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Melbourne Tram Museum
Postcard, Railcard, Z1 81, dressed as the Pakistan W11, 2007
Colour postcard of Z1 81, dressed as the Pakistan W11 at the Docklands on the City Circle route, 16/3/2006, Photo by Ian Green. Postcard produced by Association of Railway Enthusiasts, ARE No. 18/07. Has Railcard copyright and phone number of rear, ARE shop details and hours, space for small message, address and stamp. Two copies held.trams, tramways, melbourne, decorated trams, city circle, pakistan w11, are, tram z81 -
Melbourne Tram Museum
Postcard, Railcard, VR53, Latrobe St Melbourne, Oct. 2006, 2007
Colour postcard of VR53, Latrobe St Melbourne, Oct. 2006. Tram showing Special. Buildings in the rear have a Hoyts advertising sign. Postcard produced by Association of Railway Enthusiasts, ARE No. 14/07. Has Railcard copyright and phone number of rear, ARE shop details and hours, space for small message, address and stamp. Two copies held.trams, tramways, melbourne, vr, are, latrobe st, tram 53 -
The Beechworth Burke Museum
Photograph, 5 November 1917
Taken on the 5 November 1917 by James Francis Hurley, this photograph depicts the a war damaged Ypres. The shell damaged wall of the Cloth Hall is featured in the centre of the photograph, with an army vehicle and personal are located on the street beneath the ruined wall.First Battle of Ypres, (October 19–November 22, 1914), first of three costly World War I battles centred on the city of Ypres (now Ieper) in western Flanders. Attempted flank attacks by both the Allies and the Germans failed to achieve significant breakthroughs, and both sides settled into the trench warfare that would characterize the remainder of the war on the Western Front.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6525/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)military album, burke museum, world war one, world war 1, ww1, ypres, belguim, ruins, first battle of ypres, james francis hurley -
The Beechworth Burke Museum
Photograph, c. 1917
This photograph depicts the third battle of Ypres (Battle of Passchendaele). Depicted is a trench battlefield that has been turned to mud. Two army tank vehicles have been buried in the mud of the trenches. A single soldier stands in the background surveying the battlefield.After mid-1917, and following mutinies in the over-strained French Army, the British Forces had to assume an even greater role in the war on the Western Front. For Field Marshal Sir Douglas Haig, the British commander-in-chief, this provided an opportunity to launch an offensive that he had long wanted. Attacking from Ypres in Belgium, he planned to drive the Germans from the surrounding dominant ridges and even hoped to reach the Belgian coast. Following on the success at Messines in June, he unleashed his great attack on 31 July 1917. Fighting went on, often in appalling weather and despite crippling losses, until November. Finally, with the army stuck in muddy fields churned up by the artillery fire, the bloody offensive came to an untidy close. Many would afterwards call this offensive, actually a series of battles, after the name of the village that had become the last objective – 'Passchendaele'. In the Battle off Passchendaele, the 1st, 2nd and 3rd Australian Divisions captured Broodseinde Ridge on 4 October 1917. It was a vital victory. But, then it began to rain. Five days later the 2nd Australian Division suffered heavily in a further attack in the mud. Finally, on 12 October, another attack, involving the 3rd Division assisted by the 4th, was made against the village of Passchendaele atop the main ridge. In the face of heavy fire, the men fought in the mire while struggling to keep up with their artillery barrages. Ground was taken but it could not be held. In wretched conditions, with casualties mounting at an appalling rate, the Australians had to fall back. The troops were finally exhausted and could do no more; by 15 November they handed over to the Canadians.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6523/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)/military album, burke museum, beechworth, military vehicle, trenches, trench warfare, wwi, world war one, world war 1, ypres, belgium -
Marysville & District Historical Society
Postcard (item) - Colour photographs, Rose Stereograph Company, Greetings from MARYSVILLE, Victoria, 1960's
A pull-out postcard of colour photographs of attractions in an around Marysville in Victoria.A pull-out postcard of colour photographs of attractions in an around Marysville in Victoria. The postcard was produced by the Rose Stereograph Company on behalf of Marylands Guest House. Marylands was originally one of the ‘Mary’ chain of guesthouses and was one of several of the chain in Marysville. Marylands was destroyed in the 2009 Black Saturday bushfires along with nearly all the guesthouses in Marysville.M Published by the Rose Stereograph Co., Armadale, Victoria./ Color Transparencies by courtest Maryslands Guest House/ Copyrightmarysville, victoria, rose stereograph company, postcard, souvenir, marylands guest house, autumn, signpost corner, jock's lookout, kooringa, stevenson's river, steavenson river, stevenson's falls, forest -
