THE ROSE SERIES P. 922 SWIMMING POOL, RIVER YARRA, WONGA PARK, VIC.

A postcard with two colour photographs taken in Marysville in Victoria.A postcard with two colour photographs taken in Marysville in Victoria. The top photograph was taken on the corner of Murchison Street and Pack Road and shows an iconic wooden direction sign. The other is taken along the Steavenson River in Marysville. Murchison Street is Marysville's main street and is where most of the businesses in Marysville are. This postcard was produced by the Rose Stereograph Co as a souvenir of Marysville. Rose Series Colorview No. 348.POST CARD The "Rose" Series/ De Luxe Produced in Australia Signpost Corner At Marysville, Victoria. Stevenson's River, Marysville, Victoria Rose Series Colorview No. 348 Published by the Roe Stereograph Co., Armadale, Victoria.marysville, victoria, signpost, steavenson river, rose stereograph co, postcard, souvenir

black and white photo: Cenotaph, Charing Cross, Bendigo. City Family on Rh side, Star Building Society on LH side. On bottom ' The Rose Series P2959, The Cenotaph, Bendigo, Vic. 'buildings, organisation, rsl cenotaph, cenotaph, bendigo, city family hotel.

John Clarence (McKenzie) McHarg was born in Corryong, Victoria on 12 August 1905 to Hugh Patrick McKenzie-McHarg and Laura Mary Dune. After attending school at Christian Brothers’ College in Albury, he also attended St Patrick’s College at Ballarat. Mr McHarg then studied at Melbourne University, graduating with a Bachelor of Law. After graduating he completed his studies with Messrs. Mahoney and O’Brien of Melbourne with whom he entered a partnership. In 1931 John McHarg appears on the electoral roll for Wodonga listed as a barrister. The following year he opened his legal practice in Sydney Road, Wodonga. Jack (John) McKenzie McHarg married Eva Whyte in 1934 and the house called “Baelon” was built around this time. THe builder was Rob McCulloch. McHarg is first listed as paying rates on the house in Beechworth Road in 1934-35. He died on 12 January 1996 in Wodonga after many years of service to the Wodonga and district community. The house is still in the hands of the McKenzie-McHarg family. This building is one of the oldest remaining homes in Wodonga and was owned by a prominent community member.A series of photos depicting the home of the McHarg family in Wodonga. One is from a Rose Series postcard c1940, the second is of the house shrouded in snow in 1967. The final image shows the house in 2023.mcharg house, wodonga buildings, mcharg solicitor, mckenzie-mcharg

The two bridges on the railway viaduct, which crosses the Snowy River floodplain at Orbost, were built from local Southern Mahogany. The bridge on the Bairnsdale end (770m) is now the longest in Victoria. Despite various attempts to extend the line, the station stayed on the western side of the Snowy River. (info. Helen Martin)This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost.A black / white photograph / postcard of the Orbost township in the background and the railway viaduct over the flats in the foreground.photo caption - The Rose Series P.479 copywright SNOWY RIVER FLATS, ORBOST, VIC"east-gippsland-railway orbost-viaduct

Genista ferry served in Western Port from 1889-1932 . Postcard was sent to Elaine Robb's mother, Floss from her Aunt Dulcie.HistoricalSepia postcard showing jetty with Genista ferry arriving. Also light pole, crane and several small boats. Another jetty in the backgroundThe Rose Series P. 698 [ probable number] Copyright S.S. Genista at San Remo, Victoriaearly postcard, ferries, genista ferries

A new bridge over the Snowy River at Orbost was opened for traffic on June 20th 1922. It was a new timber and steel girder structure, a joint Country Roads Board — Victorian Railways venture and was built and completed at a cost of £41,000 (the steel girders came from the Flinders Street viaduct reconstruction). Subsequently it was decided not to take the railway across the river, and the bridge was only ever used by road traffic. Postcards form a vital part of social and historical records for researchers. This postcard is a pictorial record of an earlier bridge across the Snowy River at Orbost.A black / white postcard photograph of a bridge over the Snowy River at Orbost.0n front - The Rose Series P1200 copyright Bridge Over Snowy River Orbost Vic.snowy-river-bridge

Donated by Edith ElmsBlack & White Postcard of view from Suspension Bridge between San Remo and Newhaven. Bridge on right and San Remo Jetty on the left. Houses and farmland of San Remo in background."The Rose Series P. 3460. View from the bridge, looking towards San Remo, Vic."suspension bridge san remo/phillip island, san remo jetty, phillip island, edith elms

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975Postcard overlooking Phillip Island from Cape Woolamai. Churchill Island at centre right.Looking over Phillip Island from Cape Woolamai, Victoria. The Rose Series P 676local history, documents, postcards, cape woolamai, churchill island, phillip island, sepia postcard., bernard grayden

Part of collection donated to the Museum by Mr. Bernard Grayden 1975Newhaven, looking towards San Remo, showing house, two-masted boat & pierLooking to San Remo, from Newhaven, Phillip Island, Victoria. The Rose Series P 690local history, documents, postcards maritime technology, boats, jetties, vessels, san remo, newhaven, phillip island, sepia postcard

(Rose Series) P2361 ENTRANCE TO PAN PACIFIC JAMBOREE, 1948 - 1949, WONGA PARK, VIC.

