World War 2.Booklet - Paper, Black and white print and sketches, 15 pages.COLES, present "Knitting for the Forces" Containing complete knitting instructions for 3 pullovers, cardigan, Balaclava, Mittens, socks, scarf, skull cap.booklet, knitting patterns, ww2

Dates of the exhibition, logos and names of sponsors.anl maritime art prize, 2005, exhibition, mission to seafarers, flinders street, sponsors, poster

Illustrations and description of sites within Greensborough and Greenhills: by Irene Turvey and Ron ReynoldsNow out of print, this book is an important record of the Greensborough and Greenhills areas. Copy 2 is signed by author and illustrator.Hard cover, 62 p., illustrated with pen and ink sketches.Copy 1: stamps with Eastern Metropolitan Library. Copy 2 signed by author and illustrator.greensborough, greenhills, irene turvey, ron reynolds

Cross Ref: 00119Folded cardboard greeting card with reproduction of ink sketch on frontPrinted on back: Eltham State School No. 209. Built in 1876. By courtesy of the artist.eltham primary school, barbara munro, eltham state school, state school no. 209

Cross Ref: 00119Folded cardboard greeting card with reproduction of ink sketch on frontPrinted on back: Eltham State School Headmaster's Cottage. Built in 1891. By courtesy of the artist.eltham primary school, barbara munro, eltham state school, state school no. 209

J Davispencil sketch, unmounted good condition Original held SKHS

Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Watercolour sketch of Dr Sensfelder, teaching at high school in GraytownDr. Sensfelder a teacher at High School at Graytown.graytown pow camp, georg rosenkranz, illustrations, watercolour, sensfelder

Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Watercolour sketch of man in red trousers, white hat and apronJake Pesclitte from Berlingraytown pow camp, georg rosenkranz, illustrations, watercolour

Artist Georg Rosenkranz, crewman aboard the HSK Kormoran, painted this while at Graytown Prisoner of War Camp.Watercolour sketch of a man with a wheelbarrow, rooster on top of garbage bin.With a garbage bin to smuggle food in the camp.graytown pow camp, georg rosenkranz, illustrations, watercolour

"The Pavilion"/"Old Schoolhouse" (Burnley Gardens Melbourne) in course of being demolishedColoured ink sketch of the Pavilion in the course of demolition by unidentified artistOld Schoolhouse Burnley S.G.S. 48pavilion, drawing, watercolour sketch, demolition, schoolhouse building

Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner.

Sketches for RMIT Building 8 extension, and Athan and Calnin Housesink, paper

John J. Huntly appears to have been the only licensee of the Royal Oak Hotel, built in 1858. He was a Councillor of the Municipality of Belfast at the time and later became the Secretary of the newly formed Minhamite Shire in 1872. By 1861 D. Smith appears as the licensee of the now named Commercial Hotel. In 1877 it was offered for sale—the building described as follows “Built of bluestone with slate roof, having a frontage to Bank street of 106 feet, 6 inches. Accommodation consists of twelve bedrooms, eight sitting rooms, bathroom, bar and cellar and detached kitchen also of bluestones, with outside offices. Around this time beside its usual business the hotel had various rooms for visiting doctors and a dentist. Dr. Berncastle, who was associated with the Sydney Eye Infirmary, performed several operations there on those suffering from cataracts. It was the meeting place for the Port Fairy Freemasons, before their Lodge was built in James street, and all the local sporting clubs, at one time or another. The veranda was added in 1900. The name Royal Oak was restored this century, but the name Commercial Hotel can still be seen in the leadlight window over the front entrance. The hotel still continues serving patrons with beverages and meals but no beds these days. There is also an addition to the building, as seen in the bottom illustration— a bottle shopBlack and white sketch photographed Line drawing of the Commercial hotelhotel, building, commercial, oak and anchor, inn, pub, d.smith

The plan relates to the proposed Bendigo & District Servicemen's Club in Havilah Road. The slightly shaded area is the site. This plan was put to a General Members meeting in September 1976. The club received its Liquor License in 1979. Refer Cat No 8073P for more details. This item was in the collection re David Patterson, refer Cat No 8070.Plan and details on A4 sheet, all text and sketch in black, top has site desired with 2 sets of remarks underneath, at bottom sketch of possible site on Havilah Road Bendigo."Desired site for proposed RSL Licenced Club, Memorial and recreational park"brsl, smirsl, bdsc, plan

Negative print. Bendigo Government Camp,1853, from a sketch by J.A. Panton. Image shows Camp Reserve and notes where individual sections of it were located. Key on bottom of sketch. cottage, miners, bendigo gov.camp, 1853., bendigo gov.camp, 1853.