Black and white photograph on a post card, with brown border, showing the Bowling Green in Murray Street.bowling green, sports grounds, murray street

Black and white photograph on a post card, with brown border, showing the Prentice and Southern Gold Mine.prentice and southern gold mine, gold mining, mining industry

Black and white photograph on a post card, with brown border, showing the Rutherglen Park, with a view of the weir and Lake King in the background. In the foreground is the bridge over the weir out-fall, with two ladies on the bridge, one of them holding a baby.rutherglen park, lake king, water storage

Black and white photograph on a post card, with brown border, showing a view of Rutherglen taken from the southern side of Lake King.rutherglen park, lake king, rutherglen

Sand dumping has commenced in preparation of works to modify and deepen Cunninghame Arm|Also one other copyColour postcard of the view of Cunninghame Arm, Lakes Entrance, from the Glenara Tower. Shows the western boat harbour with private cruisers and professional fishing vessels moored at wharf. Lakes Entrance Victoriawaterways, fishing industry, boats and boating

Black and white postcard taken from elevation on Jemmys Point, showing Reeves Channel, Gippsland Lakes, including Kalimna Jetty and Sawmill Flat at entrance to Maringa Creek, timbered cliffs above lake. Lakes Entrance VictoriaKalimna at Lakes Entrancetourism, boats and boating, jetties, waterways

Hand tinted postcard showing Paddle Steamer 'Tanjil' passing upstream under the open Swan Reach Bridge on the Tambo River, East Gippsland, Victoria.New Bridge over the Tambo River Swan Reach Paddle Steamerships and shipping, waterways, jetties

Black and white small format postcard of Reeves Channel Gippsland Lakes, taken from Jemmys Point. It shows a glimpse of the Princes Highway, the steep shoreline of the mainland opposite Rigby Island with Fraser Island and Flannagan Island in distance. Lakes Entrance VictoriaKalimna Cove Lakes Entranceislands, waterways, topography

Other copy similar view with inscription 'The Lakes, Lakes Entrance Vic'Black and white postcard of Reeves Channel Gippsland Lakes, showing Rigby, Fraser and Flannagan Islands opposite the steep shoreline of the mainland. Natural vegetation of Jemmys Point in foreground from which photograph was taken. Lakes Entrance VictoriaKalimna from Jemmys Point Lakes Entranceislands, waterways, topography

Hand tinted postcard of the man-made entrance to the Gippsland Lakes, taken from Jemmys Point. It shows the rock groynes at Bullock Island and Entrance to North Arm, a barge in North Arm directly below Jemmys Point. Lakes Entrance Victoriaislands, waterways, topography

Black and white photograph of the lake shore at Kalimna, showing Kalimna jetty and storage shed, low sandy shore in foreground contrasting with steep cliffs beyond jetty. Indistinct distant view of New Works area at southern shore of Cunninghame Arm. Lakes Entrance VictoriaKalimna Lakes Entrance Gippsland Victoriajetties, waterways, navigation

Black and white small format postcard of the timber observation lookout at Jemmys Point, Lakes Entrance, Victoria, showing the timber tower with observation deck, signal light on steel tower nearby. Top of old standing lookout tree just visible.Jemmys Point Lakes Entrancehistoric sites, navigation, world war 1939 - 1945, room display

Identical copy 10 x 15Black and white photograph copied from a postcard showing the timber lookout tower and signal light on Jemmys Point, old lookout tree in background appears to have some of the top missing. Lakes Entrance Victoria.historic sites, navigation

Black and white postcard taken from Bullock Island, showing the fishing boat Judith entering Cunninghame Arm from the entrance channel. Lakes Entrance VictoriaFishing Trawler at Lakes Entrancefishing industry, shipwrecks, coast

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Through Wind and Wave. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope.The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928. postcards, george and edith weir, river mersey, postcards -- england (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - The End of the Voyage. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - The End of the Voyage"postcards, george and edith weir, river mersey, postcards -- uk, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Outward Bound. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - Outward Bound"postcards, george and edith weir, river mersey, postcards -- uk, weir collection

Black and white photograph of the South beach with the Bathing boxes and swings in the centre middle ground and six people walking across the the sand in the foreground taken for use as a postcardBathing boxes and Beach Port Fairybeach, bathing boxes, south beach, pea soup, boarding school bay, swings, ocean, sea

The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white Photograph of the main path through the botanical Gardens with the arbour to the left and mature trees and lawn on the rightEntrance to the Gardens Port Fairy Victoriagardens - entrance, path, arbour, trees, griffith street

Entrance to Gardens (1926) The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Photographgardens - entrance, botanical, gipps street

Black and white postcard of South Beach Bathing boxes and swingsbeach, sea, seascape, south beach, bathiing boxes, swings, pea soup