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Tatura Irrigation & Wartime Camps Museum
Puppet, The Scribe, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted orange paper mache head with goatie beard, blue eyes and white eyebrows. Wearing a long black and white dress with a grey collar and cuffs over a cream with little red flower skirt which is trimmed in grey. Legs are cream material with wooden feet. Hands are wood. Hair is white with bald head.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Puppet, Man with moustache, WW2
The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head of man with large nose, pointed chin and moustache. Hand painted blue eyes. Moustache and eye brows made with cotton thread. Magenta tie stitched to neck. Bottle green felt jacket with magenta trim. Leather hands attached to sleeves. Light brown skirt attached to jacket. leather ears on head. pow puppets, pow handcrafts, hand puppets -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's dress, 1940's
Worn by Gretl Hornung, daughter of internee, at camp 3. Dress made by her mother, Emma Frank. Worn in an official family photo. No 809 in front of 3 Frank families. Kurt, my father, Roland and Max. On the back of the photo is some sort of stamped ID. Photograph No MH 302 44/809 supplied by Military History Section (SD9) General Staff LHQ for personal enjoyment only and on condition that it will not be produced in any form.Blue grey knitted child's dress, round yoke, puffed sleeves, skirt is gathered onto yoke. Yellow, pink, orange, blue daisy like flowers embroidered on yoke. Opening at back of neck, fastened with 4 small buttons which have been crocheted over with blue cotton and fastened cord like loops.gretl hornung, emma frank, camp 3 sewing, gretl frank, kurt frank -
Tatura Irrigation & Wartime Camps Museum
Costume - Puppets Dress, 1940's
Part of a collection of clothes and accessories for puppets on loan from the Beinssen familyCream dress, with small red, yellow and blue flowers and blue, yellow and red squares with navy blue around the edges. A separate blue bodice with a yellow apron-like skirt. Bodice has straps over the shoulders and yellow lacing on front. A drawstring at the neck and pink felt hands sewn into end of sleeves. Made for puppets.beinssen, camp 3, tatura, ww2 camp 3, puppetry, dr silke hesse, beinssen family, puppet costume -
Tatura Irrigation & Wartime Camps Museum
Costume - Traditional Dress, 1940's
Used by Templer girls at Camp 3. Usually worn for folk dancing.Made from cheesecloth, this short sleeved dress has an orange cotton bodice, red, blue, yellow and green Alpine flowers embroidered on the bodice. Short puffed sleeves, slightly gathered long cream cotton skirt attached. Dark brown lacing down centre front of bodice. Traditional dress worn for folk dancing.eva kortschak, eva ruff, traditional folk dress, ww2 camp clothing, templers -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1912
White cotton Child's Nightgown. Long sleeves wrist tucks and cotton edge. A yoke opened at back, trim on front. Some missing on right side. Long simple skirt with a tuck and Hem. Belonged to Irene Crowley who passed away c1914 aged 3 or 4. Kept by her mother and found by family on has death.stawell clothing material -
Whitehorse Historical Society Inc.
Clothing - Suit, 1980's
Worn by Margaret Skey in 1980'sRed ladies two piece suit, vest top and long skirt with front slit. DIO brand, size 14, polyester/viscose rayon with polyester lining. Vest with self covered buttons and three pocket flaps.|See NA376 black blouse worn with this red suit (Gone to dry cleaners- 30/11/05costume, female -
Whitehorse Historical Society Inc.
Wedding Dress, 1978
Wedding gown worn by Dianne Warren for her wedding in 1978, daughter of Frances Warren1978 White wedding dress in a fibre material with all over pattern embossed full length with train, long sleeves coming to a point, 5 buttons and loops fastening. Curved shape neckline, high waist, curved at front, seams over bust, five panel skirt. 34 covered buttons and loops down back.costume, female ceremonial -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress, 1958
Wedding dress donated by local resident, Mrs Dorothy Williams. Worn by her on her wedding day in 1958 and the dress worn again by her daughter 07/05/1983 as per photographs.1958 Cream embroidered Nylon wedding dress. Fitted long sleeves to a point at waist, fastened with thirteen self covered buttons. Boat neckline trimmed with frill. Long waisted to a point at centre back. Full gathered skirt to a long train. Bodice lined to waist over a cream satin underskirt. Wedding shoes NA4122costume, female -
Whitehorse Historical Society Inc.
Clothing - Gown Bridesmaid
George Harold Merrett married Dorothy Lorna James at Christ Church Horsham 14/08/1954. Wedding Gown & all accessories were donated by family, plus wedding photo.Mauve Damask satin full length gown. Shaped bodice with pin tuck detail over bust line, pin tuck shawl collar across back. Zip closing down back, full flared skirt. Bodice lined with rayon.|Refer to 3985.1-5, 3949.1-2, 4138, 3999.1-2, 4000.1-2costume, female ceremonial -
Whitehorse Historical Society Inc.
Clothing - Dress, possibly c 1860s
c1860s Long women's dress in fine two-toned pink strip. Skirt longer in back. Bodice has three deep pleats on each side from shoulder to waist.Sleeves have self ruffle and cream lace frill at wrist. Seven buttons gold backed and white stars pattern in centre run down the front of the bodice.costume, female -
Circa Vintage Archive
Duval Ensemble, Late 1950s
Dressy day ensemble set - Fitted dress with short sleeves and straight skirt Centre back metal zipper Band of cream guipure lace above the waistline Fitted cropped jacket with shawl collar trimmed in matching lace Three quarter length sleeves to the jacket Pipping trim to most edges Both pieces are fully linedLabelled "Duval of Melbourne Pure Silk" -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1938
Black and white photograph of Bert Henning, Jack Harbeck, Tom Todd, Arthur Henning, Jack Mitchelson, Eric Carstairs, Harry Bennett, Frank Duggan members of Surf Life Saving Club wearing ribbon skirts, neck adornments and headdress bows, dancing a conga inline type dance on beach. Lakes Entrance Victoriavolunteering, community services, surf lifesaving -
Kew Historical Society Inc
Clothing - Purple Silk Ball Gown, 1898-1904
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Shot silk purple ball gown, featuring a fitted silk bodice with puff sleeves and a wide full-length skirt. The dress has coloured guipure lace at the neck and the cuffs, which has been identified as being of the period. The brush braid on the hem has probably been replaced at a later date. Dated to 1899-1900. ball gowns - 1900s, australian fashion - 1900s, costume -
Kew Historical Society Inc
Clothing - Christening gown, 1850-9
In the early 19th century, infant baptismal gowns worn by male and female infants began to be modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A mid-nineteenth century christening (baptismal) gown, constructed of sturdy white cotton featuring a long skirt, high neck and long sleeves. The gown is constructed by hand, and there is evidence of home-finished needlework, The bodice is loosely pleated with gathering at the high waist, A later cotton tie was attached at the centre waist and commercial lace added to the neckline and cuffs.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Two Piece Purple Silk Dress, c. 1920-25
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Edith Mary Weir (nee Betteridge), Illapa -- 84 Princess Street -- Kew (Vic.), Women's clothing, Weir Collection Dresses, This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Two piece lightweight purple silk outfit consisting of a bodice and very full skirt. The loose fitting bodice is joined at the front by three fabric covered large buttons beneath which are two flat ties of the same fabric that are also buttoned. The bodice has wide pleats at the waist. The long full sleeves have wide cuffs.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses -
Brighton Historical Society
Dress, Professional & Civil Service Supply Association, circa 1900
Unknown provenance.Coffee-coloured cotton and chiffon evening gown. Net yoke with vertical pintucks and high neck. Pintucked bodice. Trim of meadering cream cord bordered on either side, around yoke, waist, shoulders, cuffs and down centre of skirt. Printed on interior of bodice: "Professional & Civil Service Supply Association / 80 George Street Edinburgh".Printed on interior of bodice: "Professional & Civil Service Supply Association / 80 George Street Edinburgh".1900s -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1900
Irregular shaped white, embossed card with floral and geometric design. It has a blue edge. In the centre is a coloured sticker with a lady and a girl outside their door. The lady has a red skirt, white apron, brown blouse & shoes, and a blue scarf on her head. She is holding a blue bottle. The girl has a pink skirt, white blouse & apron and a blue vest. She is holding a basket. There is also a hen and a rooster in the picture. Above the picture is a gold circle with an eight pointed star inside it. Below the picture is a gold and white sticker with 'Dearest I am Truly Thine Own' printed in mauve. Inside the card is some dried fern held in place with a sticker . It has a girl wearing a red dress sitting down and a brown and white dog sitting beside her.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.
