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Flagstaff Hill Maritime Museum and Village
Vehicle - Beach cart and cover, Government of Victoria, 1860s
The beach cart was hand drawn by a team of six people; two in front, one on each side and two behind. The wide iron tyres on the the wheels helped prevent the cart from sinking into the sand. The load of heavy beach apparatus equipment was held in place by the hand worked rope net cover. It would be stored in the Rocket House packed and ready to use for practice or rescue. Beach apparatus equipment - In the mid-1800s the equipment could include a line throwing set, coiled line in wooden carrying case, rockets, cartridges, breeches buoy, hawser and traveller block, line-throwing pistol, beach cart, hand barrow, sand anchor, crotch pole, and tools such as spade, pick, mallet and hawser cutter. Around the 1860s Warrnambool had a Rocket House installed beside the Harbour. Saving lives in Warrnambool – The coastline of South West Victoria is the site of over 600 shipwrecks and many lost lives; even in Warrnambool’s Lady Bay there were around 16 known shipwrecks between 1850 and 1905, with eight lives lost. Victoria’s Government responded to the need for lifesaving equipment and, in 1858, the provision of rocket and mortar apparatus was approved for the lifeboat stations. In 1859 the first Government-built lifeboat arrived at Warrnambool Harbour and a shed was soon built for it on the Tramway Jetty, followed by a rocket house in 1864 to safely store the rocket rescue equipment. In 1878 the buildings were moved to the Breakwater (constructed from 1874-1890), and in 1910 the new Lifeboat Warrnambool arrived with its ‘self-righting’ design. For almost a hundred years the lifesaving and rescue crews, mostly local volunteers, trained regularly to rehearse and maintain their rescue skills. They were summoned when needed by alarms, gunshots, ringing bells and foghorns. In July 1873 a brass bell was erected at Flagstaff Hill specifically to call the rescue crew upon news of a shipwreck. Some crew members became local heroes but all served an important role. Rocket apparatus was used as recently as the 1950s. This cart and cover set is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Beach cart; a blue and white painted, wooden cart with two, red coloured metal wheels. The wheels have twelve spokes and wide iron tyres. The cart has a long draw bar with T- handles at the end. It was pulled by two people, usually steered by another two and pushed by a further two. It was supplied by the Government of Victoria. There is an inscription on the front end panel. The cart has a removable hand worked rope cover. Stencilled in white paint “G of V” flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, lady bay, warrnambool harbour, port of warrnambool, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, beach rescue, rescue equipment, rocket rescue equipment, rocket equipment, marine technology, lifeboat, volunteer lifesavers, volunteer crew, lifesaving rescue crew, rocket apparatus, shore to ship, stranded vessel, rocket rescue apparatus, line thrower, beach apparatus, breeches buoy, life jacket, rocket house, rocket shed, rocket machine, rocket head, rocket launcher, rocket line, beach rescue set, rocket set, beach cart, hand barrow, welsh hand barrow, harbour board, government of victoria, harbour master, l.s.r.c., lsrc -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Henty Beach, Portland Victoria, 19/11/1934
Portland Centenary Celebrations 19 November 1934.Black and white photo. Henty Beach Portland, Centenary 19 Nov 1934. Looking towards All Saints. Large crowds of people in viewing area on cliff top, and on beach. Flag pole and loudspeaker near viewing area. -
Glenelg Shire Council Cultural Collection
Negative - Negative - View from Henty Beach lawns Portland, Victoria, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows view from Henty Beach lawns, looking towards Whaler's Bluff. Beach shelters, samd,, Railway Pier, Baths, Ocean Pier, lighthouse and water tower on Whaler's Bluff. -
Glenelg Shire Council Cultural Collection
Magazine, The Australian Women's Weekly, 25/10/1947
australian womens weekly, magazine -
Nillumbik Shire Council
Work on paper - Print (etching), Graham FRANSELLA, Beach I (figure), 1985
A finalist in the Shire of Eltham Art Awards in 1985. Born in Harrow, England, Graham Fransella studied at the Bradford School of Art, Yorkshire. He came to Australia in 1975. Graham Fransella lives and works in Melbourne and is represented by galleries across Australia.Fransella is an artist (printmaker) of national significance. “A feature of Fransella’s art is that it has an immediate visual simplicity, sometimes possessing the lucidity of graffiti-like directness, but this is attained through the most complex and intricate means. The surface on which he works is the arena in which he performs with an endless layering of marks, surfaces and signs. It seems that he surrenders to an intuitive process, one in which chance serves as an active collaborator. Ultimately his practice engages with the theory of the artist’s subconscious being allowed unbridled freedom of expression.” Sasha Grishin AM FAHA, in 'Gorgeous simplicity in signature themes: Graham Fransella', Sydney Morning Herald, April 5, 2014This etching depicts a busy and carefree day at the beach in bright colours of red and blue. The figures are drawn with spontaneity and simplicity, which is characteristic of Fransella's style. Figures are positioned in states of relaxation or bounce around beach scenes in joyful exuberance. eltham art award, etching, print, beach, figures -
