Showing 6161 items matching "clothing"
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Bendigo Historical Society Inc.
Photograph - DUDLEY HOUSE COLLECTION: BEDROOM
Black and white photograph of a bedroom at Dudley House. Furs and clothing draped over metal bed. Wardrobe with two mirrors. Lace curtains and floral drapes.buildings, dudley house, bendigo -
Linton and District Historical Society Inc
Photograph, George Preston as a boy
Black and white copy of original early tintype, showing a boy dressed in dark clothing with white lace collar, possibly wearing some sort of hat."George Preston as a boy from early tintype".george preston, early tintype photograph, children -
Bendigo Military Museum
Clothing - T SHIRT
T-Shirt, yellow cotton material. On rear is a blue circle inside it a white bird, black leaf motif & map. Front has smaller identical logo.Printed around circle: "PEACE, PEACE MONITORING GROUP"t shirt, clothing, peace -
Bendigo Military Museum
Clothing - CUFF LINKS, Pre 1944
Belonged to Henry Thomas Ridge V57996, VX148845, CMF & AIF. Refer 275.10, 473P.Cuff links 8th BATT AMF .1) Case, small, black with white material lining .2) cufflink, scroll top and bottom, boomerang either side eagle in centre, green around. Small chain attached with cigar shaped pendant. .3) As above8th Battalion - Celer Et Audaxcuff links, 8th bn amf, clothing -
Glenelg Shire Council Cultural Collection
Clothing - Camisole, Robertson & Moffatt Pty Ltd., Melbourne, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White cotton camisole with lace edging at neck, arms and front. Lace inserts over breast area. 4 covered buttons on front opening. 1 modern button at top. 1 uncovered button.Front: Red EMB label inside front. Initials F.M.G.clothing, underwear, womens history -
Glenelg Shire Council Cultural Collection
Clothing - Child's Bonnet, 1905
Made for John Matthew Mabbit, son of Lighthouse Keeper Matthew Edward Mabbitt.Fine cream crochet bonnet. Circular pattern on rear with pichot edge. Eyelet holes for ribbon. Gold ribbon at front.clothing, childs clothing, headwear -
Glenelg Shire Council Cultural Collection
Clothing - Child's Petticoat, 1900s
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White lawn infant's dress. Gathered at waist. Gathered at neck forming shoulder straps. Embroidered central panel from front waist to hem.childhood, clothing, embroidery -
Whitehorse Historical Society Inc.
Clothing - Scarf, C 1950's/60's
Family of heather McNamara.- Mauve silk velvet scarf, lined with darker contrasting satin.clothing, velvet, c 1950's/60's -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race colours, Ted Manton
3.39Blue, yellow diamond, yellow hooped sleevesclothing, ted manton, heathcote -
Bendigo Historical Society Inc.
Clothing - WEDDING DRESS
Social A wedding skirt and bodice in blue satin and blue velvet with gold stripes. The bodice is of blue satin with velvet collar and cuffs. There are 19 pearl buttons at centre front affixed by hooks sewn inside to the backs of the buttons. The buttons commence at 7.5 cm from the top of the collar, the first button of 1cm smaller than the rest of 1.2 cm and buttons are spaced at .8cm apart. The bodice is styled to fit into the waist with a flare over the hips. At the rear there is an opening at centre waist and there is a 15cm x14cm pleated panel inserted with capacity to flare open to 48cm. The bodice is calico lined with extra lining at the underarms. The skirt is made in three layers. The base layer is of brown satin/cotton hemmed in 12 cm blue satin on the outside and blue cotton on the inside. The second layer has a 40 cm pleated base in blue satin with pleats folded to 5cm. This is sewn onto a brown satin/cotton lining reaching to the waist. The outside layer has a velvet panel at front sewn to a 3 cm dark blue satin waist band. The rear of the skirt is gathered into a 6 cm dark blue satin waist band. The pleated satin layer is visible 3 cm below the front velvet panel and the front layer has side openings to 40 cm allowing the pleated layer to show. A 31 cm opening on the RHS of the skirt is affixed with hooks and eyes.In Ink on calico attached label inside bodice "Chris Mackenzie" and calico label in ink on inside of skirt "Mackenzie Christine "clothing, wedding dress, late 19th century -
Ballarat Tramway Museum
Clothing - Bottle Green cloth sample
Sample of felted wool cloth found in a great coat pocket - used in the manufacture of new uniforms for BTM volunteers - same colour as that used by the SECV for its uniforms.Yields information about the colour of the cloth used in SEC uniforms.Sample of bottle Green cloth used in new BTM uniformsuniforms, clothing, secv -
Heidelberg Golf Club
Clothing - Blazer, Sackville of Melbourne, Bowls blazer
Back formal blazer worn by member of the Heidelberg Golf Club Bowling Club. Black men's blazer with navy lining, black buttons and embroidered pocket.Pocket embroidery: 'R.V.B.A. H.G.C.", on manufacturer's label: "Solweave by Sackville of Melbourne"hgc bowling club, clothing, bill leonard -
Heidelberg Golf Club
Clothing - Blazer, Neat n'Trim, Lady President's blazer, 1999
Navy formal blazer worn by the Lady President of Heidelberg Golf Club in 1999.Navy women's blazer with navy lining, metal buttons and embroidered pocket.Pocket embroidery: 'HGC Crest and Lady President 1999", on manufacturer's label: "Neat n' trim uniforms. Made in Fiji"clothing, hgc lady presidents, jan balgowan -
Bendigo Military Museum
Clothing - TOP & PANTS, MANDARIN STYLE, c.WW2
This outfit was sent home to A.E. Tranter's daughter Brenda Refer to Cat 7944. Item in the collection of "Arthur E. Tranter". V50166 - VX52843 2/29th BN P.O.W.1. Top - dark red colour cotton satin fabric with light gold cover piping to garment edges. Handmade. Top has a mandarin collar, side to front opening and no sleeves. Knots and loops are used to close garment. Decorative ribbon fabric flowers at collar and neckline. Colours - pale pink, dark pink and yellow. Garment has been hand and machine stitched. 2. Pants - fabric as above. long wide legs to pants. Hand and machine stitched. clothing, ww2, arthur e tranter -
Bendigo Military Museum
Clothing - CHILD'S DRESS, WW2, c.WW2
This item was sent home to Arthur Tranters daughter Brenda. Refer to Cat No. 7944. Item in the collection of "Arthur E. Tranter". V50166 - VX52843 - 2/29th Bn P.O.W.Top or small dress for a young girl. Orange colour cotton, muslin or lawn fabric, gathered onto a yoke with hand stitched smocking. Above hemline - decorated with handstitched embroidery. Thread colours - white, cream, blue and pink. Left shoulder opening has three metal press studs to close garment. This garment was sent home to A.E. Tranter's daughter.clothing, ww2, arthur e tranter -
Whitehorse Historical Society Inc.
Clothing - Dinner suit (trousers & jacket), Buckley & Nunn Melbourne, C 1965
- Worn at wedding day, May 1967 - Purchased on wearer's mother's account at Buckley & Nunn, Melbourne.- Black woollen trousers and jacket - Black ribbon trim on side seams - pleated waistline - cotton pocket - silk lapels (plain) Size 36 (men's) Garment has been altered See NA5570 (white formal shirt) NA5575 (Bow Tie) and NA5576 (Cummerbund) 'The Buckleigh" - exclusive to Buckley's & Nunnclothing, formal wear, men -
Whitehorse Historical Society Inc.
Clothing - Crochet false front (Dicky front), Unknown
Part of Mcnamara collection- Crochet in ecru cotton - false front to be worn under ladies' suit for modestyNilhandmade accessories, crochet, clothing -
Whitehorse Historical Society Inc.
Clothing - Black & white dress, C 1970's
1970's Indian cotton, block printed dress.- Indian cotton printed dress (block printed) - Wrap style, long sleeves, tie belt, side splits - Skillful use of block printing in dress design - Black colour washed out, verging on dark brown'Dellriwala" Handmade in India 100% cotton size 8clothing, indian, block printed -
Whitehorse Historical Society Inc.
Clothing - House Coat, C 1970's
Worn by donor's mother c 1970s.- Summer house coat with raglan sleeves - Cotton with satin trim & tied neck - Iris & stripe pattern in multi colour - Plastic buttons down front " A Ralstan Gown", size 18, Bust 100cmclothing, fashion, housecoat -
Whitehorse Historical Society Inc.
