Showing 2396 items
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Lara RSL Sub Branch
Army Shirt, Australian Army Shirt, c. 1968
This shirt, along with the rest of the dress uniform, belonged to an individual named H.E. Schulze. It is believed to have been dropped off to the RSL, so no additional information is known. This uniform serves as an example of the military dress worn by the Royal Australian Army (Royal Australian Artillery Regiment) during the late sixties.Khaki coloured, button-down collared shirt. Staining can be seen across the front of the shirt, as well as the sleeves.lara, rsl, royal australian army, royal australian artillery, war -
Lara RSL Sub Branch
Army Tie, Australian Army Tie
This tie, along with the rest of the dress uniform, belonged to an individual named H.E Schulze. It is believed to have been dropped off to the RSL, so no additional information is known.This uniform serves as an example of the military dress worn by the Royal Australian Army (Royal Australian Artillery Regiment) during the late sixties.Khaki tie that is missing the bottom section (appears to have been cut off).lara, rsl, royal australian army, royal australian artillery, war -
Lara RSL Sub Branch
Army Boots, Australian Army Boots
These boots, along with the rest of the dress uniform, belonged to an individual named H.E. Schulze. It is believed to have been dropped off to the RSL, so no additional information is known.This uniform serves as an example of the military dress worn by the Royal Australian Army (Royal Australian Artillery Regiment) during the late sixties.Pair of polished, lace-up, black leather boots.lara, rsl, royal australian army, royal australian artillery, war -
Lara RSL Sub Branch
Army Hat, Australian Army Slouch Hat
This hat, along with the rest of the dress uniform, belonged to an individual named H.E Schulze. It is believed to have been dropped off to the RSL, so no additional information is known.This uniform serves as an example of the military dress worn by the Royal Australian Army (Royal Australian Artillery Regiment) during the late sixties.A khaki coloured Australian military felt hat. The left side has been folded up and pinned with an Australian Infantry Combat Badge. A safety pin is attached to the underside of the hat.lara, rsl, royal australian army, royal australian artillery, war -
Ringwood RSL Sub-Branch
Headgear Beret, C 1940 or later
Possibly worn by a Rhodesian soldier in their defence force fighting against the insurgents who wanted independance. The country later became Zimbabwe and as they say the rest is history.3Black Beret with brass and white metal badge. Southern Rhodesia.Named inside "Cross" -
Mission to Seafarers Victoria
Magazine (sub-item) - Newsletter, The Victoria Missions to Seamen, Jottings From Our Log, Number 4 - Michaelmas 1906, 1906
Content: WHC Darvall's death Mission's motor boat New central mission Institute Williamstown Rest condition LHLG and their work Thanks Opening hours AdvertisingPublished for some 30 years by the Victorian Missions to Seamen issued to supporters the series contributes to the history of the organisation. It is a key cross reference supplying many details and dates of Chaplain and LHLG activities in both Melbourne, Port Phillip and other States where Missions were gradually established and information not able to be included in Annual Reports. It is also a source of images.newsletter, victorian seamen's mission, melbourne misson to seamen, jottings from our log, lhlg, rope, flying angel, seagull, advertising, port melbourne, williamstown, sailors' home, australian wharf, seamen's institute, sailors' rest, services, concerts, events, socials, deaths, captain press, w.h.c. darvall, motor boat, geelong, boat builder, manx king, glenlui, dovenby, marion woodside, ainsdale, robert reid, bagatelle board, billiard table, sir wilmot fawkes, lady fawkes, book bags, woolies, michaelmas, 1906, ladies harbour lights guild, captain strickland, quarterly, patron, sir reginald talbot, president, archbishop of melbourne, vice president, f.t. derham, w.h. allard, frederick thomas derham (1844-1922), william henry allard (1860-1927), committee membres, archdeacon hindley, archdeacon crossley, william george hindley, owen thomas lloyd crossley, mary danne, mrs e.w. underwood, captain parsons, captain creswell, captain j.h.fearon, ethel augusta godfrey, hugh r. reid, charles blunt, ditty bags, donachy and sons, rope manufacturers, robur tea, mackenzie mustard, excelsior baking powder, admiral wilmot fawkes, bobs, games -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Functional object - Kitchen Equipment, Coolgardie Safe, c1900
