John Robinson (1897-1947) married Mary Maloney (1893-1978) in 1927. John was a bank teller and when he died in Ballarat he was described as a bank manager.Black and white photographs (2) mounted on rectangular brown board. House, weatherboard and cement sheet, brick flower box under front window. 2 chimneys, tiled roof,canopy over door at side, striped sun blind with scallops over window. On back of photo: 'Mr. Robinson, 44 Honeysuckle Street, £1100 sewered'Frank A. Jeffree, Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

This image was photographed from an original oval framed photograph in possession of Mrs Vi Symmons, nee Coate, daughter of Joseph and Isabella Coate. The Coate home was moved to Kalimna West 1960-1970c.Sepia photograph of the family home of Joseph and Isabella Coate, situated on Esplanade. It shows a tile roofed California style bungalow residence, two internal chimneys each topped with twin chimney pots. Veranda has decorative frieze under roof, seven men standing in front of house, five in workman's aprons. Lakes Entrance Victoriatownship, architecture, people, clothing, room display

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, Victorian style pointed brick double fronted large window on left with arched centre, sash windows, 2 narrow window ones either side, decorative tile work columns, galvanised iron roof with chimney. Marlo Wills Street written on back.Frank A. Jeffree Photo Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, brick, top portion rendered, tile roof, brick verandah wall, leadlight windows, ventilator grill in gable, picket fence with timber capping rail, internal trellis fence, end gable in fill may be cement sheet. Cnr 61 Sternberg & Mundy Streets.Frank A. Jeffree, Bendigoplace, building, residential, stamped on back in circle ''royal historical society of victoria, bendigo branch''

This photograph was published in Church and Nation 12 December 1984. The photograph was taken at celebrations to mark the 60th anniversary of Parkdale Uniting (formerly Methodist) Church. The current brick veneer building incorporated an earlier weatherboard church built on the site. The old church was brick veneered and tiled in 1961. New kindergarten rooms were built at the rear in 1970. The old church was completely gutted during renovations in 1987.B & W gloss photograph of a group of people gathered outside Parkdale Uniting Church.parkdale, uniting, methodist,

The subject item is essentially a 19th century development of the 18th century basin stand, the washstand had assumed a regular table form by about the 1830s, usually with a marble top and pot board beneath. The earlier timber top washstands had a timber splash back, while the marble top washstands usually had a matching marble splash back often with a small semicircular shelf for the soap dish, or a tiled splash back. Many washstands had a hole cut into the top to contain the china wash basin. Washstands were generally supported on pedestal, scrolled or cabriole legs, in keeping with the dressing table with which they were often made en suite. Edwardian washstands like most furniture of the period were much more rectangular in outline, with squared corners and (Lassetter) fairly plainly turned legs. They sometimes had a cupboard below the marble top. The back was usually tiled, often featuring the Art Nouveau motifs washstands were used until the 1920s. Wash stand wooden opening in top for basin, 3 raised sides, 4 turned legs, Lower shelf broken at front, has remnant black stain. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wash stand

Photocopy of Certificate of Title and double sided bi-fold leaflet advertising auction of 14 allotments on 13th October 1973 with map of streets, summary of local services and terms of sale. Subdivision includes Waterloo Street, Burns Road (later Dirkala Avenue), and Simpsons Road (later Simpsons Court). Auctioneers - C.E. Carter & Son R.E.S.I. 126 Whitehorse Road, Ringwood, Telephone 870 2519, 870 6830, 870 6024, A.H. 870 0421, 870 3568.Auctioneer's notation of sale prices included on brochure - all sold on day of auction. Vendor Frank Harry Peacock, Tile Burner, named as proprietor of Lot 12 on Plan of Subdivision No. 95654 on Title (Vol 8999 Fol 058). Map shows Dandenong Creek Watercourse as at September, 1971, prior to Dandenong Creek Trail development.

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with unpainted brown brick features. Other features include a porch with "Milford" written above the arched entrance, a decorative brick rectangular panel, striped awnings, sash windows, chimneys, tiled roof and low unpainted brown brick fence in the foreground with "31" on the letterbox on top of the brick pillar beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick features, milford, house names, brick fences, letterboxes, striped awnings, sash windows

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house. Other features include an open porch with 2 brick pillars and white trellis on one wall, tiled roof, white sash windows, feature brick wide and tall chimney and low unpainted brick fence and brick garage with white door. A public footpath and nature strip are in the foreground.42murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, lindsay avenue, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, chimneys, sash windows, garages (private), brick fences

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house. Other features include an open porch with brick pillar and white trellis on one wall, tiled roof, white sash windows, feature brick wide and tall chimney and low unpainted brick fence with "42" on the wooden letterbox atop the brick pillar alongside a black metal gate in the foreground.42murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, lindsay avenue, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, chimneys, sash windows, brick fences, cast iron work

