Item in the collection of William John Sullivan, VX 57829. Refer Cat. No. 9523P for his service details.Hard cover book with dust cover. Hard cover - cardboard, dark green buckram cover, gold colour print on spine. Dust cover - paper, with gloss finish. Dark green background. White colour print on front, spine and back. Illustrated - front colour portrait photograph of 'Weary' Dunlop. Back - colour copy of watercolour painting of jungle operating theatre. 401 pages - cut, plain white paper. Illustrated black and white photographs, paintings and sketches.books, biography, ww2, pow, william john sullivan

White hard covered book. Biography by daughter-in-law of Stanley Porteus, pioneer of modern psychology and one-time resident of Ringwood, Victoria. SUMMARY NOTES. Stanley David Porteus was born in Box Hill, Victoria, Australia in 1883, the only son of a Methodist minister. Like other now large suburbs of Melbourne such as Canterbury, Mitcham and Ringwood, Box Hill was a mere village. Each was surrounded by bush. He grew up like most Australian boys with a love of sport and, although lightly built, did quite well at Australian Rules football and was above average at cricket. He became a schoolteacher with the Victorian Education Department. Promotion within the department depended on experience gained at teaching in tiny rural schools so he applied for such a position at Glenaladale, on the Dargo Road, some 35 miles north west of Bairnsdale. He walked about 6 miles from the nearest railway station at Fernbank to find the school surrounded by virgin forest with only one dwelling in sight. Attached to the school were lean-to rooms that were to be his residence for the next 2 ½ years. He was fascinated by the nearby Den of Nargun and Bull Creek, which joined the Mitchell River in a deep gorge containing a profusion of rainforest vegetation. While at Glenaladale, he met Frances Evans who became his wife. To seek promotion, he left Glenaladale and taught at Leneva and Benambra. While at the latter school, he learned of a position becoming available as superintendent of special schools in Melbourne. As the available means of transport, coach and horses to Bairnsdale, then by train to Melbourne, would not get him to Melbourne before the close of applications, he borrowed a bicycle and rode through the bush to his in-laws home at Lindenow and thus made it before the deadline. He was successful in his application and it set him on a course that lead to him becoming Australia's first Clinical Psychologist. His work, particularly, the development of the Porteus Maze Test, attracted the attention of American educators and he was offered an appointment for a year at Vineland Training School in New Jersey. On a stopover in Honolulu, he was impressed to the extent that he expressed a desire to work there. Not the least of its attractions was the mix of races that offered opportunities to study psychological differences, if any, between various races. His wish was to be granted unexpectedly as he was, in 1919, invited to Honolulu to set up a Psychological and Psychopathic Clinic at the University of Hawaii. From his home in the hills north of Honolulu, on December 7th 1941, he saw the Japanese attack on Pearl Harbour. He lived there until his death in about 1980.

From front cover; "ANZAC 7 AVIATOR/ THE REMARKABLE STORY OF/ SIR ROSS SMITH AND THE 1919 ENGLAND TO AUSTRALIA AIR RACE".Soft cover. Cover - cardboard, white, black and yellow print on front, spine and back. Illustrated front - sepia toned portrait photograph of Sir Ross Smith in uniform. Back 0 small muted colour photograph of bi-plane with two men. 406 pages - cut, plain, white coloured paper. Illustrated black and white photographs, posters and maps.publication, book, biography, aviation, sir ross smith

From Title page: "WELL/ DONE/ THOSE/ MEN/ MEMOIRE OF A VIETNAM VETERAN"Hard cover book with dust cover. Hardcover - cardboard, dark brown buckram, silver colour print on spine. Dust cover - paper, white and black print on front, spine and back. Illustrated - front colour photograph of a group of soldiers seated in a transport aircraft. Back - small colour photograph of Australian landscape scene. 303 pages - cut, plain, white colour paper. Illustrated - one black and white half portrait photograph of the author. Title page - handwritten greeting and author's signature and dark red book seal with initials.Handwritten greeting - black ink pen "Best wishes/ Barry Heard". Initials on wax seal - gold ink "BH".publication, book, biography, vietnam war

From the front cover: "THE BATTLE OF/ LONG TAN/ From the best selling author of Kokoda/ and Gallipoli comes the epic story / of Australia's deadliest/ Vietnam War battle."Hard cover book with dust cover. Hardcover - cardboard with black buckram, gold colour print on spine. Dust cover - paper, black and red colour print on front, spine and back. Flaps - blue and white colour print. Illustrated front - two colour photographs of (top) army personnel, (lower) soldiers alighting from a helicopter. Back - one colour photograph of a group of soldiers inspecting equipment. 460 pages - cut, plain, white colour paper. Illustrated - black and white photographs.publication, book, biography, vietnam war

Anthology - 140 autobiographical, fictional and documentary writings on Australian School Days.Hardcover book with text and paper sleeve with Sepia Imageshort stories, schooldays, australian history, schools, students, biographies

index, ill, maps, p.176.non-fictionRecollections from Ron Fitch about his 46 year career on the Autralian railwaysrailroad engineers -- australia -- biography, fitch, r. j. (ronald john), 1910-

index, ill, maps, p.248.non-fiction"Ron Fitch was born in 1910 into a railway family. He began his career as a 16-year-old engineering cadet and completed it, 46 years later, having worked at various times for two state railways and the Commonwealth, as Commissioner of South Australian Railways. In this book Fitch gives a vivid account not only of his career but of the camaraderie of the greater railway community, often experienced in the most trying of conditions. Fitch gives an account of laying track and the remarkable breed of men who do so, of advances in line-building techniques, of derailments and floods and washaways, of wrangles over attempts to implement standard gauge, of the politics of railways. In 2002 when 92 Fitch earned recognition from the Guinness Book of World Records when his thesis on South Australian railways made him the World's oldest recipient of a PhD."--Jacket.fitch, r. j. (ronald john), 1910-, railroad engineers -- australia -- .biography

index, ill, maps, p.239.non-fictionA history of the locomotive designer Eugene Victor Siepen & the Mornington Railway Preservation Societyrailroad engineers -- australia -- .biography, tourist railways and museums - victoria

23 cm H, 342 p; index; notes: 1 sourcesnon-fictionSince Federation Australia has had twenty-four prime ministers. This book delves into the lives of the wives of ten of these men revealing how they survived the rigours of marriage to Australia's most powerful men. As well as describing these women's public activities, the author explores their private lives: their romances with the men who were to become prime ministers, their marriages, the joys and anxieties of childbirth and family life, the losses and infidelities. Taking us from the early days of Federation, these revealing portraits hold up a mirror to a changing Australia.prime ministers' spouses -- australia -- biography, pattie deakin, elizabeth and mary hughes, enid lyons, elsie curtin, elizabeth chifley, pattie menzies, zara holt, margaret whitlam, tamie fraser, hazel hawke

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

From front cover - "THE BOY/ COLONEL/ - LIEUTENANT COLONEL DOUGLAS MARKS,/ THE YOUNGEST BATTALION COMMANDER IN THE AIF"Soft cover book. Cover - cardboard, black and red colour print on front, spine and back. Illustrated - front top - sepia colour photograph of "Marks in machine gun post", front lower and back top - troops "playing polo with donkeys as mounts". 415 pages - cut, plain, off white colour paper. Illustrated black and white photographs and maps. Inscription - page after title page, handwritten information.Handwritten inscription - black ink pen. "To The Lovely M/ from the/ gorgeous ER/ with lots of love xx/ x Happy Birthday"publication, book, biography, gallipoli, ww1

front cover has a coloured photo of a dummy dressed in the uniform of a third year Alfred Hospital student nurse, with various nursing paraphernalia. Title and author's name also on front cover and spine. Synopsis of book and author information on back cover. Black and white illustrations within non-fictionA lighthearted look at nursing in general, and patients in particular, when nurses were hospital trainednurse-australia-biography, nurse-great britain-biography

index, ill, maps, p.213.non-fiction A political, economic and social biography of the South Australian Government Railways Chief Mechanical Engineer W.A. Webb.locomotives - australia - drawings - biography, steam engines - australia - design - biography

Soft cover book. Cover - cardboard, colour, gloss paper finish. Yellow and White colour print on front, spine and back. Illustrated - in colour portrait painting of Brigadier General Harold Elliott by W.B. Innes 1921 (Australian War Memorial) Portions of painting on front, spine and back. 718 pages - cut, plain, white colour paper. Illustrated black and white photographs and maps. Handwritten inscription on Title Page.Handwritten inscription - black ink pen - author's signature - "Ross McMullin".publication, book, biography, ww1, "pompey elliott"

Five Northern Territory veterans share their personal stories and inner-most thoughts about the Vietnam War.vietnam war, 1961-1975 - personal narratives, australian, soldiers - northern territory - biography, robert brennan, hmas albatross, garry casey, australian army, private frank topp, battle of long tan, denis newsham, jack pegg, hmas leeuwin, barry ryan

Finalist Robert Klein-Boonschate in the ANL Maritime Art Prize 2003 Biography: (https://www.artpartners.com.au/robert-kleinboonschate/) Born in The Netherlands, Robert migrated to Tallangatta, Australia with his family in 1971. Robert completed a degree in Graphic Art at Swinburne College and settled into Melbourne for the next seven years as a professional artist and art facilitator. Robert moved to Mparntwe (Alice Springs) in the 1980’s where he worked closely with Arrernte Peoples for the next 12 years. Robert’s beautiful landscapes reflect the influence of Arrernte artist Albert Namatjira and his love of the Australian landscape reflects his experiences with the Arrernte Peoples and their connection to ‘Country’. Robert opened the art studio located at his home in Alice Springs to Arrernte, Luritja, Warlpiri & Pintupi artists and worked alongside such artists as Johnny Warrangkula Tjupurrula. Robert helped to facilitate Johnny’s later body of work by constructing special brushes which could be used by Johnny after breaking his wrist. Robert has returned to NSW and now lives in Walla Walla surrounded by the rugged natural landscapes of Australia.Large scale Oil on Belgian Linen depicting dockside and ships.docks, waterside, maritime art, robert klein-boonschate, artwork-paintings, maritime art prize, anl

This book is about the men who made up 4 Platoon, B Company, 7 Battalion.australia. army. royal australian regiment. battalion, 1961-1975 -- participation, 1961-1975 -- personal narratives, soldiers -- australia -- biography., john ' bunda' walker, ken weightman, 4 platoon, b company, 7 battalion, 7 rar, operation finschafen, australian task force base, nui dat, pte robert hughes, cpl allan aldenhoven, pte john walker

