1863
The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint -
Linton and District Historical Society IncSouvenir, Greetings From Linton
The souvenir is believed to have been made by R.E. Hyatt.Home-made souvenir of Linton. Souvenir consists of a photograph of the Shire of Grenville office building in Sussex Street, Linton . Two shops are visible further along the street, and part of a sign for a butcher's shop is visible in the lower left corner of the photograph. The photograph has been mounted on a map of Australia which has been cut from very thick cardboard. A border made of small green squares is around the photograph, and underneath the photograph are the words "Greetings from Linton" enclosed by a scroll. The edge of the map has been painted green. A picture of a Koala has been cut from card or paper and painted silver and then been glued to the cardboard map to the right of the photograph. A wire metal stand has been attached to the back of the map with two small tacks.souvenirs, shire of grenville building, r.e. hyatt -
Bendigo Historical Society Inc.Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Postcard with black and white image of Marle Hall Llandudno woven in pure silk surrounded by 1.5cm border with printed geometric pattern frame. Handwritten on top of postcard "How do you like this style Will". On reverse, addressed to Miss Dean McKenzie Street Golden Square Victoria Australia. 2/1/2 penny blue stamp posted in Australia attached W. H. Grant and Co Coventrypostcard -
Vision Australia
Audio - Sound recording, No vision, no vote, no way: 139 years of fighting for equality by Anna Fairclough, 2005
In 2005, archivist Anna Fairclough gave a historical presentation about the subsidiaries of the newly formed Vision Australia. She covers from the beginnings of the RVIB, RBS, AAFB and Victorian Braille Writers Association, the establishment of schooling, residential homes, employment skills and the changing ways of fundraising. Other milestones such as the lack of voting rights, payment of travel bonds for those who wished to cross state borders, the establishment of blind cricket, expansion of services outside capital cities as well as the impact of Tilly Aston and Helen Keller are mentioned in this brief talk on past 140 years.1 x MP3 file of a historical presentation by archivist Anna Faircloughassociation for the advancement of the blind, association for the blind, royal blind society of nsw, royal victorian institute for the blind, tilly aston, helen keller, anna fairclough -
Glenelg Shire Council Cultural CollectionPainting, Jennifer McCarthy, Edward Henty Arrival, 2009
Winner of the 175th Anniversary of Edward Henty landing at Portland, Acquisitive Art Prize.Gouache on paper depiction of Edward Henty's arrival at Portland Bay. Cream coloured mat board. Light coloured wooden frame. Wire hanging cord. A colourful border depicting native animals as well as other items such as a steam train, shovel, cartwheels surrounds an image of the coastline. Each corner of the border shows a sailing ship. In the foreground are two Indigenous Australians seated on the floor surrounded by bushland. To the left stands a man in European clothing - green trousers and a striped top. He is ankle deep in the water. Behind him are two baskets which he holds with a chain. Behind that are two sheep. Top left is a parchment which says, Thistle the Pioneer, Nov 19th 1834.Front: Back - 'Jennifer McCarthy Edward Henty - Arrival 2009' - Brown texta Also framers sticker1834, the thistle, henty, colonial, portland bay -
Eltham District Historical Society IncPhotograph - Digital Photograph, Alan King, St Margaret's Anglican Church, Pitt Street, Eltham, 30 January 2008
St Margaret’s Church of England was officially opened on December 12, 1861. It is the oldest intact church building in Eltham. At the time it was known as Christ Church until its consecration in 1871, when it was completely free of debt (£1,700 for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including locally made bricks donated by local artisans and others. The church is historically significant because it is the oldest church in the former Shire of Eltham and has associations with the philanthropist and founder of Brighton, Henry Dendy (who donated the land on which the church is built), the architect Nathaniel Billing and the prominent local builder, George Stebbing. The church is architecturally and aesthetically significant