Two sections of unknown material. Possibly plasterarchaeology, plaster

Decorative brass light fitting, possibly a replica.historic building, former royal mint

Decorative brass light fitting, possibly a replica.historic building, former royal mint

Decorative brass light fitting, possibly a replica.historic building, former royal mint

Decorative brass light fitting, possibly a replica.historic building, former royal mint

Decorative brass light fitting, possibly a replica.historic building, former royal mint

Decorative brass light fitting, possibly a replica.historic building, former royal mint

Clothing. Men's pure wool trousers with a full length stripe - waist to ankle, 3cm wide (red) 1.3 cm gold metallic ribbon (stitched on top of red). Fob pocket at waistline. Side pockets on either side. Two pleats on either side of front. Metal zip fly 29 cms ;long. Adjustable waistband lined with cream coloured cotton buttons on inside to accomodate braces. One bound pocket with button closure, on back right hand side.No brand names visible. ''Andrews'' written in pencil on inside of back pocket- possibly the wearer.costume, male ceremonial, band trousers

Part of a collection relating to the Parkin family.Newspaper clipping pasted onto a piece of cardboard. Article and photograph are about the Rutherglen High School, Tonette Band (John Herrin, Leader). Illegible writing on back of cardboard mount. Possibly includes the name "Parkin" and the year "1951"tonette band, marching bands, john herrin, rutherglen high school

UnknownRectangle bronze medallion with curvature at topFront has a Sitting crossed legged Buddha? Rear has writing possibly Japanese?

Sample of wallpaper from the "North wall" of Horticultural Hall.Sample section of wallpaper from Horticultural Hall. Flora design of leaves, possibly for a frieze or cornice. Green, red and purple colours visible. wallpaper, horticultural hall

Possibly used for testing students plant knowledge. Four botanical specimens as follows: .1) Unidentified dried plant specimen with attached handwritten tag ' I Grade/ No. 3' and tied with pink ribbon. .2) Originally housed inside buff coloured envelope, printed on front 'On His Majesty's Service' (underlined) and 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190'. .3) Unidentified dried plant specimen with attached handwritten tag ' Grade 1/ No.5' and tied with pink ribbon. .4) Originally housed inside buff coloured envelope, printed on front 'On His Majesty's Service' (underlined) and 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190'. .5) Unidentified dried plant specimen with attached handwritten tag ' Grade 1/ No.7' and tied with pink ribbon. .6) Originally housed inside buff coloured envelope, printed on front 'On His Majesty's Service' (underlined) and 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190'. .7) Unidentified dried plant specimen (possibly identical to .2) with attached handwritten tag ' Grade 1/ No.13' and tied with pink ribbon. .8) Originally housed inside buff coloured envelope, printed on front 'On His Majesty's Service' (underlined) and 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190'. .9) Leather covered board with remnant elastic. Possibly used for displaying specimens. Envelope printed on front top centre 'On His Majesty's Service' (underlined), Bottom left 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190 ', Top right 'Department of Agriculture. Victoria. Frank Stamp', top left, 'This envelope can only be lawfully used by Government officials on public business. Any use by officials on private business, or by others under any circumstances, is punishable'. Embossed on envelop seal with the word 'Victoria' enclosed in a buckle and belt, crown in centre.botanical specimen,, department of agriculture, rutherglen, school of mines, ballarat, ballarat school of mines, botany, rutherglen, speciman, plant, plant identification

The clothes brush was donated along with a vanity set owned by a local woman who lived in the Harbour Master's house at Warrnambool at the turn of the 19th century. The clothes brush and vanity set were possibly a wedding gift from her mother-in-law, a local business woman who was an importer of 'china and fancy goods'. The item is significant socially as an example of accessories available to, and used by, women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Timor and later Liebig St, Warrnambool, where it most likely came from. The top of the clothes brush has an ornate dragon design constructed from pressed metal (possibly tin or chrome). The natural bristles of the brush have been glued together in small clumps and placed in holes in a wooden base. The wooden base is held within the metal top using small nails.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, metal, pressed metal, tin, chrome, natural bristles, staffordshire house, harbour master’s house

