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National Wool Museum
Textile - Coat Dress, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red princess seam coat dress with ten self covered buttons down centre front and crew neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Vision Australia
Certificate - Text, Australian design award #1514 to Mitchell Manufacturing, February 22, 1982
In 1982 Mitchell Manufacturing received a design award for the Mitchell Coaster cycle from the Industrial Design Council of Australia.1 cream coloured page with blue background and cream upside down V on upper two thirds of page."Australian design award number #1514 awarded to Mitchell Manufacturing - a division of the Royal Blind Society for Mitchell Coaster bicycle designed by Peter Corbin Date 22/2/82, Signed (signature illegible) Chairman".royal blind society of nsw, mitchell manufacturing -
Canterbury History Group
Photograph - New Theatre, Maling Road, Canterbury, Jan Pigot, 1/03/1990 12:00:00 AM
Facade of the New Theatre, Maling Road, Canterbury burnt down March 11 1990 at 3 30 pmcanterbury, maling road, theatres, new theatre -
Canterbury History Group
Photograph - Closing Down Sale Thrifty Link Hardware, Jan Pigot, 1998
Henry M. Smith's Thrifty Link Hardware Shop in Canterbury Road, Canterbury closing down sale in 1998.canterbury, canterbury road, henry m. smith, thrifty link hardware, hardware stores, shops -
Canterbury History Group
Photograph - Closing Down Sale at Henry M. Smith's Thrifty Link Hardware Shop, 1998, Jan Pigot, 1998
Closing down sale at Henry M. Smith's Thrifty Link Hardware Shop in Canterbury Road Canterbury 1998canterbury, canterbury road, henry m. smith, thrifty link hardware, hardware stores, shops -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Award - Trophy, 2ND INF BGDE 1928 LEWIS GUN.5 BATN
2ND INF BGDE 1928 LEWIS GUN.5 BATNSmall sized trophy - Both handles intact and shaped like upside down hocky sticks/ nike logos -2ND INF BGDE 1928 LEWIS GUN.5 BATN5/6 rvr, 5/6 2nd infantry brigade 1928, 1928 lewis gun -
Melbourne Legacy
Document, Comradeship 'Boys' say 'Farewell to Donovan', 1989
Pages 8, 9 and 10 from Melbourne Legacy Bulletin of 9.11.1989. Joynt's long association with Melbourne Legacy was celebrated at the Comradeship Hour at Legacy House on Tuesday 24 October 1989, two years after his death and just before the transfer of his uniform to the War Museum in Canberra. The address was given by Legatee Fred Holdsworth and followed by the complete citation from Joynt's V.C. award. See also Cat No. 01599. The document was stored in an album compiled about Legatee Joynt's life at 01588.Highlights Joynt's long relationship with Melbourne Legacy and the esteem in which he was held.White paper x 2 pages, black type. 1 cut down black and white printed sheetdonovan joynt, legatee event -
The Beechworth Burke Museum
Postcard, George Symons, c.1990
The photograph printed on this postcard comes from the collection of the Mitchell Library in Sydney. It is sepia in tone and depicts seven men standing and sitting around a mine shaft in the Beechworth region. The photograph has been dated to approximately 1872. This period in history post-dates the Victorian gold rushes which occurred 1852-1853 in Ballarat, Bendigo and Beechworth. During this period, in the 1870s, the surface alluvial gold had been discovered and removed from location. Therefore, in order to reach the deeper and less accessible alluvial gold, diggers began to dig shafts into the earth. These shafts sunk below the ground level by 20 to 30 feet and required timber structures around the entrance and winches to bring the paydirt to the top. The top of this wooden structure is visible behind the man standing in the upper right of the image. This type of mining was highly dangerous as mines often caved in which injured the minors and often resulted in death. Thus, following this period, in the early 1900s, miners opted instead for hydrolic slucing which cut away the earth without the devastating consequences of a mine cave in. This particular group of miners appear to have been unable to afford a horse (then worth around 50 pounds) which were generally used at mines like this to help pull buckets attached to ropes up and down the mine. Instead, this group brought the buckets up and down by windlass. The windlass was a wooden structure mounted over the mining shaft and fitted with a hand-cranked winch which enabled the bucket attached to the rope to be brought up and down.Gold was first discovered in Beechworth in Spring and Reid's Creek in the summer of 1852-1853. At its popularity, this region had approximately 8000 people on the gold fields searching for gold on the banks of these creeks. These periods did not require the use of heavy machinery or the digging of deep mining shafts like the one depicted in this image. Therefore, this image has important connotations for the technologies associated with mining during the approximated 1870s when gold was harder to access. This is a later period in gold history which does not fit into the "gold rush" period. Instead, it occurred after the surface gold had disappeared and therefore, is essential for researchers who are investigating the mining techniques and structures used to reach the alluvial gold which was located deeper under ground in the 1870s. This period predates the use of big heavy machinery used to mine in the 1900s which include dredges. Images such as this one can also impart essential information as to the wardrobe and fashion of men during this period. It also imparts knowledge about the landscape of Beechworth which is useful for people researching the environment and impact of gold mining in the north-east region of Victoria. In addition, since this image is a postcard reproduction of an early Australian image which may date to approximately 1990 it can impart knowledge as to the interests of people during this time period when there may have been an increase into Australian history.A sepia tone facsimile of an early Australian photograph (circa 1872) printed as a postcard.Obverse: BEECHWORTH / Victoria, Australia / Reverse: GM 2 3275 / CORRESPONDENCE / AUSTRALIAN / YESTERYEAR / CARDS / ADDRESS / Published by George Symons (057) 65 3240 / THE MINEHEAD C. 1872 / The easily gleaned gold of the early fields did / not last very long. In order to reach less / accessible alluvial gold diggers began sinking shafts as much as twenty to thirty feet down / and the mines required timbering and winches / to bring the paydirt to the top. / This syndicate has been unable to afford the / luxury of a horse (about 50 pounds) and so everything / must go up and down by windlass and rawhide / bucket. / Photo: Mitchell Library, Sydney / A sepia tone facsimile of / an early Australian photographmining album, gold mine, beechworth, burke museum, mine shaft, postcard, australian yesteryear cards, george symons, the minehead, gold fields, alluvial gold, early australia, c.1872, 1872, gold diggers, north east victoria -
Ballarat Tramway Museum
Photograph - Digital image, Wal Jack, 2/03/1958 12:00:00 AM
Yields information about the arrangements made to transport trams from Melbourne to Ballarat by Yellow express vehicle.Digital image from the Wal Jack Ballarat Album of a photograph of Queens Mothers visit in 1958. Sunday 2/3/1958, outside the Railway Station in Lydiard St North. Sunday 11AM. Trams waiting special trains. No. 14, 13, 28, 40 34 up line, 26, 39, 27 down line. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative Two negatives held.Royal visit day - SEC 2/3/58, Ballarat, Lydiard St North, Sunday 11AM. Trams waiting special trains. No. 14, 13, 28, 40 34 up line, 26, 39, 27 down line. In top right hand corner is Wal Jack stamp with number T245 written in.trams, tramways, royal visit, lydiard st north, railway station, tram 14 -
Bendigo Military Museum
Uniform - TROUSERS, ARMY, Australian Defence Industries, 1968
Trousers - green colour cotton twill fabric, plastic buttons. Four button fly with two straps with metal buckles at waist. Two side pockets, two back pockets with button down flaps. Left leg pocket with button down flap. Button down belt loops. Waist and pocket lining green cotton twill fabric. Army work dress trousers commonly called "GREENS". Green cotton manufacturers label inside back waist band.Cotton label information - black ink print. "C.G.C.F/ VICTORIA 1968/ ^ / 8405.66.012.3406/ SIZE 21/ ARMY NO./ NAME".uniform, army, workdress trousers -
Bendigo Historical Society Inc.
Textile - HANDKERCHIEF BAG
Textiles, pink cotton fabric handkerchief bag. Front has an overlay of cream coloured tapestry fabric embroidered with cross stitch and lines of pattern. One corner is turned down to represent at purse flap to form a 17 cm opening. Bag has a 4 cm frilled lace edge (cream coloured) on three sides plus around the turned down flaps. 2 cm pink ribbon bows on three corners plus on turned down flap. Hand made.textiles, domestic, handkerchief bag -
Ringwood and District Historical Society
Plaque, P.S 2997 Ringwood
Heathmont Primary School merged with Ringwood Primary School and Southwood Primary School in 1997.wooden shield shaped plaque with 21 small shields all named. At top rectangular label Heathmont Primary School. Down left side eight plaques with School Captains names 1990-1997. Down right side Citizenship Awards 1989-1996. One blank label 1997P.S 2997 Ringwood Annual House Competition -
Flagstaff Hill Maritime Museum and Village
Clothing - Bodice, 1900's
This bodice is stiffened by what is commonly referred to as natural whalebone, but is actually baleen, which was in use from the 18th century through to the Edwardian era. It was hand sewn in Warrnambool in the 1900's.The bodice is significant for demonstrating the use of historical whalebone, or technically baleen, for its stays. This practice was used from the 18th century through to the Edwardian era.The bodice is made of gold cotton over the whalebone stays at the waistline. It is trimmed in brown fabric and has twenty-two buttons down the front from top to bottom. The sleeves are Leg-o'-mutton style. The bodice has pin tucks down the front. It was hand sewn in Warrnambool in 1900's.flagstaff hill, warrnambool, bodice, ladies clothes, whalebone stays, baleen stays, women's clothing, corsetry, corset boning, female adult, hand sewn -
Whitehorse Historical Society Inc.
