Black and white photograph, multiple people, photograph of Jeff Kennett on stage giving an award in front of many people. Bendigo Advertise description on back of photo: Jeffrecreations, sports, awards

Originally this six part teaching model was used and owned by the former Queen Victoria Womens' Hospital, Lonsdale/ Swanston Streets, Melbourne. With the amalgamation of hospitals, the models were transferred to the Monash Medical Centre, Clayton.Placenta with attached umbilical cord, uterus smaller, cervix more contracted. [end of series]. Painted plaster. The birth process in six stages;sixth of six models.teaching aid, obstetric delivery

An unknown singer entertaining the troops in Vietnam backed by the ABC Showband, Christmas 1970.Black and white photograph of a woman singer with a hand held microphone on stage. she is wearing a floral patterned full-length kaftan. Male in the background behind a drumkit.abc showband, vietnam, entertainer, performer

Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018

Coloured photo of Stage Display for Australia Day Dinner, 1999. Joint effort with Box Hill Historical Society and co-ordinated by our Society's Bruce Reynolds.australia day dinner, nunawading and district historical society, box hill historical society, reynolds, bruce

Coloured photo of Interior of Mitcham Memorial Hall in Whitehorse Road, Mitcham, since demolished, showing Stage Area being prepared for Show by Mitcham Repertory Group.mitcham memorial hall, mitcham repertory group, grant, max

Francesco Floreani was born near Venice and studied painting at the Academy pf Arts, Turin. He arrived in Australia in 1927.Photograph of a ceiling in St Mary's Church, Bairnsdale, by Francesco Floreani. The painting of St Mary's Church was done in two stages - between 1931 and 1934, and 1937-1938.francesco floreani, st mary's church, bairnsdale, bairnsdale

Francesco Floreani was born near Venice and studied painting at the Academy pf Arts, Turin. He arrived in Australia in 1927.Photograph of a ceiling in St Mary's Church, Bairnsdale, by Francesco Floreani. The painting of St Mary's Church was done in two stages - between 1931 and 1934, and 1937-1938.francesco floreani, st mary's church, bairnsdale, bairnsdale, baptisimal font

Francesco Floreani was born near Venice and studied painting at the Academy of Arts, Turin. He arrived in Australia in 1927.Photograph of a ceiling in St Mary's Church, Bairnsdale, by Francesco Floreani. The painting of St Mary's Church was done in two stages - between 1931 and 1934, and 1937-1938.francesco floreani, st mary's church, bairnsdale, bairnsdale, baptisimal font, italo-australians

Colour photograph. Band members on stage. Banjo. Lute. Keyboard. Piano accordion. Guitar. Wongawilli Standard in front of keyboard. Man with beard in red shirt singing.entertainment, music, bush band

Colour photograph showing band playing on stage in hall. Most people seated. Recorder. Clarinet. Lute. Violin. Accordion. Back of photo reads: Emu Creek.photo, group, musicians

Colour photograph. Four men on stage. One man playing mouth organ, harmonica. 3 men singing. Back of photo reads: Bush Concert '96.entertainment, music, singers

Colour photograph. Australia Day Goornong. Emu Creek Bush Band on stage. Australian Flag. Recorder. Concertina. Back of photo reads: Australia Day Goornong.entertainment, music, emu creek bush band

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A side view of Villa Alba from Walmer Street in Kew. Now the Villa Alba Museum, the house was this stage still a home for nurses of the Royal Women's Hospital.Villa Alba - Greenlaws home. Built 1863 or 4. Formerly Studley Villavilla alba, walmer street, kew, dorothy rogers

Post Office Gallery exhibition catalogue,Theatrical traditions stage & screen in Bendigo, 27 pages with black and white & colour photographs. 2 copies to Specimen Cottage.books, catalogues, post office gallery

Buildings to be demolished to create carpark at rear, Glenara Motel / RSL, Lakes Entrance, VictoriaColour photograph showing a stage in the demolition of Glenara Motel timber framed building, with intact windows, building debris and overgrown garden beds. Lakes Entrance Victoriamotels, rsl clubs

This display at the 1992 Wildflower Show in the Halls Gap Hall replicated the D'Alton home "Glenbower". The seated mannequin represents Henrietta D'Alton (artist) and the standing mannequin represents Ellen D'Alton. For further information about "Glenbower" and the Misses D'Alton see "Victoria's Wonderland", pp 79 & 123. ** copy is actually a second original from a slightly different angle.The photo shows a stage display - a house can be seen on the right - set up to replicate "Glenbower". Two mannequins dressed in period costume are in front of the house, one standing and one seated at a table. A flower garden has been created around the scene and a mural showing rocky peaks can be seen in the background. The front of a stage with another display and two grey chairs can be seen in the foreground."92 6 11" imprinted into bottom, right corner of photo.events, wildflower show

Details of murals surrounding the stage of Stawell town hall 1930. This photo is of the left hand side of the stage and also shows three smaller images (floral) on the wings of the stage opening. The artist of the murals was Will Rees.Decorative Mural with a woman playing a musical instrument and smaller paintings to the side.stawell

This Rain Head came from what was originally the “School of Mines” in Bendigo which is now part of “TAFE”.Rain head, cast, top section is rectangular shape with cast lettering on, drainage tapers down, near the bottom is a depiction of a Rising Sun cast in. Measurements are an estimation at this stage.“Victory 1919”rain, head, container

Stripping of the foundations commenced in 1948 and the first concrete in the dam was poured in May, 1949. With the suspension for the winter months of work on the High Plains, it was possible to increase the number of men, and work then proceeded at a steady pace for the remainder of the year. Some interruption was caused by a flood in September, which over topped the rockfill coffer dam. By the end of 1950 17,000 yards of material had been excavated from the foundations and 4,000 cubic yard of concrete placed. Work at Clover Dam was completed in 1953, but two bays were left open for flood emergency. The pondage was filled on the 16th August, 1954. A pictorial record of the placing of concrete foundations of Clover Dam and also shows the methods of construction used at this site in 1949.Black and white photograph taken during the construction of Clover Dam. Shows early stages of the concrete foundations, cranes and the railway line which was constructed to bring materials to the site. Handwritten in blue ink of back of photograph "Clover Dam Foundations"dam, foundations, concrete, construction

Continuing Stages of Remembrance, Bendigo Operatic Society 1962 - 1979. 180 page soft cover book highlighting Operatic Society productions illustrated with B&W photos.Madge E. Welchbendigo, hospital, bendigo operatic society