Small silver coated button hook used to catch buttons and pull them through eyelets of boots and shoes.costume accessories, footwear accessories

Dorothy Williams Receipt No 316Used by Dorothy William's family 1950'sMetal Boot Button Hook.Hook on one end for buttons, bent over loop on other end to form handle.T Campbell 250 Clarendon St South Melbournecostume accessories, footwear accessories

White cotton camisole with small pearl buttons. Scalloped edges and flower and cut out embroidery. Drawstring ties.costume, female underwear

acer PowerScroll Eye USB Computer Mouse white-grey body and cord with grey scroll wheel and buttonsAcer

Complete JacketImportant, This item forms part of the Gouge Family Collection. Khaki Dress Jacket with dark green lining and gold buttons. Size ?? Golden Army badge on right lapel ?? Gold coloured corporal stripes on both sleeves. Cloth parachute regiment patch on right shoulder

Set of 24 German buttons on retail card, each with crossed racquets motif. Materials: Metal, Cardboard, Inktennis

Formal dress ‘blues’ uniform with patrol collar and chain mail epaulets replacing the previous lapel style jacket. This uniform was worn by Major Gordon Cole RFD who enlisted in 8/13 VMR 1960 (?) and went on to command the Independent Squadron 1980-1982.Army dress jacket with silver VMR buttons and badges and chain mail epaulets. Jacket is hung on half mannequin.military, uniform, vmr, cole, blues

Dior-inspired suit jacket. Unlined. Six cloth buttons with bound button holes. Inside hip pads. Label, woven brown on cream acetate, centre back neck: "Ponce De Leon". Handwritten on label in black pen: "43 LANDELS".jacket, 1940s, rosalind landells

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red princess seam coat dress with ten self covered buttons down centre front and crew neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Full length black robe with large blue lapels. Sleeve detail includes buttons and matching blue ribbon.city of greater bendigo ceremonial item

Woollen, Dark Blue Size 40 GCCF Coat 1967 with flat black buttons and adjustable tabs on sleeves.Gallagher1967, great coat, defence

This Cash Register was used for the sale and production of lift tickets, lessons and packages during the 1990s at Falls Creek. The employees who operated the machine were called 'Ticket Tarts'. This item is significant because it was a critical part of the everyday operation of the chair lifts at Falls Creek.A large square cash and ticket machine with buttons and slots for the production of lift tickets. Long cable connected to the back. snow, ski season, ski pass, ski lessons, ticketing, sales

The Graham's Tannery in Buninyong was located on the western edge of town on the Midland Highway (Learmonth Street.). The location is now part of the De Soza Park walking track. Tan leather ankle height left foot boot with six leather finished buttons. Has a leather sole. Embossed shield on sole with the letters CRS entwined in a business identification. footwear, tanneries, industry

Jacket with black background and multi-coloured lurex flowers and leaves. 5 buttons on front 'Noel Wells Australia'. Noel Wells Australia

These two buttons are tailors' buttons for clothing made in Warrnambool. The brown one is from the firm of Frederick Williamson who had a tailoring business at 157-159 Liebig Street, Warrnambool. His father Edward had started the tailoring business with a shop in Timor Street in the second half of the 19th century. Frederick Williamson was a Warrnambool City Councillor on three occasions (1924-1930; 1934-1939; 1942 -1945) and Mayor 1942-1943. The black button came from the Liebig Street, Warrnambool clothing and haberdashery store of Cramond and Dickson who employed tailors and dressmakers to make clothing to order. John Cramond and James Dickson opened their Warrnambool store in 1855 and it was a dominant business in Warrnambool for 119 years, closing in 1974. It was common practice in the first half of the 20th century for tailors and large clothing stores to have their own buttons for their suits etc.These two buttons are of some interest as examples of buttons made specifically for two local Warrnambool businesses. .1 Round button, light-brown in colour with four holes in the centre, a curved back and imprinted letters around the edge. .2 Round black button with four holes in the centre, a curved back and imprinted letters around the edge..1 F. Williamson Warrnambool 2. Cramond & Dicksonfrederick williamson warrnambool tailor, cramond & dickson warrnambool

Jack's Day Appeal was run during the first and second world war's to raise awareness and funds for naval personnel Button forms part of a collection of buttons from Frederick HyamsBadge, white ensign "Jack's Day Appeal 1945", pin on reverse White button with Jack's Day Appeal 1945 around the perimeter of the badge.

These trousers are part of a Royal Australian Army Ordnance Corps uniform. The Royal Australian Army Ordnance Corps (RAAOC) is responsible for various logistics and organisational operations, such as maintenance of parachutes, fuel distribution, personnel administration, exlosive disposal and laundy operations. The trousers were manufactured in 1969 and were worn by an unknown RAAOC serviceman. The patches on the sleeves of the corresponding jacket denote that he had earned qualifications as a parachuter and a marksman and that he was a Warrant Officer 1. Due to the period of manufacture it can be presumed that the serviceman whom this uniform belonged to served in the Vietnam War.As historic military uniform trousers dating to 1968, it is presumed that this item would have been used in service during the Vietnam War. The wearer of the uniform is unknown, however the patches and flashes attached signify that the serviceman worked for the Royal Australian Army Ordnance Corps, earned qualifications as a parachuter and marksman and ranked highly as a Warrant Officer 1. The item is representative of a type of uniform worn by high ranking RAAOC servicemen during the 1960’s. It is also in very good condition for its age.khaki coloured trousers which are composed of a heavy fabric. The trousers button up at the front with 6 plastic buttons. There is an additional strip of fabric attached to the right-hand fly which can be fastened with an extra button on the interior of the left-hand fly. There are an additional 6 buttons along the interior waistband. There are also three buttons on the exterior waistband down the front and a buckle. The buttons are composed of brown plastic. There are two open hip pockets, one on either side, and another button-up pocket on the right-hand side of the back. There is a white label with inscriptions attached to the interior of the back pocket with an extra piece of fabric attached for mending patches.Printed in black inscriptions on the white label: CONWAY BROS. PTY. LTD ADELAIDE 1969 (a broad arrow) Class 8405-66-025-6183 A W M 7 (these characters are stamped in faded black ink) SIZE & WAIST 33R MATCHING JACKET 37-38R in a box are the words: DRY CLEAN ONLY. Re-press on original seams. Creases set by Si-ro-set. Mending patch attached. (end of box containing words) NAME.....DOCKSEY (‘Docksey is in hand-written black ink) ARMY No.....216308 (numbers also hand-written in black ink) (the number 40 is also wrtten in faded black ink in the top right corner of the label)military, army, raaoc, marksman, royal australian army ordnance corps, parachuting, warrant officer, uniform, trousers

Ribbons are = Reserve Forces Medal 2 Rosettes (15 years plus 2 x 5 year extras) and National Medal. "Joseph Thomas Jones" was in the Bendigo CMF Unit for many years. 6 Coy RAASC - 15th TPT Sqn.1. Jacket Black. Four pockets. Top pockets held shut with brass buttons. Gold Sgts stripes on arms. Sleeve cuffs have two brass buttons each. Chest parts held shut 5 brass buttons. Epaulettes have a brass button each. The vertical type collar has an RACT badge on each side. Ribbons - Qty 2. 2. Trousers, black. Two white stripes down outside of leg. Fly is zipper type.Jacket has "Jones" written in it. Trousers have "J.T. Jones" .cmf, transport corps, 15 tpt sqn, j. t. jones, passchendaele barracks trust

Jacket - RAN winter ceremonial uniform Officers. Dark Navy Blue colour wool fabric, double breasted with six buttons, collar, sleeves with two buttons near cuff. One inset breast pocket and two inset pockets with flap. Buttons - tarnished brass metal with shank and raised emblem, Kings crown, anchor, lettering - "AUSTRALIA". Black colour cotton fabric lining, white collar. White colour fabric manufacturers label - back inside collar.Manufacturers information - red ink print "M.TX/SIZE S".uniforms, ran

"James Locke BLUNDEN" R/33905 A33905. Enlisted 6/2/45. Discharged 21/1/64. Rank Chief Airman AHI, HMAS SYDNEY. Korea = rank Leading Airman on HMAS SYDNEY 31/8/1951 - 22/02/1952.1. Jacket - black colour wool twill with cotton sateen lining, double breasted with gold painted metal buttons with shank. Service Ribbons for WW2, Korea, Long Service. On lapels embroidered crown, aeroplane and letter "H". On sleeves - 3 gold buttons - denotes senior sailor ranks NCO. Buttons with Crown, Anchor and Australia". 2. Trousers - black colour wool twill, five button fly. Handwritten name on back pocket calico lining. 2. Back pocket lining - handwritten, black ink "J. BLUNDEN"uniform, ran, ww2, korea

