"My Corps Cavalry: a history of the 13th Australian Light Horse" was written by Lieutenant Colonel Douglas Hunter (Retired) and launched by Deputy Prime Minister Hon Tim Fischer. Tim Fischer served with 1st Battalion Royal Australian Regiment; Doug Hunter served with 8/13 Victorian Mounted Rifles. The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops.Colour photograph of Hon Tim Fischer speaking at the launch of the book "My Corps Cavalry: history of the 13th Australian Light Horse at Buna Barracks Albury 13 March 1999.13th, light horse, world war one, wwi, fischer, hunter, book

"My Corps Cavalry: a history of the 13th Australian Light Horse" was written by Lieutenant Colonel Douglas Hunter (Retired) and launched by Deputy Prime Minister Hon Tim Fischer. Tim Fischer served with 1st Battalion Royal Australian Regiment; Doug Hunter served with 8/13 Victorian Mounted Rifles. The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops.Colour photograph of display of light horseman and horse of the 13th Australian Light Horse prepared for the launch of the book "My Corps Cavalry: history of the 13th Australian Light Horse", at Buna Barracks Albury 13 March 1999.13th, light horse, world war one, wwi, fischer, hunter, book

"My Corps Cavalry: a history of the 13th Australian Light Horse" was written by Lieutenant Colonel Douglas Hunter (Retired) and launched by Deputy Prime Minister Hon Tim Fischer. Tim Fischer served with 1st Battalion Royal Australian Regiment; Doug Hunter served with 8/13 Victorian Mounted Rifles. The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops.Colour photograph of RAAC Historian Major Paul Handel (Retired), Major John Baines and Lieutenant Colonel Doug Hunter (Retired) at the launch of the book "My Corps Cavalry: history of the 13th Australian Light Horse at Buna Barracks Albury 13 March 1999.13th, light horse, world war one, wwi, hunter, book, baines, handel

Ivor Hele was the Australian official war artist of World War II. This painting depicts the members of 17 platoon 2nd/6th Battalions in their first action of the war. their mission was to "attack and capture Post 11" in order to provide a faint or diversionary attack for the brigades main penetration. The attack was pressed home with the characteristic vigour of Australian soldiers Prior to the attack the commanding officer demanded that " No matter what happens to us, when we go forward we shall give the enemy such a thrashing that they will never willingly stand up to an assault by Australian Infantry again." The Battalion succeeded in its mission and went on to play a vital role in many of the most arduous battles of the war. This painting depicts the actions of one of the predecessor units to 5/6 RVR. Large framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet. A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephone bardia, 2/6th australian infantry battalion, ww2, ivor hele, wark vc club

South New Chum Syncline (The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956) Thu 29 Sep 1932 ) Page 21: 'South New Chum Syncline Gold Mines,N.L., has been floated with a capital of £27,500 in 55,000 shares of 10/ each. Forty thousand have been issued at 1/, 10,000 fully paid shares go to vendors ,and 5000 will be held in reserve. -Messrs. Savage and Nicholas report that the issue was heavily over-subscribed. The property is situated in the central portion of the Bendigo field, adjoining such former producers as the Victoria Quartz. Lansell’s Big 180, North Old Chum and New Chum'.Black cover, red spine, fifty page journal. Written on front cover in black text on white background 'Transfer Journal' Purple stamp above 'Transfer Journal' 'South New Chum Syncline Gold Mines' . Entries detail the transferror, page in share register, number of shares, distinctive numbers, transferee, address, folio in share register, cancelled script number and remarks. Entries date from November 3rd. 1932 to June 27th 1939. Journal is part of the Margaret Roberts Collection. bendigo, gold mining, shareholders, share transfers, south new chum syncline gold mines, new chum line of reef

See also 2589 & 2590.1), .2) & .3) Badges, blackened brass, word Australia in a curved shape. .4) & .5) Badges, blackened brass, Rising Sun lapel badges. .6) .7) Badges, pressed metal, gold colour, Kings crown. .8) Button, black plastic, RAAF crown over wings. .9) Button, metal, gold colour, crown over map of Australia wording Australian Artillery. .10) Badge, metal, round Red Cross in white & blue. .11) Badge, metal, gold colour, round section with top clasp. Presented to the children of Victoria for the 1954 Royal Visit. .12) Badge with red ribbon on metal clasp. Badge is oval shaped, Red Cross in centre with white scrolls, Australian Red Cross Society 20 Years Service. .13) Coin, half penny, dented by ammunition fire. .14) Coin, one penny, 1943 dented by ammunition fire.numismatics-badges-military, metalcraft - brassware, costume accessories - clothes accessories

Clothing. Infant's cream silk christening coat. High round neckline with fold over collar with rounded edges -10 cm at front dipping to 13 cm at centre back.Collar finished with scalloped edge. Yoke at front and back edge with decorative embroidery that continues along either side of full length front opening to hemline. Hemline finished with deep scalloped edge. Front skirt has 3.5 cm smocked section below the yoke. Lower sections of front skirt on each side have three embroidered cut work sun patterns (10 cm) surrounded by embroidered leaf patterns. Back skirt section gathered into yoke. Lower edge of yoke has decorative embroidery. Front opening fastened below yoke with two X 1.8 cm purlescent buttons and button holes. Ribbon ties (41 cm X 5 cm) attached underneath collar at front neckline.costume, children's, infant's christening coat

This sign was displayed at the 1st International Domiciliary Nursing Congress which was hosted by the Royal District Nursing Service (RDNS).The 1st International Domiciliary Nursing Congress was hosted by Royal District Nursing Service (RDNS). Mrs. D.(Elsa) Hallenstein, President of RDNS, presided over the opening ceremony with the Prime Minister of Australia, the Hon John Gorton opening the Congress. It was held in Melbourne and ran from the 1st to the 8th of February 1970. Many delegates came from around Australia and overseas; from the World Health Organisation; from the North American continent; from Europe, from Asia and from the Pacific. Black and white photograph showing the sign displayed at the 1st International Domiciliary Nursing Congress. Across the photograph is a long black metal stand, with eight legs, which holds a large board. On the upper quarter can be seen to the left a medium sized black circle which has the lettering '1st' outlined in white on it. To the right of this is the black lettering "International Domiciliary Nursing Congress" in capital letters on a white background. Below the black circle, on a white background, is a large round white globe outlined in black and with black spaced vertical and horizontal grids on it. In the lower centre of this is the black coloured land mass of Australia. Over the left hand top section, and above and to each side of the white globe are different land masses of the world displayed in grey. To the right of this there are two grey sections which are divided vertically with a black line,.and contain information on white sheets. To the right of that is a white section with round photographs in three pairs running down the board.Photographer stamp. Quote No. JE 4royal district nursing service, rdns, mrs d. (elsa) hallenstein, hon john gorton, 1st international domiciliary nursing congress

Set of four brass cast, chrome plated, machined, device or ticket punches used to cancel or punch paper tickets when purchased. Placed a shaped hole in the ticket. Spring loaded, consists of two main parts with a pin & spring from coiled wire and fitted with formed wire retaining hole fitted to one of the arms. Some of the chrome plating has been worn off. There are no manufacturer markings on the punches. See https://onlineriver.com/transit-punches/ accessed 6-11-2017 for details of the new equivalent punches. .1 - number G9 - punches a five cornered hole would have been used at the Glenhuntly Depot .2 - number K127 - punches a six cornered rounded hole - would have been used at Preston Depot .3 - number P108 - punches a rounded oblong hole - would have been used at Kew Depot. .4 - number 1096 - punches a small crossed hole.trams, tramways, ticket punch, tickets, fares, conductors, preston depot, kew depot, glenhuntly tram depot

30 min colour and sound 16mm film, severely faded, beginning with an interview with a Vietnam widow and going on to explain the help Sydney Legacy gave to bereaved families including outings, health, etc. Lionel Long, who was a Legacy ward, is interviewed and sings one of the ballads he was famous for in the 1960s. A Widow's Club meeting is shown and a party of the Northern Suburbs Progressive Twenties who raised money for Legacy. They were smoking, drinking, and eating what looks like cheerios and slices of bread in a large room hung with streamers and balloons and dancing to pop music. Junior Legatee Karen Miller was interviewed about her experience travelling to Switzerland to represent Australia at the Swiss Bank Centenary, Switzerland, with a boy from NSW, going on to stay with a Legacy family in London for a week. The functions of Legatees are explained as a Legatee is shown with one of his families. Also interviewed is a practising solicitor who attributes his qualification to the help he got from Legacy. Girls are shown rehearsing for their debutante presentation and the film segues to the actual presentation with the Governor Sir Roden Cutler, Governor of NSW, and his wife. Legatees are shown cutting, trucking and delivering firewood to widows. Photography by Frederick Richardson; sound by Peter Willesee; Executive Producer Michael Willesee; produced and edited by Bob Lawson. A Trans Media Production. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of Sydney Legacy in the 1960s giving an overview of the work they did.A film in a blue plastic canister produced about the activities of Sydney Legacy in the 1960s.Label of 'Colour Film Pty Ltd, client Trans Media Colour print' handwritten 'Copy No 3'activities, widows club, junior legatee, operation firewood, sydney legacy