Glenelg Shire Council Cultural Collection
Painting, Irene Hill, Beach at Dutton Way, 1967
CEMA Art CollectionThe painting depicts the shoreline of a beach with green foliage in the background. Various shades of sand make up the foreground, with a black object in the centre edge of the foreground. To the right of the sand is the blue ocean with the white wash of a broken wave seperating the sand from the water. The background features foliage in various shades of green which meets a blue/purple sky. The work has a painted white wooden frame with material mount and exposed canvas.Front: I.G. HILL 1967 (black painted, lower right corner) Back: White chalk:- ARTIST (underlined) MISS I.G.HILL 42 BOWEN ST. CAMBERWELL(underlined) Price $63 IRENE HILL "BEACH AT DUTTON WAY" (1967) (typed label) Yellow Sticker: 1967 -cema, portland artists society -
Australian National Surfing Museum
Photograph, John Witzig, Bob McTavish photograph Bells Beach 1 1965, 18/04/1965
This photo, part 1 of a 2 photo sequence taken by John Witzig, is of of Bob McTavish riding a very large waves (15'+) at Bells Beach on Easter Sunday (April 18th) 1965. This wave is thought to be the same one described by McTavish in his book as one of the biggest, most powerful waves he had ridden, almost resulting in his drowning after being washed down past the next headland at winki pop. Bells, Easter, 1965 is considered one of the biggest days that this break has been surfed. The surfer in the photograph, Bob McTavish would go on to become one of the most influential surfer/shapers in Australian during the next decade.The extremely large waves experienced by surfers at Bells Beach on Easter Sunday 1965 is part of surfing folklore. The wave featured in this photograph is considered one of the largest ridden waves ever documented at Bells Beach.Large black and white (sepia toned) photo. Part 1 of a 2 photo sequence taken by John Witzig of Bob McTavish riding a very big wave at Bells Beach. Photo is titled 'Bob McTavish Big Bells 1 - 1965', and signed and numbered by John Witzig (11/100). Signed by John Witzig. Numbered 11 / 100bells beach, john witzig, bob mctavish, easter sunday 1965, bells beach surfing classic -
Flagstaff Hill Maritime Museum and Village
Photograph
Photograph of Port of Warrnambool lower lighthouse, with breakwater construction and beach light-becon in background.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, port of warrnambool, lower light -
Flagstaff Hill Maritime Museum and Village
Photograph
Photograph inscribed "Harbour Beach" - unknown location; W 19cm x H 14.5cm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, harbour beach -
Phillip Island and District Historical Society Inc.
Photographs, Rose Series et al, early 20th Century
Part of a collection of photograph reproductions donated by Bruce Bennett. Photographs 233-01 to 233-04 from the Betty Kuc Collection. 233-05 - 233-07 from the Arthur Woodly CollectionSeven photograph copies of George Cox and his shack on Cowes beach near the Pier.233-01 Rose Series P673 Near the pier Cowes, Phillip Island, Victoria 233-07 Real Photo Series M2385. Splicing the rope. Fisherman at Cowes.george cox, george cox's hut, george cox's shack on cowes beach, betty kuc collection, arthur woodly collection -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, 1900
Donated by Edith ElmsBlack & White Postcard of San Remo Hotel on foreshore with two small boats on the beach."San Remo Shore" 251 Letter on postcard to Mrs A W Elms to arrange a meeting. Signed E. B.san remo hotel, san remo foreshore, phillip island, edith elms -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Unknown
Donated by Stan McFee from the Keith McIlwraith Collection.Black & White postcard showing an aerial view of Cowes Town Centre, beach and pier."The Rose Series P. 1022" "Aerial view of Cowes, Phillip Island." "Airspy Photo".cowes phillip island, cowes foreshore and pier, phillip island, stan mcfee, keith mcilwraith collection -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, Early 1900's
One of a collection of photographs purchased by the Society from Jack Day of Mornington.Black & White postcard of the sea crashing onto rocks at the ocean beach, San Remo."The Rose Series, P. 711" "The Rock Bound Coast, San Remo, Victoria".san remo coastline, coastline, phillip island, jack day collection -
Phillip Island and District Historical Society Inc.
Photograph, circa 1900
Strip of water shore with a dingy close to water and larger boat to the right. San Remo Hotel and Griffiths Store nestled in among large bushy trees. Behind the rather ornate hotel a glimpse of a rising bare hill.San Remo shore with glimpse of San Remo Hotel amongst trees beyond the beach.San Remo Shore 251local history, photography, photographs, slides, film, san remo shore, black & white photograph, miss elms san remo -
Phillip Island and District Historical Society Inc.