The invention of the Coolgardie Safe is credited to Arthur Patrick McCormick, a contractor in Coolgardie, and later the Mayor of Narrogin. Coolgardie is in the Eastern Goldfields region of Western Australia. Gold was first discovered there in 1892; the townsite became a municipality in 1894, and by 1898 its population of 15,000 made it the third largest town in Western Australia after Perth and Fremantle. In the last decade of the 19th century, Coolgardie was the capital of the West Australian goldfields. Being 180 kilometres from the nearest civilisation, food supplies were initially scarce and expensive. As fresh food was a valuable commodity there was incentive to preserve it, and keep it out of reach of scavengers such as birds, dingos, dogs, ants, and flies. It was in an effort to do this, in the extreme heat of the Australian Interior, that McCormick came up with his design for the Coolgardie Safe. McCormick noticed that a wet bag placed over a bottle cooled its contents. He further noted that if this bottle was placed in a breeze, the bag would dry out more quickly, but the bottle would get colder. What McCormick had discovered was the principle of evaporation: ‘to change any liquid into a gaseous state requires energy. This energy is taken in the form of heat from its surroundings.’ Employing this principle, McCormick made a box for his provisions which he covered with a wet hessian bag. He then placed a tray on top, into which he poured water twice daily. He hung strips of flannel from the tray so that water would drip down onto the hessian bag, keeping it damp. As the water evaporated, the heat dissipated, keeping the food stored inside cool and fresh. The success of McCormick’s invention would not have worked without a steady supply of water. Fresh water was scarce in the eastern goldfields at this time but the demand for water from a steadily growing population encouraged innovation. The solution was to condense salt water. Heating salt water in tanks produced steam that was condensed in tall cylinders, cooled and then collected in catchment trays. By 1898 there were six companies supplying condensed water to the goldfields, the largest company producing 100,000 gallons of water a day. In the early 20th century, Coolgardie Safes were also manufactured commercially. These safes incorporated shelving and a door, had metal or wooden frames and hessian bodies. The feet of the safe were usually placed in a tray of water to keep ants away. (MAV website) The early settlers of Moorabbin Shire depended on this type of Food Safe to protect their food from flies and vermin as they established market gardens in the fertile area around the notorious Elster Creek A metal framed, 4 sided structure standing on 4 legs with 2 hinged doors on one side, a metal tray at base of food safe and a metal cover over top. Ridges on which to rest trays carrying food are inside safe. The Safe is enclosed by fly-wire mesh.'...IN.....GEELONG' A manufacturer's oval metal plate is embossed on one side of Safe but it is illegible.elster creek, moorabbin, brighton, dendy's special survey 1841, market gardens, infant mortality, disease, cemeteries, fruit, vegetables, pioneers, coolgardie safe, mccormick arthur patrick, dendy henry, vaccination, jones martha, jones ethel may -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle and Pen, Caldwell’s Ink Factory, Early 20th century
This shaped ink bottle made by Caldwell's is called a 'boat ink bottle'. It was shaped especially to hold a nib pen when the pen was not in use. The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This pen and ink bottle set is of significance as the bottle has its original cork and retains remnants of ink, which was made from a recipe that at the time was over 100 years old, according to Caldwell.. The handmade, mould blown method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle and its contents are of state significance for being produced by an early Melbourne industry and exported overseas. The pen and ink set is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian boat ink bottle; small rectangular clear glass ink bottle with horizontal grooves made in the glass for resting and holding the pen. The set includes one pen and nib with the bottle and cork. The bottle is made by Caldwell's and contains its Flo-Eesi Blue Black Ink brand."Caldwell's Flo-Eesi Blue Black Ink."flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture -
Orbost & District Historical Society
display cart, 1990's