because it is constructed in the Gothic Revival style with several stained-glass windows of various dates and is also a very early use of polychromatic brickwork in Victoria. Billing was one of the first Melbourne architects to employ polychromatic brickwork and an important early architect. The rear wall was intended to be temporary. A major feature of the design is the large buttresses with long, steeply graded upper faces. The overall design is well proportioned with the surface brick patterns relieving an otherwise austere design. The church is spiritually and socially significant because it has been an important place of worship for the people of Eltham for almost 150 years. The land on which the buildings stand was donated by Henry Dendy. Dendy arrived in Melbourne in 1841 after purchasing in England eight square miles at Brighton under the system of "special surveys". After this land passed out of his hands, Dendy moved about Victoria, visited England, then returned to settle in Eltham where he purchased a flour mill. Dendy chaired the meeting held in 1860 “for the purpose of devising such means as may be expedient for the establishment of a Church of England in the township of Eltham”. He became chairman and treasurer of the church committee. Unlike the establishment of many early churches in Victoria where a vicar was appointed to a parish and later a permanent church was constructed, the population at Eltham initiated action to build a church. The nearest church at that time was at Heidelberg and the Eltham settlement was part of the parish of St Johns Heidelberg. Isolation and the tedious, time consuming journey between Heidelberg and Eltham resulted in the Eltham community taking its own action. The original vicarage (Dendy House) at the rear of the church is also an important part of the cultural significance of this place because it is connected to the church and the development of the Eltham area. Together, the church and the vicarage are aesthetically significant because they form a significant streetscape feature. The mud-brick community hall designed by Robert Marshall was added in 1978. In 2014 the original temporary rear wall was removed as part of a modern extension designed by Architects Atelier Wagner and constructed by Conrad Construction and Management. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Trust of Australia (Victoria) State significance Victorian Heritage Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p67 St Margaret’s Anglican Church in Pitt Street, Eltham, which officially opened on December 12, 1861, is the oldest intact church building in Eltham.1 With the nearby courthouse and police station, it was one of the first permanent community buildings in the district. The church and vicarage are on the Register of the Heritage Council of Victoria and the National Trust of Australia – Victoria. The church is important as an early example of polychrome brickwork by the notable architect Nathaniel Billings. It is also notable for its historic associations with the early settlement of the Shire of Eltham and its connection with Henry Dendy, Brighton’s founder.2 Henry Dendy, who lived in Eltham much longer than at Brighton, chaired the original meeting which planned the church, and he donated the half-acre (0.2ha) site. Dendy had arrived in Melbourne in 1841 after buying eight square miles (20.7sq km) at Brighton while in England. After this land passed out of his hands, he eventually settled in Eltham where he bought a flour mill, west from the corner of Main Road and Pitt Street (then called Brewery Lane). The vicarage was named Dendy House after him. The Eltham settlers were unusual in initiating the establishment of a church. Usually in Victoria a vicar was appointed to a parish and then a permanent church was constructed. But then, the nearest church was at Heidelberg, which was a tedious and time-consuming journey. St Margaret’s builder was a local, George Stebbing, who also constructed the former Methodist, later Uniting, Church at John Street and the Shillinglaw Cottage near Eltham’s Central Park. It is believed the first Anglican Bishop of Melbourne, Bishop Perry, dedicated the church. After the ceremony he joined in the festivities at the nearby pub and a bill was sent to the parish for teas taken there by the bishop with other participants. The first vicar was the Reverend Robert Mackie from 1864 to1866. St Margaret’s Church was originally called