Sepia toned photograph of Mrs Elizabeth Hennessy nee Taylor and Mrs Anne Ellen Falk nee Taylor of Kalimna West Victoriagenealogy

To Frances with love from Alice April 9.4.09 on reverseSepia toned photograph of Alice Falk in dark frock with long sleeves, high neckline and decorative bodice in a garden Kalimna West Victoriagenealogy

Sepia toned photograph of James Rowe with his second wife Marian nee Livingstone of Kalimna West near Lakes Entrance Victoriagenealogy

This laneway which ran between Bamford's Timber Yard on the corner of Warrandyte Rd and Maroondah Hwy became Civic Place. Two storey building is Renong Chambers. Bottom left shows Jack Orr's clothes hoists. Bottom right is Horman & Woolhouse plumbers. This area was demolished in 1965.Typed below photograph, "Former Ringwood Mail office, Adelaide Street, 1955". Catalogue card reads, "Adelaide St. looking along laneway to west showing former "Mail" office and Billiards Pool to left, 1955." Written on backing sheet of one copy, "Lane between Bamford's Timber Yard, corner Warrandyte Rd. and Maroondah Highway. House demolished 1965. 'Ringwood Mail' office at end of lane in Adelaide St." Another copy's backing sheet reads, "Mail Office. Lane went to Melbourne St. Ham's Billiard Saloon, Renong Chambers (2 storey) bot. left Jack Orr's clothes hoists. Bot. right Horman & Woolhouse plumbers." Another copy reads, "This laneway became Civic Place."

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Geelong, 39 at West terminus. Date of photograph 8/1/1955. Tram has destination of "EAST". Keith Kings No. L(k)(8) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. L(k)(8) Copyright reserved". In blue ink "Geelong / No. 39 / As converted for "one-man" operation. / West terminus 8/1/55."trams, tramways, geelong, west, tram 39

Sepia toned photograph of Mr Frederick and Mrs Ellen Falk with their adult daughters Frances and Gladys taken on the veranda of their home in Kalimna West Victoriagenealogy, clothing

A photo of a mural in Libya painted by a South Australian Sapper of a bottle of Abbots Lager. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says 'Keep Going. Fill up in town, but a good drink is bloody hard to get'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian) From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of that Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Abbots Lager mural.tobruk, soldiers, lager, beer, abbots lager, murals

A photo of a mural in Libya painted by a South Australian Sapper of a tea pot saying '9,256 miles to Griffiths Bros Tea Headquarters, Melbourne'. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says '9,256 miles to Griffiths Bros Tea Headquarters, Melbourne'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian) From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of that Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of a Griffiths Tea mural.tobruk, tea, murals, world war two

x2 B & W v photos of West Kiewa and x1 of the "Diversion Tunnel with titles in white on bottom left hand cornerTitles: West Kiewa; Diversion Tunnel

These paper cups were given to patrons of the The Star of the West Hotel Cnr, Bank and Sackville Streets during the time A.E.Spence was proprietess.waxed paper disposable cup, manufactured for Star of The West Hotel: White waxed paper with coloured letteringWith the compliments of the Star of The West Hotel Port Fairy "There are several good reasons for drinking, and one has just entered my head, if a man cannot drink when he's living, how the hell can he drink when he's dead. A.E.Spence. Proprietress Phone 12local history, domestic items, food & drink consumption, a.e.spence

Sepia toned photograph of Jack and Bessie nee Gloster Rowe showing the couple beside a motor car. Kalimna West near Lakes Entrance Victoriagenealogy

A photo of a mural in Libya painted by a South Australian Sapper of a bottle of Victorian Bitter Ale being poured into the Melbourne Cup trophy and horses racing. The photo, and two others, were sent to Melbourne Legacy in 1979 by Legatee Syd Wilson of Yamba NSW. He thought Melbourne Legacy might be able to use them to generate money by selling them for advertising or publicity. He said they were enlargements of snapshots he had found in his old army trunk. The text says 'A good thing for the Cup but better for the tonsils'. Legatee Wilson's letter says the murals were: 'painted on three walls of a white concrete Italian block house (Police Check post I think), some 18/20 miles west of Tobruk, between Tobruk and Derna, and near a captured Italian airfield, somewhere about February 1941. Obviously they were painted by a Victorian Sapper. They were very well done, by a competent Sign-writer/artist, in correct and excellent colours (captured Itie paint no doubt - there was plenty in their Naval Stores at Tobruk).' (NB Itie was slang for Italian). 'The photos were there when we were coming back from Western Libya sometime in March 1941, prior to the 6th Division going to Greece.' From the AWM website the signs were painted by South Australian painter, SZ538 Sapper Leslie John “Doc” Dawes, 2/3rd Field Company, Royal Australian Engineers. There are several photos on the AWM site including the building the three murals were on.Photos taken by a Legatee when on active service in Libya in World War 2. They were donated to Legacy when it was thought they could be used for fundraising, which shows that Legatees were conscious of the way Legacy needs to generate funds to continue its work.Black and white enlargement of a photo taken in Libya of Victorian Bitter Ale for the Melbourne Cup mural.tobruk, beer, victorian bitter ale, ale, horse racing, murals, world war 2