This cart came from Sederlan's Bakery - Newmerella and Orbost. It had been used outside the premises as advertising. The original chassis had been added to extensively with shafts, wheels and tyres added. This axle appears to have part of the cart - either a baker's or butcher's cart. The original cart may have been a butcher's or baker's cart.A wooden two-wheeled cart painted cream. It has a wooden ply top and is fully enclosed. The chassis seems to be original with the rest having been re-constructed from non-original materials. The shafts are the wrong size and shape, It has had car tyres, wheels and axle attached.advertising cart sederlan's-bakery -
Bendigo Military Museum
Plaque - PLAQUE, RAASC
ANZUK was a Tripartite Force by Australia, New Zealand and UK to defend Pacific Region. Started 1/11/71 to 31/12/74. Bases out of Singapore. This plaque represented the Base Transport Unit.Brown wooden shield with unit emblem mounted on it. Emblem round with unit name at bottom, Crown at top. Image of Singapore Island in Middle and flags of Australia, NZ and UK coming off island. Island is white, rest mainly gold colour and some navy blue and red on flags.Inscribed with "ANZUK FORCE SINGAPORE" & "ANZUK BASE TRANSPORT UNIT". Handwritten on shield at top " R.A.A.S.C." and at bottom "317633 CPL A. R. CORNELIUS 1970-1972". On back handwritten in texta "317633 CPL A. R. CORNELIUS ANZUK BTN Singapore 70-71-71." passchendaele barracks trust, anzuk -
National Wool Museum
Card - Fletcher Jones Tag, Fletcher Jones, 1960s
This tag came with the donation of two kilts. The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Four page fold out paper tag with black and white graphics and text. Graphic on the front and back shows a full length portrait of a person wearing traditional Scottish clothing resting with their hand holding an upright rifle. A piece of string is attached through a hole in the top left corner. Printed: Authentic Clan Tartans / by Fletcher Jonesclothing, fashion, tartan, kilt, scottish, wool -
Glenelg Shire Council Cultural Collection
Negative - Ambrotype, Captain Cairncross, c. 1890
On display in History House.Portrait of a man seated next to a table with a tablecloth on it. He is wearing a three-piece suit of a pale shade, and has his left hand at rest on his left thigh, and his right hand on the table. A white hat with a dark band lies on the table. Image has been tinted.Front: (no inscriptions) Back: Captain Cairncorss. This photo came from Windson Cottage. Captain Fawthrop and Captain Cairncross were close friends over many years.(fountain pen, centre). Harry Ward Goldsmith, Late of Portland (green pen, lower centre). -
National Vietnam Veterans Museum (NVVM)
Photograph, Wg Audio, CDr Alan Beech 4
A black and white photograph of RAAF surgeon Wingg Commander Alan Beech assisted by triage three medicale officers at the 1st Australian Field Hospital, Vung Tau, South Vietam, view and assess x-rays of a wounded Digger while the rest of the team continue with resusitation prior to surgery.photograph, 1st australian field hospital, vung tau, wg audio, cdr alan beech, medic, digger, gibbons collection catalogue -
National Vietnam Veterans Museum (NVVM)
Photograph, Brief Respite
A black and white photograph of two digger from the 9th Battalion, Royal Australian Regiment, enjoy a brief respite from the weight of their packs, as they take a ten (10) minute rest/smoko break, during search and destroy operations in the thick Dark Green jungle of Phuoc Tuy Provincephotograph, phuoc tuy province, 9 rar, gibbons collection catalogue, dark green -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle, from mid-19th century to 1902
This ink bottle is ‘boat’ shaped, which was a common design from the mid-1840s. It was crudely made; maybe it was rejected as a practice bottle or perhaps heat or pressure has distorted it. The bottle was recovered from the wreck of the Inverlochy and is part of the John Chance collection. Ink in the 1700s ink could be purchased in powdered or block form from apothecary shops, to be mixed with water as needed. Then in the mid-1800s chemists began selling ink in liquid form, in small, inexpensive and often attractive bottles. The small glass ink bottles were handmade, blown into a cup shaped mould, and sharply broken off from the blow-pipe at the neck, referred to as the English-made ‘burst-off’ finish. The neck was then filed, filled with liquid ink and sealed with a cork or wax. It was a quick, affordable container and made pen and ink writing available to the public. The name ‘penny ink’ bottles was a common title due to their low cost. INVERLOCHY 1895-1902 - The Inverlochy was a