Christ Church until its consecration in 1871, when it was completely free of debt (£1700 pounds for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including local bricks, donated by local artisans and others. St Margaret’s Church is in the Gothic Revival tradition with a buttressed nave, paired lancet windows, porch and bell-cote. It was the first polychromatic brick church in Australia, using softly contrasting coloured brickwork.3 Billing was one of the first architects to introduce polychrome brickwork into Melbourne. His original drawings for St Margaret’s survive in a folio of his architectural work. However the church’s brickwork is more subdued than in his drawings. About half the windows – those in clear glass with gold borders – are original. The stained glass windows were made much later, but the one behind the altar is thought to be the oldest in the Diamond Valley. It was to be temporary until the congregation could afford to extend the church. In the early 1960s the original cedar pews were replaced by blonde timber pews and the originals were sold to restaurants and to private individuals. Eminent local sculptor Matcham Skipper created a crucifix for the church. A major addition was made in 1978, when the weatherboard hall was replaced by a mud-brick hall. Made of local material, it was designed by local architect and a former shire president Robert Marshall. The mud-brick hall reflects the style of building in Eltham of the late 1970s and for which Eltham is well-known. Perhaps because its earthy tones blend with the surrounding environment, the hall sits well with the church building. St Margaret’s membership has included economist and ABC chairman, Richard Downing; political commentator, diplomat and academic, William Macmahon Ball; Eltham civic leader, Charles Wingrove; artist, Peter Glass; and Eltham’s first postmaster, Frederick Falkiner.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, st margaret's anglican church, st margaret's church, st margarets church hall, christ church -
Bacchus Marsh & District Historical SocietyPhotograph, Dairy Farm Bacchus Marsh District 1883
The number of cattle in this photo suggests that it was a small holding, at the beginning of the dairy industry in Bacchus Marsh. This industry became a major source of employment in Bacchus Marsh. By the early twentieth century, the Bacchus Marsh region was a significant contributor to the dairy industry in Australia. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. This is a photo of a dairy farm in an unknown location in the Bacchus Marsh district. It has been taken from an elevation looking down at the farm. On the left, the roadside can be seen running alongside a stream or river which is fenced off by a line of trees and a post and rail fence. Parked on the road outside the farmhouse is a wagon which is unhitched. The wagon has a white rooftop and on the side can be seen a professional logo, details unclear. This wagon is most likely the wagon used by the photographers to access outlying properties with their photographic equipment. The farmhouse itself faces the road with side doors giving onto the yard. The roof is partially covered by new slates, possibly slate covering bark. Six milking sheds of post-and-rail construction adjoin the farm yard. In the first and fourth stalls (l to r) the farmer and his wife can be seen seated, miking cows. The rest of the herd are awaiting milking in the yard which also has a post-and-rail fence. A bull of milking shorthorn breed stands outside the fence. The milking herd itself is of various breeds; Herefords, roan shorthorn and roan and white shorthorns can be identified. On the right is a shed of rough-hewn boards and a shingle roof. In the yard at the back of the house stands a cart or dray. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. dairy farms, stevenson and mcnicoll 1883 photographs of bacchus marsh and district -
National Vietnam Veterans Museum (NVVM)Photograph, Gibbons, Denis, Montagnard 1
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A colour photograph of two members from the Australina Army Training Team Vietnam (AATTV) operating with a Montagnard Mike Force Battalion in the deep jungle along the Cambodian border in 2 Corps area of South Vietnam. Montagnard Forces were used extensively during the Vietnam conflict.A colour photograph of two members from the Australina Army Training Team Vietnam (AATTV) operating with a Montagnard Mike Force Battalion in the deep jungle along the Cambodian border in 2 Corps area of South Vietnam. Montagnard Forces were used extensively during the Vietnam conflict.photograph, aattv, montagnard mike force, cambodian border, 2 corps, south vietnam, gibbons collection catalogue, denis gibbons, photographer, vietnam war, australian army training team vietnam (aattv), south vietnam. montagnard forces -