Clothing - INFANTS CREAM COLOURED SILK COAT
Clothing. Infant's cream coloured silk coat with yoke front and back. Fold over collar (12 cm) with embroidered flowers on the front with embroidered zig zag edging. Round neckline with casing threaded with 1.8 cm patterned silk ribbon. Yoke sections lined with cotton fabric. Long sleeves gathered all shoulders, with embroidered pattern at wrist with 1.7 cm lace trim. Full length front opening with embroidered zig zag edging that continues around hemline of garment. Floral embroidered patterns across the back of the skirt above the hemline, and at the lower corners of the front panels. Front opening fastened with silk ribbon ties at neckline and one X 1.5 cm button at lower edge of yoke. Gathered skirt is unlined.costume, children's, infant's cream coloured silk coat -
Brighton Historical Society
Clothing - Dress, Afternoon dress, circa 1878
This dress is believed to have been worn on the Goldfields of Victoria. The discovery of gold in Victoria ranged between 1851-1879. This dress is believed to have been worn on the Goldfields of Victoria. There are few remaining examples of clothing worn on the Victorian goldfields.A circa 1878 two piece dress consisting of bodice (.1) and skirt (.2). The eau de nil (green) corded silk dress features a high round neckline that secures with hook and eye fastenings and decorative buttons through the length of the princess line bodice to the band around the hem. A watch pocket sits just below the waistline on the left hip. The three-quarter sleeves are narrow with kilted pleat trim on the lower edge and decorative buttons. At the back of the dress is asymmetric in its cut. The dress splits along the right hand side and finishes shorter with pleating and has a decorative pocket. A bow sits at the top of the split. The underskirt fastens on the left hip and features kilted pleats along the base of the skirt and train. The train features additional fullness created by a section of gathering in the centre.victorian goldfields, asymetrical victorian dress, princess line, 1870s fashion -
Kew Historical Society Inc
Clothing - Black Lace Evening Dress, c.1907
Lily and William Wishart lived during this period in 'Noranook', Fernhurst grove, Kew. There are numerous contemporary accounts of the social and civic activities of Lily Wishart as mayoress of Kew. In a description of a 'Mayoral At Home' in the Kew Recreation Hall, a report in The Australasian (10 Aug 1907, p.46) described the event thus: MAYORAL AT HOME In the Kew Recreation-hall on Thursday evening the Mayor and Mrs. W. Wishart gave an at home to between two and three hundred guests. ... Prior to the musical programme, the mayor and mayoress held a reception, standing on a dais at one side of the room. Mrs. Wishart was gowned in black glace silk, trimmed with handsome lace applique, and she wore a cream Maltese lace scarf over her shoulders, and held a bouquet of cardinal carnations.' This may be the dress in the collection. Another interesting and relevant report is an account in The Argus (19 March 1907, p.6): 'WOMEN'S WORK EXHIBITION The mayoress of Kew (Mrs. W. Wishart) invited the ladies of the district to meet in the mayor's room, town-hall, Kew, at half past 3 o'clock tomorrow afternoon, to consider steps to be taken locally in support of the proposed Exhibition of Women's Work.'The dress is locally significant as the work of a skilled home-dressmaker in Kew, who was also a leading civic figure in the municipality. One tends to think of amateur dressmakers as women who could not afford to purchase clothes from a retailer. Clearly, 'women's work' and the skills that educated and wealthy women acquired in the period allowed them to fashion their own garments.Full length evening dress in four parts. Undergarments include two items: a basic black silk petticoat and an upper black silk slip, the latter with two bands of ruffles. The lace dress is in two parts: a bodice and a skirt. The black, high-necked bodice is constructed