non-fictionThe history and operation of the Eastern Suburbs Photographic Society Inc.eastern suburbs photographic society, photography

PHOTOGRAPH SHOWING THE CREAM BEING DELIVERED BY HORSE AND CART. BUTTER PACKED FOR MARKET AND CHILDREN WITH BASKET FOR BUTTER AND A BOY FOR MILK CARRYING A BILLY.PHOTOGRAPH OF THE CLUNES BUTTER FACTORY C 1905, SHOWING THE CREAM BEING DELIVERED BY FARMERS WITH HORSES AND CARTS. BUTTER PACKED FOR MARKET AND CHILDREN WITH BASKETS FOR BUTTER AND BOY WITH BILLY. BUTTER FACTORYphotography, butter factory

- Documentation of 20th century Everyday Fashion - With photographsSoft brown cover book with white print and decorated with 7 small photographs on front and 5 at the back. Contents: Fashions of the twenty centuries, some illustrated with photographs for the various occasions and circumstances.Everyday Fashions of the 20th Century Avril Lansdell ISBN 0 7478 04281fashion history, photography

This measuring glass for fluids was used mostly used for medicines but could have been used for measuring photography chemicals. The glass was once owned by Dr W R Angus, who practised in Warrnambool in the 20th century. It was donated by members of his family. Dr Angus enjoyed photography amongst other hobbies. The maker, J.W. Small & Co. was a long established camera and photography business Camera Corner, in 270 Little Collins Street, Melbourne. At the 1887 Melbourne Exhibition the company showcased bicycles as well as a wide range of photography equipment including cameras and any other accessories and needs for the amateur photographer. In 1887 the sole proprietor of the business was Mr Herbert Small. The firm offered the service of developing and enlarging pictures. In 1894 the firm advertised as photographic and lantern material manufacturers. There were branches in Adelaide and Sydney also. The company was still in business in the 1920's, when Dr Angus graduated as a doctor and surgeon.The medicine glass is significant for its association with Dr William Roy Angus, who practice medicine in Warrnambool for several decades. He and his wife were heavily involved in the community. Dr Angus was also connected to the maritime history of Warrnambool, being the last Port Medical Officer. The glass is also associated with the Melbourne company J.W. Small &O Co, which was 'long established' in 1887.Medicine glass (dose cup or measuring glass), for measuring fluids. This glass holds 1 fluid ounce. Wide mouth with pouring lip tapers sharply to narrow centre of the base, which has a round flat foot. Black inscriptions are on the side of the glass, showing fluid ounces and fluid drachmas. An opaque label on the back shows maker details. The other side has a label. The glass was made in England for the Australian company J.W. Small & Co. It is part of the W R Angus Collection. "FLUID OUNCES" "FLUID DRACHMS" "MADE IN ENGLAND / FOR / J.W. SMALL & CO / MELBOURNE, SYDNEY AND ADELAIDE"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, measuring glass, dose cup, medical equipment, medicine glass, medication administration, w.r. angus, j.w. small & co, fluid measurment, photography equipment

Reproduced records, diary and photography of Vincent Edward Thomas 18602 RAAF, Born Sea Lake 22/6/1919”Clear Plastic covered with cardboard backing with printed paper contentFront cover, “V.E.THOMAS Service number 18602 RAAF”raaf, diaries, records

World War 2 veteran Clive Cook won an honourable mention for his photography in a Department of Veterans Affairs competition.Copy of news clipping, black text and image.clive cook, artists - greensborough

This photograph was typical of the mid 1900's when photography was in the hands of the professional artist for important events, be they family or public occasions. This photograph holds and protects from ageing, part of a very significant occasion, the 90th birthday photograph of the matriarch Claire Roper, one of the founding grazier families from Tawonga within the Kiewa Valley This photograph therefore hold a very historical significance and has good exhibition value. This black and white photograph was professionally taken on Kodak paper in the time of the Australian Melbourne Olympics 1956. See KVHS 0092 for frame.On back of photograph "KODAK official sponsor of the Olympic Games" Underneath the symbolic rings of the Olympic Federationphotograph of early 1900's kiewa valley pioneer, the roper family, claire roper, pioneer family, cattle, bogong high plains

Victoria Park being prepared for Arbor Day 23rd May 1890. The sign in the foreground reads 'Welcome to School of Photography'.victoria park, arbor day, public, gardens

Photograph of Cooper shearing plant.Photograph of Coooper shearing plant.Cooper 2-stand self contained shearing plant powered by 1 H.P. electric grinder motor circa 1948 Athol Shmith Studio Illustrative Photography 125 Collins Street Melbourne C.I. Cent. 27 No. ..... Position ....... 2/F/18512shearing machinery, cooper engineering company pty ltd

This work is from a series centred around the Chinese proverb “to hold a book in one’s hand is to hold a house of gold” in which the artist positions himself within sites of colonial power. Set within the National Wool Museum gallery, the artist references the pose of an exhausted shearer after a long day of arduous labour. However he is reclining while reading The Fire Stick by Wulla Merrii, a novel set against the 1891 Queensland Shearer’s Strike, questioning cultural stereotypes and how they pertain to concepts of work and leisure. Dressed in sub fusc, his official uniform as an Oxford scholar, Thompson is a defiant intellectual challenging past and continued misperceptions of First Nations people, while embracing both the intersections of his identity and his ancestral heritage. Dr Christian Thompson AO is a Bidjara man of the Kunja Nation with Irish and Chinese heritage. His practice spans across video, photography, sculpture, textiles, performance and sound, evolving through a process of auto – ethnography. While employing various modes of research, he connects his own experience to larger social, political, cultural meanings and understandings. His doctoral research and art practice has had a critical impact on International and Australian art, making global history as one of the first Australian Indigenous students at Oxford University. In 2018 he was made an Officer of the Order of Australia for distinguished services to the visual arts and as a role model to young indigenous artists in the Queen’s Birthday honours list.Framed photograph showing a man dressed in an academic gown, laying on their back holding a book. The setting is a reconstructed shearing shed, inside the galleries of the National Wool Museum.dr christian thompson, first nations, artwork, photography, oxford, heritage, national wool museum

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography

Black and white photograph. Textured paper of scene on creek, with two attractive trees at water's edge, possibly Bendigo Creek. Sheep in background. Inscriptions: on front - BR corner printed 'FT Kennedy'. On back - hand written in pencil 'Bendigo' rubber stamp 'Frank T Kennedy'. History: James Lerk 22/;6/2001 'Tom Kennedy was a Bendigo man with an interest in photography. With note 'Photographs from Mrs Ella Bourke, 131 Barnard St Bendigo. Ph 438269'. 'Photographs 'Francis (Frank) Thomas Kennedy'.Frank Tom? Kennedyplace, landscape view, see also 2001.153.01, 2001.154.01, 2001.157.01, 2001.158.01, 2001.159.01, 2001.160.01, 2001.161.01, 2001.15.162.01

Port of Portland Authority archives.Front: (no inscriptions) Back: Inside Timber Treatment Plant Dartmoor (upper left, pencil). Photography by The Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt Gambier. (lower right purple stamp), (10 lower right, pencil).port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) 6473 (lower right ) (pencil) Back: A show stand intended for promotional purposes. (upper left) (pencil). Photography by The Arthur Studion. Further copies always obtainable at 27 Commercial St, east. Mt Gambier (blue stamp) (lower right).port of portland

All mapping produced at this time were produced using Aerial Photography. These booklets contain the adjusted mathematical solution to joining this group of photographs together..1 Blue covered booklet with green tape binding. Block adjusted values for Gordon Downs SE 52-10 1:250 000 map Adjustment number 309 Sep 1991 .2 Blue covered booklet with green tape binding. Block adjusted values for Delamere SD 52-16 1:250 000 map Adjustment number 272 Jan 1988royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Les Chandler was an avid bird watcher and naturalist who taught himself every aspect of photography so he could capture his obsession. les chandler, aif, a.i.f, ww1, world war 1

Les Chandler was an avid bird watcher and naturalist who taught himself every aspect of photography so he could capture his obsession. bug catching, net, soldier, ww1, world war 1, aif, a.i.f

Les Chandler was an avid bird watcher and naturalist who taught himself every aspect of photography so he could capture his obsession.hand coloured photoww1, woman, field, world war 1, aif, a.i.f, soldier

The Working Men’s College was founded in 1881 by a prominent grazier and philanthropist, The Hon. Francis Ormond, who donated £5000 towards the establishment of the college. The Council of the Melbourne Trades Hall then matched Ormond's initial donation by rallying its members. On 4 June 1887, the college opened in its purpose-built building on the corners of Bowen Street and La Trobe Street in Melbourne, with a gala ceremony. It became the third official provider of higher education in the new Colony of Victoria (the Melbourne Athenaeum was founded in 1839 and the University of Melbourne in 1853). The college was the predecessor to the current-day Royal Melbourne Institute of Technology (RMIT University). Adjoining the college in the 1890s were the Supreme Court of Victoria (later the Melbourne Magistrates' Court) and the Melbourne Gaol - both which are now part of RMIT today. A list of Scholarship Governors and Life Governors is included. The former have donated 250 Pounds Sterling and upwards, the later have donated 20 Pounds and over but less than 250 Pounds Sterling. The Patron of The Working Men's College was His Excellency The Right Honourable Lord Brassey. The President of the Council was Professor W C Kernot. The majority of classes were at night and on Saturdays. Tan soft covered book of 112 pages. The thirteenth edition of the Working Men's College (later Royal Melbourne Institute of Technology [RMIT]). It inlcudes the following photographic images: Main Building, Assaying, 1899 council (W.C. Kernot, W.H. Embling, Thomas smith, F.H. Bromley, John Reid, R.H. Solly, E. Findley, D. McIvor, James Robb, John Hancock, C.E. Oliver, A.J. Arnot, James Smith, Joseph Nixon, R.L.Jellery. C.S. Paterson), UNveiling the Ormond Statue, Victorian Lead and Shot Works, Francis Ormond, Telegraphy room, Lecture Theatre, photography, painting class, wool sorting, plumbing, Remington typewriter, W. Ison, H.D. Evans, library, Verdon prize, Denton Hat Mills. working men's college melbourne, rmit, w.c. kernot, w.h. embling, ormond statue, f. ormond, electricity, surveying, architecture, photography, assaying, dressmaking, veterinary science, plumbing, letterpress printing, w. ison, h.d. evans, library, denton hat mills, literary and commercial department, typewriting department, languages, telegraphy, department of music, department of mathematics, department of engineering, 'department of architecture, department of art and applied art, department of mining and metallurgy, department of chemistry, department of household economy, department of agriculture and rural industries, woodworking, carpentry and joinery, turning and fitting, coachbuilding and carriagedrafting

This collection of 19 photos was most likely taken in 1979 in Air Survey Squadron. The PDP 11/70 minicomputer shown photos .2P to .3P was the operating system introduced in 1977 as the mainframe system for the control of the APC4, aerial triangulation block adjustments, SORA OP Analytical Orthophoto control, APR Analytical Terrain Profile Recorder computation, graphics, and general computing. The Zeiss (Jena) Stecometer analytic stereocomparator for air photography shown in photos .5P to .9P was introduced at Air Survey Squadron in 1963. Aerotriangulation production was expedited using computers for analytical photogrammetric processes. The technician accurately measured between pass, tie, and survey control points on aerial photographs. The OMI/Nistri AP/C-3 analytical plotter shown in photos .10P and .11P was introduced in 1972–1973. Photo .11P shows a coordinatorgraph attached to the AP/C-3. The Zeiss D2 Planimat Stereoplotter shown in photo .12P was used for analytical orthophoto control. Wild PUG4 point transfer devices shown in photos .17P to .19P were introduced in c1968 superseding the PUG2 devices. PUG4 devices were used by technicians to stereoscopically view the photography containing the survey control points and the mapping aerial photography. The Control points were transferred from the control photography to the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion.This is a set of 19 photographs of Air Survey Squadron personnel operating aerotriangulation equipment at the Army Survey Regiment at Fortuna, Bendigo, c1979. Black and white photos are on photographic paper and were scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1979, Aerotriangulation tasks, unidentified technicians. .2) to .3) - Photo, black & white, c1979, PDP-11 minicomputers tasks, unidentified technician. .4) - Photo, black & white, c1979, Aerotriangulation tasks, unidentified technician. .5) - Photo, colour, c1979, Zeiss (Jena) Stecometer, unidentified technician. .6) to.9) - Photo, black & white, c1979, Zeiss (Jena) Stecometer, unidentified technician. .10) - Photo, black & white, c1984, OMI/Nistri APC/3-1 analytical stereoplotter, SPR Kristin (Isaac) Skidmore. .11) - Photo, colour, c1979, OMI/Nistri APC/3-1 analytical stereoplotter, unidentified technician. .12) - Photo, colour, c1979, Zeiss D2 Planimat Stereoplotter, unidentified technician. .13) - Photo, black & white, c1979, Aerotriangulation tasks, unidentified technician. .14) - Photo, black & white, c1979, Aerotriangulation tasks, unidentified technician. .15) - Photo, black & white, c1979, Aerotriangulation tasks, CPL Ken Talbot-Smith .16) - Photo, black & white, c1979, Aerotriangulation tasks, SPR David Jobe. .17) - Photo, black & white, c1979, Wild PUG4 point transfer device, WO2 Brian Mead. .18) - Photo, black & white, c1979, Wild PUG4 point transfer device, CPL Andy Wilson. .19) - Photo, black & white, c1979, Wild PUG4 point transfer device, unidentified technician..5P is annotated ‘OMI-Nistri AP/C Analytical Plotter’ and ’Topo 36’. .12P is annotated ‘Zeiss Jena Stecometer Stereocomparator’ and ’Topo 35’. There are no annotations on the other photos.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, aerotrig, air survey

This collection of 14 photos was most likely taken in the 1970s and 1980s in Air Survey Squadron. The PDP 11/70 minicomputer shown in photo .1P was the operating system introduced in 1977 as the mainframe system for the control of the APC4, aerial triangulation block adjustments, SORA OP Analytical Orthophoto control, APR Analytical Terrain Profile Recorder computation, graphics, and general computing. Technicians used the Wild A9 Stereocomparator shown in photo .2P to accurately measure between pass, tie, and survey control points on aerial photographs. The Zeiss D2 Planimat Stereoplotter shown in photos .3P to .4P was used for analytical orthophoto control. It was introduced in 1972-1973 The Zeiss (Jena) Stecometer analytic stereocomparator for air photography shown in photos .5P to .11P and .14P was introduced at Air Survey Squadron in 1963. Aerotriangulation production was expedited using computers for analytical photogrammetric processes. The technician accurately measured between pass, tie, and survey control points on aerial photographs. Wild PUG4 point transfer devices shown in photos .12P to .13P were introduced in c1968 superseding the PUG2 devices. PUG4 devices were used by technicians to stereoscopically view the photography containing the survey control points and the mapping aerial photography. The Control points were transferred from the control photography to the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion.This is a set of 14 photographs of Air Survey Squadron personnel operating aerotriangulation equipment at the Army Survey Regiment at Fortuna, Bendigo, c1970s to 1980s. Photographs .1P to .13P were on 35mm colour slide film and scanned at 96 dpi. Photograph.14P was printed on photographic paper and was scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1979, PDP-11 minicomputer. .2) - Photo, colour, c1970s, Unidentified technician operating a Wild A9 Stereocomparator. .3) - Photo, colour, c1970s, Zeiss D2 Planimat Stereoplotter. .4) - Photo, colour, c1970s, Zeiss D2 Planimat Stereoplotter, unidentified technicians. .5) - Photo, colour, c1970s, Zeiss D2 Planimat Stereoplotter, SGT Christopher Wardley. .6) - Photo, colour, c1970s, Zeiss D2 Planimat Stereoplotter. .7) to.9) - Photo, colour, c1970, Zeiss (Jena) Stecometer, unidentified technicians. .10) to.11) - Photo, colour, c1988, SPR Toni Wright operating a Zeiss (Jena) Stecometer. .12) - Photo, colour, c1970s, Wild PUG4 point transfer device, SPR John Shepard. .13) - Photo, colour, c1970s, Wild PUG4 point transfer device, SPR David Edwards. .13) - Photo, colour, c1970s, Wild PUG4 point transfer device, SPR David Edwards. .14) - Photo, colour, c1980, Zeiss (Jena) Stecometer, SGT Bruce Hammond.Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, aerotrig, photogrammetry

An Eastman Kodak camera - ' No 3-A Folding Pocket Kodak. Model B-4. US Patents. Sep. 26. 1894, Jun. 21. 1888, Sep. 20. 1888, Sep. 9.1902, Oct. 8. 1901, Jan. 21. 1902, Apr. 29. 1902, Oct.19. 1909. Other Patents Pending. Manufactured by EASTMAN KODAK Co. Rochester, N.Y. Made in U.S.A.'photography, cameras - still, kodak, lydia chancellor, collection, photography, camera