Clothing - Dress, C 1970's
Short sleeved nylon dress with black background with white, pink and khaki motifs: has tie belt with self-fabric: V-neck with slightly flared skirt.Label - House of Lucas, size 16 - waist 75cm: bust 95cm; hip 100cmclothing, dress, house of lucas -
Melbourne Tram Museum
Clothing - "G class team polo shirt", Public Transport Victoria (PTV), 2025
Provided by Public Transport Victoria (PTV) to staff and others involved in the G class tram project team as a souvenir.Demonstrates a PTV item produced for staff or others involved in the G class tram project.Blue cloth polo shirt with a image of a G class tram. No size lable.ptv, clothing, g class -
Great Stupa of Universal Compassion
Clothing - Tibetan hat with fur flaps
Tibetan felt hats, typically made from wool felt crafted from sheep or yak wool, are well-suited to the harsh, cold climate of the Tibetan Plateau. A lining and decorative elements, such as embroidery or patterns, are often added. The fur flaps, made from rabbit or fox fur, provide extra warmth. Felt hats are worn by both men and women.Tibetan hats (also known as ‘chuba hats’ or ‘tsamtha’) are rich in cultural significance. They are often worn during religious ceremonies, festivals, and other important occasions. The design and quality of a hat can indicate the wearer's social status or role within the community.Traditional Tibetan hat with silk brocaded crown in dark and light brown colours, with orange and green flower pattern, and large fur flaps.everyday life, clothing, hats -
Great Stupa of Universal Compassion
Clothing - Tibetan hat with fur flaps
Tibetan felt hats, typically made from wool felt crafted from sheep or yak wool, are well-suited to the harsh, cold climate of the Tibetan Plateau. A lining and decorative elements, such as embroidery or patterns, are often added. The fur flaps, made from rabbit or fox fur, provide extra warmth. Felt hats are worn by both men and women. Tibetan hats (also known as ‘chuba hats’ or ‘tsamtha’) are rich in cultural significance. They are often worn during religious ceremonies, festivals, and other important occasions. The design and quality of a hat can indicate the wearer's social status or role within the community.Traditional Tibetan hat with silk brocaded crown in blue, red and golden colours, and large fur flaps. The TFG initials written in ink inside.everyday life, clothing, hats -
Great Stupa of Universal Compassion
Clothing - Tibetan hat with fur flaps
Tibetan felt hats, typically made from wool felt crafted from sheep or yak wool, are well-suited to the harsh, cold climate of the Tibetan Plateau. A lining and decorative elements, such as embroidery or patterns, are often added. The fur flaps, made from rabbit or fox fur, provide extra warmth. Felt hats are worn by both men and women.Tibetan hats (also known as ‘chuba hats’ or ‘tsamtha’) are rich in cultural significance. They are often worn during religious ceremonies, festivals, and other important occasions. The design and quality of a hat can indicate the wearer's social status or role within the community.Traditional Tibetan hat with silk brocaded crown; it has dark brown background, and silver and beige flower pattern, the fur flaps are of ruse colour.everyday life, clothing, hats -
Great Stupa of Universal Compassion
Clothing - Tibetan hat with fur flaps
Tibetan felt hats, typically made from wool felt crafted from sheep or yak wool, are well-suited to the harsh, cold climate of the Tibetan Plateau. A lining and decorative elements, such as embroidery or patterns, are often added. The fur flaps, made from rabbit or fox fur, provide extra warmth. Felt hats are worn by both men and women.Tibetan hats (also known as ‘chuba hats’ or ‘tsamtha’) are rich in cultural significance. They are often worn during religious ceremonies, festivals, and other important occasions. The design and quality of a hat can indicate the wearer's social status or role within the community.Traditional Tibetan hat with silk brocaded crown in blue and purple colours, with red and white flower pattern, and large fur flaps.everyday life, clothing, hats -
Whitehorse Historical Society Inc.
Clothing - Bonnet, C 1900's
Bed cap, bonnet- Adult size cotton bonnet - Cotton lace inserts - Georgette type fabricNilclothing, handmade, c 1900's fashion -
Lakes Entrance Historical Society
Clothing - wedding dress, 1930 c
cream velvet wedding dressclothing, wedding, fashion -
Clunes Museum
Clothing - LADIES NIGHTIE
WHITE COTTON FULL LENGTH LADIES NIGHT DRESS WITH 3/4 LENGTH SLEEVES. LACE TRIM ON SLEEVES AND LACE BODICE THE NIGHTIE BELONGED TO MRS ALICE EVELYN FAWCETT (NEE STANTON). BORN 4/6/1862 DIED 20/5/1951. MARRIED TO THOMAS FAWCETTclothing, night wear, hand made -
Clunes Museum
Clothing - RIDING APPAREL, KINOCH CLOTHES, CIRCA 1927
LADIES RIDING OUTFIT .1 LADIES JACKET. TWEED WITH GREY SATIN LINING. 2 BUTTONS MISSING. LINING TORN. MADE BY KYNOCH CLOTHES OF SCOTLAND .2 BROWN JODHPURS. 1 BUTTON MISSING AT WAIST. LACING ON LEGS FROM BELOW KNEE TO ANKLE. .3 2 LEATHER RIDING GLOVES WITH FUR LINING AND METAL BUCKLES. THE OUTFIT BELONGED TO MRS W FAWCETT (CHRYSSIE) NEE McLENNAN. BORN 23/12/1897 DIED 29/3/1979.fawcett family, riding habit, clothing -
Charlton Golden Grains Museum Inc
Clothing - Belt Buckle
Paper Mache Rectangular Buckle Green and Orange Floral Decor in each of 4 corners. Tortoise Shell background.charlton, clothing, personal hygiene