One of 9 photographs donated by Mrs ChampionColour photograph View of Charmandene from the west taken in the Court. June 1984.On back: View of "Charmandene" from the west taken in the Court. June 1984.charmandene cottage, charmandene cowes phillip island, cowes phillip island, phillip island, mrs champion

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. West Marina Balconies, Marina City (1963-67), Chicago, Illinois, USA. (Architect: Bertrand Goldberg .)Marina City, Chicago / West Marina Balconiesslide, robin boyd

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No 19, from West, turning out of Pakington St into Aberdeen St. 23-6-1949, photo by Wal Jack. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 18/6/2020.Has the rear in ink "SEC Geelong, No. 19 ex West turning out of Pakington St into Aberdeen St, 23 June '49". Has the Wal Jack copyright stamp on the rear with the number T291 written in.trams, tramways, geelong, west, pakington st, tram 19

Brown methylated spirits bottle with top and labelSparko Industrial. On label: 19 fl. oz. net. Packed by Sparko Speciality Sales and Service, 24 Percy Street, Heidelberg Westbottles, containers, cleaning liquids, lamps

One of 9 photographs donated by Mrs ChampionColour photograph of Charmandene west and rear partly demolished in preparation for move.On back: "West and rear of "Charmendene" partly demolished in preparation to move on 20/09/1988"charmandene cottage, charmandene cowes phillip island, cowes phillip island, phillip island, mrs champion

Photograph taken on the occasion of Back to Phillip Island Day about 1928. Taken from the Bryant West Collection.Black & White photograph of Bryant and Harry West with others. Bryant West on branch at back and Harry West in sand at front.As above plus: Back to Phillip Island Day about 1928.bryant west, harry west, back to phillip island, mary karney

This glass has been produced as a memento of the South West Bottle & Collectable Club Annual Display and Sale of 2016. The club has reproduced the logo of the 19th century Warrnambool chemist R.F. Kennedy because he was a prominent chemist and because his chemist bottles and jars have become so collectable today. Richard Frank Kennedy came to Warrnambool in the 1880s as a retail, wholesale and manufacturing chemist and his premises in Timor Street became one of the best furnished and stocked pharmacy businesses in Victoria. The lighthouse logo used on his bottles, labels, jars and advertising material was a well-known one throughout Victoria.Although this glass is not an original R.F. Kennedy item it is of interest as it shows how widely known Kennedy’s pharmacy business was and how he is still remembered today.This is a heavy-weight glass tumbler etched with the wording ‘South West Bottle & Collectable Club Inc’ and the image of an R. F. Kennedy lighthouse symbol. The glass has a stamp on the bottom with the maker’s name.‘R.F. Kennedy, Warrnambool’ ‘South West Bottle & Collectable Club Inc’ ‘Duralex 12, Made in France’. south west bottle & collectable club inc., r.f.kennedy, warrnambool

This postcard is a photograph of a section of a large tapestry , 1.8m x 1.9m, which hangs in the foyer of the South West Health Care. This tapestry was funded by the Geoff and Helen Handbury Foundation. It was woven at the Australian Tapestry Workshop, South Melbourne. The postcard “Concerning the Wading Birds of Warrnambool Wetlands” brings to a wider audience, the work of John Wolesley as well as the craftsmanship of the weavers in presenting his original watercolor in a different medium. The tapestry itself was commissioned by Warrnambool Base Hospital.Background is in muted shades of blue and browns with larger birds in foreground and smaller ones in the background. The texture of the tapestry is clearly visible. The back of the postcard has South West Healthcare logo in top left corner and credits in bottom section.South West Healthcare logo, Artist John Wolseley, Weavers, Chris Cochius, Pamela Joyce, Milena Paplinka, Photo credit, Jeremy Weihrauch. warrnambool, warrnambool base hospital, tapestry, john wolesley, south west health care, geoff and helen handbury foundation, australian tapestry workshop, weavers.