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National Vietnam Veterans Museum (NVVM)
Book, Bradley, Mark Philip, Vietnam at War, 2009
A penetrating history of how the Vietnamese people experienced the wars for their country.A penetrating history of how the Vietnamese people experienced the wars for their country.vietnam -- history -- 1945-1975, vietnam war, 1961-1975., indochinese war, 1946-1954. -
National Vietnam Veterans Museum (NVVM)
Book, Baker, Mark, Nam: The Vietnam War in the words of dozens of its veterans - easily stands with the best descriptive accounts. and Women Who Fought There. (Copy 2)
The war billed on the marquee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their time.The war billed on the marquee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their time.vietnam war, 1961-1975 - personal narratives, american -
National Vietnam Veterans Museum (NVVM)
Book, Baker, Mark, Nam: The Vietnam War in the words of the Men and Women Who Fought There. (Copy 3)
The war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their timeThe war billed on the marguee as a John Wayne shoot 'em up test of manhood turns out to be a warped version of Peter Pan. Vietnam was a brutal Neverneverland outside time and space, where little boys didn't have to grow up. They just grew old before their timevietnam war, 1961-1975 - personal narratives, american -
National Vietnam Veterans Museum (NVVM)
Book, Dapin, Mark, Australia's Vietnam, Myth vs History (Copy 3), 2019
When journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airportsWhen journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airports 1961-1975 -- participation, australian, vietnam war, 1961-1975 -- personal narratives, national service -- australia -- history. -
National Vietnam Veterans Museum (NVVM)
Book, Dapin, Mark, Australia's Vietnam, Myth vs History (Copy 2), 2019
When journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airportsWhen journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airports 1961-1975 -- participation, vietnam war, 1961-1975 -- personal narratives, australian., national service -- australia -- history. -
National Vietnam Veterans Museum (NVVM)
Book, Dapin, Mark, The Nashos' War - Australia's National Servicemen and Vietnam(Copy 2)
More than sixty-three thousand young Australians were drafted into national service during the Vietnam War. The 'nashos' were chosen by chance, when their brithdates were drawn from a lottery barrel. Not all of them ended up in vietnam, but their random fatee came to symbolise the war, and divide a nation.More than sixty-three thousand young Australians were drafted into national service during the Vietnam War. The 'nashos' were chosen by chance, when their brithdates were drawn from a lottery barrel. Not all of them ended up in vietnam, but their random fatee came to symbolise the war, and divide a nation. vietnam war, 1961-1975 -- participation, australian, draft -- australia -- history, australia -- armed forces -- recruiting, enlistment -
National Vietnam Veterans Museum (NVVM)
Book, Bower-Miles, Tony 'Bomber' and Whittaker, Mark, Bomber: From Vietnam to hell and back, 2009
Tony 'Bomber' Bower-Miles was a young sapper in the Australian Army when he first went to Vietnam in 1969. landmines were one of the biggest threats faced by troops on both sides, and much of Bomber's work involved the dangerous task of clearing them.Tony 'Bomber' Bower-Miles was a young sapper in the Australian Army when he first went to Vietnam in 1969. landmines were one of the biggest threats faced by troops on both sides, and much of Bomber's work involved the dangerous task of clearing them.vietnam war, 1961 - 1975 -- veterans -- biography, land mines - detection - vietnam -
National Vietnam Veterans Museum (NVVM)
Book, Jury, Mark, The Vietnam Photo Book
