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Tatura Irrigation & Wartime Camps Museum
Folder - biography, Andrew Crawford 1887-1974, September 2018
The story of Andrew Crawford covering his time in the army, life before the war, his role in the war, the 8th Light Horse regiment, covering many of the battles he was engaged in, his promotions through the ranks, and life after the war. Includes many graphic photographs and maps. In the back is a copy of a letter he send his mother in September 1918. Black covered multi ring folder containing 32 plastic sleeves with typed information.andrew crawford, 8th light horse regiment, ww1 battles, anzac cove -
Tatura Irrigation & Wartime Camps Museum
Folio Wartimes Camps, Garrison, c.1995
Copies of original material, records and recollections from the days the Camp operated during WW2, archival material, photographs and sketches. Unique material collected from the World War 2 Internment and Prisoner of War Camps in the Tatura, Murchison, Rushworth area during World War 2..Black two ring folder containing printed matter, sketches and photos in plastic sleeves.17th army garrison, pow camp, internment camp, tackaberry, ibbot, camp auction. -
Tatura Irrigation & Wartime Camps Museum
Folio Wartimes Camps, Singapore Group, c.2000
Historic and personal memorabilia and recollections of those internees from their life in Singapore, their transportation on the "Queen Mary", and their time in Camp 3 Internment Camp, Tatura.Irreplaceable material and personal experiences of a group of internees from Singapore during World War 2. A number of these families were Jewish who had fled to Singapore from Germany and Austria.Black two ring folder containing printed matter and photos held in plastic sleeves. -
Tatura Irrigation & Wartime Camps Museum
Document, Collegium Taturense, Original in 1941
Copied from Melbourne University archives.Black plastic A4 side bound in white, containing plastic sleeves and photocopied material.Collegium Taturenscollegium taturense, dunera, camp lecturers, internee education -
Robin Boyd Foundation
Audio - Recording, Broadcast Exchange of Australia Pty Ltd (B.E.A.)
The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.78 RPM vinyl, 1 vinyl disk, plastic sleeve, no cover, contents unknown.lp, sound recording -
Kew Historical Society Inc
Clothing - Gold Silk Brocade Caftan, Decor, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This caftan is one of a number of evening dresses donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Full length brocade caftan highlighted on the long sleeves and the front with bands of gold brocade.Label: DECORaustralian fashion - 1960s, women's clothing, evening wear, mcintyre collection, caftans, fashion designers - decor -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Shirt
Khaki short sleeve - 2 rising sun cloth badges + WO2 cloth badge.uniform, 1990's, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Shirt
Polyester short sleeve Lance Corporal (part of complete uniform U222) with Defence Ribbonuniform, 1997, army -
Myrtleford and District Historical Society
Wedding Gown
This gown was worn by Ellen Harvey Cundy (1857--1939) on her marriage to Thomas Davenport Wood on January 23, 1878. It was the first marriage at St. Paul's Church of England, Clyde Street, Myrtleford. The gown was made by the bride's mother, Marrianne CundyThis is the first bridal gown to grace the former timber church building. Both the Cundy and Wood families were prominent locally, having settled at Waterloo/Barwidgee Creek/Myrtleford area in the 1860s. Marianne Cundy was a teacher at Myrtleford State School 955 from 1870-76, where the gown is now housed.Hand-made cream patterned wedding gown, circa1878, long-sleeved and complete with bustle.wedding gown, cundy, wood, -
Clunes Museum
Film - DVD, Nine Network Australia, Postcards - Episode 22, 2008
Visual programme featuring Widow Twankey's. a local cafe, and the Clunes Museum prior to the redevelopment of the site at 36 Fraser Street, in 2012. Interviews of Tim Hayes, owner of Widow Twankey's and Pat Cook the Curator of Clunes Museum. Images of significant sites and historic buildings as well as streetscapes and landscapes of Clunes.DVD IN WHITE PAPER SLEEVE CHANNFEL 9 POSTCARDS, EPISODE 22 "GENERAL SHOW"widow twankey's, pat cook, tim hayes, clunes museum -
Mont De Lancey
Christening gown
Worn by Mervyn SebireInfants white Christening gown - heavily embroidered and smocked, with lace trimming and gathered sleeves.christening clothing, baby clothing -
Mont De Lancey
Baby's dress, 1900
White cotton baby's dress with net bodice insert and hem insert, with puffed sleeves.baby clothing, baby dresses -
Whitehorse Historical Society Inc.
Clothing - Nightdress
Pink Fuji Silk Nightdress. Crocheted neckline, short sleeves, 4 panels pintuckingInitials "EM"clothing, nightwear -
Tatura Irrigation & Wartime Camps Museum
Folio, 20th Century, Spring 1963
Copy of article printed in "Twentieth Century", Spring, 1963White A4 folder with 18 photocopied printed A5 pages held in plastic sleevesdocuments, reports -
Tatura Irrigation & Wartime Camps Museum
Photo album, Die Ribelungen Besprechung
Photographic copy of poems by Adolf Wilke and sketches by Hans Wolter von Gruenewaldt. Made in camp 13 and relating to camp life.Photo album, blue with plastic sleeves containing pictures and the translation into English from GermanDie Ribelungen Besprechungadolf wilke, walter von gruenewaldt, camp 13 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Lady's blouse,fitted, cutwork c1950, c1950
This fitted cotton blouse with cutwork was made and worn by Mrs Gladys Reed c 1950 whilst a resident of the City of Moorabbin c 1950Mrs Gladys Reed, a member of the Ormond Choral Society c 1950 and was an accomplished dressmaker and craftworker. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin A white cotton fitted lady's blouse with short sleeves, cutwork bodice and flared waist.clothing, dressmaking, cutwork, needlework, ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers, post world war 11 estates, knitting, crochetwork, -
Kew Historical Society Inc
Clothing - Floral Crepe Evening Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'.Full length floral crepe evening dress with squared neck and short puffed sleeves.australian fashion - 1930s, women's clothing, evening dresses -
Glenelg Shire Council Cultural Collection
Photograph, Swagging a band saw, n.d
Port of Portland Authority archiveFront: (no inscriptions) Back: Swagging a band saw (upper left, pencil). G2585 (upper left, pencil). Ray Glyde Creative Commercial & General Photography, 21 Prescott Terrace, Rose Park, South Australia. (Red stamp, lower right). G2585 (lower right, black pen).port of portland -
National Wool Museum
Textile - Blouse, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Teal glittery top with short sleeves, fake tie at the front and in-built bodice panel. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Ballarat Tramway Museum
Uniform - SEC Conductors or Drivers Coat, David Klein Pty Ltd
Type of coat worn by SEC tram crews in Ballarat from the mid 1930s through to 1971. Demonstrates the SEC Uniform in 1921. It is significant for its good condition, which is rare for an item of its age.Green woolen coat with brown leather detailing on sleeves and pockets, and three brass buttons. Buttons - "State Electricity Commission of Victoria 1921" Tag - "David Klein PTY LTD" "22 Patrick Street, Melb. 32 3771" "Name J. Mason SEC Ballarat" "Date D.I 258716" "Pure Wool" btm, uniforms, conductors, ballarat tramway museum, coat, jacket -
National Vietnam Veterans Museum (NVVM)
Journal, 9 Squadron Folder
Short history of 9 Aquandron RAAF in plastic folder with pages held in plastic sleeves9 Squadron RAAFfolder, 9 squadron raaf -
National Vietnam Veterans Museum (NVVM)
Photograph
Black and white photograph in plastic sleeve of a soldier walking through thick undergrowth with a gunphotograph, soldier -
Stawell Historical Society Inc
Book, Fraser Hay & John Bechervaise, Grampians Sketchbook, 1971
Green Hard Cover with paper outer sleeve. drawing of the "The Balconies with a figure near the edge. GRAMPIANS SKETCHBOOK. Drawings by Fraser Hay. Text by John Béchervaise. on the front. On The Spine Grampains Sketchbook Fraser Hay / John Béchervaise. RIGBYstawell education -
Stawell Historical Society Inc
Book, M. Prior nee Morgan, Dadswells Bridge - Previously Cat No 3641, 1991
