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Clunes Museum
Artwork, other - ETCHING, PEN, INK, ARTIST, MRS. JANET McDONALD (NEE DRIFE)
THIS LLUSTRATION WAS GIVEN TO MRS. HOLLAND ON THE THIS DRAWING WAS GIVEN TO MRS. HOLLAND ON THE OCCASION OF HER WEDDING, BY THE ARTIST MRS. JANET McDONALD WHO MARRIED IN WESTERN AUSTRALIA AND LIVED THERE FOR 50 YEARS BEFORE RETURNING TO CLUNES TO LIVE IN SERVICE STREET, NEXT DOOR TO RIDLEY'S.WOODEN FRAME, GLASS COVERED. PEN AND INK DRAWING OF LADY WITH BASKET. TWO SWANS ON WATER. SMALL HOUSE AND MANY TREES IN BACKGROUND. SHRUBS IN FOREGROUND. WOODEN BRIDGE.local history, illustration, etching, paintings, drawings -
Ballarat Diocesan Historical Commission
Book, Roman Missal 1861, 1861
Roman Missal used at St Patrick's Cathedral Ballarat 1874 - 1964. One of only three known copies in Australia. This book is significant in that it is a masterpiece of the printer's art making extensive use of copperplate etching and photo-lithography. Printed in 1861 using these techniques the work aimed to emulate medieval illuminated work and bringing back the book beautiful pre-dating by decades the philosophies of William Morris in these aims. -
Ballarat Heritage Services
Work on paper - Artwork - Drawing, Sketch, 08/02/1945
Image of three men who appear to be in Australian army uniform.uniform, drawing, frank harding, corfu castle, etching -
City of Greater Geelong
Etching, Melton Prior, Geelong and Corio Bay from Eastern Beach
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City of Greater Geelong
Etching, Charles Turner, Corio Bay
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City of Greater Geelong
Etching, Geelong from Eastern Beach
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City of Greater Geelong
Etching, Geelong & Melbourne (1855) Railway Terminus 1837
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Ballarat Heritage Services
Photograph, B.E. Minns, Drawing by Arthur Lindsay
A pencil landscapesigned lower left "A. Lindsay"b.e. minns, etching horses -
Ballarat Heritage Services
Artwork - Etching, Frank Harding, Corfu Castle, C1930
Image of Corfu Castle by Frank Harding.corfu castle, frank harding, etching -
Clunes Museum
Artwork, other - ETCHING, PEN & INK
IT WAS GIVEN TO MRS. JEAN HOLLAND AS A WEDDING PRESENT, BY THE ARTIST - MRS. JANET McDONALD,WHO MARRIED AND LIVED IN WESTERN AUSTRALIA FOR 50 YEARS, BEFORE RETURNING TO CLUNES TO LIVE IN SERVICE STREET CLUNES, NEXT DOOR TO RIDLEYS.WOODEN FRAMED, GLASS COVERED PEN AND INK DRAWING OF A SEATED LADY WITH FLOWER CHAIN, LOOKING AT KNEELING CHILD. SHRUBBERY IN FOREGROUND. LEAFY TREE IN BACKGROUND.local history, illustration, etching, paintings, drawings -
Ballarat Heritage Services
Work on paper - Artwork, C1984
This unsigned relief print was purchased from students at RMIT c1984Relief print. This artist was studying printmaking at RMIT in 1984. If you can identify the artist please use the comment link below. reliefprint, etching, animal -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Norman Lindsay, Francis Crossle Bookplate by Norman Lindsay, 1927 (Norman Lindsay)
Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award. Etched bookplate for Francis Crossle showing a nude male angel and a nude woman above a crestOn plate "Credo et amo Francis Crossle"bookplate, lyttlewood press, norman lindsay, francis crossle, etching, printmaking, crest, nude -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Homage' by Geoffrey Ricardo, 2005
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC This aquatint is one of a limited edition of 30 and was printed by Gunnell/Leighfield at Chrysalis Publishing. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.artwork, geoffrey ricardo, kangaroo, aquatint, printmaking, etching -
Nillumbik Shire Council
Ceramic: Clifton PUGH, technician: Geoffrey DAVIDSON, Leda and the Emu, c. 1975
Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton' -
City of Greater Geelong
Work on paper - Etching, S T Gill, Approach to Geelong from Bay 1857
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Federation University Art Collection
Work on paper - Artwork - Printmaking, Geoffrey Ricardo, 'Knaive' by Geoffrey Riccardo, 2001
Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.geoffrey ricardo, printmaking, edition, etching, intaglio -
Federation University Art Collection
Work on paper - Printmaking - Etching, 'Iridis Navigium' by Christine Stewart, 1993
This work was exhibited in the 1993 3rd year final exhibition. It is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Frame limited edition print.Artist's Proofart, artwork, christine stewart, stewart, available, printmaking -
Merri-bek City Council
Relief etching printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate, Emily Floyd, It’s Time (Again), 2007
Emily Floyd is a Melbourne-based artist who works across sculpture, printmaking and public installation. In It’s Time (Again), Floyd graphically presents Gough Whitlam’s election speech, delivered before he became Prime Minster in 1972. Floyd’s training as a graphic designer is evident in the way in which the text’s presentation ties form to meaning. For example, the circular arrangement of the words resembles a vinyl record to be played again and again, implying the speech is worth revisiting. The circular arrangement also references other forms of timekeeping, such as the growth rings of a tree; the face of a clock; the cyclical nature of time, with its diurnal, lunar, seasonal and annual cycles. Floyd's work implies that social and political issues are cyclical in nature. It emphasises the necessity, once again, for proactive measures to ensure a quality, human-centered existence for everyone. -
Federation University Art Collection
Work on paper - Printmaking, Geoffrey Ricardo, "The Illuminated City" by Geoffrey Ricardo, 1999
Geoffrey RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Travelled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, Framed intaglio print from Geoffrey Ricardo's 'A Dark City, A Narrative' suite. Under image in pencil ' "The Illuminated City" Ricardo 99"geoffrey ricardo, printmaking, framed print, intaglio, etching -
Bendigo Historical Society Inc.
Drawing - COHN BROTHERS COLLECTION: ETCHING OF MORITZ COHN, 1878
Drawing of Moritz Cohn by Johnstone, O'Shannassy and Co. Wooden frame, glass broken on front. Screws and string on the back for wall hangingJohnstone O'Shannassy and Co.drawing, etching, moritz cohn, moritz cohn, cohn bros