Documents. Sixty one letters and certificates of appreciation for the Emu Creek Bush Band following perfromances at a varity of venues and schools across Victoria, New South Wales and South Australia.

Lost buildingB?W photo, Half way House Mt. Clear, (on site of new church at Mt Clear) licensee T. Gordan and two women in front, two dogs and a horse and carriage, prominent sign across front of buildinghotel, mt clear, half way house hotel

Building historyB/W photo of original photo of Corduroy Bridge Hotel, High St. Clarendon, circa 1906, at date of auction, showing Midland Highway, people, buggies and carts.Identification on reverse.corduroy bridge hotel, clarendon, high street

Building historyB/W photo of original photo of Corduroy Bridge Hotel, High St. Clarendon, circa 1906, shows Clarendon Post Office and members of Brown family.corduroy bridge hotel, clarendon, high street, clarendon post office

MiningB/W copies of photo of Lewis Gold Mine, near Elaine c. 1859, miners and horses around wooden hut and Whimelaine, whim, lweis gold mine

historic building and occasionB/W Photograph, Clarendon State School, teachers and children awarded first prize in Ballarat Inspectorate in first ANA Garden Competition 1904buninyong, clarendon state school, ana garden competition

rural life, peopleCopy of B/W Photograph, Shearing at "Larundel" c 1900, shearers standing around a bale of wool outside shedbuninyong, larundel, shearers, wool

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The dress was purchased, and worn by Kathleen Gervasoni, a long term resident of Kew, Kew Historical Society member and mayoress of the former City of Kew (1978-1979). It is part of a collection of clothing and accessories donated to the collection by her.Black velvet, black and majenta organza, taffeta underskirt, large black satin bow, drop waisted evening dress, made to order for the donor from a boutique in Ivanhoe. women's clothing, evening dresses, kathleen gervasoni, australian fashion - 1980s, evening wear

105 p. : ill. (some col.), facsims ; 27 cm.non-fictionTrade union movement in Australia from the mid 1880s. Discusses the significance of the labour cartoonists in highlighting social and political issues; analyses the activities of the community at Broken Hill and how those actions grew to affect the working conditions of the whole nation; traces the rise of the 8 Hour Day movement and celebrations.labor and labouring classes -, australia -- history, work -- history, australia - social conditions

A MacGregor 'Bergelin Long String 2' model tennis racquet with polygonal head shape, open throat and handle wrapped with perforated leather. Plastic butt cap embossed with words: 'LONGSTRING/TENSION'. Net strung in diamond pattern, and net extends beyond head into open throat area. On edges of racquet, strings are routed along edge of head and shaft and anchored into handle. Manufacturer name printed along right pillar of open shaft. On left pillar is printed: 'FOR DEMONSTRATION ONLY'. Model name printed across base of head. Series of guide numbers printed around head and open throat area. Materials: Graphite, Leather, Vinyl, Ink, Adhesive tapetennis

An Esquire 'Grand Slam' tennis racquet with open throat and handle wrapped with leather. Manufacturer name across base of head. Model name printed along edge of shaft. Word 'CERAMIC' printed on crown. Plastic butt cap features manufacturers 'E' logo. Logo also featured at top of handle. Spalding-branded strings. Materials: Metal, Adhesive tape, Plastic, Leather, Ceramic, Ink, Vinyltennis

Two part object. (1) A Slazenger 'Phantom Silver' tennis racquet with open throat, plastic butt cap and handle wrapped with leather. Clear plastic shop wrap still on handle. Manufacturer name along side of right throat pillar and printed as pattern on leather handle wrap. Model name printed along right throat pillar. Adhesive label inside throat states: 'MARSHALL INDUSTRIAL CORP./ITEM NO. SCT-639'. Plastic butt cap features manufacturers name and cat logo. Cat logo also sprayed onto net. (2) 3/4 length silve vinyl racquet cover with zipper and printed with manufacturer's name and logo. Materials: Adhesive tape, Plastic, Leather, Ink, Vinyl, Graphitetennis

A Slazenger 'Phantom Silver' tennis racquet with open throat, plastic butt cap and handle wrapped with leather. Clear plastic shop wrap still on handle. Manufacturer name along side of right throat pillar and printed as pattern on leather handle wrap. Model name printed along right throat pillar. Adhesive label inside throat states: 'MARSHALL INDUSTRIAL CORP./ITEM NO. SCT-639'. Plastic butt cap features manufacturers name and cat logo. Cat logo also sprayed onto net. Materials: Adhesive tape, Plastic, Leather, Ink, Vinyl, Graphitetennis

Two Slazenger Panther Pro Graphite, graphite/composite squash racquets (.1-.2), with open throat, and synthetic handle grip which is still sealed in original plastic wrap. Materials: Graphite, Nylon, Ink, Adhesive tape, Synthetic material, Plastic, Composite Materialstennis

A Slazenger Quadro Concept, graphite ceramic squash racquet, with open throat, and synthetic handle grip which is still sealed in original plastic wrap. Materials: Graphite, Nylon, Ink, Adhesive tape, Synthetic material, Plastic, Ceramictennis

A Slazenger Quadro Concept, graphite squash racquet, with open throat, and synthetic handle grip which is still sealed in original plastic wrap. Materials: Graphite, Nylon, Ink, Adhesive tape, Synthetic material, Plastictennis

A Geostar racquet; net strung in loose diamond pattern. Materials: Metal composite, Plastic, Adhesive tape, Adhesive label, Leathertennis