Coal Creek Community Park & MuseumBottle, glass, c.1929 - c. 1956
Hexagonal clear amber glass bottle, 2/3/ full of viscous liquid and cork stoppered. Three plain sides, a single side with embossed text, between two sides with stippled 'x' pattern. Letters and numerals embossed on base and paper label adhered to plain side.Embossed text on side of bottle 'NOT TO BE TAKEN'. Embossed on base '4' over '4 OZ' over 'AGM'. White paper label with dark blue text, overprinted with red text ('CARBOLIC OIL'), contained within a broken line border. 'THE CHALLENGE CARBOLIC OIL containing not more than 3 per cent of Phenol. POISON for external use. Contents approx'tly 4 fld. oz. used as a dressing for Scalds, Burns, Wounds & c. ROCKE, TOMPSITT & CO PTY LTD MELBOURNE'.amber glass, pharmaceutical wholesalers, rocke, thompsitt, carbolic oil, topical medication -
Warrnambool and District Historical Society Inc.Document, The Call to Arms S McDonald
This plaque was awarded to S McDonald for contribution to the World war 11 effort. The certificate is one of many given by local authorities to those who served in many different capacities during the second world war. A common article which links a local person to a world event.Coloured plaque with the coats of Arms of the Australian states as well as Canada, India New Zealand and South Africa included in border of green leaves around the edge. Photograph of the King with flags on either side at centre top. It has a variety of military pictures in top part of the certificate. The city of Warrnambool seal in red is in bottom left corner. Plastic cover over top.The Mayor councilors and citizens of the city of Warrnambool pay tribute to S. McDonald who served in the World War No 2 1939-1945.Signed by J F Knights Mayor s mcdonald ww2, the call to arms warrnambool -
Linton and District Historical Society IncPhotograph, Pitfield Miners
Sepia image of a group of miners sitting and standing in front of a wooden structure. Some of the men are holding candles, one man is holding a long rod. Image has been mounted on cream backing card with a blue border around the image.Text, mounting card: " Millist & Webb PHOTO., PITFIELD PLAINS. "pitfield, pitfield plains, mining, miners -
Kew Historical Society IncDecorative object, Birds of Australia, 1950s
... of Australia with a two-tone green border Birds of Australia Decorative ...One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Linen table cloth with printed images of birds of Australia with a two-tone green borderlisa sylvan, household linen, table cloths, australiana, australian birds -
National Vietnam Veterans Museum (NVVM)Letter - Letter & Envelope
A letter written by 8RAR soldier in Vietnam to "Dear De" outlining events about an incident with the detonation of a mine, number killed and injured. The writer states he was not involved in the incident as he was serving at the fire support base, not the battle front.An envelope and a two paged letter written on Australian Forces Vietnam letterhead paper, dated Sunday 1st March. The envelope is addressed to Mis D Maschette and the letter starts off with "Dear De". It is written in blue ink. The envelope has a red and blue striped border with the "Air Mail" symbol in the top left hand corner. A map of Vietnam is located under the air mail symbol. Australian Force Vietnam Coat of arms header/ Blue ink/ 8RAR/ Air Mailletter, wayne maschette, aust. force vietnam, sig pl, suppt co, 8rar -
Kew Historical Society IncClothing - Protective Wear, Apron, 1950s
One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Simple blue and white apron embroidered with a border in cross stitch, the same stitch used to create a repeated pattern of dogs and balls in profile.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan -
Kew Historical Society IncDecorative object - Hand Towel, 1950s
One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen hand towel and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Cream linen hand towel, bordered at each end with bands of mustrad yellow linen. The towel is embroidered with a picture of a woman in period dress collecting flowers from a garden.lisa sylvan, household linen, supper cloths, fancy work -