Margaret & Charles Grayden owned blocks 33 & 34 from 1868, near George Ames Drive to Churchill Island. Sepia photograph of Margaret & Charles Grayden, possibly at Newhaven.margaret & charles grayden, bernard grayden

Black and white photograph of unknown school, possibly Fitzroyschools

Found at Point Riccardo in 1960's. Humpback whales migrate along the east coast of Australia from calving grounds in Queensland to feeding grounds in Antarctica.Whales migrate along the east coast of Australia from calving grounds in Queensland to feeding grounds in Antarctica and can be seen from many high spots from Marlo to Cape Conran.Whale vertebra bone. Possibly from a humpback whale.maritime whaling bone whale

Glass manufacturing has evolved over thousands of years. Glass making has been traced back to 3500 BC in Mesopotamia. The earliest known glass objects were beads, perhaps made by accident while working with metal. In the late Bronze Age, several civilizations discovered how to make vessels and glass bottles by wrapping threads of melted glass around cores of sand or clay. Later, moulds were used to form dishes and table wares. Around the 1st century BC, glassblowing was discovered. This made glass containers less expensive than pottery. Mould-blown glass, the process of blowing a piece of molten glass into a wooden or metal mould, was invented during the 1st century AD. This technique was faster with more consistent results. It paved the way for mass production. It wasn’t until the late 1800s that the production process to become more efficient. In 1887, a company in England created a semi-automatic process that could produce up to 200 bottles an hour. This process has been refined to the point where modern machines can yield more than 600 containers per minute. Blown vs. Manufactured Glass Bottles Nowadays, glass bottles, jars, and cups are usually manufactured on a bigger scale than is found in individual glassblowing studios. If we still depended on hand-blown glass for all of our glass containers, we would see some major differences in the process of creating bottles and jars. First, there's the time. Hand blowing glass takes a significant amount of time, even for one simple container. In contrast, hundreds of jars per minute can be made using modern technology. This leads to the second advantage: price. Because of the automated and streamlined process, the price for manufactured containers is much lower than that of hand-blown glass. Third, manufactured bottles will be much more consistently uniform than bottles blown by hand. Automated glass manufacturing produces nearly identical batches of jars. Glass blowing is awesome for unique, beautiful pieces of art. But for lots of lower priced and uniformly shaped containers, automatic manufacturing is the preferred method to create glass bottles and jars. https://www.containerandpackaging.com/resources/glass-bottles-brief-history The invention and development of glass for domestic items including bottles, has been nothing short of revolutionary. The use of glass bottles, that could be easily washed, led to improved hygiene, and mass manufacturing of drinks of all types, including milk, cordial and alcoholic beverages.Green Glass Bottle Possibly a ginger beer bottle.Concave indentation at the base. Also on base are two raised lumps. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, glass

Retractable pencil - possibly part missing. Length 3½"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, retractable pencil

Aluminium, possibly made from parts of wrecked Zeropersonal item, korea, army

Colour photograph of Buildings and landscape. Possibly Werribee Mansion.photograph, building

Silver plated tin with lid, possibly a cigarette tin.ephemera, mementoes

Valve has wooden (possibly mahogany) display stand.On glass: “Marconi Valve, patented, Made in England Cat.2 67.5” Detached accompanying label (partially torn): “Valve Type - CAT 2, Serial No: 575 Anode? For: 5.0 Amp Emission: 9? Operate filament A? 19.2 volts 51. ?”

Colour slide in a mount. Suburban architecture, possibly AustraliaMade in Australia / 3 / MAY 67M6 / 12 (Handwritten)slide, robin boyd

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Pool, possibly resort in USAMade in USA / Patented / Encircled 11 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Possibly Cambridge, Massachusetts, USAMade in USA / Patented / Encircled 109F (Handwritten)mit bemis professorship, mit, robin boyd, slide

Colour slide in a mount. Unknown location, possibly USAslide, robin boyd