Postcard, black and white: Poppet head on top of Rosalind Tower, surrounded by trees. People on observation deck. On bottom : The Rose Series P 2849, Lookout Tower, Rosalind Park, Bendigo, Vic.bendigo, buildings, lookout tower, rosalind park, bendigo, rosalind park, lookout tower

The Rose Stereograph Company first began producing postcards, identified as the 'P' series (like this particular example) in 1913 and continued in this business until 1967 after which they switched to machine manufactured colour postcards printed by an external company. These were produced by Victorian-era photographer George Rose (1861-1942) often reputed as one of the best photographers in Australia during the later 19th Century and early 20th Century. Rose was born in 1861 in Clunes and began his photography business in 1880 when he founded the Rose Stereograph Company. He later switched to producing postcards after stereographs lost popularity in the early 1920s. The Mayday Hills Hospital was one of these locations photographed by George Rose and published as a postcard. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000,33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour. At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale sepia toned rectangular postcard printed on matte card.Obverse: THE ROSE SERIES P. 4689 / COPYRIGHT / ADMINISTRATIVE OFFICES, MENTAL HOSPITAL, BEECHWORTH, VIC / Reverse: Published by the Rose Stereograph Co. / Armadale, Victoria / POST CARD / THE "ROSE" SERIES / DE LUXE / A REAL PHOTOGRAPH / PRODUCED IN AUSTRALIA /mayday hills, asylum, mental hospital, hospital, beechworth

Black and white photo of Charing Cross Bendigo, tram passing on far side of Alexandra fountain. Shamrock, old Post Office and War Memorial Hall visible in the distance. Copy Right by Rose series D13586.Rose Stereograph Co.person, individual, basil miller

black and white photo: view of Rosalind Park gardens alongside RSL war museum, showing Queen Victoria statue. On bottom of photo: The Rose Series P. 2867, Queen Victoria Statue , Bendigo, Victoria.place, public gardens, queen victoria statue, queen victoria statue, bendigo

Panorama with elaborate border of Stawell from Big Hill 1918 – 1920. Remnants of mining in foreground.Black and white photograph of a town scene. An photo has an elaborate border with greeting from Stawell at the base. This is possible and enlargement of a post card taken in c 1918. Worksheet states Rose Series P 1646.Greetings from Stawellstawell

Postcards - (2 of) Rose Series, Picturesque Views of Bendigo, Australia. Two exactly the same. Rosalind Park, Lake Weeroona, The Conservatory, Pall Mall, Queen's Garden, The Lookout Tower, The Fountain and Soldier's Memorial, all Bendigo.Published by Rose Stereograph Co. Armadale.place, bendigo, picturesque views of bendigo., bendigo - views of.

Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees, a dirt road with an RACV sign bridging it to the foreground right and a railway track visible between the trees.Front: THE ROSE SERIES P. 10771/ COPYRIGHT (typed, lower left) THE HARBOUR, PORTLAND (typed, lower centre)

Dawn Smith Collection. Black & White Photograph Queen's Gardens, Bendigo Souvenir Set c1929 The Rose Series Photo 10427. Statue of Queen Victoria, Soldier's Memorial Institute & Post Office Clock Tower. Still Image.bendigo, tourism, queen's gardens

Donated by N. G. Hunt, Baxter, VictoriaBlack & White Postcard taken from Cat Bay looking towards The Nobbies. Man in Jinker with a sheepdog in foreground."The Rose Series, P. 666" "Looking to The Nobbies, Phillip Island, Victoria" On Back: "Cat Bay from Ventnor 1910"the nobbies phillip island, cat bay, phillip island, n g hunt

Black and white photograph of Portland Botanical Gardens. Showing an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10757/ COPYRIGHT (typed, lower left) BOTANICAL GARDENS, PORTLAND (typed, lower centre)portland botanic gardens, postcards, travel, tourism

Black and white photograph of an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10800/ COPYRIGHT (typed, lower left) BENTINCK STREET, PORTLAND (typed, lower centre)

Black and white photograph of a building a verandah and striped awnings in front. A large sign above the steps leading onto the verandah reads "RICHMOND HOTEL". There is a garden with roses in front of the building.Front: THE ROSE SERIES. P. 1114/ COPYRIGHT (typed, lower left) RICHMOND HOTEL, PORTLAND (typed, lower centre)portland bay hotel, richmond henty, postcard

Black and white photograph of an unpaved street (Julia Street) with six cars and a motorbike on it. To the left is a row of buildings, painted different colours, some with awnings. People and dogs are walking on the footpath on the left side of the street.Front: THE ROSE SERIES. P. 1100/ COPYRIGHT (typed, lower left) JULIA STREET, PORTLAND (typed, lower centre)julia street, portland cbd

Rocky outcrop is known as the "Elephant's Hide' part of the Wonderland Range.Photo shows rocky outcrop with some vegetation and two larger gumtrees in foreground.The Rose Series P12198. Elephant's Hide,Grampians,Vic(on front) Post Card,a Real Photograph,produced in Australia(on back)scenery, wonderland range

Leisure scene, mingling groups walking to and from baths; 1940s cars aligning street; Looking towards the Baths, St Kilda, Vicblack and white postcard, unmounted, good condition, two copies, unused[printed on front] The Rose Series p. 3274; Looking towards the Baths, St Kilda, Vic. [postcard format on back]