Whale's Rib, Unknown
Whale probably slaughtered by Whalers living on Phillip Island in early days, probably prior to 1826.Whale's Rib found in sand off Back Beach 1890 by Charles McGregor, Ventnor.local history, natural history specimens, mammalogy, whale rib bone, ventnor, phillip island -
Phillip Island and District Historical Society Inc.
Photograph, Bryant West
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph taken at night of a group of twenty-six penguins walking up the beach at Summerland.local history, photography, photographs, penguins coming ashore, black & white photograph, penguins, coastline, summerland beach, penguin parade, john jenner, bryant west, wildlife - penguins -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the completed Cowes Beach Breakwater. Bathers, Car Park and Jetty Shed in background.local history, photography, completed cowes breakwater, black & white photograph, cowes beach, coastline, breakwaters, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Photograph, Dr G Baker
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of inter basaltic formations on basalt shore platform eastern end of Smith's Beachlocal history, photography, rock formations, black & white photograph, coastline, smith's beach, dr g baker, john jenner, bryant west -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Portland Public Baths, 1945
Black and white photo postcard. View of baths and deepwater pier, taken from the beachFront: 'Deepwater Pier & Baths, Portland, Vic', black italic print, bottom right corner Back: Hand written message, black ink, no dateportland public baths, baths, sea baths, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Bridgewater, n.d
Black and white photo of Cape Bridgewater, taken from beach, boat shed visible.glenelg shire, cape bridgewater -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Wooden Shed Dutton Way, n.d
Port of Portland Authority Archives -
Port Melbourne Historical & Preservation Society
Photograph - Harper's factory buildings, Beach and Rouse Streets, Port Melbourne, Mid 1970s
Harper factory buildings on Beach and Rouse Streets (black and white photo). Mid 1970sbuilt environment, built environment - commercial -
Port Melbourne Historical & Preservation Society
Plan - Concept, Boulevard upgrade at Sandridge Beach, existing conditions, 2003
Plans. Existing conditions. Concept for the Boulevard upgrade at Sandridge Beach. Dated October 2003local government - city of port melbourne, engineering - roads streets lanes and footpaths -
Port Melbourne Historical & Preservation Society
Plan - Concept, Boulevard upgrade at Sandridge Beach, traffic treatment, 2003
Plans. Traffic treatment. Concept for the Boulevard upgrade at Sandridge Beach. Dated October 2003local government - city of port melbourne, engineering - roads streets lanes and footpaths -
Williamstown High School
Senior wind orchestra 1996
Colour photogragh of the Williamstown High School senior wind orchestra, taken on Williamstown beach.williamstown high school, music, senior wind orchestra, 1996, williamstown beach -
Wangaratta RSL Sub Branch
Postcard, Rose Stereographic, 1916
From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with a sepia coloured photograph of a St Kilda beach scene. Handwritten message on back.album, photo album, newspaper clippings, postcard, wwi, creswick, st kilda beach, rose stereographic -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Archive - Documents, 1966
This archive box needs to be referred to with VTMH 10125Archive box containing various correspondence relating to Lake Tyers Beach Progress Associationreference book -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Steve Wadsworth, 1997
Colour photograph of model zebras in lake during Betka Beach Ritual Mallacoota Victoriafestival, celebrations -
Whitehorse Historical Society Inc.
Photograph, Thomas Richards Burrowes Morton Family Group
On 18th June 1853 the 839 ton ship 'Earl of Charlemont' was wrecked near Barwon Heads. Her 450 passengers and crew struggled ashore without loss of life. Among them were John and Anne Morton, their 3 sons and 5 daughters. Before leaving Ireland, their eldest son George Pickering Morton, had married Anne Eliza Burrowes. Their son, Thomas Richard Burrowes Morton, born in Melbourne on 12 March 1854, was usually known as ' T.R.B.' Aged 26 he married Louisa Mary Esther Morgan. In 1909 Louisa Morton had a cottage built at Points Lonsdale and named it 'Dorrington', surname of her Welsh Grandmother. During previous holidays the family stayed at the 'Terminus'. They travelled by train from Blackburn to Port Melbourne, paddle-steamer to Queenscliff and horse-bus to Point Lonsdale.Black and white copy, No. 24 of set of 27 - Dorothy as child at beach. No surname recordedmorton thomas richards burrowes -
Ballarat Heritage Services
Digital Photograph, L.J. Gervasoni, Seaweed Underwater Port Fairy, 2015
Digital Image of seaweed taken under water at the Port Fairy Beach 'Pea Soup".sea, ocean, seaweed, kelp, sand, underwater, beach, port fairy, pea soup