TRANSCRIPTION - Region 14 Mount Cotterill Fire Brigades Group final radio schedule Sunday 26/11/78 Last regular sched as GO Thanks to all Brigades and Members and will carry on communications and GO taking over. thanks on behalf of Ed and I over the years Thanks from LY 1 Good job LY 23 Good job over the years LY 33 ????? LY 43 Thanks for making ? LY 45 Trug [anina] for all work done and looking to assist in future Group No first for Tel LY 48 Thanks job well done LY 51 From officers and fireman add congrat to job well done, both you and your wife. LY 51 Rene Thanks for assist to me by you and Mrs Barrie LY Rem Thanks and look for help when roles are reversed. LY/OX G Morn to Group Freda and I and BM Group and sad. I too approach with mixed feelings / radios beginning in the 50’s too long to remember LY/OX I took clues from transmissions. Fires along the rail line OX and LY and RC From all Hand written notes by Edna Barrie during transmission of last radio schedule of Group Communications Officer Mt Cotterill Fire Brigade Group taken by EW (Bon) Barrie from Headquarters at 19 First Avenue Melton South. 1967 – 1978.Edna Barrie's copy of the procedure booklet, issued by Country Fire Authority emergency services

This program was given to attendees at the Bendigo Symphony Orchestra and Gisborne Singers performance on 24th November 2024 In a thrilling conclusion to their 2024 concert season, Bendigo Symphony Orchestra present Mahler’s Symphony No. 2 ‘The Resurrection’ – a transcendent journey from darkness to light. Witness the symphony on a colossal scale: ten trumpets, ten horns, two sets of timpani and an organ are just the beginning of Mahler’s mighty orchestration. And after the success of 2022’s inaugural Symphonia Choralis festival, BSO are once again partnering with the Gisbourne Singers to bring this glorious work to life. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!” Written in a letter to a friend, these are the questions Mahler hoped to answer with this symphony. While epitomising the emotion and drama of the Romantic era, the work also anticipates the radical advances of the 20th century. Beginning with a steely funeral march, Mahler spins German folk-song and klezmer-inspired flourishes through four stunning movements, culminating in a sublime hymn of resurrection. This symphony explores life and death on a cosmic scale, and showcases Mahler’s rich technicolour writing and flair for dramatic narrative. “The whole thing sounds as though it came to us from some other world. I think there is no one who can resist it. One is battered to the ground and then raised on angel’s wings to the highest heights.” Be swept away by an eternal masterpiece.MAHLER SYMPHONY NO. 2 RESURRECTION Sunday 24th November 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Chief Conductor Nicole Marshall Guest Conductor Merlyn Quaife AM Soprano Liane Keegan Contralto Gustav MAHLER Symphony No. 2 in C minor, ‘Resurrection’ I. Totenfeier: Allegro maestoso (25’) II. Andante moderato (12’) III. In ruhig fließender Bewegung (12’) IV. Urlicht (6’) V. Finale: Im Tempo des Scherzos (37’)bendigo symphony orchestra, luke severn, regional victorian orchestra, performance, gisborne singers