steel sailing barque built in Scotland in 1895 for international trade. In 1902 the Inverlochy left Liverpool under the command of Captain E.R. Kendrick. There were 21 officers and crew and the captain’s wife Mrs Kendrick, on board, bound for Australia with cargo that included tools, chemicals, liquor (beer, whisky, stout, rum, and brandy), steel, iron, wire netting, hoop iron, tinplate and pig iron), and steel wire for the Melbourne Tramway Company, tiles, soap, soft goods and earthenware. On December 18 almost at their destination, the Inverlochy ran aground on Ingoldsby Reef at Point Addis, near Anglesea. The crew and passengers left the ship via lifeboat and landed at Thompson’s Creek, then walked about 20 kilometres to Barwon Heads. Salvagers were interested in the 10 miles of cable in the hold. Mrs Kendrick’s ‘high grade’ bicycle was amongst the items salvaged but she lost her jewellery and two pianos. By February 1903 the ship had broken up and objects such as bottles and casks of liquor were washed ashore. Bad weather shook the wreck in June 1903, causing the ship’s spars and figurehead to be washed ashore. This boat shaped handmade ink bottle is historically significant for its association with communications and record keeping in the mid-to-late 19th century. The bottle is socially significant as an example of making a useful product affordable to every day people. This handmade glass ink bottle is significant for its connection with the John Chance Collection, which is historically significant as an example of artefacts from wrecks that had been lost in the coastal waters of Victoria from thirty to over one hundred years before John Chance and others discovered them. These artefacts are a sample of goods carried as cargo or personal possessions, and of ship hardware of that era. The ink bottle is significant through its connection with the barque, Inverlochy, The Inverlochy is significant for its cargo, which is a snapshot of the array of goods imported into Australia at the turn of the 19th century, including cable for the Melbourne Tramway Company. The Inverlochy is historically significant and is registered on the Victorian Heritage Database, VHR S338. The wreck of the Inverlochy is important as an accessible dive site that shows the remains of a large international trading vessel and its contents. It is valuable for an insight into Victorian era of shipping and maritime history.Ink bottle, thick clear glass, rectangular base with small round mouth, long sides have have a U shaped groove along the shoulders (used for resting pen handles). The outside surface has a white clay-type reside over it. Bottle is very bent and distorted. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, inverlochy, scotland, captain e.r. kendrick, melbourne tramway company, tramway cable, ingoldsby reef, point addis, anglesea, thompson’s creek, barwon heads, boat ink bottle, cottage ink, penny ink, glass ink bottle, pen rest, writing accessory, victorian, antique, ink well, sheer lip, distorted body, handmade, mould blown, statoionery -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920
Original photo 12.5 x 17 cm on grey card 20 x 24.5 cmBlack and white photograph showing Boggy Creek Bridge,seven men on bridge, one horse at left end of bridge and two horses at right hand end of bridge. Bridge rests on log supports under. No water in creek. Thick bush around area. East Gippsland VictoriaBoggy Creek Bridge - Vic (Written on back)bridges, waterways, vegetation -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small, full length portrait of a man. He is wearing a three piece suit and standing beside a small table with his right hand resting on some books on the table. Rear shows 'words 'Photographed by Mr R Griffiths , Truro , Artist Under Government / Picture of Royal crestMr R Griffiths, Trurophotograph, portrait, male, portrait of a man, mr r griffiths -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Letter from John Wal (the rest has been eaten by a silverfish) dated 7 Nov 1876. Letter mentions Voucher for £10 Funeral Benefit late Wife Bro Cowan. Also inform Bro Murray and Nicholas when the first meeting for the Pic Nic Committee will be held.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, bendigo united district, court king of the forest, bro cowan, bro murray, bro nicholas, foresters hall myers st -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: STILL IN USE