of silk organza to which guipure lace has been extensively applied. The bodice has long puffed sleeves, gathered on the forearm to form a wide band of lace and ribbon at the wrist. The skirt is constructed of the same black fabric with descending bands of gathered black silk ribbon, used as ornamentation. The skirt also features a long train. Apart from the donor information about its provenance, the style of the dress can confidently be dated to the period 1900-1910. The dress was made and worn to civic functions by Mrs Lily Wishart, Mayoress of Kew in 1906-7. Earlier items belonging to William and Lily Wishart entered the collection as early as 2002. The dress was donated by a descendant of a friend of Lily Wishart in 2020. The photograph of the dress and its components attached to the record needed to be digitally enhanced so that details of the dress could be viewed online, as the fabric of the dress is an intense black. A physical assessment of the dress is included in the condition report.fashion & design collection - kew historical society, australian fashion - 1900s, evening dresses, lily clara wishart, fashion design, fashion -- 1900s -
Kew Historical Society Inc
Clothing - Ivory silk and tulle bridesmaid's outfit, 1874
This bridesmaid's dress was owned and first worn in 1875 by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. The outfit was worn at the marriage of her friend Miss Hopkins to Mr ST Staughnton in 1874. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An ivory silk skirt and matching jacket worn by Alice Henty, aged 22, at the marriage of her friend Lizzie Hopkins and S.T. Staugnton in 1874. The ivory silk satin peplum jacket is boned, tailored, and fitted with many princess line panels. The front closure has handmade embroidered buttonholes and covered buttons. The collar and sleeves are decorated with gathered silk tulle frills. The peplum back features a silk cord bow decoration. The skirt with bustle and train features a central panel with hand ruching and silk satin piping. It is decorated with five rows of pleated silk tulle frills. Measurements (mm): PEPLUM JACKET Girth - Neck 317.5, Chest 914.4, Waist 698.5, Hip 965.2, Cuff 279.4, Hem circumference 1168.4. Vertical - From neck to hem 558.8, Front waist to hem 254, Back neck to hem 838.2, Back waist to hem 241.3, Sleeve length 279.4. Horizontal - Neck to sleeve head 165.1,Cross back 292.1, Underarm to underarm 393.7. SKIRT Girth - Waist 635, Hip 914.4, Hem circumference 3810. Vertical - Front waist to hem 1092.2, Back waist to hem 1701.8. fashion -- 1870s, alice frances (henty) hindson, women's clothing, bridesmaid's dresses -
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria
Newspaper Clipping from "The Mail", 12-12-95. P 4 "Maroondah players"'. George ArundelBagpipe player George Arundel thinks there is something special about a man with a beard dressing up in a skirt and playing the pipes. "It's the theatrics of it all that I love", Mr Arundel, a member of the Ringwood Highland Pip[e Band, said. Mr Arundel began playing the bagpipesas a boy growing up in Glasgow in 1966, and has been playing them ever since. -
Warrnambool and District Historical Society Inc.
Textile, Dress, promenade, 1880s
There is no information available on this dress which has been in the Historical Society’s collection for many years. It may have been a wedding dress. This is an interesting item as an example of a woman’s dress worn about the 1880s. It is a wonderful display item. This is a claret-coloured dress with a full length skirt with bustle. It is made of good quality heavy satin mounted on organza with a back fastening. There is a rosette in the same fabric with two pendant panels. There is a matching fitted jacket with hooks and eyes to fasten and full length narrow sleeves edged with claret lace (much tattered). The jacket is faded and torn in parts. Machine and handsewn. claret-coloured dress, warrnambool, 1860's ladies dress -
Warrnambool and District Historical Society Inc.