Stawell Historical Society IncBook, Marnoo Guides, Marnoo's Fifty Years of Guiding 1932-1982, 1982
History Guide of MarnooCream card cover with inset double line border in gold, containing Title and logo of Girlg Guides In Gold: Marnoo's Fifty Years of Guiding 1932 - [(In logo) Girl Guides Australia] 1982 Page Page: Names signedmarnoo, girl guides -
National Vietnam Veterans Museum (NVVM)Photograph, Gibbons, Denis, Montagnard 2
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A colour photograph of a member of the Australian Army Training Team Vietnam (AATTV) discussing operational problems with one of his American counterparts, while leading a Mike Force Battalion of Montagnards, in the thick jungle on the Cambodian border of 2 Corps.photograph, aattv, mike force, 2 corps, montagnard mike force, gibbons collection catalogue, denis gibbons, photographer, vietnam war, australian army training team vietnam (aattv), mike force battalion of montagnards, cambodian border -
Federation University Bookplate CollectionWork on paper - Bookplate, morgan's book
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Loosely bordered image of hydrangea and book with lower case title of morgan's book and initial MK in right corner of image.Pencilled beneath image, Mary Keepkeith wingrove memorial trust, australian bookplate design awards 2020, mary keep, hydrangea, book, bookplate -
Flagstaff Hill Maritime Museum and VillageBook - Bible, Thomas Kelly & Sons, The Holy Bible - Douay Bible and Rheims Testament, 1880
The Douay (Douai) Rheims Bible is an English translation of the Latin Vulgate Bible (which had been the Latin Bible used by the Catholic Church since the 4th century). It was produced by Roman Catholic scholars in exile from Elizabethan Protestant England at the English College of Douai (then in the Spanish Netherlands but later part of France). The New Testament translation was published in 1582 at Rheims where the English College had temporarily located in 1578. The Old Testament was translated shortly afterwards but was not published until 1609-1610 in Douay (which makes it older than the King James version). The completed work was the only authorized Bible in English for Roman Catholics until the 20th Century. Its purpose was to uphold the Catholic tradition in the face of the Protestant Reformation and was produced as an alternative to the several Protestant translations then in existence. Prior to it being published, the Roman Catholic practice had restricted personal use of the Bible, in the Latin Vulgate, to the clergy. Bishop Richard Challoner issued a series of revisions (1749 - 1772) intended to make the translation more easily understandable and subsequent editions (including this one) were based upon this revision. In 1871, an edition of the Douay - Rheims Bible was published by Thomas Kelly & Sons of Philadelphia (and later, New York). Thomas Kelly described himself as a "Publisher, Printer, Binder, Lithographer and Steel Plate Engraver". In 1876, Thomas Kelly won an award (a Diploma of Honor and a Medal of Merit) for "the Best Catholic Bibles and Prayer Books" at the International Centennial Exhibition held in Philadelphia and his firm continued to print editions of the Bible throughout the 1870's but little is known of him after 1880 when this edition was published. This Bible has been in the Kermond family from 1888 until 1984 when Laurence Kermond (its last owner) died. The Kermonds were an old Warrnambool family with ties to the district going back to the mid 1840's. Joseph Kermond's mother, Catherine (1818 - 1895) and her husband John Kermond,, an ex-convict (1809 - 1877), had moved from Tasmania around 1843 and were living in the Warrnambool area in 1844 where their eldest son was born. They had six more children born at Port Fairy (or Belfast as it was then called). Catherine is buried at the Tower Hill cemetery. The last owner of the Bible was Laurence Kermond (1918 - 1984). He was the great grandson of John and Catherine Kermond and was a well known painter who lived in the Merimbula and Paynesville areas of N.S. W. and Victoria during the 1970's and early 1980's. The story of Joseph Kermond finding the Bible on a beach on the Shipwreck Coast near Peterborough on the southern coast of Victoria, Australia is