This jacket was part of the working uniform of the Warrnambool Urban Fire Brigade in the mid 20th century. It belonged to John (Jack) Sizeland, a member of the Fire Brigade for over 37 years. He retired in 1977. Prompted by a fire at the Flying Buck Hotel in Liebig Street the Warrnambool Fire Brigade was established in the mid 1860s. It has been successful in Victorian Fire Brigade Championships over the years, especially in the 19th century. It is currently situated in Mortlake Road. This jacket is of interest as an example of the clothing worn by firefighters in Victoria in the mid 20th century. It is also of interest because it was worn by Jack Sizeland, a local firefighter for over 37 years. This is a black double-breasted cloth jacket with six brass buttons down the front and two brass buttons on the lapels. The buttons are impressed with a shield and the words ‘Country Fire Authority Victoria’. There are two brass clips on the side to hold a belt. There are two black and red cloth attachments at the top of each sleeve (‘Warrnambool Urban Fire Brigade’). There is some black cloth lining inside the garment across the shoulders. The maker’s label, ‘David Lack Pty Ltd, Melbourne’ is on the inside collar. ‘David Lack Pty Ltd Melbourne’ ‘Warrnambool Urban Fire Brigade’ warrnambool fire brigade, jack sizeland, history of warrnambool

This uniform was worn by student nurses at the Hillcrest Psychiatric Hospital in Adelaide in the early 1970s. In 1964, Northfield Mental Hospital was renamed Hillcrest Hospital. .1) Mid pink waisted and darted uniform with a front pocket (with H H embroidered) on left breast and side pockets on skirt. Buttoned up the front, with three buttons on top and a placket with four hidden buttons on skirt. There is a hook and eye at the waist and a separate belt with two buttons and buttonholes. There is a collar and cuffed short sleeves, a back yoke and a center inverted pleat. .2) A lined (double layer) woollen royal blue cape with collar and neck tie and a hook and eye clasp.Embroidered on top pocket - H Hnursing, hillcrest hospital, student nurse uniform, nurse cape, costume, textiles, cape, uniform, hillcrest psychiatric hospital

Clothing. White cotton ladies long sleeved shirt. Round neckline with 2.3 cm band. No collar. Buttons on outside of band at front LH side and centre back. Front opening. Four button holes on RH side with placket with four 1cm pearl look plastic buttons. Set in long sleeves gathered into 5cm cuffs. Cuffs fastened with two 1cm pearl look plastic buttons. Yoke across back of shoulders. Old box 573.costume, female, ladies long sleeved shirt.

Two 2cm cotton fabric covered buttons close the waistband of the drawers, at the centre front. A 33cm wide gathered panel at the centre front, fastens to the waistband with two 1.5cm plastic buttons-(possibly replacement for original buttons). This gathered panel may suggest that these drawers were worn during a pregnancy. The 75cm long legs are trimmed with two bands of floral embroidered, and cutwork lace-eight cm deep lace. waistband is 6.5cm deep. Machine stitched, no seams.costume, female, white cotton, lace trimmed drawers

Sewing kit commonly called a "housewife" issued to all service personnel for quick repairs.Jungle green coloured sewing kit, rolled up style with cotton strap/tie to keep it closed. Has four open pockets to contain needles, buttons, cord etc. Contents are two needles, 4 buttons wrapped in white paper. A length of cord attached and a length of Woollen cord.Stamped "Made in Australia 1944", also "D (upward arrow) D"sewing kit, housewife

This is a woollen half coat, khaki colour. It is held shut with 3 brown buttons. It has a second set of buttons adjacent to the first. Four front pockets, two large, no flaps. 2 small with flaps. Small woollen strap at rear waistline. Epaulettes have darkened Captain's insignia rank.Inside is written = 2/72750 HADDEN J. post ww2, australian army, passchendaele barracks trust, j. hadden

These gloves are an example of a costume accessory worn by young girls in the early 20th century.A pair of wrist length child's gloves. They are white with two buttons on the side. They have been embroidered with flowers in white cotton.gloves costume accessories children's-clothing