Mark Jury was sent to Veietnam in July 1969. This was not one of the military's wisest decisions. Drafted into the Army, he was eager not to fight in the war but to document it. For the next twelve months, armed with a trio of bruised and battered Nikons (one would eventually be retrieved from where it had been dropped - the bear pit in the Saigon Zoo) and supplied with thirty-six-exposure rolls of Tri-X by his aunt in Pennysylvania.Mark Jury was sent to Veietnam in July 1969. This was not one of the military's wisest decisions. Drafted into the Army, he was eager not to fight in the war but to document it. For the next twelve months, armed with a trio of bruised and battered Nikons (one would eventually be retrieved from where it had been dropped - the bear pit in the Saigon Zoo) and supplied with thirty-six-exposure rolls of Tri-X by his aunt in Pennysylvania.vietnam war, 1961-1975 - pictorial works, saigon, saigon zoo -
National Vietnam Veterans Museum (NVVM)
Book, Lawrence, Mark Atwood, The Vietnam War: An International History in Documents, 2014
This is simply the best collection of documents pertaining to the long and difficult struggle for VietnamThis is simply the best collection of documents pertaining to the long and difficult struggle for Vietnamvietnam war - 1961-1975 - sources, vietnam war - 1961-1975 - united states - sources -
National Vietnam Veterans Museum (NVVM)
Book, Lawrence, Mark Atwood, Assuming the Burden: Europe and the American Commitment to War in Vietnam, 2005
Rigorously researched and carefully argued...Utilizing British, French, and American diplomatic, military and political records between the final years of the Second World War and 1950Rigorously researched and carefully argued...Utilizing British, French, and American diplomatic, military and political records between the final years of the Second World War and 1950indochina - history - 1945, united states - foreign relations - vietnam, cold war -
National Vietnam Veterans Museum (NVVM)
Book, Lawrence, Mark Atwood, The Vietnam War: A Concise International History, 2008
The Vietnam War remains a topic of extraordinary interest, not least because of striking parallels between that conflict and more recent fighting in the Middle East.The Vietnam War remains a topic of extraordinary interest, not least because of striking parallels between that conflict and more recent fighting in the Middle East.vietnam war (1961-1975), vietnam war (1961-1975) - united states, president ngo dinh diem, tet offensive, president nixon -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
The Lidwill machine was designed by Mark Lidwill in 1913, for the purpose of mechanical or insufflation anaesthesia. It was manufactured by Elliott Bros. of Sydney.Colour photograph of a Lidwill anaesthetic machine sitting on carpet. A circular metal ether vaporiser sits on a brown wooden base, with brown tubes connecting to a trap bottle and metal valves, and a brown tube connected to the valve is coiled on the floor.anaesthetic equipment, lidwill anaesthetic machine, mark lidwill, ether vaporiser, elliott bros sydney -
University of Melbourne, Burnley Campus Archives
Book - Student Records, Examinations Papers and Results, 1939-1944
Handwritten book with, for each school, names, exam questions and marks by subject: Chemistry, Botany. Sub-intermediate, Intermediate, Leaving, Matricultation Agricultural Science from 1941; Youth Employment Class 1939. School students attending classes at Burnley College.students, exam questions, mark, chemistry, botany, sub-intermediate, intermediate, leaving, matricultation agricultural science, youth employment class, 1939, burnley college -
Port Melbourne Historical & Preservation Society
Audio - Radio 3LO program excerpts, Sandridge City Development plan, 1991 - 1993
Various excerpts from 3LO radio prgrams, including Ranald McDONALD interviewing Jim KENNAN and Doug AITKEN interviewing Mark BIRRELL about Sandridge City Development (Bayside Plan) Recording duration 47:09. Approx 1991 and 1993town planning - proposals shelved - bayside, jim kennan, mark birrell, sandridge city development co pty ltd, scdc -
Bendigo Historical Society Inc.