Clothing - Girl's Dress, c. 1890
This is a dress for a young girl aged about twelve. It seems to date from the late 19th century and would have been worn at a wedding or a family celebration. This dress is a fine example of vintage clothing and is a valued display item.The dress is made of fine muslin. It has a round neck with lace edging, the gathered skirt has pin tucks with a spoke stitched wide hem. There is lace insertion at the waist and on each shoulder. On the three quarter sleeves there is lace edging at the cuffs. The bodice has machine made embroidery, spoke stitching and tucks. The back has press studs and hooks and eyes .vintage clothing, warrnambool and district historical society collection -
Warrnambool and District Historical Society Inc.
Rope Petticoat, Mid 20th century
This petticoat came from the estate of Ena Heazlewood and was donated to the Warrnambool and District Historical Society by Ena’s daughter. It appears to have been home-made. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, a stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. A petticoat such as this one would have been stiffened with starch and worn under a ball dress (or a stage costume) in the mid 20th century. This petticoat is of interest as an example of a skirt worn underneath a ballroom dress or a stage costume in the mid 20th century. It also has some provenance as it come from the estate of Ena Heazlewood, a former Warrnambool resident.This item is a white cotton petticoat with a flap opening at the front waist enclosed by two white buttons. The petticoat is gathered at the waist to make a wide flared skirt and has alternating panels of plain white cotton and broderie anglaise material. There is a flounce at the end stitched with cotton-covered rope at the top and the bottom of the flounce. The bottom of the petticoat has a cotton lace trim. vintage clothing, todd & heazlewood families, warrnambool, history of warrnambool -
Flagstaff Hill Maritime Museum and Village
Clothing - Child's Dress, 1910's
This child's white linen day dress was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child.This child's dress is representative of child's fashion of the 1910s.Child's white linen day dress; hand-sewn dress with pleated skirt, short sleeves and a plain bodice. The neckline and sleeves have a rick-rack braid and crochet trim. The back closure has four buttons, a hook closure and a short back seam. c. 1910. Worn by Robert Barnard son of Mrs W N Barnard of Portland. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, robert barnard, mrs w.n. barnard, w.n. barnard of portland victoria, child’s dress 1910’s, 1910, child's dress -
Bendigo Historical Society Inc.
Clothing - WAIST APRON
White fine cotton lawn waist apron. Pentagon shaped bib with spoke stitched hems on four sides. Waistband with ties attached, Skirt has two pleats on each side. Spoke stitched hems on sides and lower edge. Lower edge has spoke stitched detailing of two rectangular shapes, and a centre peak. Old box 160.costume accessories, female, waist apron. -
Bendigo Historical Society Inc.
Photograph - GROUP PORTRAIT, MEN AND WOMEN
Sepia image mounted on board: image shows group of 8 women and 7 men, standing and sitting. Men wearing three piece suits, hats, women wearing dresses, shirts and skirts and hats ( some in hand ) Bicycles visible leaning on wall behind. Picture taken in same position as 1732.10 - connected groups ? Queens' Cycling Club ?person, group, man and woman, bendigo, sandhurst, group portrait, bicycles. -
Stawell Historical Society Inc
Photograph, Herberts Photographer, Henderson Family Album Photograph c1880-1890 -- Studio Portrait
From the Chapman family photograph albumStudio Photograph on card Backing Drop background ferns rail rustic bench. Elderly woman sitting on bench - dark dress with puff sleeves. Dark fascinator tie/scarf. Holding bouquet. Young woman standing in dark suite long skirt fitted jacket - pockets unbuttoned. something attached to breast pocket, white blowers with bow tie. Great Grandmother Henderson (nee Mary Ann McCord and daughter Ruth