Wedding dress, 1963
Wedding dress worn by donor in 1963. In Supplementary File, photocopy of house at 3 Buxton Road, Mitcham where bride and groom lived after wedding. Photos, invitation and marriage certificate also in Supplementary File1963 Wedding dress of cream satin; floor length, short sleeves, round neckline, fitted at waist. Cream Giupure lace motifs down down front of skirt, on bodice and sleeves. A detached triangular organdie and satin train held with bow to attach to waist of dress. See Veil NA3473costume, female ceremonial -
Orbost & District Historical Society
jar
Used as a dripping jar.Small ceramic container with a wider top than bottom and with lines running down the outside. Cream colour with staining inside.container ceramic dripping-jar household-uses -
Phillip Island and District Historical Society Inc.
Photograph, Sand sliding, Barry’s Beach, 1925-1926
Sepia photograph of a woman sliding down a sand dune, with ocean in the background. Helped by a man and another person kneeling in the background.Sand sliding at Barry’s Beachphotographs, barry’s beach, phillip island, berry’s beach, phillip island, social life and customs -
Flagstaff Hill Maritime Museum and Village
Glass Negative
Glass Negative of the Barque Buttermere - Turning Easting down. 600 miles West of the Cape Horn, Feb 4th 1887 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Glass Negative
Glass Negative of the Barque Buttermere - Turning Easting down. 600 miles West of the Cape Horn, Feb 4th 1887 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Glass Negative
Glass Negative of the Barque Buttermere - Turning Easting down. 600 miles West of the Cape Horn, Feb 4th 1887 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Glass Negative
Glass Negative of the Barque Buttermere - Turning Easting down. 600 miles West of the Cape Horn, Feb 4th 1887 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Frankston RSL Sub Branch
Tool - Magneto Field Lamp
German World War 1 magneto lamp. It has a carrier rope and a pull down ring. It has a prism lens. -
Marysville & District Historical Society
Photograph (item) - Colour photograph, Pre 2009
A colour photograph of Steavenson Falls in Marysville in Victoria.A colour photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.steavenson falls, waterfalls, marysville, victoria, john steavenson -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, Kathleen & Tom Minahan, 1948
A copy of a black and white photograph looking towards Murchison Street in Marysville in Victoria.A copy of a black and white photograph looking towards Murchison Street in Marysville in Victoria. The view is looking down Lyell Street.murchison street, lyell street, marysville, victoria -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2004
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2006
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2006
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Shows the view looking down Murchison Street from Pack Road. The buildings that can be seen in the photograph were all destroyed in the 2009 Black Saturday bushfires.murchison street, pack road, marysville, victoria, photograph, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2006
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Shows the view looking down the street towards the F.J. Barton Bridge. All the buildings that can be seen in the photograph were destroyed in the 2009 Black Saturday bushfires.murchison street, marysville, victoria, photograph, 2009 black saturday bushfires, f.j. barton bridge -
Federation University Historical Collection
Photograph - Photograph (black & White), Ballarat School of Mines Botanical Gardens, 15/08/2020
The Ballarat School of Mines Botanical Garden was established in 1870, and was used by students of Materia Medica and Botany.Photograph of the Ballarat School of Mines Botanical Gardens Looking down hill towards Grant Street and showing o Building.ballarat school of mines botanical gardens, ballarat school of mines, materia medica, system garden, o building -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Queen Elizabeth II and Prince Phillip, Portland, 1970
From the Glenelg Shire Council records. The Queen and Prince Phillip toured Australia in 1970. During this tour they visited Portland.Black and white photo. Queen Elizabeth II and Prince Phillip stepping down from dias at Hanlon Park, Portland.royal visit, queen elizabeth ii, prince phillip, 1970 -
Federation University Historical Collection
Postcard - black and white, Sheikh Ahmed Tomb, Steamer Point, Aden, c1914
Aden is a seaport city in Yemen, located by the eastern approach to the Red Sea (the Gulf of Aden), some 170 kilometres east of Bab-el-Mandeb. Aden was the capital of the People's Democratic Republic of Yemen until that country's unification with the Yemen Arab Republic. On that occasion, the city was declared a free trade zone.[citation needed] Aden gives its name to the Gulf of Aden. (Wikipedia)Black and white postcard showing Sheikh Ahmed's Tomb at Steamer Point, Aden. A number of camels are walking down the road. chatham-holmes family collection, aden, sheikh ahmed tomb, postcard, hotel de l'europe