Clothing. Red polyester fabric, lined with white silky polyester lining, and hand-stitched, open weave fabric, possibly cotton to help hold shape and body. Symetrical shaping to a point on broad and narrow ends of tie. Cut on the cross to give stretch when tying the tie.RODNEY by John Webster, MADE IN AUSTRALIA.costume accessories, male, marong municipal band uniform tie

Small booklet produced by the Australian Branch of the Red Cross Society, Headquarters and Central Depot, with guidelines for making donations of goods such as clothing, linen, blankets, bandages, books and food items to the Australian War effort and instructions for knitting woollen items of clothing intended for defence personnel on active service. The booklet is not dated however it is from the WW1 era and has twenty pages.The booklet front page has the following text: "RED CROSS SOCIETY", "AUSTRALIAN BRANCH", "Headquarters and Central Depot" and a note printed in red "When forwarding parcels, send by post complete duplicate list with number of each article to Officer-in-Charge." The Red Cross symbol is featured in the form of a red +.

The photograph was taken during Linton's centenary celebrations in 1939.Small black and white photograph which shows two women standing in a garden. The woman on the left side has long plaits, is dressed in light coloured clothing and is carrying a bag. The woman on the right is also wearing light coloured clothing but she has short, curly hair. She is holding a book under her right arm (on left side in photograph).grace bennett, grace wishart, mrs neil wishart, amelia (millie) bennett, amelia (millie) allen

This finely crafted skirt has been made at the Fletcher Jones clothing factory. David Fletcher Jones served in World War One and following this had an itinerant hawker's business in the Western District . In 1924 he opened a tailoring shop in Liebig Street, Warrnambool and began to specialise in the production of men's trousers. In 1946 he opened a shop in Melbourne and in 1947 the firm of Fletcher Jones and Staff Pty. Ltd. was registered. In 1948 a clothing factory was opened in Warrnambool and in the 1960s Fletcher Jones shops had extended to other states of Australia and later the merchandise was extended to men's and women's clothing. It was one of the best known businesses in Australia. The Fletcher Jones company was dissolved in 2011. This is a fine example of a Fletcher Jones item of clothing. The Fletcher Jones clothing business was one of the most important businesses ever to have been in Warrnambool and the factory gardens survive as a tourist attraction in Warrnambool.This is a reversible black, grey and white checked woollen, woman's skirt. It is fully pleated on a waist band which can be buttoned either side. There is a zip on the side next to the waist band.THE Two -Way SKIRT by FLETCHER JONES PURE NEW WOOL SIZE 14fletcher jones clothing company, warrnambool industries

Black and white photograph of the big Deborah Extended mine, note the wooden structure of the poppet. Centre and left foreground is a clothes line of large and small clothing.mining, surface equipment, deborah extended mine

Bendigo Advertiser ''The way we were'' from 2000. Clothing: John McFarlane's drapery store in Maldon which was opened in the early 1860s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Document : Part of a lined exercise book in poor condition. Entries hand written in pencil by date and name. Measurements for Masonic clothing? Geo. Meakin, tailor.Geo. Meakin, tailor, High St Bendigoorganization, retail, tailor, geo. meakin, tailor, clothing measurements, masonic lodge

Yields information about the interior view of a tram when crossing another tram.Digital images of an interior photo within a tram, crossing another tram at a loop. Has two people in summer clothing. Photo by Chris Phillips, c1970.trams, tramways, interiors, ballarat

Painted plaster figurine of female in late 19th Century clothing holding tennis racquet. Impressed in base is text: 'HOUSE OF LLOYD'. Materials: Plaster, Pigmenttennis

Forty page colour knitting pattern book. The cover features a woman dressed entirely in teal clothing, including a knitted jumper, pants, socks and beret.front: [printed] Australia 30 cents Canada & U.S.A. 60 cents South Africa 25 cents New Zealand 25 cents No 429 / stitchcraft / SEPTEMBER 1969 / 2'6 / COLOUR / BRIGHT / FOR / AUTUMNfashion, design, knitwear, home made, wool, pattern book, stitchcraft, patons and baldwins

The badge features a conductor with many arrows pointing towards them and a list of people they were to assist such as lost, old, disabled, in a pram, and female. Made at the time of the big strike Jan. 1990 to support the retention of tram conductors. See also items 667, 668, and 1776 for similar badges made for the same purpose.Demonstrates an item made to support the retention of Conductors.Badge - Has a pin with a white plastic backing on the rear to enable to be fixed to an item of clothing. Has manufacturer's name and logo on the rear of badge - Badge Minit.trams, tramways, the met, conductors, melbourne, badges

Black and white copy of original early tintype, showing a boy dressed in dark clothing with white lace collar, possibly wearing some sort of hat."George Preston as a boy from early tintype".george preston, early tintype photograph, children

This badge was issued to Harold Hall No 270, 10th Batt & 7th Field Ambulance AIF. Refer 2062.Returned from Active Service Badge, brass, round with a crown at the top. Centre is the Rising Sun badge emblem. On the rear are two lugs for clothing attachment.Around the outside dia, “Issued by the Dept of Defence” , “Returned from Active service”. Centre of badge, “Australian Military Forces AIF”, Rear, “Stokes & Sons MELB, 61406”.military service, returned, history, metal work., ras, badges

This apron is similar to aprons were made for use during war times, perhaps with Red Cross. It was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Apron, ladies size, plain, heavy cotton. Full length apron with bodice, shoulder straps and a button closure at waist. Skirt has five panels. There is a small pocket on wearer's right side, inserted into seams. Ca.1900's.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late early 1900’s, ladies work apron, domestic service, domestic clothing, ladies’ clothing, hospitality clothing, hospitality service

This petticoat was donated along with other well kept items of women's clothing. the pin tucks and lace trim could have been made to give flexibility to the length. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Petticoat, ladies size, cotton, waist to floor, drawstring waist closure, bottom lace trim is lined, pin tucks in lower skirt. Machine made lace, machine stitched. C. 1900.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, ladies undergarment, petticoat c 1900, ladies' clothing, ladies' fashion, underwear, petticoat

Unopened industrial sized reel of cotton with labels attached to top, side and bottomManufacturers of High Grade Sewing Thread for all trades including specially prepared 3 and 4 cord for use in boot, shoes, slipper and clothing trades.

Clothing. Cream silk shawl, with elaborate silk floral embroidery at each end, and finished with a 12 cm deep. silk hand-knotted fringe at each end. Edges are hand-rolled and hand- stitched. Single floral embroideries are spaced across the body of the shawl, in rows of three embroideries.costume, female, silk embroidered shawl

Clothing. Coffee coloured polyester cotton full slip petticoat. Shaped top at bust line. Nylon ribbon shoulder straps (1cm). Scalloped top edge and hemline with decorative dark brown stitching. Embroidered floral patterns below shoulder straps and centre front above hemline.Tag 1 inside seam ''SIZE 10 to fit Bust 32, waist 24, hips 34''. Tag 2 ''LYN MAID INTERNATIONAL STYLED IN AUSTRALIA''. Permanent Press Polyester 65%, Combed Cotton 35%.Made in Hong Kong.costume, female underwear, coffee coloured full slip petticoat

Clothing. Pale pink nylon woman's panties with gussett and elasticized legs trimmed with 2cm gathered nylon ruffle. Triangular inserts above each leg of transparent nylon fabric with printed floral pattern. Above each insert is a decorative pink bow (5cmX1cm). Elasticized waist band.Tag on side seam ''NYLON SW''costume, female underwear, woman's pale pink nylon panties

Clothing. White linen woman's half petticoat. A line shape with two horizontal tucks (5cm and 7.5 cm). Waistband 1.3 cm fastened at back with two metal hooks and eyes. Centre back opening (46 cm) fastened with four metal hooks and eyes. Full length.costume, female, woman's white linen half petticoat

Used for darning clothing such as socks. This is a small one, possibly used for children's clothing.Small darning mushroom, turned wood, painted fawndarning mushrooms, darners

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Large black silk fringed shawl (aka piano shawl) that incorporates large areas of pink embroidery. table cloths, table covers, manton de manilas - piano shawls

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.Fitted black silk cape or shawl, joined at the neck, and incorporating embroidery of the same colour. The item includes extensive, double-row fringing. On examination of the piece, it would appear that it was constructed from a Manila de Manton (piano shawl). It has been provisionally dated to either the late-Victorian or Edwardian periods.fashion and textiles collection - kew historical society, shawls

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream crocheted bodice with pearl buttons. A net band has been attached at the waistline to facilitate the garment being tucked in. There are some machine made elements hand tacked on but the garment is mainly hand made. Most of the garment is diamond mesh with picot. The yoke is crotchet mesh with applied daisy motifs. Large daffodils and daisy motifs are applied to the main body of the garmentlace, women's clothing

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Net jabot with 3 machine made filet inserts. Edged with machine made tape lacelace, women's clothing, jabots

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots