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National Wool Museum
Stencil - DUNEDIN
This stencil was used as a location stamp for the transportation of wool bales. Dunedin is a city located in the south island of New Zealand. Wool bales marked DUNEDIN would have been transported to New Zealand by sea.Wool bale export stencil - DUNEDINDUNEDINwool - transportation, wool sales -
National Wool Museum
Stencil - TILBURY
This stencil was used as a location stamp for the transportation of wool bales. Tilbury is a port located on the River Thames at Tilbury in Essex, England. Wool bales marked TILBURY would have been transported to England by sea.Wool bale export stencil - TILBURYTILBURYwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Drawing
One of a set of drawings of the National Wool Museum by David WilliamsPen and ink drawing, on paper, of the Gail Schaeffer wool mural, held at the National Wool Museum, Geelong, by David Williams.David Williams '90 41% 9 SCHUTZMACHER SHOELLESHAMMER 9national wool museum -
Clunes Museum
Book - BOOK WOOLCLASSING, W. COOK, WOOLCLASSING
HEAVY CARDBOARD COVER BLUE CARDBOARD PAGES, 18-20 PAGESEXAMPLES OF TYPES OF WOOL PAGES AHVE TISSUE PAGSES IN BETWEEN40 SEPERATE WOOL SAMPLES DESCRIPTION OF SAMPLES WRITTEN IN WHITE INKwoolclassing, w.cook, wool -
National Wool Museum
Stencil - HOLDENS BIB
This stencil was used as a organisation stamp for the transportation of wool bales. Wool bales marked HOLDENS BIB would have been farmed by or sent to that company for manufacture.Wool bale export stencil - HOLDENS BIBHOLDENS BIBwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - BUNKER HILL
This stencil was used as a property name for the transportation of wool bales. All wool bales stamped with BUNKER HILL would have transported from or to Bunker Hill.Wool bale export stencil - BUNKER HILLBUNKER HILLwool transportation, wool sales, wool export -
National Wool Museum
Stencil - HC&S
This stencil was used as a organisation stamp for the transportation of wool bales. Wool bales marked HC & S would have been farmed by or sent to that company to manufacturer.Wool bale export stencil - HC&SHC&Swool - transportation, wool sales, wool class, wool classers -
Port Fairy Historical Society Museum and Archives
Newspaper - Newspaper article
This photo was taken in Penshurst in 1903 which shows the late David Brown, late of Colerain Balmoral and his son, Albert, now residing at Gritjurk, transporting a load of sixty bales of wool from “Yat Nat Estate” near Balmoral to Port Fairy —a distance of 108 miles.Black and white photograph from a newspaper article with a large wool laden wagon with 14 bullocks yoked up The above photo was taken in Penshurst in 1903 which shows the late David Brown, late of Colerain Balmoral and his son, Albert, now residing at Gritjurk, transporting a load of sixty bales of wool from “Yat Nat Estate” near Balmoral to Port Fairy —a distance of 108 miles.transport, rail, road, bullocks, wagon, carrier, penshurst, balmoral, albert brown, david brown, wool bales, yat nat estate, gritjurk -
National Wool Museum
Stencil - WINSTON
This stencil was used as a location stamp for the transportation of wool bales. There are many towns and cities around the world called Winston. Wool bales marked WINSTON would have been transported to any one of them by sea.Wool bale export stencil - WINSTONWINSTONwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Yarn
Black wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.Black wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.weaving, spinning -
Orbost & District Historical Society
black and white photograph, 1920's -1930s
The photograph shows the wagon and team owned by Mr Tom Malinn of Sardine Creek. On lst Juy 1926, Tom Malin took over the horse drawn coach run from Orbost to Delegate. After a few years he obtained an International 2-3 ton truck. On his first trip to Bendoc he did not carry mail, but brought Miss Cunning, the first lady head teacher and collected ballot boxes. On his next trip (March 1930) he made history as the first mailman on this route to deliver mail in a motor vehicle. (info. Bendoc History) Tom and Sophie Malinn farmed at Martin’s Creek. Sophie (nee Jensen) married Tom Malinn in 1926. Sophie’s family had run the historic “Danebo Hotel” at Martin’s Creek for many years, and in 1931, Tom and Sophie began farming at Martin’s Creek, initially cropping maize and beans. This is a pictorial history horse-drawn transport used widely in Orbost until the late 1920sA black / white photograph of a large wagon loaded with wool bails being pulled by a team of horses. a man is standing behind the horses in the background.on back -"Tom Malinn with wool from Bonang"malinn-tom-bonang transport-horse-drawn -
National Wool Museum
Stencil - &
This stencil was used as an & symbol to assist other classification stamps for the transportation of wool bales.Wool bale export stencil - &&wool - transportation, wool sales -
National Wool Museum
Stencil - 3AJ
This stencil was used as a label for the transportation of wool bales.Wool bale export stencil - 3AJ3AJwool transportation, wool sales, wool export -
National Wool Museum
Stencil - SAYLEVILE
This stencil was used as a location stamp for the transportation of wool bales. Saylesville is a village and historic district in Lincoln, Rhode Island known for its textile mills. Wool bales marked SAYLEVILE would have been transported to the USA by sea.Wool bale export stencil - SAYLEVILESAYLEVILEwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - NZL G
This stencil was used as a brokers identification stamp for the transportation of wool bales. NZL is an acronym for New Zealand. The wool bale would have been transported to or from New Zealand.Wool bale export stencil - NZL GNZL Gwool - transportation, wool sales -
National Wool Museum
Stencil - TEL-AVIV
This stencil was used as a location stamp for the transportation of wool bales. Tel-Aviv is a city in Israel. Wool bales marked TEL-AVIV would have been transported to Israel by sea.Wool bale export stencil - TEL-AVIVTEL-AVIVwool - transportation, wool sales -
National Wool Museum
Stencil - HSIN KANG
This stencil was used as a location stamp for the transportation of wool bales. Hsin Kang is a port in China. Wool bales marked HSIN KANG would have been transported to China by sea.Wool bale export stencil - HSIN KANGHSIN KANGwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Quilt, The Art of Record Keeping, 2015
Winner of 2015 Expressions: the Wool Quilt PRize. Created by Lisa Davis. Artist statement: "The Art of Record Keeping" pays homage to the work of Ernst Haeckel, German zoologist and evolutionist from the late 1800s. Raw edge machine applique and intricate quilting combine to create texture and detail reminiscent of Haeckel's illustrations. Including parallel lines in the quilting echoes the idea of documentation"Black wool quilt with white wool shapes -
National Wool Museum
Stencil - Circle
This stencil was used as a symbol stamp for the transportation of wool bales.Wool bale exportation stamp - circlewool export, wool transportation, wool sales -
National Wool Museum
Stencil - MASS
This stencil was used to mark the mass measurement of wool bales.Wool bale export stencil - MASSMASSwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Stencil - ARDLEEN
This stencil was used to mark the mass measurement of wool bales.Wool bale export stencil - ARDLEENARDLEENwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Sticker
Four "PURE NEW WOOL" promotional stickers. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.PURE NEW WOOLwool marketing, australian wool corporation, gunn, sir william -
National Wool Museum
Pen
Ball point pen with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.WOOL the natural choicewool marketing, australian wool corporation, gunn, sir william -
National Wool Museum
Stencil - HAPPY VALLEY
This stencil was used as a location stamp for the transportation of wool bales. Happy Valley is a town located in Golden Plains Shire, south-west of Ballarat, Victoria. Wool bales marked HAPPY VALLEY would have been transported to or from Happy Valley.Wool bale stencil - HAPPY VALLEY HAPPY VALLEY wool sales, wool transportation, wool export -
National Wool Museum
Stencil - Produce Australia
This stencil was used to mark wool bales that were being transported out of Australia to other countries around the world. They were marked Produce Australia to state the wool was grown and produced in Australia. It was used as a form of promotion of Australian produce after WWII.Wool bale stencil - Produce AustraliaProduce Australiawool sales, wool transportation -
National Wool Museum
Stencil - LE HAVRE
This stencil was used as a location stamp for the transportation of wool bales. Le Havre is a major port in Northern France. Wool bales marked LE HAVRE would have been transported to France by sea.Wool bale export stencil - LE HAVRELE HAVREwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Clothing - Knitted Outfit, Inge Cammans, 1998
Made by Inge Cammans in 1998 initially to see if she could create an outfit made entirely of wool. The outfit was then entered in the National Wool Awards competition in 1999 and won first prize.Hand knitted cream and brown outfit consisting of a skirt (kilt), jumper, hat (beret), scarf, socks and bag. Outfit is made using hand spun wool from local East Gippsland area, Perendale and Mohair. An artist tag and rosette award accompany the outfit.tag [front]: [handwritten] SCOTTISH OUTFIT / DESIGNED HAND- / SPUN + KNITTED OUT / OF PERRIDALE + / MOHAIR BY / Inge Cammans / [printed] BUCHAN / BLACK MARBLE HUT / GALLERY / Main Street, Box 9, / Buchan, Vic. 3885 / (051) 55 9296 / AUSTRALIA tag [back]: Theo Cammans / is an exceptionally talented individual. / He is responsible for not only / the beautiful paintings and / woodwork throughout the / shop, but also fashions the / unique Buchan Marble / into many varied and / stunning designs. / Inge Cammans / using her own hand spun / wool she has made multi / award winning garments / and wall hangings. / Each item in unique and / renowned world wide / She has taken first prize at - / National Wool Awards, / Melbourne, Lakes, Bairnsdale, Omeo / Paris Exhibitor front [rosette]: OMEO & DIST. A.&P. SOCIETY / WOOL DESIGN AWARDS / 1stknitting handicrafts, cammans, mr theo, knitting, handicrafts, east gippsland -
National Wool Museum
Yarn
Off-white wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.Off-white wool yarn, possibly from the batch used to make the black and white National Wool Museum rug presented to Queen Elizabeth II in 1988.weaving, spinning -
National Wool Museum
Wool Winder, 1999
Wool winder "perhaps designed to accept a skein prior to ball winding, or for plying 2 from 2 single plies." (ref donation form)Wooden wool winder.handicrafts - history yarn production, spinning, handicrafts - history, yarn production -
National Wool Museum
Tool - Stencil, c.2018
The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo. Thin sheet of orange plastic with letters and numbers moulded to produce a consistent pattern for the surface below through the application of ink. This wool classing stencil once belonged to Denis Hucker. The top number is Denis’ Wool Classing Stencil Number. On the next line is the emblem of the Australian Wool Exchange, followed by an image of Australia, and finally the letters AW. The final line reads 50 years, indicating Denis’ experience in the profession of wool classing. This stencil is reserved for wool classers who have held their stencil and been actively classing wool in Australia for more than 50 years. Wool classers sort, classify, and grade wool into various lines so that it can be sold at best market price. They also manage and supervise wool-handling teams. The stencil is used in the final step of preparing a bale of wool for sale. It is branded across the front of a wool bale to indicate the quality of the wool, with the classers number used as a seal of approval. Accompanying the stencil are two sheets of white A4 paper with printing in gold and black ink. The first sheet was presented by the Australian Council of Wool Exporters & Processors to Denis Hucker for achieving 50 years of wool classing. Surrounded by a thin gold boarder, the page is made up of black text with gold headings. In the top right corner, an image of a sheep with an outline of Australia is found. The second piece of paper was presented by the Australian Wool Exchange to Denis Hucker for achieving 50 years of wool classing. Two thirds of the page is made up of a gold stencil which reads “50 years”. Accompanying the stencil is black text. Moulded letters, numbers, emblem, and imagery. “950326 / (emblem AWEX) (Image Australia) AW / 50 Years” A4 Paper. Printed. See Multimedia A4 Paper. Printed See Multimedia wool classing, stencil, 90 years wool classing between father & son