Document - ART EXHIBITION, BENDIGO, c1972
Art Exhibition, Bendigo Easter Fair Society presents The Annual Art Exhibition. Painting Section. Artists: Gordon Allen, Mrs D Allender, 'April', Bruce Barklamb, Thomas R W Benkendorff, Christine Berkman, Mrs J A Blakey, James E Bowman, Darryl Brown, Malcolm H Cannon, R L Carless, Pamela Caswell, Bett Cheek, Mrs Betty Cooper, Peter Costello, Jennifer Cottrell, Stephanie Cottrell, Dorothy Dempsey, Noelene Edmunds, Emma J., Ruth Epps, Mrs Jean Ferguson, Mrs Margot Flood, Lorraine Fraser, Maureen French, Neil Friswell, Ian Glanville, Sheryl Gregory, Mrs Valmai Hill, Mr A B Hocking, Ivy Jeffrey, George Kendall, Mrs Joan Kerr, Miss Jillian Locket, R McKenzie, Mrs J E McLean, Mrs Coral Manfield, Meenah Marchbank, Lillian B Mark, Ian John Mark, T Matthews, Mrs Judy Maxwell, Margaret Metcalf, Jean Morrissey, Mrs E Noble, I Osborne, Max Paull, R Paynter, Anthony N Penno, Norman William Penrose, Mark Phillips, Janice Pinder, Yvonne Pocock, Jennifer Reilly, Mrs S Reed, R J Ritter, Roma Robbins, Faye Roberts, Frank S Saunders, Jeanette Skrokov, Mrs C A Slootjes, John Spink, Ruth E Stewart, Mrs W Tebb, Gerard Terpstra, Stan Thomas, Pat Frewin, Dominic Tuohy, Peter Tyndall, Neil G West, Tony Wilson, Wilma Wilson, Pam Wright, A McGregor and R Pearce, T A Solbig. World Prints. List of various world print available for sale and prices, for the first time in Australia. World Prints Pty. Ltd. Copyright. Aztec Graphics, Moorabbin.- Design R H Bultows 72Aztec Graphics, Moorabbinevent, easter fair, bendigo easter fair society, art exhibition, bendigo easter fair society annual art exhibition. artists: gordon allen, mrs d allender, 'april', bruce barklamb, thomas r w benkendorff, christine berkman, mrs j a blakey, james e bowman, darryl brown, malcolm h cannon, r l carless, pamela caswell, bett cheek, mrs betty cooper, peter costello, jennifer cottrell, stephanie cottrell, dorothy dempsey, noelene edmunds, emma j., ruth epps, mrs jean ferguson, mrs margot flood, lorraine fraser, maureen french, neil friswell, ian glanville, sheryl gregory, mrs valmai hill, mr a b hocking, ivy jeffrey, george kendall, mrs joan kerr, miss jillian locket, r mckenzie, mrs j e mclean, mrs coral manfield, meenah marchbank, lillian b mark, ian john mark, t matthews, mrs judy maxwell, margaret metcalf, jean morrissey, mrs e noble, i osborne, max paull, r paynter, anthony n penno, norman william penrose, mark phillips, janice pinder, yvonne pocock, jennifer reilly, mrs s reed, r j ritter, roma robbins, faye roberts, frank s saunders, jeanette skrokov, mrs c a slootjes, john spink, ruth e stewart, mrs w tebb, gerard terpstra, stan thomas, pat frewin, dominic tuohy, peter tyndall, neil g west, tony wilson, wilma wilson, pam wright, a mcgregor and r pearce, t a solbig. world prints. list of various world print available for sale and prices, for the first time in australia. world prints pty. ltd. copyright. aztec graphics, moorabbin.- design r h bultows 72 -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper with flared lower. Push-up base with pontil mark and embossed inscription. Base is uneven, glass composition has imperfections.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Bendigo Historical Society Inc.