Contains excerpts from Horsham papers, concerning Dadwells Bridge from the 1860's to 1985?Black covered folder, Handwritten pages in plastic sleeves. Information is from Horsham Papers.on Spine white labels Dadswells Bridge By Mil Priorstawell -
Brighton Historical Society
Dress, Stage costume, circa 1950s-70s
Purchased from an opportunity shop, this dress is a stage costume bearing the label of Bonn & Mackenzie, a prominent UK costume designer from the 1950s to the 1970s. The dress appears to have been worn by June Bronhill (1929-2005), a prominent Australian opera singer and actress, whose name is handwritten on the label. Born June Mary Gough, she began using the stage name of Bronhill in 1952 in honour of her NSW home town of Broken Hill as a form of thanks to the local community who had helped raise money to send her overseas for professional training as a singer. Bronhill trained in London and gained early exposure with the English National Opera. She went on to star in many theatrical productions in Australia and the UK. She moved back to Australia permanently in 1976, and in 1980 was cast in her first television role as Mrs Crawford in the Australian version of 'Are You Being Served?'.Full-length short-sleeved dress of white cotton, lace and nylon, featuring elaborately ruffled sleeves and vertical stripes of lace on the skirt and bodice. The dress is open at the back, fastening with hooks and cotton ties to facilitate quick costume changes.Label, white cotton with red text: "BONN & MACKENZIE LTD. / TEMPLE BAR 1393". Handwritten underneath in black pen: "JUNE BRONHILL".june bronhill, bonn & mackenzie, theatre costume -
Kiewa Valley Historical Society
Ball Gown - Pink Brocade
Long gown of Pink Brocade with cap sleeves. Stiff material with a tie around the waist. Long pink with gold embossing brocade. Fitted bodice with cap sleeves. Full skirt with large pleats. Corded pink waistline with a pink bow.ball gown, reid family -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Frank Sandeman, Lionel, Colin Reynolds, n.d
Port of Portland Authority ArchivesBack: Frank Sandeman, (S & R clerk) Lionel Shelton,(Engineer) Colin Reynolds (Secretary ACCH)port of portland archives, frank sandeman, lionel, colin reynolds -
Kew Historical Society Inc
Clothing - Evening coat, Norma Tullo, 1967-8
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue evening coat designed by Norma Tullo. The floor length coat has a wing collar, long sleeves and silver buttons at the front. The coat was worn over a long blue evening dress by the same designer and could be worn buttoned or unbuttoned. Dimensions: Shoulder width 38cm Bust: 96cm Waist: 87cm Hips: 116cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses -
Bendigo Military Museum
Uniform - TANK SUIT, ARMY, Australian Defence Industries, 1985
Tank suit - green cotton drill fabric. All in one garment with long sleeves, metal zipper fly and front closure, green plastic buttons. Collar, shoulder epaulettes, five pockets with button down flaps, sleeve cuffs. Rank insignia on sleeves - 3 stripes - Sargeant. Green fabric name patch above right hand pocket. Green Manufacturers label, back below collar. Manufacturers label with black ink print (faded), "VICTORIA/ 1986/ ^/ SIZE 80-915/ 8405 - 66090-5610/ ARMY NO/ NAME". Name patch - black ink print "MURPHY".uniform, army, tank suit -
Shepparton RSL Sub Branch
Uniform, Jacket, 1942.??
Navy Officers jacket. Black Woolen Serge. Five Brass Buttons to front One button in RHF pocket. Australia Patch to both Shoulders. Bullion Rank to cuff of both sleeves. Black cotton lining. Sleeves not stitched to length as yet. Makers lable Wise of Melbourne. uniform jacket., royal australian navy,uniform., buttons all brass