Showing 5969 items
matching clothing
-
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, Army, Vest
Green sleeveless vest in polar fleece material with pale green bias binding around collar & sleeve openings. 5 button holes down each side of front and 2 button holes on back collar - with labelclothing -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, Army, Dinner Jacket
White dinner jacket officers - short epaulettes on shoulder. Decorative piece on ends of sleeves. Large lapels - 2 small eyelet holes in each lapelTag for Regiment No. and Nameclothing -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, Army, Dinner Jacket
White dinner jacket - Officers - short epaulettes on shoulders. Decorative piece on ends of sleeves. Long lanpels. Rust marks on back of shouldersclothing -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Tie
A Royal Australian Airforce tie - navy blue, red & gold crown, blue circle with white centre, gold eagle, wings outstretched across it.clothing -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, Army
A pair of winter dress trousers pure wool khaki, pleated in front, a back pocket and side pockerts. Rank MajorI.T.Sheddickclothing -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, Army
Khaki winter tie (Major)I.T.Sheddickclothing -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, RAAF
Navy blue Airforce tieA.G.C.F. Vic 1982 8440.66.062.0733clothing -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, RAAF
Cream, long sleeve shirt. Black and gold epaulettes. Gold crown above two gold embroidered anchors with gold "Australia" underneath.Do not boil or wring. Drip dry. Iron lightly with warm ironclothing -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, RAAF
Airforce navy pants, front pleats, front pockets, side pockets, back pocket Size 1165A.G.C.F. Vic 1985 8405.66.037.4780clothing -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, RAAF
Navy blue webbing belt. metal buckle. webbingclothing -
Stawell Historical Society Inc
Photograph, Stawell Photographic Co, Rathgeber Family -- Studio Portrait
Early 1900's Studio Portrait of Sarah Ann Rathgeber with four of her sons, one in a sailor suit, other in a three piece suit.Sarah Anne and four of her sons, Jim Thon Joseph (Dec'd) approx 2-4 years old and Fredclothing -
Stawell Historical Society Inc
Photograph, Children of Marg and Allan Giles
Studio photograph of three children sitting on bench seat. Gary Helen Bryan Giles children of Marg & Allan Giles. Merry Christmas Grandma & Grandad. Love from Bryan Gary & Helen Maree 1957 clothing -
Stawell Historical Society Inc
Accessory - Jewellery
1930's Collection of seven items of costume dress jewelry belonging to Mary and Margaret Devery of Greens Creek Two bracelets, two clips for Dresses or Shoes,. Jewelry Accessory (part), Hair Coombe and Flower Broach in two cardboard boxes.clothing -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/05/1995 12:00:00 AM
Black and white photograph of Girl Guides Sue Roberts Reg Commissioner, Barb McGuire, Bev McColley taken at reunion East Gippsland Victoriaclothing -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1918
Black and white photograph of Win Harbeck and Vi Coate wearing fancy dress costumes, photograph taken outdoors in garden. Lakes Entrance Victoriaclothing -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1913
Black and white photograph of Winnie Harbeck, Beryl Almond, Eva Harbeck, Nell Bliss in bathing costumes at ocean beach, Lakes Entrance VictoriaBathing Beauties 1913clothing -
Montmorency/Eltham RSL Sub Branch
Uniform - Red Ceremonial Sash
Worn by Colour Sgt Cordwell, grandfather of John Cordwell past President of the Sub-Branch. Part of the Cordwell collection from the family of past President of the Sub-Branch.Red cotton sashNilclothing -
Montmorency/Eltham RSL Sub Branch
Uniform - Leggings - Stohwasser Pattern
Brown Stohwasser leggings were worn from WW1 through to later years, these worn by John Cordwell in the CMF 1936. Part of the Cordwell collection donated by the family, worn by John Cordwell (Past President) during his service in the CMF 1936Pair of brown Leather Leggings of the Stohwasser Pattern with leather straps and steel buckles.clothing -
Kew Historical Society Inc
Clothing - Manila de Manton, 1900-1930
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Large black silk fringed shawl (aka piano shawl) that incorporates large areas of pink embroidery. table cloths, table covers, manton de manilas - piano shawls -
Kew Historical Society Inc
Clothing - Black Silk Embroidered & Fringed Shawl, c.1910
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.Fitted black silk cape or shawl, joined at the neck, and incorporating embroidery of the same colour. The item includes extensive, double-row fringing. On examination of the piece, it would appear that it was constructed from a Manila de Manton (piano shawl). It has been provisionally dated to either the late-Victorian or Edwardian periods.fashion and textiles collection - kew historical society, shawls -
Kew Historical Society Inc
Clothing - Lace Bodice, 1930s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream crocheted bodice with pearl buttons. A net band has been attached at the waistline to facilitate the garment being tucked in. There are some machine made elements hand tacked on but the garment is mainly hand made. Most of the garment is diamond mesh with picot. The yoke is crotchet mesh with applied daisy motifs. Large daffodils and daisy motifs are applied to the main body of the garmentlace, women's clothing -
Kew Historical Society Inc
Clothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Net jabot with 3 machine made filet inserts. Edged with machine made tape lacelace, women's clothing, jabots -
Kew Historical Society Inc
Clothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots -
Kew Historical Society Inc
Clothing - Linen Waist Band and Lace Drops, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Curved white cotton band with pin tucked rectangular inset front and back. It curves downward to enable the two bobbin lace panels to hang downwards. Has four crotched buttons. The stiches used are plait stitch, cloth stitch, and mesh stitch.lace, women's clothing -
Kew Historical Society Inc
Clothing - Lace and Net Sleeve Cuffs, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cotton voile sleeves edged with broderie anglais. In poor condition, may have been removed from another garment. Probably hand worked, it is an example of cut worklace, women's clothing, sleeve cuffs, engageantes -
Kew Historical Society Inc
Clothing - Lace Collar, 1950s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. White lace gathered onto tape which can then be sewn onto a garmentlace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Lace Bow, 1920s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream net bow edged with lace, gathered at the centrelace, women's clothing -
Kew Historical Society Inc
Clothing - Lace Collar, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Lace Collar, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream lace collarlace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Silk and Lace Scarf, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rectangular silk panel edged with lace at either end.lace, women's clothing