Document - PACIFIC BRASS QUINTET OF LOS ANGELES
Pacific Brass Quintet of Los Angeles. A Musica Viva attraction. C1970's. Stamp of Music Advancement Society Bendigo. Mark Bedell - trumpet, Russell Kidd - trumpet, James Sawyer - trombone, Todd Miller - french horn, Ed Welter - tuba.event, entertainment, music, pacific brass quintet of los angeles, musica viva, music advancement society bendigo, mark bedell, russell kidd, james sawyer, todd miller, ed welter -
Ballarat and District Irish Association
Invitation, Invitation to the ground Breaking ceremony for the Proposed Greenhill Enterprise Centre, 1996
The Hon. Mark Birrell, MP, Minister for Industry, Science and Technology was involved with the Ground breaking ceremony held on Friday 13 September 1996 at 12.40pm.Cream coloured invitation to to the ground breaking ceremony for the proposed Greenhill Enterprise Centre at the Ballarat Technology Park.ballarat technology park, mark birrell, greenhill enterprise centre -
Glen Eira Historical Society
Newspaper - TREVORROW FAMILY
One item about Mark Trevorrow’s life: This newspaper cutting titled ‘All Trevorrow’s Parties’, from the Saturday Age, dated 14/04/2012, describes the career of comedian Mark Trevorrow, who grew up in Murrumbeena. When interviewed he was appearing under his comedian alias, Bob Downe at the Spiegeltent. The article describes his life as a gay person during a period of changing social attitudes in Melbourne and Sydney.entertainers, comedians, ‘the globos’, downe bob, trevorrow mark, sex discrimination, homosexual discrimination, festivals and celebrations, murrumbeena -
Federation University Historical Collection
Banner, Guirguis New Art Prize Banner, 2015
The Guirguis New Art Prize (GNAP) is a biennial national acquisitive $20,000 contemporary art prize. It is for Australia's contemporary artists with works that explore new ways of artistic expression, utilising existing mediums as well as new technologies. It was initiated and supported by local Ballarat surgeon Mr Mark Guirguis. The art prize is administered by the Federation University Australia (FedUni) and displayed at the Post Office Gallery in Ballarat. The prize was managed and curated by Shelley Hinton. .1) Large purple promotional banner made of maroon synthetic fabric printed with white lettering, hemmed on the long sides and 8 cm wide pockets on the ends. .2) Feather Flag in maroon shiny synthetic fabric printed with white lettering, hemmed and with a black 6.5 cm elastic pocket around the long side.Printed with GNAP, Guirguis New Art Prize and the date 11 April - 31 May 2015guirguis new art prize, mr mark guirguis, federation university australia, post office gallery exhibition, contemporary art, contemporary art prize, mark guirguis, shelley hinton, herbert werner frederick de nully -
National Vietnam Veterans Museum (NVVM)
Weapon, Bomb
Lazy Dog "bombs" (sometimes called Red Dot Bombs or Yellow Dog Bombs) projectiles were small, unguided kinetic missiles, each measuring 1.75 inches in length, 0.5 inches in diameter, and weighing 207 grams, or about 0.03 pounds or 0.7 oz. Lazy Dog Bombs were designed to be dispersed over the battlefield with mark 44 cluster adapters. Lazy Dog Bonbs were technically not bombs because they used no explosive, but were in many ways equally destructive. Mark 44 cluster adapters were one of many possible means to deliver "Lazy Dog" projectiles.lazy dog (bomb), projectiles, mark 44 -
Bendigo Historical Society Inc.
Document - HARRY BIGGS COLLECTION: THE PENAL SYSTEM OF VICTORIA
Document. Harry Biggs Collection. A photocopy of article in Handbook of Victoria. - 8 pages. Some are double ups. It is written by G. F. Dicker, of the Victorian Penal Dept. Includes items on early history, ticket of leave, Mark System, Pentridge System & Indeterminate Sentence Methods.organization, government, welfare, harry biggs collection, the penal system of victoria, g. f. dicker, early history, ticket of leave, mark system, pentridge system, indeterminate sentence methods -
Australian National Surfing Museum
Photograph, Unknown, MR and Rabbit Check Out The Sheets, circa 1977
Professional surfers from Australia Mark Richards (centre) and Wayne 'Rabbit' Bartholomew (right) scrutinize judges tally sheets, possibly at Bells Beach in Victoria.Rare photograph featuring MR and 'Rabbit' two of the world's most competitive surfers during the seventies read what appears to be a judges tally sheet.Black and white photograph with chemical discolouration across top.mr, mark richards, 'rabbit', wayne bartholomew, -
Robin Boyd Foundation
Photograph
These are photographs by Mark Strizic of the 290 Walsh Street house in 1959-1960. These may be the images sent by the designer Bruce Anderson to Patricia Boyd (see item D339).Set of five black and white polaroid photographsmark strizic, walsh street, bruce anderson -
Whitehorse Historical Society Inc.