plausible as it was not uncommon for items from shipwrecks to be washed ashore. However this Bible would not have come from the wreck of the Loch Ard as the dates don't align. The Loch Ard was wrecked in 1878 and this Bible was printed in 1880. It appears to have been printed for the Australian market as there is a page (with an engraved portrait) dedicated to the "Most Rev. Roger Bede Vaughan, O. S. B. Archbishop of Sydney, N. S. W.". It may also have been aimed at the Irish immigrants as the four "Family Register" pages are decorated with borders of shamrocks. The donor found the Bible in a box of secondhand books on a market stall in Gippsland and recognised its links to the Shipwreck Coast through the name of previous owners (a well-known Warrnambool name) and the story of it being found on a beach near Peterborough. This Bible is a rare example of Douay and Reims Catholic Bible of the late 19th century that was once a treasured item belonging to the Kermond family - one of Warrnambool's early settlers. It also has a most unusual story attached to it - being found (and rescued) washed up on a local beach and almost one hundred years later, being rescued again from a secondhand book stall.This Catholic Bible is an 1880 edition of a "Douay Bible and Rheims Testament", printed and published by Thomas Kelly of New York. Its full title is "The Holy Bible translated from the Latin Vulgate Diligently Compared with The Hebrew, Greek and Other Editions in Various Languages". It is revised with annotations by the Right Rev. R. Challoner D.D. The Bible has brown leather embossed front and back covers decorated with identical ornate gilt patterns and a central picture of a cross. It has two coloured illustrations and numerous black and white lithographs and engravings including portraits of past popes, events and places from Bible stories and decorative borders. The Bible includes the Old and New Testaments, approbations from Pope Pius the Sixth and Archbishops of the United States and other countries (including Archbishop Vaughan of Sydney), a Family Register with handwritten notes on births, deaths and marriages from the Kermond family (as well as a description of how they obtained the bible), a Catholic dictionary of the Bible, a history of the Holy Scriptures, a chronological list of heretics (Theological history) and a description of the "Centennial Award - Diploma of Honor and medal of Merit" won by Thomas Kelly (for the "Best Catholic Bible") at the Centennial Exhibition at Philadelphia in 1876. The Records section has a note on the Memoranda page written by William John Kennard in 1920.Spine: HOLY BIBLE Title Page: THE/ HOLY BIBLE /TRANSLATED FROM/ THE LATIN VULGATE/ DILIGENTLY COMPARED WITH/THE HEBREW, GREEK AND OTHER EDITIONS/ IN VARIOUS LANGUAGES/ THE OLD TESTAMENT WAS FIRST PUBLISHED BY THE ENGLISH COLLEGE AT DOUAY, A.D. 1600 / AND THE NEW TESTAMENT, BY THE ENGLISH COLLEGE AT RHEIMS, A.D. 1582./ REVISED WITH ANNOTATIONS/ BY THE RIGHT REV. R. CHALLONER D.D./ TOGETHER WITH REFERENCES, AND AN HISTORICAL AND CHRONOLOGICAL INDEX./ NOW CAREFULLY CORRECTED ACCORDING TO THE CLEMENTINE EDITION OF THE SCRIPTURES/ NEW YORK / THOMAS KELLY, PUBLISHER/ 17 BARCLAY STREET. / 1880 Dedication Page: DEDICATION OF THE ORIGINAL EDITION/ TO/ THAT LOYAL, RELIGIOUS AND ENLIGHTENED BODY OF MEN / THE/ CATHOLICS OF THE UNITED STATES OF AMERICA/ IN ADMIRATION OF THE STEADY ZEAL WITH WHICH THEY HAVE KEPTTHE/DEPOSIT OF FAITH/ BEQUEATHED THEM BY THEIR FOREFATHERS/ AND HANDED DOWN, WITHOUT INTERRUPTION OT ADULTERATION, TO THEIR GRATEFUL POSTERITY/ THIS EDITION/ OF THE/DOUAY BIBLE AND RHEIMS TESTAMENT/ IS / WITH GRATITUDE FOR PAST FAVORS AND HOPES OF FUTURE ENCOURAGEMENT/ MOST RESPECTFULLY ENSCRIBED. Handwritten note: ""This Holy Book was found . on the beach . near Peterborough Vic. having been washed ashore . from the wreck of the Loch Ard, (sailing ship) in the year 1888 . By .Joseph . Kermond; and presented to . his mother . Catherine Kermond , who in turn passed it - on . to her youngest . son ; one Jacob Kermond. He in turn presented . it to his son . William John Kermond , (the writer), 23/3/20)" [Original punctuation]flagstaff hill maritime museum and village, warrnambool, shipwreck coast, peterborough, kermond, kermond family, loch ard, bible, douay and rheims bible, catholic bible, thomas kelly and sons publiisher, douai, rheims, holy bible, religious bible, catherine kermond, john kermond, william john kermond'