Photocopy of a newspaper article titled Still in Use. Photo shows two Eaglehawk High School students, Ian Coyle and Geoff Lindrea inspecting a granite horse trough at the corner of Bennett Street and Havilah Road. The boys are sitting on their bikes, one with his foot resting on the end of the trough.bendigo, history, long gully history group, the long gully history group - still in use, eaglehawk high school, ian coyle, geoff lindrea, granite horse trough -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 19.07.1972
Mrs P.. Cosh is a private Physiotherapist contracted by RDNS to educate RDNS nursing staff in safe transferring techniques. This photograph is taken in the Heidelberg Centre. The RDNS Sisters are wearing their winter uniforms of a blue/grey skivvie under a blue/grey V neck tunic style herringbone winter material dress,From the founding of the Melbourne District Nursing Society (MDNS) in 1885, known as Royal District Nursing Service (RDNS) from 1966, the rehabilitation of patients to insure they were able to live independently in their own homes was at the forefront of care given by their Trained nurses. As well as teaching and supervising the use of equipment, their Trained nurses taught them safe transfer techniques. These techniques were also taught to family members to enable them to care for their loved ones. RDNS at first held workshops given by a contracted private Physiotherapist before employing their own Physiotherapist in 1975 who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on RDNS nursing staff and patient’s family members. When required the Physiotherapist accompanied the Sister on her visit to the patient in their home.On the left in the black and white photograph is Royal District Nursing Service (RDNS) Sister Elizabeth Francis, who has curled dark hair and is kneeling on a mat looking down at Sr. Bev. Armstrong, who has straight blonde hair and is lying on a mat on the floor with her head resting on a white pillow and her right arm resting across her body. Behind and slightly to the right of Sr. Armstrong is Sr. Daphne Geldard who has short dark curled hair. She is kneeling on the mat and looking down at Sr. Armstrong. To her right is Physiotherapist Mrs. P. Cosh, who has dark short curled hair and is wearing a check suite. She is looking at Sr. Armstrong and has her left hand resting on the out edge of Sr. Armstrong's right hand. The RDNS Sisters are wearing a light coloured skivvie under a darker V neck tunic style dress. A closed wooden door is behind the Sisters with pale walls either side. Lino tiles are on the floor either side the mat on which Sr. Armstrong lay.Barry Sutton Photographer's Stamp, Quote KY28, names of staff hand written on back of photographrdns, royal district nursing service, nurses uniforms, rdns physiotherapist, sister elizabeth francis, sister bev armstrong, sister daphne geldard, mrs p. cosh -
Stawell Historical Society Inc
Photograph, Bullock Team Resting in Upper Main Street Stawell 1880
Bullock Team Resting in Main Street Stawell 1880. R.H. Wadsworth Watchmaker. Havelock Tobacco. Yankee Doodle Tobacco. Opposite the Albion Hotel Upper Main Street.stawell business -
Hume City Civic Collection
Photograph, 1972
The photograph was taken during the 1972 Sunbury Pop Festival which was staged on a property owned by George Duncan. The site is on the banks of the Jacksons Creek between Sunbury and Diggers Rest.An aerial photograph of a crowd of people on a hillside and along a creek valley with a stage set up. On the LHS there is a large marquee surrounded by cars and pitched tents. There are trees around the creek and vast open paddocks in the distance.sunbury pop festival, jacksons creek, duncan, george, george evans collection -
Hume City Civic Collection
Photograph, Early 1990's
The disused cottage was owned by Alec Lloyd who was the fruiterer in Sunbury. It was situated on a sheep run on the Diggers Rest-Toolern Vale Road and was destroyed by fire in the early 1990's.A coloured photograph of a weatherboard farm cottage in a paddock with tall gum trees behind the house. The cottage with a pitched roof over the main structure and a lean-to with skillion roof at the rear is used as a storage for hay. The remains of a tank are on one side of the house and sheep are grazing around the property.farm cottages, sheep farming, lloyd, alec, george evans collection -
Glenelg Shire Council Cultural Collection
Textile - Tapestry, Portland Fibre Group, Tall Ships Tapestry, 1989-1992