On the crest of Stanhope Hill at Peter Street, Eltham, stands the former home of a couple, Clem and Nina Christensen who had a major influence on the literary development of post World War 2 Australia. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p109 On the crest of Stanhope Hill at Peter Street, Eltham, stands the former home of a couple, who had a major influence on the literary development of post World War Two Australia. In 1946, Clem and Nina Christensen bought the house, which had been designed by Harold Desbrowe Annear, considered to be one of Australia’s most innovative architects in the first quarter of the 20th century.1 That year the stucco building with a metal roof, built in 1910, was extended to the north and south. The main residence was built of jarrah, with stucco walls, floors of Tasmanian hardwood and rooms panelled with Californian redwood (sequoia). The property included a cottage, former stables, a dairy and meat-house. From its beginnings the property has attracted artists and intellectuals. Official World War One artist, Will Longstaff, bought the property – then 15½ acres (6ha) around 1900. Famous for his painting The Ghosts of Menin Gate, now in the Australian War Memorial Canberra, Longstaff was the cousin of another well-known painter, Sir John Longstaff. Several leading artists visited Longstaff at Stanhope including Walter Withers of the Heidelberg School, who lived in Brougham Street, Eltham. In 1919, Theo Handfield, father of author and journalist John Handfield, bought the property from Mrs Longstaff. Then in 1924 the land was subdivided and most of the estate (80 blocks) was auctioned. The next owner was related to novelist Virginia Woolf. Bishop Reginald Stephen, Warden of Trinity College, bought the house and five acres (2 ha) in 1928. He was related to Sir Leslie Stephen, the first editor of the Dictionary of National Biography and Woolf’s father. Novelist and music critic John Harcourt, was the next tenant, while he and his wife Fay, built their mud-brick house Clay Nuneham, at the foot of Stanhope Hill. Dr Clem and Mrs Nina Christensen, lived in the house until their deaths. Clem Christensen – who died aged 91 in 2003 – was a poet, short story writer and painter. However, he is most noted for founding Australia’s foremost literary journal2 Meanjin (originally Meanjin Papers), which he described as ‘democratic left of centre’, in Brisbane in 1940. Clem brought Meanjin to Melbourne in 1945 and remained editor until 1975. Enormously influential, Meanjin spawned and encouraged many of Australia’s best literary talents and it had an international reputation. Meanjin was the first to publish such writers as Judith Wright and David Malouf and it encouraged writers like Patrick White and Peter Carey. Nina Christensen – who died aged 89 in 2001 – was founding Editor of the Melbourne Slavonic Studies Journal and pioneered the study of Russian in Australia. In 1946 she established the Department of Russian Language and Literature at The University of Melbourne, which she led until 1977. Nina’s graduates largely staffed subsequent departments, in other Australian universities.3 However Nina’s Russian heritage and Clem’s outspoken views caused problems. They were forced to defend themselves in the Petrov inspired Royal Commission on Espionage in the 1950s, but were exonerated. The Christensens attracted and hosted many distinguished Australian and foreign writers, artists and academics, including Nobel prize-winning novelist, Patrick White and the world’s then leading cellist, Mstislav Rostropovich.4 Other writers and intellectuals who visited Stanhope were: Vance Palmer, Alan Marshall, A D Hope, Xavier Herbert, Nevil Shute, Geoffrey Dutton, Martin Boyd, Judah Waten, Bruce Grant, Dorothy Hewett and Sir Herbert Read. Painters included: Danila Vassilieff, Arthur Boyd, Albert Tucker, Justus Jörgensen, Robert Hughes and Clifton Pugh. Academics included: Manning Clark, Geoffrey Blainey, W Macmahon Ball, Richard Downing, Geoffrey Serle and scientist Tim Marshall. Politicians included: Jim Cairns, Pauline Toner, Lance Barnard, Sir Paul Hasluck, Sheryl Garbutt and performance artists included: film star Olivia Newton-John, members of the Bolshoi ballet and the Russian State Ballet of Siberia.5 Nina Christensen was honoured in 2006 at the Eltham Living and Learning Centre with the building of an amphitheatre designed by V Sverdlin.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, clem christesen, eltham, nina christesen, peter street, stanhope

As he flew over South East Asia towards Vietnam, Captain Barry Petersen struggled to keep an aura of calm. Inwardly he was incredibly excited. Age 28, highy trained, with experience in anti-communist guerill warfare, he was about to embark on the biggest and most important mission of his life. petersen, barry -- career in armed forces, vietnam -- officers -- biography, australia. army. australian army training team, vietnam -- officers, vietnam war, 1961-1975 - participation, montagnard (vietnamese people), captain barry petersen, aattv, cia

As he flew over South East Asia towards Vietnam, Captain Barry Petersen struggled to keep an aura of calm. Inwardly he was incredibly excited. Age 28, highy trained, with experience in anti-communist guerill warfare, he was about to embark on the biggest and most important mission of his life.petersen, barry -- career in armed forces, australia. army. australian army training team, vietnam -- officers -- biography, australia. army. australian army training team, vietnam -- officers, vietnam war, 1961-1975 - participation, montagnard (vietnamese people)

Union badge that belonged to Victorian Railways tram motorman Norman Charles Boucher - see item 7056 for biography. VR Tram crews were members of the Australian Railways Union Tramway Division. The ARU was formed in 1920 and merging with other rail and public transport unions to form the RTBU in 1993. The manufacturer's name obscurred - possibly Treloar of Sydney.Demonstrates an ARU badge.badge - brass, pressed and formed for use in a button hole. Dark and light blue enamel with a silver surround. The centre of the badge forms an image of the front of a steam locomotive.Manufacturer's name stamped on rear.n c boucher, badges, unions, vr trams, aru

Behind Enemy Lines is an honest, personal account of one man's career as an SAS soldier.australia. army. special air service - biography, soldiers - australia - biography, australia. army. special air service regiment, sas soldier

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists