Newspaper clipping titled: “Trackless and with rubber wheels, it may be our next generation trams” by Timna Jacks Newspaper clipping from the Age 02/05/2021 Rubber wheels, electric batteries and no overhead wires could be the future for Melbourne’s trams. By 2025, 100 new trams will be designed and built due to a $1.5 billion government injection to fund 100 ‘‘next-generation trams’’, replacing A and Z-Class trams. Two manufacturers have been shortlisted to design and build the trams: French rail manufacturer Alstom and a joint venture comprising Spanish rail maker CAF and UGL. At 25 metres long – about eight metres shorter than the newest E-Class trams – the trams will carry 150 passengers, fewer than the E-Class, which carry 210 people. Despite the smaller size, seating will remain proportionally comparable with the E-Class, with 48 people or a third of passengers getting a seat on the new fleet. The new fleet will be the first in Melbourne to be partly powered by on-board batteries.trams, tramways, yarra trams, keolis downer, caf, rolling stock, e class, z class, a class, ugl, tramcar acquisition, tramcar design, tramcar manufacture

Report - typed - quarto sheet - two sheets, stapled titled "Notes on M&MTB Y and Y1 class tramcars" written by Norm Cross in November 1970. Looks at the history of Y469, and Y1's 610 to 613 including notes on the design, use, construction issues, depots, changes over the life and the use of 613 by the VR on the Sandringham to Black Rock line.trams, tramways, y class, y1 class, tram numbering, tramcar acquisition, tramcar design, tramcar construction

Digital image of a manuscript (22 pages with some duplicated pages) titled "The Numbering and classification System" giving an explanation on how the various Melbourne trams were given class letters and numbers. Copy of an original document with some edits in blue ink. Covers both the MMTB and VR trams, including those of the tramway trusts. Also has some notes regarding motors, control equipment, compressors and trucks. Prepared mid 1980's?trams, tramways, tramcars, vr, mmtb, class, tramcar acquisition

Cody JOY This work was undertaken while Cody Joy was studying Visual Art in Ballarat. She succesfully completed a practice-led research project for the award of Master of Arts at the Federation University Arts Academy in 2015. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract drawing.art, artwork, cody joy, alumni, dvc art acquisition award

Photograph shows Geelong Pengelly built tram No. 22 being unloaded at the TMSV site in Bylands during the late 1970s. Yields information about Geelong tram 22 and its acquisition by the TMSV.Black and White photograph with plain back.trams, tramways, geelong, tmsv, tram 22, bylands

Ramon (Ray) Francis Honisett (11.04.1931 - 30.08.2019), Fellow RMIT and medallist specialised in philatelic design, marine and military aircraft painting art and was active in the 1960s - 1990s. Ray Honisett used to live in Rye, in the Mornington Peninsula. According to Gavin Fry's book: The painting likely depicts the Lysaght Endeavour loading at Hastings. "The Lysaght Endeavour and its sister ship Lysaght Entreprise were built in Newcastle in 1973 specifically to serve the regional steel industry on the route Port Kembla - Westernport - Adelaide. Even after being lengthened by 17 metres, the two ships had remarkably short working lines, with both being broken up by 1988."Maritime artLarge framed unglazed landscape format painting predominantly green depicting in foreground a merchant vessel, a roll-on roll-off cargo ship moored at a single quayside on a river or river mouth. The middle ground shows a moderate solid jetty leading to large storage sheds at right. The background appears primarily rural with fields and hills in the distance. The location is probably Hastings Western Port in Victoria - notice the forklifts loading rolls of steel produced at the nearby steel rolling mill - the buildings in the distance. You can see the rolls of steel lined up on the hard stand to the right of the ship. The funnel colours suggest the Australian National Line. The frame incorporates a beige fabric slip with gilt edge the actual dark wood frame also with inset banded gilt edge. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks.at lower right corner single uc word in black paint : "HONISETT"tankers, marine painting, maritime art, ramon honisett, ray honisett, anl maritime art prize, acta maritime art prize, hastings, western port, victoria, steel, roll on roll off, forklift, mornington peninsula, artwork-paintings

Marine art, Maritime artLarge framed glazed landscape format painting depicting in foreground a rusty hull of a ship against a deep aqua blue sky. The hull appears to be in a dry dock with a stylized figure with a red top and blue pants looks down from the prow at the set of low buildings and yard in the foreground. Another ship appears to be moored behind the rusty hull but only the bridge of the ship is visible. At near right in foreground there appear to be two rounded graves or headstones.The frame is sharply beaded and with gilding. The painting has a window mount and is glazed with glass. Paint surface is thinly but intensley painted and seems to be gouache or watercolour on paper. Sealed at back with brown paper mostly intact and a corded hanging system.at lower right corner quadrant there seems to be a mainly rectangular ciphertankers, marine painting, artwork-paintings

Robert Thomas Miller Born in Melbourne in 1916 Studied commercial art at RMIT and for many years worked as graphic designer and design director at ACI Ltd. Member of the Victorian Artists's Society (Council member since 1965), Australian Guild of Realist Artists, Old Water Colour Society Club (past president), Australian Watercolour Institute, Hughesdale Arts Group (past president), Burnie (Tas.) Coastal Art Group. His watercolours have won over 40 major awards, including Victorian Artists' Society, 1973 Artist of the Year Award, and the Rotary Club of Camberwell Watercolour Prize (twice). Represented in many Australian collections both public and private.Maritime ArtRobert T. Miller, Mission to Seafarers Victoria CollectionContemporary framed in limed wood, mounted and glazed watercolour painting by R.T. MILLER in portrait format. Mat mount is white. Image features freighter with black hull at mooring in dockland setting; wire hanging systemInterpretation label adhered to back, includes photographic portrait of the artist Value on label Signature M4 in black markermarine painting, port melbourne, artwork, docklands, tug boat, robert thomas miller, robert t. miller, r.t. miller, artwork-paintings, tugboat

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.

The orchestra consisted of German male civilians interned as "Enemy Aliens" during World War 2. Those interned in 1941 were former Australian residents and New Guinea missionaries.The program indicates the caring attitude of the Australian authorities in permitting the acquisition of musical instruments, and the encouragement offered to the internees in order to produce the concert. Original single page paper program with printed list of orchestral items to be performed by the camp orchestra,19th.and 20th. July 1941, in Internment Camp 1, Tatura. Also lists the names of the members of the orchestra and their instruments.Nil.