Funding from Bicentenary Committee. Valerie Kirk assisted with cartoon, PFG did the rest. Presented to Cr. Bernard Wallace, 11 December 1992, and unveiled at Portland Library.Large tapestry with central image depicting people, animals, landmarks and activities on the foreshore of Portland harbour. Surrounded by a yellow border with symbols of history, industry and immigration on both sides. Hung by a wood panel across top.Back: VKIRK RT JH RS DA - - (tapestry letters in varied colours, lower right edge) PS GWEC ODME OK MS (Tapestry letters in varied colours, lower left edge)textile, tapestry, tall ships, bicentenary -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Badge - Anzac Day Medal, 1918
Anzac Day school children’s medal, issued in 1918 issued by the Victorian Education Department (EVD). The medal was distributed to every Victorian school child that year to commemorate Anzac Day. The Anzac forces first landed at Gallipoli on 25 April 1915. This medal was given to Australian school children 1918 to commemorate the tragic ANZAC Landing at Gallipoli in 1915One side has the image of the bust of an Australian soldier was adapted from a drawing by H. Harvey, an at assistant in the Victorian Education Department and the words HONOR TO THE A.I.F.. The reverse has a scroll which rests on olive branch, inscripted with GALLIPOLI / FRANCE / PALESTINE; above EVD ; below, ANZAC DAY 1918.anzac day, school children, victorian education dept. evd, gallipoli -
The Beechworth Burke Museum
Animal specimen - Pacific Gull, Trustees of the Australian Museum, 1860-1880
This gull specimen is a young Herring Gull (Larus argentatus). It is a large gull and one of the most well known of the gulls. This particular species can be found in Northern Europe, Western Europe, Central Europe, Eastern Europe, Scandinavia and the Baltic States. Juvenile and first-winter Herring Gulls are a brown colour with some darker streaks with a bark bill and dark eyes. These colours identifies this particular specimen as a juvenile bird. These birds are commonly seen near the seaside and are omnivores who scavenge from garbage dumps, landfill sites and sewage outflows. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a juvenile Herring Gull with pale cream and brown coloured plumage. It has a dark bill and dark legs with webbed toes. The eyes are small and are made of glass. They are a pale brown and black colour. The feathers on on the lower back and tail are a darker brown colour compared to the pale plumage on the rest of the bird.Paper Tag: "2yd variega[ted]... Catelogu[e]..." Paper Tag: "Larus argentatus" Metal Tag: "1511"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, gull, pacific gull -
Glenelg Shire Council Cultural Collection
Award - Award - Trophy For Best Kept Private Garden Glenelg Shire, c. 2000
MDF trophy, with green marbelled finish. Metal plaque attached - green and gold fancy edges, the rest black with green. Small brass plaques with winners names engraved. 'Best kept private garden in the Glenelg Shire' - engraved top; donated by Pot a around Nursery Heywood' - engraved bottom. -
Flagstaff Hill Maritime Museum and Village
Book - Tatting craft book, Paragon Art Needlecraft Pty Ltd, Tatting Designs, circa 1940's
Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read. This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered, 16 page instruction book titled "Tatting Designs". It has black and white photographs and detailed patterns for tatted doilies, a tray mat, a chairback and arm rests, a cheval set, a luncheon set, collars and edgings for an underskirt, gloves and handkerchief. It is published by Paragon Art Needlecraft of Sydney.Front cover - "Paragon's No 105" "PRICE 1/3" "Tatting Designs" "Household Linens * Personal Wear" Plus a stylized drawing of a deerflagstaff hill maritime museum and village, great ocean road, warrnambool, shipwreck coast, tatting book, tatting patterns, craft, handiwork, handcraft, needlework, shuttle -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A GIRL
Small portrait of a girl standing beside a small table with her hands resting on a book. She is wearing a below knee length, high neck dress which has pleats at the hem and a fringe around the shoulders. Photographers name and address printed d in gold on the front. Also a gold border.Johnstone O'Shannessy & Co., 3 Bourke St East, Melbournephotograph, portrait, girl, portrait of a girl, johnstone o'shannessy & co -
Bendigo Historical Society Inc.
Photograph - CABINET PORTRAIT OF A LADY
Portrait of a lady seated on a chair with her right hand resting on a table and a book in her left hand. Her dress has a large layered collar, buttons down the front and a pleated skirt with an overlay. She has a string of beads attached to something in her pocket. She is wearing a hat.Bartlett Bros, Sandhurstphotograph, portrait, female, cabinet portrait of a lady, bartlett bros