Bendigo Military Museum
Photograph - PHOTOGRAPH, HMAS MELBOURNE
Photo of the HMAS Melbourne at sea in reference to James Leslie Pell RAN No 35213 Stoker mechanic who served on the ship in the mid 1950’s. Previously had served in Korea 1951-1952 on HMAS Bathan Black and white photograph of HMAS Melbourne. RAN stamp on the back and some black inkStamp on the back “Royal Australian Navy” Copyright reserved. Not to be communicated to te press without Naval Board approval hmas melbourne, royal australian navy -
Federation University Historical Collection
Photograph - Photograph - black and white, VIOSH: Certificate Course in Occupational Health and Safety; Fijian Department of Labour and Industrial Relations, 23 September - 19 October 1996
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. VIOSH conducted a Certificate Course in Occupational Safety and Health for the Fijian Department of Labour and Industrial Relations in 1996. The course was held in the Government Training Centre Fiji. The group was made up of Labour and Factory Inspectors. Steve Cowley led this program. It was from 23 September to 18 October, 1996. Black and white photographsOn back: "FIJI TIMES PICTURE - COPYRIGHT Not to be used or reproduced without the arrangement or permission of the Fiji Times and Herald Limited."viosh, victorian institute of occupational safety and health, government training centre, fiji, factory inspectors, labour and industrial relations, steve cowley, 1996, certificate course in occupational health and safety -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - The Harbour, Portland, n.d
Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees, a dirt road with an RACV sign bridging it to the foreground right and a railway track visible between the trees.Front: THE ROSE SERIES P. 10771/ COPYRIGHT (typed, lower left) THE HARBOUR, PORTLAND (typed, lower centre) -
Churchill Island Heritage Farm
Photograph of grove of trees, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show events and people from the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area and making it accessible and interactive for visitors of all ages. Black and White photograph depicting grove of trees behind a dividing fence topped with barbed wire. Small sign in centre of photograph reads 'This area was planted by Phillip Island Tree Planters Association Assisted by Phillip Island School Children'. Relates to 0525-1 (same subject matter, slightly different angle)Catalogue number in pencil on reverse. Stamp on reverse: “COPYRIGHT/FISHERIES & GAME DEPT./VICTORIA/NEGATIVE SG358/INDEX” churchill island, conservation, trees -
St Kilda Historical Society
Photograph, Jacka Memorial Service, c. 1950
black and white photographJacka Memorial Service at St Kilda Cemetery. Copyright not for reproduction. Herald Sun. Feature service. Melbourne, Australia. -
Clunes Museum
Photograph, MARLENE TOZER - PADDYMELON IMAGES, CLUNES, CLUB HOTEL, 2001
PHOTOGRAPH COPY OF CLUB HOTEL BUILT 1870 AND CLUNES MUSEUM BUILDING 1860. THIS PHOTOGRAPH WAS ON DISPLAY AT SMEATON MILL OPEN DAY 2001. CLUNES HOTELS - NOW AND THEN..1 COLOURED PHOTOGRAPH CLUB HOTEL, CLUNES AND CLUNES MUSEUM WITH FOUR MALE PATRONS AND DOG STANDING ON FOOTPATH. .2 LAMINATED COPY OF THE ABOVE PHOTOGRAPHREVERSE SIDE - ENTERPRISE VISION PTY. LTD. ABN. 95 005 604 544. COPYRIGHT CLUNES, VICTORIA.club hotel, clunes museum -
Stawell Historical Society Inc
Photograph, St. Patrick’s Catholic Church
St. Patrick’s Catholic Church and surrounding buildings 1880's. The church was opened in 1873. The construction is of Black Ranges faced with Grampians Freestone. The bell tower is 70 feet high, and the walls are 30 inches thick. The church was opened on 30th March 1873 by the Bishop of Melbourne, the Right Reverend Dr. Goold. The Historical Society have a programme for this opening - tickets for front seats were 10/- each. The sanctuary was added during 1927 as was a white marble altar which was the gift of a parishioner. Much earlier - In 1865 - a wooden Catholic Church was built on this street near the Court House site. The wooden building became too small for the congregation and this church was commenced before the end of 1869. Sepia photograph of St Patrick's Catholic Church and surrounding buildings. The photo also shows mining operations in Stawell with the Grampians in the background c 1880's. Two enlargements of the Catholic Church are taken from the sepia photograph and marked as 105a.C. Herbert. Photo. Copyright Registered Stawell. on the back is written "Stawell from Big Hill c 1880" stawell, panorama, mining -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Leon Marshall Wood, 29/03/1948 12:00:00 AM
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 24 in Aberdeen St, 29-3-1948. Wal's album notes that the tram is in the new colour (all green) scheme. Printed on Velox Paper. Tram has the destination of East. Note the "Pay as you enter" sign. Has on the rear in ink "Aberdeen St, Geelong 29-3-48" and the L. M. Wood copyright stamp.trams, tramways, geelong, aberdeen st, east, tram 24 -
Lilydale RSL Sub Branch
Print - Framed Print, Captain William Frederick Longstaff, Menin Gate at Midnight (Ghosts of Menin Gate), Painted 1927
Print of original oil painting by Will Longstaff depicting a host of ghostly soldiers marching across a field in front of the Menin gate War memorial at Ypres, Belgium.Plaque on frame "Menin Gate at Midnight / copyright reserved / by / Will Longstaff / presented to the Commonwealth Government of Australia / by / Lord Woolayinton -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, 1973
Black and white photograph of tram 1041 is in 1973 after the brown skirt paint was applied but before the extra lower windows were installed in the front doors. Location - traveling east in Swan Street outside the Olympic Swimming pool. Image used in Reg Item 2984. 2nd copy added 26/8/2020Has on the rear "MMTB stamp on rear. 2nd copy has PTC copyright stamp on rear and MMTB stamp.trams, tramways, 1041, new trams, prototype tramcar, tram 1041 -
Melbourne Tram Museum
Photograph - Cable tram - Bourke Street at Spring Street, Herald Sun, late 1930s
Photograph shows a cable tram set - trailer number 576 with the destination of Spencer St in Bourke St at the intersection with Spring St. Has Victorian Parliament house in the background. There is a safety zone sign in the foreground for the outbound tram service. Photo late 1930s or 1940Yields information about Bourke St cable trams.Black and White photograph - printed on plain paper.On the rear has the Copyright stamp of the Herald Sun and pencil number "KM-M-006" and Ken Magor stamp.cable trams, bourke st, spring st, parliament house, safety zone -
Melbourne Tram Museum
Photograph - Set of two Black & White Photograph/s, The Age, 1979
Set of two black and white photos from The Age of the first day of running Z3 117 in service. .1 -Z3 117 at the Elizabeth and Bourke St stop loading passengers. Tram has in the route number box a sign "New Trams free rides today". .2 - Interior view of tram with the conductors desk having a sign about free rides, another employee handing out pamphlets about the tram and passengers on the tram. From the Vicsig.net web site accessed 20/8/2013, gives the in service date of Z3 117 as 25/9/1979.Have "The Age" copyright stamp on the rear. In pencil, on both "Oct 1979, Z3 117 first day in service"trams, tramways, mmtb, z3 class, bourke st, tram 117 -
Port Melbourne Historical & Preservation Society
Photograph - Savings Bank and Riall Bros Printers, Bay Street, Port Melbourne, c. 1900
COPYRIGHT PUBLIC RECORDS OFFICE Digital image of black and white photo of the "Savings Bank" (later State Savings bank of Victoria) and Riall Bros Printers in Bay St. Approx date 1900. The Port Melbourne branch of the Savings Bank opened on 1 March 1886 in leasehold premises. Land was purchased in 1890 and a new building was erected in 1891.built environment - commercial, state savings bank of victoria, bay street, business and traders - printers, riall brothers pty ltd -
Port Melbourne Historical & Preservation Society
Photograph - Various ships at Station Pier, Port Melbourne, The Age, 4 Jan 1968
COPYRIGHT THE AGE Two black and white photographs each showing 2 ships at Station Pier . .01 - "Iberia" (inner East) and "Guglielmo Marconi" (outer East) .02 - "Achille Lauro" (inner West) and "Orcades (outer West). Cars line both sides of Station Pier. All four ships were in at the Pier at one time. 04.01.1968transport - shipping, piers and wharves - station pier, achille lauro, orcades, iberia, guglielmo marconi -
Port Melbourne Historical & Preservation Society
Photograph, Bay & Rouse Streets, Sandridge, c. 1871
Photographed in 1872 by William PATERSON as one of a series for the Melbourne Exhibition of 1873; original mount hanging in Engineering Department at Port Melbourne Town Hall at 19-9-1994 but now in Port Phillip,City Collection. This set of original prints belonged to Town Clerk Syd ANDERSON, then to his daughter-in-law Phyllis ANDERSON (donor). Accompanied by list of captions, both hand written and typed (the latter a partial listing). COPYRIGHT Port Phillip City Collection pm0340 View northwest from the Victorian Sugar Works c1872, showing back of Post Office/Mail Exchange, Bay and Rouse Streets, Wesleyan Methodist and Presbyterian churches, police precinst, Exchange, Victoria and Ship Inn hotels, various traders etc, and corner of residence of Frederick POOLMAN, Manager of the Sugar Works."P. Anderson" ink, on back:"9" ballpoint, on upper left face of photoreligion - wesleyan methodist church, industry - manufacturing, built environment - civic, built environment - commercial, sydney sims anderson, town clerks, robert harper & co ltd, post office, mail exchange, david thomas, business and traders - hotels -
Ballarat Tramway Museum
Slide - 35mm slide/s, Nu-color-vue or Nucolorvue Productions, late 1960's or early 1070's
Plain white cardboard transparency slide of a Ballarat Bogie tram at dusk in Sturt St. - See Reg. Item 960 for details of this item - a postcard print of the same photograph. On slide has printed at top edge "Sturt Street by Night / Ballarat Vic." and in bold print "BT.36" On base of slide "a Nu-colour-vue slide" "copyright"tramways, trams, ballarat, town hall, sturt st -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING: THE DIGGERS, c1900
Diggers & Mining: The Diggers. 2 images on one slide. 1st image: woman in uniform in front of Auastralian flage, caption: 'Were YOU there then?' 2nd Image woman with her daughter, caption: God bless dear Daddy who is fighting the Hun and send him help. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 20. Used as a teaching aid.Visaireducation, tertiary, war -
Kew Historical Society Inc
Photograph - Alma and Silvia Figuerola, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.This photographic is part of a series that is historically and aesthetically significant, in that they record the appearance of an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. This is a newspaper photograph, part of a series on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Annotation on reverse: "View showing side of mansion there is a wing running from left hand side. / Owner with her sister Silvia and "the Head".alice figuerola, australian artists, d'estaville, 7 barry street -- kew (vic.) -
Kew Historical Society Inc
Photograph - Window, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Window, D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.Annotation on reverse: "Bars on pantry window were for protection against raiding blacks. Retained for historic interest."australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -- melbourne artists -
Melbourne Tram Museum
Postcard, Railcard, SW5 728 in an advertising scheme for the Melbourne City Romp, 2007
Colour postcard of SW5 728 in an all-over advertising scheme for the Melbourne City Romp, on 18/8/2007, Docklands while running on the City Circle. Postcard produced by Association of Railway Enthusiasts, ARE No. 17/07. Has Railcard copyright and phone number of rear, ARE shop details and hours, space for small message, address and stamp. Two copies held.trams, tramways, melbourne, decorated trams, city circle, are, events, sw5 class, tram 728 -
Melbourne Tram Museum
Leisure object - Cardboard Model, OddBall Pty Ltd, "Pop-out Construction postcard", 2012
Cardboard model, fold up of a Melbourne Z3 class tram No. 130, with in a plastic envelope, envelope and a writing sheet. Produced by OddBall Pty Ltd, of Rowville Vic. 3178, copyright 2012. Package titled "Pop-out Construction postcard", Has notes on the rear about the Melbourne tram system. Priced at $3.90 in the Museum shop - August 2017.trams, tramways, models, modelling, z3 class -
The Beechworth Burke Museum
Photograph
This copy of a postcard from the Rose series depicts Ford Street looking South. This postcard is part of the Rose Series produced by Victorian photographer George Rose’s business, the Rose Stereograph Company. George Rose (1861-1942), is considered one of Australia's best photographers of the late 19th and early 20th centuries. The Rose Stereograph Company was founded in 1880 and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer, a big craze of the era. As stereographs lost popularity in the 1920s, Rose switched to production of postcards and decorative cards, and he and the photographers who followed took thousands of scenes around Victoria as well as interstate that became iconic images of Australian life.Black and White photograph (copy) on gloss photographic paper. Obverse: THE ROSE SERIES P.10544 COPYRIGHT FORD STREET, BEECHWORTH, VIC Reverse: BMM7746 PH 147 1998.00059beechworth, rose series, ford street, burke museum, postcard -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Argus newspaper, Dutchman Hans Roozaenbeck dances with Betty Stevens, February 1952
The image was featured in an article printed in 1952 profiling the lonely lot of the seaman ashore and the activities at the Mission to Seafarers. The actual clipping is adhered to a page of a "Snapshot" album of photographs and clippings donated by Sadie Wilson (c. 2002), a member of the Harbour Lights guild member. The legend in the article mentions: "Dutchman Hans Roozaenbeck dances with Betty Stevens."Photogograph taken in situ at the Mission to Seafarers in the 1950s with both dancers identified.Black and white gloss photographic print depicting a young couple holding hands while dancingon verso: indigo blue ink stamp : COPYRIGHT PHOTOGRAPH .../ .../ The Argus MELBOURNE AUSTRALIA / Negative no [in pencil] AG991(A) Reference No [ blank]dancing, entertainment, seafarers, dutch, betty stevens, hans roozaenbeck, the argus, hlg, harbour lights guild, 1952, dances -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Botanical Gardens, Portland, n.d
Black and white photograph of Portland Botanical Gardens. Showing an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10757/ COPYRIGHT (typed, lower left) BOTANICAL GARDENS, PORTLAND (typed, lower centre)portland botanic gardens, postcards, travel, tourism -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Bentinck Street, Portland, n.d
Black and white photograph of an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10800/ COPYRIGHT (typed, lower left) BENTINCK STREET, PORTLAND (typed, lower centre)