After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The house at 7 Hume Street was designed in 1955 by the modernist architect Douglas Alexandra (1922-2000). Between 1951 and 1996, Alexandra completed a number of significant projects including a regional art gallery and library complex at Hamilton, Victoria (1958-59). The residence in Hume Street is included in the RAIA Victorian Chapter's 20th Century Buildings Register. The house, and another residence in Molesworth Street (1961), is one of his notable residential projects. The aerial property illustration of the house by Margaret Picken was commissioned by the real estate agent Woodards in 1998. Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Hume Street, Kew by Margaret Picken.7 HUME ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORN artist -- margaret picken 1950-, 7 hume street - kew (vic)., d.d. alexandra - architect, property illustrations -- buildings -- kew (vic.)

Donor identifies the following: Parish priest - Dr W M Collins Queen - Molly Baker Attendants - Marg Wise, Lola Sans, Gertie Baker Flower girls - Madge Wise, Molly Brown, Rita O'Sullivan Probably taken in Our Holy Redeemer Hall, Mont Albert Road, Surrey Hills.This is one of only a few photos in our collection which are evidence of Queen Carnivals which originated as fundraising events. They were particularly popular in both Australian and New Zealand during the early 20th century. They were particularly common during and after World War I when they were used to raise funds for returned soldiers. It is currently the only photo in the collection of a social event connected to Our Holy Redeemer Church and the only one which includes Dr William M Collins who was the parish priest from 1933-1941. Dr Collins was a significant figure in the Catholic Church in Melbourne in the first half of the 20th century. REF: The Advocate: The first priest-editor by Fiona Power; Kairos Catholic Journal Volume 22, Issue 16. - 2 September 2011": Summary: Born in Kilmore in 1884, William Collins attended South Melbourne College and then the University of Melbourne, where he assisted in the formation of the Newman Society of Victoria. After graduating in arts in 1911, he worked at the Melbourne Public Library and the Education Department. In 1912, at the age of 28, he went to Rome, where he studied for the priesthood at Urban College. He obtained doctorates in philosophy and theology and was ordained on 3 June 1917. He returned to Melbourne and was appointed curate at St Mary’s, West Melbourne, and St Francis’, Lonsdale Street. In 1918, Dr Collins became editor of The Advocate. He remained in the role for seven years. Dr Collins was parish priest of Dandenong, Daylesford, East Malvern, Surrey Hills and Kew, and administrator at St Francis’. He died in 1959 and a Requiem Mass was held at Sacred Heart, Kew. Black and white photo of the participants in the Queen Carnival arranged on a stage in a tableaux of the coronation of the Queen. To the right are the parish priest and the archbishop and there is a man at the bottom of the stairs centre front of the stage. Guests are seated at a table to the right of the stairs and to the left of the stairs is a table with floral arrangements and other objects. "1938" hand-written on the original photo in upper LH corner.festivals and celebrations, queen carnivals, our holy redeemer church, dr w m collins, rev william m collins, (miss) molly baker, (miss) marg wise, (miss) lola sans, (miss) gertie baker, (miss) madge wise, (miss) molly brown, (miss) rita o'sullivan

A colour slide of two boys studying by bookcases in Blamey House, Burke Road Kew, in 1970. It is possibly a library or study room. There 10 slides from the same roll of film, some are marked 'Blamey 1970'. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen with their education.Colour slide of two boys near bookcases in Blamey House in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' in yellow ink. Printed with slide date 'Feb70M3' and slide number '20' in black ink. Handwritten '13' in blue ink. Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, blamey house

The Testimonial to Uriah Whidycombe is one of a number of versions; others are in the collections of the State Library of Victoria and the Royal Historical Society of Victoria. This version is officially the oldest object in Kew Historical Society's collection. It was presented to the Society by two of its members in 1959.A photographic copy of a testimonial presented to Uriah Whidycombe, boatswain of the "John Bunyan" (Capt. George Coyle), by the passengers as evidence of appreciation of his courtesy and efficiency during the ship's first voyage from London, August 14th - November 24th, 1852.To Uriah Whidycombe Boatswain We the undersigned passengers on board the ship John Bunyan, desiring to express our sense of your civility and the uniform kindness of disposition you evinced towards us during the voyage, wish to offer you the accompanying testimonial, which though small will shew to you the good feeling and respect you gained from all classes of passengers in this ship. - We wish further to express our admiration of the very able and seaman-like manner, in which, during very trying weather, you have performed the arduous duties committed to you - [followed by signatures and amounts donated]uriah whidycombe, testimonials, ship - john bunyan, migration, migration to australia

Blind Creek was located between the Abbotsford Convent and what is now the Collins Bridge in Studley Park. In an 1858 map of East Collingwood by Clement Hodgkinson, in the State Library of Victoria, one can see how the creek was originally a significant landmark in Collingwood; remaining vacant land until a barrel drain enclosed it. The area was later filled in, surveyed and developed. The position where Blind Creek entered the Yarra was in the immediate vicinity of Hodgson’s Punt, which had linked Kew to the other side of the Yarra from 1839. The Punt was purchased by the Colonial Government in 1852 and was in use until the opening of the Studley Park Road (Johnston Street) Bridge in 1858 made its continued use redundantThe point of view selected by the artist for the watercolour is from the banks of Blind Creek in East Collingwood, looking across the Yarra to the Kew side of the river.Inscribed verso 'Creek and Old Watering stage, on the Yarra East Collingwood 1854 / Trees, stage, &c have long since disappeared / [Artist Signature] / FT 110 / Creek itself now being filled in 1903.gb richardson, blind creek - abbotsford, yarra river - abbotsford (vic) - kew (vic), colonial artists, australian art - 19th century, george bouchier richardson

Comb bound (brown plastic) report, manila card covers, approx. 10 pages, plus yellow sheets plus four folded drawings titled "Engineering Department - Planning Branch - Modal Interchange Investigations 1974 - 1975". Study looks at five possible modal interchanges: 1. - Box Hill Railway Station 2. - High St / Harp Road, Kew 3. - St Kilda Road / Park St / Domain Road 4 - Swanston St and Flinders St station 5 - Blackburn Railway station.In red felt pen on top right hand corner "(118)". Has stamp "Discarded from PTC Library 22 Oct. 1989" on front cover and the first sheet.trams, tramways, mmtb, tram stops, railways, domain junction, swanston st, flinders st station, blackburn

In 1972 Ivanhoe Progress Association planned to fill in the wetlands because they felt it bred mosquitos, and they obtained a grant for this work to take place. Darebin Parklands Association stormed the meeting to get this decision reversed, and the wetlands were never filled in.B&W photograph. Shows wetlands and Darebin Creek. Albion Reid land on fore bank. View from the north with panorama of Kew in the distance This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.