Refer to Cat 8607.5 re David Fields.1. Jacket - white, long sleeved. No button front. Aust. Badges on epaulettes. Gold buttons on epaulettes. RAEME badges on collars. Left arm has Aust. Army badge at shoulder and WO1 Cloth Badge. Right Arm has Aust. Army Artificers badge at shoulder and WO1 cloth badge. 2. Trousers - black polyester. One red stripe down each leg. No cuffs, zip fly. 3. Cummerbund - dark blue, heavy silver coloured fastener. Velcro strip on inside.1. Has a ticket marked "WO1 David Fields". 2. Written inside is : - "B PTRS RAEME W106 4005 FIELD (?) T116". 3. Nil passchendaele barracks trust, uniforms, aust. army, mess dress

Vietnam Logistic and Support Medal: The VSLM was established in 1993, and awarded for one or more of service in support of the Australian Armed Forces in operations in Vietnam from 29th May 1964 to 27th January 1973. Civilian surgical and medical teams and other civilian groups who served in Vietnam under Government Jurisdiction, crew members of ships or aircraft; those attached to , or serving with, an Australian or Allied Unit as an observer were eligible. Over 16,000 civilians were awarded the VLSM.Round silver coloured medal with QE II on the obverse. Ribbon is stripes of red, navy, yellow and pale blue. The VSLM was established in 1993, and awarded for one or more of service in support of the Australian Armed Forces in operations in Vietnam from 29th May 1964 to 27th January 1973. Civilian surgical and meidical teams and other civilian groups who served in Vietnam under Government Jurisdiction, crew members of ships or aircraft; those attached to , or serving with, an Australian or Allied Unit as an observer were eligible. Over 16,000 civilians were awarded the VLSM.Elizabeth II Dei Gratia Regina FDaustralian medal, vietnam logistic and support, vlsm

This glass epergne was first owned by John Sanderson's grandmother, who lived in Wandin (Clegg Road) until the 1940s. She first purchased it in 1920 and used it as a vase before passing it on to her daughter Norma Spicer. Epergne's were first created during the early 18th century France as a table centrepiece to display 'exotic' fruits and cakes from France's colonies. They were originally made of silver, however, the late 18th century saw a rise in epergnes made of porcelain due to the growing status of the European porcelain industry. The late 19th century saw another shift as Victorian and Art glass became the name of the day, and most epergne's became increasingly more complex glass works, no longer used for holding food. This epergne is the product of these later glasswork vases, reflecting 1920s interest in uranium glass and clouded geometric patterns. Epergnes like this filtered out of popularity after World War II as large dining sets and table centrepieces became less important to every day life. Those that remained transferred to more useful roles within the household: this one being used as a vase for most of its life. Green tinted glass epergne with white clouded vertical stripes. Glass thick and slightly opaque, possibly uranium glass. Base is a fruit bowl with scalloped/ruffle edges and middle coming up into a triangle. The very edges of the fruit bowl and clouded with white and blue. A golden metal notion attaches to the middle of the fruit bowl with a globe shaped connector. Notion looks like a flat gold flower with six petals and three small leaves, with middle of the flower having a screw on which to screw the largest flute. The flower has three small bucket-shaped containers attached to it in which the smaller flutes are placed. Four flutes attach from the very middle, all bell shaped with very ends flaring out into a scalloped/ruffle edge. One large flute is screwed into the middle of the fruit bowl and stands straight up. Three smaller flutes are placed in around the larger one leaning slightly away from the centre.vases, epergne, 1920, 1920s, 20s, twenties, glass, glassware, uranium glass, radium glass, clouded glass, art deco, decorative objects, tableware, wandin, clegg road

Navy Blue jacket with Gold Buttons and Sergeant Stripes plus waist belt.

Vietnam period JacketMid Blue RAAF Jacket Vietnam period with Sergeants Stripes and Vietnam Service Ribbons. Fitted with incorrect buttons. Correct buttons on breast pocket.

Unknown Private School Blazer, Dark Blue with Emblem on pocket of RAAF Squadron in bullion. Stripe material around the edges. Blazer pocket Squadron emblem 467 Squadron RAAF.

Navy Blue Jacket Leading Seaman with One Good Conduct StripeLeft Sleeve has a Sick Berth Attendant Badge. Right Sleeve has a Bullion Leading Seamans Badge and One Good Conduct Badge

As a result of a group of European expatriates settling in Sunbury in the 1970s and wanting to play soccer, the Sunbury United Sporting Club was formed in 1972 with the first games played on the Aussies Rules ground in Evans Street (now the Sunbury Shopping Square). After cooperation between Shire of Bulla Council to acquire an open area of land in Michells Lane, the club moved to their own ground, Langama Park in 1975. Since that date, the club has grown and today there are 3 senior and 2 junior pitches as well as 2 cricket pitches and comfortable clubrooms on the area.Sunbury United Sporting Club was one of the first Soccer Clubs to be established in the district.A scanned non-digital coloured photograph of the Sunbury United Football Club. There is a white border around the photograph and the names of the players are listed under the image. The players are wearing navy blue guernseys with a diagonal red and white stripe across the front.sunbury united sporting club., langhama park, soccer, mitchells lane

00134.1 Red Waistcoat with Gold Buttons QE2 crown and map of Australia, 00134.1 Dark Blue Cumbarbun with plastic fittings. 00134.3 Dark Blue Trousers with a single red stripe down the legs

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Paperback book, white with title - 'Onkaparinga' in red writing on front coverOnkaparinga - The Story of a Mill/Carol Brockhoffblanket, blanket fever, onkaparinga, woollen mill, lobethal, carol brockhoff