This bottle was one of the items salvaged from the wreck of the Fiji in 1891. Joseph Bosisto began manufacturing Eucalyptus Oil in Australia from 1854. This bottle is marked ‘J. BOSISTO”, which probably dates it from 1885 when the company J. Bosisto & Co. was formed. The marking on the bottom of the bottle “GERMAN/B_ _ E” could mean that the bottle was imported by J. Bosisto from Germany. In the early years bottles were imported from overseas countries including England and Germany. In 1872 the Melbourne Bottle Works was established to supply the bottles locally and more cheaply but had difficulty keeping up with the supply. From 1865 Australian-made Bosisto’s Eucalyptus Oil began to be exported to England then later to Germany and other countries. Bosisto’s Eucalyptus Oil won many prizes at exhibitions between 1854 – 1891. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the last man being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are china miniature animals, limbs from small china dolls, rubber balls, this glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. The glass bottle is registered as “Artefact Reg No Fiji/1”. Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Clear glass oval medical bottle with rounded corners and flattened sides on front and back surfaces. Opening of bottle has a lip around it and could have been sealed with a stopper. There is a chip in the lip. One face of the bottle has a rectangular border with a name embossed vertically on it, “J. BOSISTO / RICHMOND”. The oval base of the bottle also has letters embossed on it “GE_ _AN” “B _ _ _ _ _”. There is also a large chip out of the base. The sides of the bottle have a vertical joining line. The bottle was recovered from the wreck of the Fiji.Flat side of bottle has rectangular border with “J BOSISTO / RICHMOND” embossed in the centre. The base of the bottle has “G E . . A N/B . . . . . .” embossed on it. Other letters have been removed with the chip. (probable wording was ‘GERMAN/BOTTLE)warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, fiji, 1891, glass bottle, medicine bottle, bosistos, j bosistos, german bottle

Project Mallee Country was support provided to Operation Raleigh by members of the Army Survey Regiment during the period 4 Mar - 26 May 1987. This is the report on their activities. Colonel John Blashford-Snell and Prince Charles launched Operation Drake in 1978, running youth projects from ships circumnavigating the globe, to develop self-confidence and leadership through adventure, scientific exploration and community service. In two years 414 young people took part in the round the world voyage, working on land-based projects in 16 countries. Following the success of Operation Drake, the much more ambitious Operation Raleigh was established in 1984, and ran for five years until 1989. The success of Operation Raleigh saw it continue on a permanent basis in 1988, with an emphasis on land-based expeditions.A4 Report, beige coloured cover, brown motif of Mallee Fowl, containing typed paper pages, poor quality photocopied photos and diagrams, unbound.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Stubley's Furniture Store late 1950s. The Stubley Group began in 1946 when Purcell Stubley purchased a site with petrol bowsers in Main Street from 'Snowy' Jessop. In 1948 Purcell began building the new Stubley Motors, working round the old site to keep the business operating. It was completed in 1951. The Group expanded into other areas such as this Furniture store. [Syd Thompson Fruit Shop was here in early 1950s, Syd lived in the house at back. He coached Boxing]. This became the Welkay Store in the 1960's and owned by Walter Kenyon. The Welkay store moved opposite to 100 Main Road on 6/9/1966, ref: Diamond Valley News Page 9. Soon after the store would have been demolished to make way for 'The Valley Building' still on the site in 2018.Digital copy of black and white photographpurcell stubley, stubley motors, stubley group greensborough

Before drills and braces, T-shaped augers were used to poke holes into wood, while smaller gimlets were used to start them. Auger handles were usually made of a piece of hardwood that was sanded, rounded, or even contoured to give the user a firm grip. Bits on spoon augers essentially carved a hole in the piece of wood, and had to be periodically removed to clear the chips. Spiral-bit augers were precursors to modern drills, whose bits cleared the hole of chips as the user drilled. A significant advance on the auger was the brace, which was originally designed with a single, permanently fixed bit at its end. Eventually, though, braces were designed with sophisticated chucks to accommodate replacement bits, as well as bits of different sizes and for various purposes A steel spiral bit Auger* pioneers, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton, tools, craftsman, carpenters, , blacksmiths, builders, farmers, metalwork, woodwork, drills, augers, gimlets

This political cartoon and black and white drawing depicts a man who looks like Mahatma Gandhi (1869-1948) an Indian lawyer, anti-colonist and political ethicist (who employed nonviolent resistance to lead the successful campaign for India’s independence from British rule) pushing a hand push lawn mower in front of a house being renovated. A big man representing a politician stands in the background. Gandhi was involved in the Round Table peace conferences of 1930-1932 organised by the British Government and Indian political personalities to discuss constitutional reforms in India. Percy Leason (1889 - 1959) was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. This image was published by Melbourne publisher Thomas Nelson.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image and 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, percy leason, cartoon, comic, mahatma gandhi, india, drawing, political cartoon

This IBM card format, designed in 1928, had rectangular holes, 80 columns with 12 punch locations each, one character to each column. Card size was exactly 7-3/8 inch by 3-1/4 inch (187.325 by 82.55 mm). The cards were made of smooth stock, 0.007 inch (0.178 mm) thick. There are about 143 cards to the inch. In 1964, IBM changed from square to round corners. They came typically in boxes of 2000 cards.[20] (Reference and more information at http://en.wikipedia.org/wiki/Punched_card ) Early digital computers used punched cards, often prepared using keypunch machines, as the primary medium for input of both computer programs and data. (http://en.wikipedia.org/wiki/Punched_card) Yellow card with printed numbers. Used for feeding information into a computer.computer, computer card, ibm, data, punch card, punched card, binary

Hand shears needed to be very sharp and often had a leather strap or ‘driver’ which passed over the hand. Others had sheepskin bound around the grip. Blades had to be regularly sharpened on a grinding stone. Most hand shears were made in Sheffield, England, with various models produced offering wide or narrow blades, sharp or rounded points, and various grips and bows. The technique of Australian hand shearing gradually developed from the 1830s using the old English method of cutting the flank with hand shears in a series of circular cuts from the sheep’s neck to the tail. In the early 1930s the Ballarat School of Mines introduced a wide-ranging Wool Classing Course as jobs were in extremely short supply during the Great Depression. Metal handshears used for shearing sheep.ballarat school of mines, shearing, woolclassing, sheep

The M.B. John Building (Building K), a three storey, face red brick, restrained Late Twentieth Century International styled building with an elongated, cuboid form (defined by the parapeted facades) that is offset by projecting exposed concrete framed, round‐arched entrance and stair wells on the east (Albert Street) elevation (the centrally located entrance breaking the brick façade with glazing). The facades are also characterised by banks of aluminium framed, horizontal ribbon windows, which wrap around the building corners. Metal shades project beyond the windows, while post‐supported bullnosed verandahs and hoods and projecting concrete stairs are other features. On the west elevation, the cuboid façade is punctuated by projecting curved concrete and glazed, elongated bays at first floor level. (David Rowe/Wendy Jacobs)Colour photograph of a red brick building on Albert Street. It was build to house trade workshops and Ceramics at the Ballarat School of Mines. m.b. john, m.b. john building, ballarat school of mines

20th C and probably earlier families could make this simple 'knitting machine' by using a piece of round, hollow wood and knocking 4 nails into one end of the cylinder leaving a protrusion of 2cm. An empty cotton reel was commonly used with left over knitting wool. Children were taught to wind the wool around the nails in loops, figure of 8 and other patterns so that a chain was made which gradually protruded through the base of the cylinder as a knitted chain. The chains could be made to any length and then sewn together to make a usable object eg face washer.Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in hand knitting, crochet and dressmakingGladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and this Doll was made and used by her family.c1950A small piece of painted, carved wood with central hollow and 4 nails on top used for making/ knitting a woollen chain.Painted doll featuresknitting, clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, reed gladys, dairy farms, fruit orchards

This pessary came from Professor Geoff Bishop's rooms, Mollison House, 386 Albert Street, East Melbourne. As well as the UK, Portex had divisions in the USA and Canada. The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids. Portex brand ring pessary in original packaging. Consists of circular ring of cream vinyl, in sterile sealed pouch with transparent plastic at back. Stamped on pouch "PORTEX ENGLAND", and the text "USE BY FEB 77" and "CONTROL No F/1 505". The ring is size 700/300/056 - 56mm. A sticker on the back of pouch gives instruction for cleaning the pessary.pessary, intrauterine device

This pessary came from Professor Geoff Bishop's rooms, Mollison House, 386 Albert Street, East Melbourne. As well as the UK, Portex had divisions in the USA and Canada. The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient time, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Portex brand ring pessary in original packaging. Consists of circular ring of cream vinyl, in sterile sealed pouch with transparent plastic at back. Stamped on pouch "PORTEX/MADE IN ENGLAND", and the text "USE BY JAN 77" and "CONTROL No 06 88". The ring is size 700/300/065 - 65mm. A sticker on the back of pouch gives instruction for cleaning the pessary. A red dot is also stuck to the back of the pouch.pessary, intrauterine device

A traditional term in the British Navy meaning to serve out an additional tot of grog to a ship's crew. The main brace itself was a purchase attached to the main lower yard of a square-rigged ship to brace the yard round to the wind. However, it probably has little to do with the saying beyond the fact that hauling on the main brace called for a maximum effort by the crew. In the days of sail the main brace was spliced (in terms of drink) in very bad weather or after a period of severe exertion by the crew, more as a pick-me-up than for any other purpose. But with the introduction of steam propulsion, with machines to take most of the harder labour out of seagoing, the main brace was spliced only on occasions of celebration or, occasionally, after battle. Now that rum is no longer issued aboard ship, splicing the main brace is a thing of the past.A small tap used to empty contents from a barrel containing rum or whisky aboard ships.Brass spigot or tap used for inserting into a barrel containing liquid such as rum, whisky or vinegar etctap, spigot, barrel, alcohol, liquid storage

Prior to 1901, sailing pilot cruising cutters were "Boomerang", "Corsair", "Anonyma", "Proserpine", "Rip", "Mavis" and "Hawk". In 1901 the pilots took delivery of their first steam powered pilot cutter, "Victoria", 46 metres in length, built at Williamstown. "Victoria" was followed by "Alvina", "Akuna", "Akuna II" and in 1953, "Wyuna", a twin-screw diesel electric pilot cutter 63 metres long. "Wyuna" served until November 1979 and was then sold to the new Nautical College at Launceston for use as a training ship. The system for getting pilots on and off ships at sea was for the ship to stop dead in the water with the wind and sea broad on the beam. The pilot cutter would round the ship's stern, manoeuvre into the lee and lower the 18ft. workboat which, with a crew of two, transferred the pilots to and from their ships.Chief Officer's Log Bok from SS Victoria from June 1930 to June 1931log book, port phillip sea pilots, ss victoria

Polished wood in the shape of a shield, with a central silver plate inscribed with the name of the award and multiple smaller silver plates with individual winner names. There is also a round copper medal hanging from a chain decorated with a soldier pointing a gun on the front, leaves around the edge and on the back: 'In Pace Paratus', '1812 - 37 - 66' 'Presented by the Ontarion Rifle Association.' Winners were: 1972-73 A McKay 1973-74 I Leggett 1974-75 H Eyre 1975-76 J McKay 1976-77 J Musgrove 1977-78 J Musgrove 1978-79 J Patterson 1979-80 H Kakol 1980-81 J Musgrove 1982 H Kakol 1983 J Musgrove 1984 H Kakol 1985 H KakolPolished wood in the shape of a shield, with a central silver plate inscribed with the name of the award and multiple smaller silver plates with individual winner names.RVIB Rifle Club The Ann Andrew Perpetual Trophy Best Marksmanroyal victorian institute for the blind, rvib rifle club

A booklet of songs for the troops in World War 1. Including a Battalion song, 'Rally round the banner', 'So long Letty', 'Some hearts will be joyful', 'Keep the home fires burning', and 'Boys of the Dardenelles'. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet of songs for soldiers in World War 1.world war one, songs

Final pages of photo album (Cat. No. 01588) about the life of L/ Donovan Joynt VC. The typed pages are an address given by Legatee Fred Holdsworth at the Comradeship Hour, Legacy House on Tuesday 24 October 1989, after L/ Joynt's death. It was also printed in the Melbourne Legacy Bulletin (Cat.Nos. 01599, 01599(2), 01599(5). It includes the citation of the VC awarded to Joynt in the first world war. The photos are of an event held at Legacy house with L/ Joynt uniform that was being donated to the Australian War Museum. Newspaper clippings (see also Cat. Nos. 01352 and 01355) round out the text (Cat.Nos 01599(3) and 01599(6), together with two colour photographs (Cat.No. 01599(4)). See also Cat Nos. 01602-01604.Part of the collection of material held by Melbourne Legacy on Legatee Donovan Joynt, a prominent Australian and indicates the esteem in which Joynt was regarded at Melbourne Legacy.White A4 paper x 3 pages with black type an extract from the Bulletin with an article to say farewell to L/ Joynt.donovan joynt, biography, citation