Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Colour photograph of a woman in a black period costume, carrying a small bag and facing away from the camera.BACK OF COSTUME. BEADED BLACK/VELVET COST $30P/M!/FLAGSTAFF HILL VOL GUIDE AT/MUS AUS VIC CONFERENCE/2/4/2014 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, flagstaff hill, warrnambool, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white landscape photograph of four men - Harry Jenkins, Ted Jenkins, Geoff Tyrthall and Gordon Grant - in the vegetable garden. Photograph has been taken under an orchard in the vegetable garden with Rogers' Cottage in the background.Catalogue number written in pencil on reverse. On reverse in pen '1939 Harry Jenkins, Ted Jenkins, Geoff Tyrthall and Gordon Grant in the vegetable garden. Gordon is sitting on one of the cement boxes for the legs of the tank stand'churchill island, ted jenkins, harry jenkins, geoff tyrthall, gordon grant

Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of a man carrying a woman and walking up from the water beside the jetty.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. The old jetty that was good for swimming and morning (?) during high tide only. GONE NOW. You can see the boys home in the background.churchill island

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of farm manager Trevor Heywood making a bagging needle. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen: "Trevor Heywood, Churchill Island farm manager, quickly making a bagging needle for chaff bags, Churchill Island Easter Festival 30/3/2013" churchill island, photograph

Two documents compiled by L/ Frank Doolan about the Intermediate Legacy Club (ILC). One is dated 15 February 1947 and examines the options for the ILC future, written by Graham Billiet. The other is a confidential proposal by an unknown person that the ILC could change focus and establish a Country Club Ranch. Background: The ILC was formed in 1929. The idea of the club sprang from those boys who had outgrown the Junior Legacy Club. In the early days it fielded a lacrosse team and it was this that mainly held the members together. Enthusiasm wained after a few years as it lacked a solid objective. The answer came from one of its members and in 1938 they founded the Don Esses Club. This was a club for the children of incapacitated ex-servicemen which met every Thursday night at 7.30 run by the ILC members. The name came from the signallers' code Disabled Servicemen's Sons. During the second world war 80% of the members of the ILC enlisted in the services. Leaving only 8 members that could not join due to ill health or reserved occupations. They continued the Don Esses and whatever aid they could to Legacy. ILC members had always helped Legacy where possible including being camp leaders or camp staff, with the annual demonstrations, and coffee stalls at the ANZAC dawn service. Post second world war some ILC members were nominated into Legacy, others drifted away in civil occupations. It was found difficult to recruit new blood into the ILC and eventually membership waned when the boys from the Don Esses clubs found other youth activities to join. The ILC ceased to meet regularly in the mid fifties. However a strong comradeship still existed between members and they would meet in one anothers homes. Members were always ready to help the senior Legacy Club in any way in their power and still helped at Christmas parties and summer camps. ILC was a service rendering organisation and was self governing. Non-sectarian and non-political, the members were ex-junior legatees over 18 years of age. After serving in World War 2 members were eligible to become members of Legacy. Was in a folder of material collated about the ILC by an early archive committee. A record of the activities of the ILC and discussion of it's future. The documents were collected by L/ Frank Doolan, who was on the archive committee in the 1970s and started collecting historical information.White foolscap paper x 4 pages, with black type about the ILC, they were paper clipped to items labelled ILC18 in red pen.Handwritten in red pen ILC18 which was part of an early archive project numbering system. 01637.1 Handwritten in pencil 'Legatee Doolan'. (3 pages) 01637.2 Handwritten in blue ink 'Norm - Confidential' (1 page)ilc, junior legatee

Part of "Woolcock Gallery Collection" Exhibition, 1989, CEMA.Four studies of flowers, complete from base to flower. On far left is a single stem flower with many petals and a large centre. The base has many long tapered leaves, with the stem possessing smaller leaves. On left of this study is a study of a seed. To the right of this is another flower - similar to the first flower, but with stronger base leaves and one leaf on stem. Central flower study has three stems with leaves and flowers (central flower is a bud). Leaves are ripple-edged. On far right is a fourth flower study - single-stemmed flower with ripple-edged leaves at base and up the stalk.Front: Brachycome radicans (Marsh Daisy). " scapigera (Tufted Daisy). " diversifolia (Tall Daisy). " tenuiscapa (var. tenuiscapa) Mountain Daisy) (lower left) (pencil). CEW/85 (pen) (lower centre) Back: 25cema, botanical, collin woolcock

This is a set of 14 photographs of RA Svy technicians operating photogrammetric equipment in Air Survey Squadron, Army Survey Regiment, Fortuna, Bendigo; and the School of Military Survey Bonegilla c1960s to c1980s. The Wild B9 stereo plotter were introduced in 1962 and the Wild B8 stereo plotter was introduced in 1966. The Wild B9 and B8 stereo plotters were used for plotting topographic detail and contours. These analogue machines were manually controlled by adjusting the control knobs for the orientation of the 3D image. The B9s used a four and a half square, and the B8s used a nine-inch square photo image on a film or glass diapositive which allowed highly accurate extraction of map features. At first, plotting with B8 and B9 stereo plotters was undertaken at the aerial photography scale of 1:80,000 in pencil onto a controlled plotting sheet. Sheets were then inked up and reduced photographically to the 1: 100,000 publication scale for scribe impression production. In the early days topographic detail and contours were plotted with a pencil or ink pen mounted at the far end of the pantograph arm. The plotting procedure was upgraded to direct plotting in ink with photographic reduction to publication scale. In 1975 four B8s were upgraded with tri-axis locaters as part of the Input Sub-system to enable digital extraction to AUTOMAP 1’s topographic database. When AUTOMAP 2 was introduced in 1982 these B8s were upgraded, and additional machines added to expand the Army Survey Regiment’s digital capture capability. There are several more photos catalogued in the Victorian Collections database of RA Svy personnel operating Wild B9 and B8 stereo plotters.Photogrammetric Equipment – Army Survey Regiment, Fortuna, Bendigo c.1981. . .7) – Unidentified technician operating Wild B8 stereo plotter in AUTOMAP 1 at ASR. .8) - Wild B8 stereo plotter in AUTOMAP 1 at ASR. Photogrammetric Equipment – Army Survey Regiment, Fortuna, Bendigo. c1981. .9) – ASR’s CPL Dave Cook in AUTOMAP 1 operating a Wild B8 stereo plotter. This is a set of 14 photographs of RA Svy technicians operating photogrammetric equipment at the Army Survey Regiment (ASR), Bendigo and the School of Military Survey (SMS) Bonegilla. c1960s to c1980s. The photographs are on 35mm colour slides and were scanned at 96 dpi. .1) - Photo, colour, c1964. Unidentified ASR technicians operating analogue Wild B9 stereo plotters. .2) - Photo, colour, c1974. ASR’s SPR Mick Minchin operating an analogue Wild B8 stereo plotter. .3) to .6) - Photo, colour, c1980. Photogrammetry Instructor SGT Neil ‘Ned’ Kelly at the SMS operating an analogue Wild B8 stereo plotter. .7) - Photo, colour, c1981. Unidentified technician operating Wild B8 stereo plotter in AUTOMAP 1 at ASR. .8) - Photo, colour, c1981. Wild B8 stereo plotter in AUTOMAP 1 at ASR. .9) to .14) - Photo, colour, c1981. ASR’s CPL Dave Cook in AUTOMAP 1 operating a Wild B8 stereo plotter..1P to .14P - Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, photogrammetry

Port of Portland Authority archive.Front: (no inscriptions) Back: Company's Head Sawdoctor, K. Schultz at work (upper left) (pencil). G2611 (lower left, black pen). G2611 (lower right, pencil). Ray Glyde Creative Commercial & General Photography 21 Prescott Terrace Rose Park, South Australia (lower left, red stamp)port of portland

Sepia toned image of three rows of boys, seated in front of wooden building. Image printed on postcard. Boys dressed in jackets, shorts and long socks or gaiters? Lady standing behind. On rear of photo written in pencil 'No 1189, Golden Square State School about 1890. Teacher Miss Noble, George Fone seated second from right, front row. George Fone born 1880.' in green pen ' Please return to 6 Clowis St., South Yarra' In black pen 'Mrs Fone, Bendigo'. Registered post envelope addressed to Barry Goode Principle Golden Square Primary School 5531 6 laurel Street Golden Square Victoria 3550. Reverse of envelope gives the senders address as Lana Newton 24 Regent Street Brighton East Vic 36187. Also has the instruction' please do not bend - old photos'.bendigo, education, golden square primary school

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Amess House and Rogers' Cottages taken from the orchardCatalogue number written in pencil on reverse. On reverse in pen 'Unknown source/Arthur Evans thinks was pre-Jenkins' Stamped on reverse 'Quality Paper Made in Germany' 'AGFA' '7970931 1 N N N 2'churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Amess House and Rogers' Cottages taken from the orchardCatalogue number written in pencil on reverse. On reverse in pen 'Unknown source/Arthur Evans thinks was pre-Jenkins' Stamped on reverse 'Quality Paper Made in Germany' 'AGFA' '7970931 1 N N N 2'churchill island, amess house

Churchill Island has a large photograph collection dating from the nineteenth century. This series consists of candid photographs of everyday life taken by previous residents of the island.Black and White photograph of a suspension bridge linking San Remo and Phillip Island. Taken from a moving boat, with a small part of the boat visible in the bottom left corner.Catalogue number written on reverse in pencil. Handwritten in pen on reverse: '1940. FIRST PHILLIP ISLAND BRIDGE. NOTE ABSENCE OFF ANY ELECTRICITY WIRES ACCROSS THE ENTRANCE. NO ELECTRICITY ON PHILLIP ISLAND UNTIL MUCH LATER.'churchill island, punt

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of two women in a whaleboat with a hessian sack and a man at the stern in the water.Catalogue number written in pencil on the reverse. Handwritten on reverse in pen 'The long boat - on loan Taken over superphosphate Sister Campbell with oar - other two were couple who worked on island for a while. around 1940'churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of a punt pulled up to the mudflats on Churchill Island.Catalogue number written in pencil on the reverse. Handwritten on reverse in pen The old San Remo/Newhaven punt. Borrowed by Henry Jenkins after the suspension bridge opened to ferry some equipment over to the island about 1942'churchill island

A large group photo of wounded men and nurses at Mena Hospital in Cairo. The men had been evacuated from Gallipoli. From the inscription on the reverse it appears it was donated by Mrs A Pitt. Her husband was Private William James Pitt, service number 1285. His war record can be viewed in the National Archive. He had been wounded at Gallipoli and treated at the 2nd Australian General Hospital in Mena House in Cairo in May 1915 where this photo was taken. This photo can be found in other places, including the AWM archive. Was with other photos of World War One that had been mounted on board. The founding legatees all served in World War One so these photos would have been of significant places for them. (see 01888 to 01899)Photos from World War One that would have been significant to the founding legatees. The widow of William Pitt thought it significant to donate this photo to Legacy.Black and white group photo of Gallipoli wounded at Mena Hospital in Cairo.Handwritten on front; 'Wounded Aussies from Gallipoli at Mena Hospital May 1915'. Handwritten on reverse; 'From Mrs A Pitt, 18 Banche St, Collingwood' in pencil and 'Number 1285 / Rank Private / 8th Battalion' in pen.gallipoli, world war one, soldiers, hospital, cairo

Textiles. Navy blue and red leather handbag. Body of handbag of navy leather with 2 cm diagonal strips of red leather across each corner front and bag. Side seams have red leather cord trim. Metal frame for opening covered in red leather with gold coloured metal trim on front with push clasp (5 cm x 1 cm) with blue leather trim. Opening tab on front. Inside lined with brown cotton fabric.Central swinging hinged coin purse and one gathered side pocket.Insde purse is a 9.5 cm lead pencil and a pen nib. Manufactured by MILADI HANDBAGS.Cloth label inside bag 'Miladi Handbags'textiles, domestic, ladies navy blue and red leather handbag

Black and white photograph of an illustration of the Fairfield Horse Tram. The illustration is from The Australasian Sketcher with Pen and Pencil (Melbourne, Vic. : 1873 - 1889), No 188 Vol XIIL, 14/1/1885. The magazine was owned by the Argus. The drawing is from a series of sketches at one of the Saturday land sales. The tramcar is numbered 1 and has signage Fairfield Park and Fairfield Tramway. The tramway was operated by Charles Henry James in an attempt to sell land developed by him north of the Fairfield railway station. The tramway operated from 20/12/1884 until its closure in 1890. Stamped on the back "...The Argus...negative No X2656"trams, tramways, argus, fairfield, horse trams, tram 1

This music was used by Frank Wright who had been tutored by Percy Code. Frank Wright won the Australian Open Cornet Championship using this music, and won the gold medal for the highest mark in the British Colonies. Percy Code was born in Melbourne on 03 July 1888. He started learning the violin and piano at the age of eight. Three years later his father, Edward, started tutoring him on the cornet. His first competition was in October 1902 in Ballarat's South Street Competitions. Percy Code was Musical Director of Ballarat City Brass Band from 1913 until 1921. He was Frank Wright's teacher. Code apparently lived in a large house just west of where St Peter's church (Ballarat) now stands. Percy Code toured the world as principal cornet with the 'Besses o' th' Barn Band.' He returned to Australia in 1912. Frank Wright at one stage rode his pushbike from Smeaton to Ballarat for lessons. Leaving Australia for America in March 1921 Percy Code obtained an appointment as trumpet soloist for the 70 piece San Francisco Symphony Orchestra. He returned home two years later and became bandmaster to the Prahran City Band in 1925. From 1938, as part of Australia's Sesqui Centenary celebrations, Percy Code conducted the Sydney Symphony Orchestra for the ABC orchestral concerts in Sydney Town Hall. His career with the ABC came to an end in late 1951 due to poor health. Percy Code died on 17 October 1953. From 'Legend in Brass' with additions from Bob Pattie of the Ballarat Brass Band.11071.1 Four cream pages containing handwritten title page in front, two sheet music pages inside and blank back cover. 11071.2 Eight cream pages containing front page typed title with handwritten text at top, Six pages of sheet music cream pages, with parts for piano and cornet, with black printed notes. A photograph of the composer Mr Percy Code is glued into the first page at the top left hand corner. The back cover page has advertisements for four music albums from Allan & Co. Prop. Ltd..1) Front page handwritten in blue pen and pencil. Hand written notations in pencil for cornet throughout sheet music pages. Frank Wright Smeaton 15 July 1919 in top right hand corner; Champion Bb cornet solo South Street 1919 in top left hand corner. Under title on front page: Handwritten notes in pencil giving results of competition and judge's comments. 2) Frank H. Wright Smeaton 15/7/1919 handwritten in top left hand corner. "With Compliments Percy Code 15/7/1919 written diagonally in blue pen in at right hand top.cornet, frank wright, allan & co., allans music, ballarat, south street, percy code, code, wright, sheet music, "wendouree", (romance), wendouree, romance, wendouree

Port of Portland Authority archivesFront: (no inscriptions) Back: P.H.T./ Print No. 3/22 Neg. No 170/ Date taken 2.9.53./ SUBJECT./ Workshop No. 1. (Ink stamp with blue pen and pencil additions, centre) Partial fingerprint in purple ink, lower centre.port of portland archives

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of three men waiting with a car and piles of luggage. Ken Stutt, and Roy Chellew sit and wait for the Dinghy taking them to Churchill Island.Catalogue number written in pencil on reverse. On reverse in pen 'Waiting at the bottom of Churchill Road on Phillip Island. Ken Stutt to left and Roy Chellew sitting on the running board of Ken's Oldsmobile. Awaiting the Dingy to Churchill Island' '1939'churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of two people in a horse drawn cart. Horse is stationary and a dam and shoreline are visible in the background.Catalogue number written in pencil on reverse. On reverse in pen '1939 Sister Campbell and Mrs Jenkins in the cart. Either on their way or just back from a trip over the Boys Home crossing to collect stores and visit the Cleelands at Newhaven'churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of two people driving two carriages beside the sign 'Churchill Island.' In front, Robyn Banner drives 'Shahind' and in rear Ruth Burleigh is driving 'Banjo' with passenger Heather Bevan.Catalogue number written in pencil on reverse. Written in pen on reverse 'At rear - Ruth Burleigh driving "Banjo" with passenger Heather Bevan In front - Robyn Banner driving "Shahind" Photo taken 11/9/88 by Garry Banner'churchill island, horses, carriages

Photograph of General Sir John Gellibrand and L/- Stan Savige (at far right) at an unknown event that appears to be also attended by a mayor. From Wikipedia: Major General Sir John Gellibrand, KCB, DSO & Bar (5 December 1872 – 3 June 1945) was a senior Australian Army officer in the First World War, Chief Commissioner of the Victoria Police from 1920 to 1922, and a member of the Australian House of Representatives, representing the Tasmanian Division of Denison for the Nationalist Party from 1925 to 1928. Concerned about the plight of fellow ex-servicemen, whose businesses were often failing, Gellibrand banded together with like-minded individuals to form the Hobart Remembrance Club. This organisation aimed to support ex-servicemen by providing employment and support for their businesses. The Hobart Club inspired the formation of Legacy Australia in Melbourne, which over time became a national movement, expanding its scope to the care of ex-servicemen's widows and their families. Sir John Gellibrand is considered to have influenced Stanley Savige to commence the process to form Legacy in September 1923. Melbourne was the first Legacy club to form.Black and white photo of General Sir John Gellibrand.Handwritten on the reverse: 'General Sir John Gellibrand. SGS at rear' in blue pen. Also '545' in pencil. Stamped with copyright of The Leader in red ink, and 'Property of Melbourne Legacy. Please return this correspondence to Executive Officer' in purple ink.sir john gellibrand, remembrance club

Minutes of the Second Meeting of the Committee held on 1 May 1957, which discussed the report tendered by Legatee Gillespie (00716) and confirmed W.B. Russell as the author of the biography. Resolutions were passed to authorise the financial details of the project.A good example of meeting protocols at that time as well as continuing the documenting of the project.Two typed foolscap sheets, black on white.Signed and dated in blue pen by Colonel Allan Spowers (Chair). He recorded the date of signing as 30 April 1958, nearly a year after the meeting was held. Pencilled correction to the spelling of his name in the list of those present. savige book, biography