A an advertisement on paper for 'MONTSERRAT' lime fruit juice featuring a colour lithograph of couple resting beside a tennis court and a man playing tennis behind them. Materials: Paper, Ink, Cardboard, Glass, Woodtennis

Page from Harper's Weekly with reproduction of colour lithograph entitled 'LAWN TENNIS IN PROSPECT PARK'. Page 445 of periodical, dated July 11, 1885. Materials: Ink, Paper, Metal, Wood, Glasstennis

Map owned by Henry Thomas (Jack) Qualtrough who worked for the Victorian Forestry Commission. Shire of Strathfieldsaye County of Bendigo canvas backed map. L5169. Includes Axedale, Kimbolton, Eppalock and Sedgewick. Photographed/Lithographed for the Department of Lands and Survey Melbourne by T E McGauran 24.3.07. Price 1/-.map, axedale, kimbolton, sedgewick, eppalock

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, steamboat houses, fountain, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph

This is a leather covered book of 801 pages. The cover is decorated with gold panels of fruit and has gold lettering on the spine. The pages have gilt edges. It contains text, sketches, lithographs, maps and five loose maps. non-fictionA contemporary and geographical record of Australasia in the 19th centuryaustralasian history, antiquarian books, picturesque atlas of australasia, warrnambool, picturesque atlas of australasia volume 2

Invoice from J.B. Young, General printer, lithographer, Lyttleton Terrace, Sandhurst., dated September 1st. 1888, for stationery provided to Connelly, Tatchell & Dunlop. Marked Paid 13/10/88 J.B. Young.business, legal, j.b. young, connelly, tatchell & dunlop., j.b. young

Page featuring colour lithograph entitled 'A WHISTLING SHOP...TOM AND JERRY VISITNG LOGIC "ON BOARD THE FLEET"'. Another Cruikshank print is adhered to backing of frame. Materials: Paper, Ink, Cardboard, Wood, Metal, Glasstennis

Page from unknown book featuring lithograph entitled 'THE HIGH BORNE PRINCE JAMES DUKE OF YORK/BORNE OCTOBER= THE 13 1633'. UV glass. Materials: Paper, Ink, Cardboard, Wood, Metal, Glasstennis

The Photo Lithographed Maps belonged to George and Mary A'Vard. They are early maps of Emerald Township in 1955 and 1922.VEMU1659.1 Township of Emerald, Parish of Gembrook, Counties of Evelyn and Mornington; September 1955 VEMU1659.2 Township of Emerald, Parish of Gembrook, Counties of Evelyn and Mornington: Drafted 12 Sep 1892, Examined 30 Sep 1892, Additions 17 Jun 1922

Councils use property values to calculate how much each property owner pays in rates. This can give us some insight to property values within the municipalities. Receipts have been recorded by Receipt No, Date, Name and Riding. The subdivisions at that time which which were proclaimed by Order-in-Council on 22nd May 1917, were North Riding, Moorabbin Riding, Cheltenham Riding, and South Riding.Brown suede and Black linen bound book with Rates Cash Book Moorabbin Shire in gold text along the spinePrinted on white rectangular sticker in black ink: ARNALL & JACKSON/ Engravers and Lithographers/ PRINTERS/ and/ MANUFACTURING STATIONERS/ 478 Collins Street/ MELBOURNE/ No.B 33325 / 2/10/18 rates, ridings, moorabbin, municipality

Councils use property values to calculate how much each property owner pays in rates. This can give us some insight to property values within the municipalities. Receipts have been recorded by Receipt No, Date, Name and Riding. The subdivisions at that time which which were proclaimed by Order-in-Council on 22nd May 1917, were North Riding, Moorabbin Riding, Cheltenham Riding, and South Riding.Brown suede and Black linen bound book with Rates Cash Book Moorabbin Shire in gold text along the spinePrinted on white rectangular sticker in black ink: ARNALL & JACKSON/ Engravers and Lithographers/ PRINTERS/ and/ MANUFACTURING STATIONERS/ 478 Collins Street/ MELBOURNE/ No.B 27676 / 1/8/19rates, ridings, moorabbin, municipality

French block puzzle entitled 'Les Cubes Humoristiques'. 21-part object; (1 to 15) 15 paper-covered wooden blocks which can be arranged to make six different scenes; (16) Wooden box for housing blocks with paper lithograph illustration on lid depicting a tennis match; (17 to 21) Five picture cards: colour lithographs pasted onto card, depicting various humourous sporting and leisure scenes. Materials: Wood, Paper, Metal, Cardboard, Ink, Cloth tapetennis

British painter Howard Jarvis was best known for his maritime landscape paintings. An early member of the Society of Marine Artists (UK), formed in 1939, he went to sea on merchant ships and served in the Royal Navy during World War II. His works were influenced by marine artist Kenneth Shoesmith. Jarvis was commissioned by the Cunard-White Star Cruises to create a stone litho poster, which was quite well known, giving passengers a birds-eye view of a cruise ship.SS Orsova, built in 1954, was a British ocean liner for the Orient Steam Navigation Company until 1960, then P&O Orient Lines between 1960-1966, although the Orient ships retained their corn-coloured hulls and sailed under their own house flag. The colour of the hull on the print indicates it was made between 1954 and 1966. On 24 May 1956, Orsova ran aground off Port Phillip Bay, Melbourne, for twelve hours. In 1966 P&O acquired the balance of the Orient Line shares and all their ships were painted white. In the 1960s, Orsova carried many thousands of emigrants from Greece and Italy to Australia. It was staffed by approximately 600 crew and carried over a 1000 passengers. Maritime Art, Marine artColour printed reproduction of a painting or lithograph print featuring 20th C passenger liner, hull and superstructure primarily painted pale yellow, under steam at sea. Print is mounted glazed with thin gilded and moulded frame.Printed inscription on border of print at lower centre edge: "Orient Line S.S. Orsova / Off San Francisco"s.s. orsova, passengers ships, steamship, emigration, greece, italy, australia, passenger liner, melbourne, port phillip bay, artwork-paintings, w. howard jarvis, orient line, p and o, peninsular and oriental steam navigation company, ocean liner, passengers liners, passenger ships

Colour lithograph with caption 'THAT'S A FINE BACKHAND YOU HAVE'. Depicts woman with racquet seated under tree, and man in blue suit standing alongside, leaning on a racquet. Materials: Ink, Wood, Paper, Glass, Metaltennis

This is a leather covered book. The cover is decorated with gold panels of fruit and gold lettering on the spine and has a plastic cover to protect it. There is gilt edging on the 388 pages. It contains text, sketches, lithographs and some coloured maps and engravings on wood..non-fictionContemporary and geographical record of Australasia in the 19th centurywarrnambool history, western district history, australian history, australasian history, picturesque atlas of australasia, picturesque atlas of australasia volume 1

Sepia colour lithograph, image shows male wearing suit, bow tie with pin, beard and moustache. Written on base ' George d. Guthrie Esq' in capital letters. On RH side of image ' Practorius' handwritten within image.photo, individual, george d. guthrie esq