Photograph, Antonio Park - Doris Harris, C1960
The photo is part of a set provided by Robin Harris of his early life (1953-1962) in 'The Shack' at Antonio Park. See ND5241 for his story 'When Antonio Park was home'.)Black & white photograph of Doris Harris (1900-1975) with her grandson, and Robin Harris's nephew, Mark Coleclough. Photo was taken from the eastern side of the shack looking toward Deep Creek Road and showing part of the overgrown fruit orchard in the background. See ND5241 for history.antonio park mitcham, harris. dorothy, coleclough. mark, the shack, whitehorse road, mitcham, no.627, harris. robin, bushfire - 1962 -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
In the period 5-20 March 1988, ‘A’ Squadron 8th/13th Victorian Mounted Rifles participated in an exercise conducted at Puckapunyal by 4th Infantry Brigade (Reserve) codenamed ‘Fiery Cauldron’. Other units participating included 5th/6th Battalion and 8th/7th Battalion Royal Victorian Regiment, 4th/19th Prince of Wales’s Light Horse Regiment and 1st Armoured Regiment. The training focussed on armoured/infantry cooperation, in particular the use of armoured personnel carriers. Black and white photograph of three infantrymen in firing positions having just dismounted from M 113 ARmoured Personnel Carrier during Exercise " Fiery Cauldron " at Puckepunyal.Private mark Barling at M60 machine gun." Pte Mark Barling " -
Greensborough Historical Society
Newspaper Clipping, Diamond valley Leader, Award honours service, 06/11/2019
Greensborough Senior Sergeant Mark Van Rooyen has been recognised for his service to the Banyule community with the 2019 Clyde James Smith Memorial Police Leadership Award.News article 1 page, black text.greensborough police, banyule community, clyde james smith memorial police award, mark van rooyen, nullarbor -
Federation University Art Collection
Ceramic - Artwork - Ceramics, "Four Part Triangular Form' by Kingsley Marks, 1984, c1984
Kingsley MARKS (1929 - ) Kingsley Marks trained at the South Australian School of Art before teaching secondary schools. He became interested in pottery after attending a class one night a week at the John Martins building in Adelaide. He received grants to travel and study ceramics in Mexico the US and Canada, then taught for twenty years at the Torrens and South Australian Colleges of Advanced Education. Upon his retirement in 1985, he moved to Brentwood near Minlaton and established the Brentwood Pottery, specialising in sculptural work using a range of forming, decorative and firing techniques. (https://www.flickr.com/groups/1281707@N21/discuss/72157641492795284/) Kingsley Marks was a guest at Strezleckie Spotkanie in 1984. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Electric kiln-fired slipcast decorated earthenware. Kevin Marks uses the mark "K" on his work. Gift of the Artist, 1984ceramics, kingsley marks, artwork, gippsland campus, churchill, brentwood pottery, artist, jan feder memorial ceramics collection -
Wodonga & District Historical Society Inc
Decorative object - Gold toned beaded chain from the Sarah Coventry jewellery range, c. 1970s -1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the gold toned chain has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned beaded metal chain from the Sarah Coventry jewellery range, with the Sarah Coventry mark stamped on the rectangular clasp. "SARAH COV" - this mark thought to be first used in 1953.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, gold chains -
Bendigo Historical Society Inc.
Photograph - ENVELOPE CONTAINING CHRISTMAS CARD AND SMALL METAL PHOTOGRAPH
ENVELOPE CONTAINING CHRISTMAS CARD AND SMALL METAL PHOTOGRAPH / card dated 1902 / reverse of card 'Raphael Tuck & Sons Limited , London , Paris, New York , designed at the studios in England and printed at the Fine Art Works in Saxony , Artistic series , trade mark Publishers to Her Majesty The Queen.Raphael Tuck & Sons Limited, London Paris and New York.postcard, photograph, 'raphael tuck & sons limited , london , paris, new york , designed at the studios in england and printed at the fine art works in saxony , artistic series , trade mark publishers to her majesty the queen