This coin was in use in Victoria during the gold rush in the 1850s It was replaced by a smaller British coin in the 1860s.This coin is maintained as an example of British coins used in Victoria in the 19th century Circular copper penny The obverse features a profile of Queen Victoria and text. The reverse features Britannia and text. Obverse REG D E I GRAT other text indecipherable due to wear.. Reverse BRITANNIAR other indecipherable due to wear 1854queen victoria, britannia, coins, 1854

Coaster promoting University of Ballarat, third year Graphic Design graduate exhibition, 1998. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Circular coaster printed single colour offset, brown ink, featuring a stylised "coffee stain" and text.university of ballarat, federation university, graphic design, helmut stenzel

Coaster promoting University of Ballarat, third year Graphic Design graduate exhibition, 1998. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Circular coaster printed single colour offset, brown ink, featuring a stylised "coffee stain" and text.university of ballarat, federation university, graphic design, helmut stenzel

Aluminium - circular impression of smelter. Reverse - Portland Aluminium Smelter First 100,000 Tonnes October 1987Front: n/a Back: PORTLAND ALUMINIUM SMELTER FIRST 100,000 TONNES/OCTOBER/1987/PITCHERportland aluminium

Smelters - 100,000 Tonnes.Aluminium - Circular impression of Smelter. Reverse - Portland Aluminium Smelter First 100,000 Tonnes October 1987Back: Portland Aluminium Smelter First 100,000 Tonnes October 1987portland aluminium smelter

Circular cloth patch featuring a map the shape of Tasmania in green, with text "SIMC" in red, on a blue background.Text: "SIMC" [Southern Isles Motor Club].

Swinton CollectionGold flying bird on circular disk of gold and 2 blues circled around the earth and inscription of Australia. Gold lettering on dark blue outer circle Royal Federation of Aero Clubs of Austswinton, aero clubs, royal federation of aero clubs

Sad irons of the 19th century were so named because of the weight 1.8Kg that was needed to press wrinkled clothes and sheets. They were made of solid metal, including the handle. When the iron was heated, this meant that the handle would also heat up. The user would have to use a thick cloth or a mitt of some sort before they could pick up the iron. Even so, burns and blisters, as well as strained, tired arms, were a normal part of the “ironing day.” Mrs Mary Florence Potts of Ottumwa, Iowa, brought a change to the world of ironing. At the age of 19, in 1870, she invented her first sad iron. It had a hollow metal body that could be filled with a non-conducting material such as plaster of Paris. In 1871, Mary invented the removable wood handle, so that it could be changed from the cool iron to one that was hot and ready to use. A final improvement was the shape: Mary made both ends pointed so its user could iron in either direction. All of these inventions were patented under her name, a rarity for the time. Mary, with the help of her husband, tried unsuccessfully to market her invention on her own. It wasn't until she sold the sales rights to the American Manufacturing Company that sales took off. Advertised as "Mrs Potts' sad iron," it became a sensation. The company manufactured the iron from about 1876 to 1951. Mrs Potts' sad iron became a household word and a standard for future inventors to have to surpass. This didn't happen until 1882 when Henry W. Seely patented the first electric iron. The item is significant not only as a usable domestic tool, but it was, at the time of its creation, a revolutionary labour-saving device. Mrs Potts invention remains associated with a housewife's answer to the domestic drudgery of ironing.Iron,"Mrs Potts" pattern iron. Semi-circular or 'D' shaped wood handle and wood knob.Mrs Pottsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, iron, clothes iron, flat iron, laundry, sad iron, mrs potts

Spider Band, metal, circular with opening for bolt. Hinged with bolt & 2 protruding pieces each side.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

A seal giving authority to official documents created or received by Shire of Bright. The number "1" would be given to Mayor or Town ClerkOne of a few surviving items used by Shire since the Shire Office burned down c 1973A brass circular stamp with black wood (two cracks) turned handle, with guide pin insert. c1865 Incuse words "SHIRE OF BRIGHT .1." on base with sovereign's crown in centre. Outer incuse circe and inner incuse circle for crown.Outer rim incuse words "C.G. ROLSZLLR" (sic) and opposite side "Melbourne"shire, brass, authority, stamp, seal, die, 1865, shire of bright, bright, rolszllr, letters, documents, official, inks, tools

Milliammeter in wooden case, with leather range 100-500ma. Semi-circular scale with mirror-backed pointer.Model 155m Serial Number 38783scientific instrument, ballarat school of mines

Hat-pins were worn to anchor hats to the head and could be considered a functional piece of jewellery. Traditionally inserted into the crown of the hat and through the hair piled atop the head.Hat-pins were needed to secure the large, lady’s hats fashionable at the time. The Maggs family were early settlers in Moorabbin Shirec1910, 2 lady's silver hat-pins, with hollow circular silver surround, around a thistle flowerHallmark Birmingham Assay Office Englandjewellery, clothing, dressmaking, craftwork, silversmiths, maggs geoff, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton

Clear glass bottle, oval in section with 'burst off finish' at neck and circular pontil mark on base.Nil

Three legged blacked painted wooden table with circular top held by a second tier of three legs.

Black and yellow rectangular box containing red circular box, with aluminium film cannister, and film spool

Wooden small half table with three braced carved legs Top carved along circular edge.

Colour slide in a mount. Circular Quay Sydney. Pre 1958 (elevated Cahill expressway not yet built)Made in Australia / 7 / MAY 69M2slide, robin boyd

A wooden bobbin holder associated with the "Beehive" manual sock knitting machineA wooden bobbin holder, circular base with a hollow round pole attached at centre of the base and narrowing at the top.knitting textile machinery machine knitting, hosiery, knitting, textile machinery, machine knitting

UnknownA circular silver metal medallion showing a man rowing in relief. An eyelet at the top is present for hanging the object. "Williamstown Punt Club Carnival 14/2/1920" has been engraved/stamped around the edge. Engraving on the back reads "Cadet Cutter Race won by Geelong No.2 Crew/ J. Kroger" "__SILVER" stamped on back of medallion.williamstown punt club, j. kroger, cadet cutter race

The Reader includes articles, essays, poems, stories and artworks that presents highlights from the 2009 Festival and the writing world beyond. Recreating the diversity of writing forms and styles that the Emerging Writers’ Festival showcases, The Reader includes novelists, journalists, screenwriters, comedians, poets, playwrights, spoken word artists, comics writers and others, all talking about or showcasing their particular craft – all talking shop – but in a way that is useful and interesting to all writers. The book was published in 2009 and edited by Dion KaganThe Reader is the first Emerging Writers' Festival book. It has a black and silver cover with circular motifs on the front.emerging writers' festival, 2009, literary programming, the wheeler centre, the reader, books, dion kagan