PHOTOGRAPH OF CLUNES TOWNSHIP, SHOWING THE TWO BRIDGES ACROSS THE CREEK.VIEW FROM ABOVE PRESENT VICTORIA PARK.local history, photography, photographs, bridges - buildings and landscape of clunes

Used for cutting men’s hairMetal hair clippers with two handles and a screw to tighten the metal blade. See also numbers 0027. 0028 and 1369 2562 2975Need to view items to measure and look for markings

History of the Jallukar and Bellellen areasGrey card cover with tow Photographs. The Top photo a panorama of a range of Mountains in the distance. the lower photo of a house and shed in the middle distance. The Title is between the two photos, the author is below the lower photo.A RANGE OF VIEWS OF JALLUKAR and BELLELLEN. Isabel Armerstawell

Printing block with illustration of wool press manufactured by Humble and Sons.Printing plate with illustration of wool press manufactured by Humble and Sons.REAR VIEW/ SHEEP PRESS (blue pen)wool bales sheep stations - management, humble and sons pty ltd, wool press, wool bales, sheep stations - management

Black and white photograph, mounted on cardboard, showing a group of men working on the construction of a bridge. One of the men is wearing a diving suit.Sign on building in the background: "Buffalo View Hotel"bridge construction, mount buffalo, mt buffalo, buffalo view hotel, porepunkah bridge, bridges

Black and white postcard of the Gippsland lakes, taken from Jemmys Point. It shows Rigby Island, Fraser Island and Flannagan Island, Reeves Channel. Natural vegetation in foreground. Lakes Entrance VictoriaView from Jimmy's Point Lakes Entranceislands, waterways, topography

Black and white postcard showing Esplanade, cenotaph Lakes Entrance VictoriaView from lookout tower Lakes Entranceroads and streets, township

George Wharton arrived in Melbourne in 1844. An architect and surveyor, he was appointed to lay out the 'Village of Kew' by N.A. Fenwick following the land sales of 1851. A protagonist for Kew's separation from the Boroondara District Road Board, he was elected chairman when Kew achieved municipal status in December 1860. His home, 'Fernhurst', was built in 1866 on eight acres in Studley Park, with a four-storey tower and pyramidal roof. The Italianate home was a prominent Kew landmark. It was demolished in 1979 and replaced by St Paul's College in 1980.Rare colour photograph of what was once a significant mansion in Kew.Original colour positive photograph (Kodak print) of 'Fernhurst' in 1978. Photographed by Stewart West in May 1978, one year before it was demolished, the photograph gives little idea of the large landholding once surrounding the house. Originally accessed from near the corner of Princess Street and Studley Park Road, its gardens had been subdivided in the 1900s and its footprint restricted to 13 Fernhurst Grove. Like many other grand houses, by the 1970s it had been converted into apartments. From the photograph, one can see that the house had retained many of its original features such as the distinctive tower and the wide bow-fronted verandah. The slates on the roof (apart from those on the tower) had been replaced by tiles and the cement render of the exterior painted white. Annotated reverse: "Back view of Fernhurst / 8"fernhurst, 13 fernhurst grove -- kew (vic.), george wharton, italianate architecture, vila maria society, st paul's school for the blind

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Entrance to Boroondara General Cemetery. The photograph appears in Dorothy Rogers A History of Kew and appears facing page 64. The photograph is dated to 1973, the year of publication of the book.2 views. Present day, Boroondara Cemeteryboroondara general cemetery, dorothy rogers, kew

Residence - “MORAY” Crowlands Road Stawell3 photos 1 black and white 2 colour of house Moray on Landsborugh Rd Stawell-2 Moray Stawell 1985. Aerial View.stawell

Recollections of a long life 1887-1979 Including childhood at Carrs Plains. Growing up in the Grampians the 90 years of Violet Good (nee Wettenhall) Orange card, Black Print B/W oval photo of a young woman standing next to a leather chair looking out a window Looking to the Mountains Viola's View 1887 - 1979stawell

Black and white postcard showing Esplanade, cenotaph Lakes Entrance VictoriaView from lookout tower Lakes Entranceroads and streets, township

Black and white postcard showing Esplanade, cenotaph Lakes Entrance VictoriaView from lookout tower Lakes Entranceroads and streets, township

2 Black and White postcard size copies|1 Colour tinted copy postcard size|1 Black and White enlargement 16 x 25 cmBlack and white postcard of the town, taken from Holiday Inn Guest house, situated on the Kalimna Heights escarpment. It shows light trees and scrub in the foreground, the township situated between the North Arm and Cunningham arm, the hummocks of the southern shore. The hulk of the Baang Yarnda is lying on the south shore of North Arm. Lakes Entrance VictoriaView from Holiday Inn Lakes Entrancewaterfront, topography, township

View of Buninyong Fire Brigade, weighbridge, Shire of Buninyong Town Hall, Shops and Buninyong Hotel, pre. 1930s. Brigade building, the weighbridge and the Buninyong hotel were later demolished. Note that the image is incorrectly labelled on the original.Framed two-tone print copy of a photograph. View of Buninyong Fire Brigade, weighbridge, Shire of Buninyong Town Hall, Shops and Buninyong Hotel, pre. 1930s. Brigade building, the weighbridge and the Buninyong hotel were later demolished. Note that the original image is incorrectly labelled.buninyong, buninyong fire brigade, shire of buninyong, learmonth street, weighbridge

Slide. Bendigo Views. Scenic view of Bendigo. Steep roof building in the foreground.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. Close up view of a weeping willow with reflections in water.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. View of the Cenotaph and the Fountain. RSL and Beehive building in background.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. View of the Law Courts taken from the Conservatory Gardens.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. View of the Post Office with the statue of George Lansell in the foreground.slide, bendigo, bendigo views, bendigo views

Photograph. Bendigo City Views. A view from Charing Cross of the Fountain and buildings.photo, bendigo city views., bendigo city views.

A formal group photograph of the grand opening of the Victoria Street Bridge on March 31 1884. The Argus was to report that: ‘The ceremony of laying the memorial stone of the Victoria-bridge, which connects Kew and Hawthorn with Richmond and Collingwood, was performed yesterday afternoon by the mayor of Richmond (Mr John Adam) in the presence of a large assemblage. Among the gentlemen present at yesterday’s proceedings were the mayor of Collingwood (Mr. M. Dwyer), the Mayor of Melbourne (Councillor C. Smith, M.L. A.) the mayor of Kew (Mr. Barnard), Mr. J. A. B. Koch and Mr. W. W. Shelley (ex mayors of Richmond), Mr. Joseph Bosisto, M.L.A., the Hon. L. L. Smith, Councillor De Mole (ex mayor of Kew), Mr. Jas. Lancashire and Mr. Winter (ex mayors of Ricmond), Mr. Walker (ex mayors of Collingwood), Mr. Johnson (engineer), Mr. C. Rowan, C.E. (engineer of the bridge alterations) and the town clerks of Richmond, Collingwood and Kew.’ Following the opening ceremony ‘… a ponderous steam roller was driven over the structure, with a view to test, or rather to demonstrate its stability … Most of the gentlemen present walked over the bridge, after which they were grouped by a photographer, with the memorial stone as a central feature, and several views of the scene were taken’.An original, rare silver albumen mounted and titled photograph of an important event in 19th century Melbourne.Original photograph mounted on display card of the opening of the Victoria Street Bridge. The original photograph is very faded and has been enhanced to improve the image's viewability.On the reverse of the card is an indecipherable stamp and an inscription identifying the photographers. "T. W. & C. A. McAlpine Bros, Photographers &., Campbell Parade East Richmond Melbourne March 31.1884victoria street bridge, john adam, m. dwyer, c. smith, barnard, j.a.b. koch, w.w. shelley, bridge, kew, collingwood, l.l. smith, joseph bosisto

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Mount St. George, Addis Bay’ : Views of Victoria (General Series) No.56 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Addis Bay is situated to the north-east of Appollo Bay, and very near Cape Patten. This mountain is 6,000 feet high, and commands one of the finest views on the Cape Otway Ranges. The ascent is a somewhat difficult one, but visitors to this locality not unfrequently make this a favourite outing.’nicholas caire (1837-1918), landscape photography

Believed owned by Jackson of Bairnsdale Jackson Tannery, became shoe shop late 1950's, later became Milk Bar.|Also three other colour photographs similar views, shows details of timber weatherboards, chimney, side paling fence, overgrown backyard.Colour photograph of side and back view of the residence behind Coco's Shoe Shop. Shows timber building with corrugated iron hipped roof, walls of weatherboard. Three chimneys, one with chimney pot skillions added to rear. Lakes Entrance Victoriahouses, heritage study

The series of 5 photographs feature different views of the Woodlands housing development which opened up land bounded by Gap and Anderson Roads, Cornish Street and Elizabeth Drive in the early 1990s. It was a large housing development built close to Sunbury township.A view of the northern boundary of the Woodlands housing development in Anderson Road. A paling fence divides the estate from the 'Malley' factory, now 'Storage King' which is on the corner of Cornish Street and Anderson Road. A 'For Sale' sign is in the foreground and a partly built house is in the middle distance.housing developments, anderson road, george evans collection