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house with decorative brickwork. Other features include tiled roof, enclosed porch with an arched entrance and black metal lantern and open window on the left side , garden, drive and a low slightly damaged unpainted brick fence with cast iron work railing in the foreground with a cast iron work letterbox on top.11murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, arches, cast iron work, letterboxes, brick walls

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a light tan rendered brick house with a small curved additional roof jutting over the front door. Other features include tiled roof, white framed windows, door and guttering, feature chimney and a low unpainted variegated brown brick fence in the foreground with bushes and lawn behind the fence. Tall trees behind the house.murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, chimneys, brick fences

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a white rendered brick house with decorative unpainted variegated brown brick features including a panel and column. Other features include tiled roof, porch, 2 tall rendered chimneys, concrete driveway, variegated brown brick garage with white door and a low unpainted matching brick fence in the foreground with established bushes and lawn behind.13murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick features, porches, chimneys, garages (private), brick fences

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of a man dressed in a light jacket and trousers, carrying a brief case. He is standing at the entrance of building with a wide doorway which has an ornate carving over the door frame. A light and dark chequer board tiled floor can be seen inside. Thick vine covers the outer wall above the door. The man is Frank Wright.frank wright, composer, adjudicator, musician

Bendigo Pottery - a. Booklet (text by Eric Page - Mullaya Publication) - has good coverage of history of the pottery and sections relating to 'Bottle Kilns'', local clay' potter's skill, use of moulds, firing, ceramic tiles - includes photos and line sketches; b. Bendigo Trust flyer re pottery with tour times and summary of history on reverse side.A Mullaya Publication. Designed and published for Bendigo Pottery (Epsom) Pty Ltd., by Mullaya Publications, 17 Griotte Street, Canterbury, Victoria. Printed by Humphrey and formula Press. Line Drawings by Jan Neil.bendigo, tourism, bendigo pottery

black and white photo. Mounted on soft manilla card. Image is of double fronted villa. Double gabled tiled roof, single rough cast chimney, buttressed arched verandah. Rectangular vent in shingled area above triple leadlighted double hung bow window, brick walls, stepped wide entry verandah. Brick/concrete fence.buildings, residential, art deco

Yields information about the damage to an SEC tramcar following an accident with a vehicle. Also gives information about the way the trams appeared.Black and White photograph, of Ballarat No. 27 after being involved in an accident with damage to the doorway entry, including the removal of the door itself. Tram has the destination of Victoria St, a Terra Cotta roof tiles roof advertisement and an "Everybody's Swinging to Briquettes" dash panel ad. Photographed at the SEC depot. Photo late 1950's or early 1960.tramways, trams, accidents, collision, depot, colour schemes, tram 27

Yields information about Ballarat streetscape and its trams in the closing days of the SEC tramway system.Digital image from a black and white print of tram 33 being reversed at Sebastopol, the driver is reversing the pole. The tram has a Eureka Roofing Tiles and "Bliss Bombs" (Make Bliss not Love) roof advertisement and a "Trotting at Brae Raceway" auxiliary board. In the background is the Sebastopol Royal Mail Hotel, Albert St. Photo by Marc Dahlstrom c1971.On rear is the Marc Dahlstrom stamp.trams, tramways, albert st, sebastopol, tram 33

This was originally built as a State Savings Bank of Victoria branch in 1916. The first manager was Mr Campbell Cameron. On 26 August 1990, the Commonwealth Bank of Australia (CBA) entered into an agreement with the Treasurer of Victoria for a merger with the State Bank of Victoria (SBV). All former State banks were given new signage in November 1992. The CBA operated the branch for a relatively short period of time with the branch closing in 2000. Community pressure for a local bank resulted in the Bendigo Bank opening a branch on the site in 2002. (See Bendigo Bank file)A colour photograph of a two storey building with a red terracotta tiled roof. signage indicates it is occupied by the Commonwealth Bank of Australia. The upper storey is rendered; the lower part of the building is red brick. The lower storey windows have been 'modernised'; the upper storey ones are in keeping with a build of the early 20th century. Adjacent to the door there appears to be an automatic teller machine.commonwealth bank, state savings bank of victoria, commercial establishment, union road, surrey hills

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, large elevated w/board with tiled roof. Ventilated eaves and rough cast insert to front gable. Steps to side verandah with balustrade. Casement windows to front and side bay window double wooden verandah posts, palms, fruit trees and ground cover creepers in garden.Not legibleplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

Illustrated book with dustjacket. Book is bound in dark blue cloth, with tile, authors name and publishers mark printed in gilt on spine. Dust jacket has mid blue background with title and authors name in white print on front and spine. Also on front is a sketch in white of the hospital [ca.1885], and a black and white photograph of the hospital [ca.1969].non-fictionA history of Prince Henry's Hospital from its beginnings as the Melbourne Homeopathic Dispensary in Collins St in 1869 A move in 1876 to Spring St allowed for enlargement and transformation into the Melbourne Homeopathic Hospital Relocation to St Kilda Rd site in 1885 and name change to Prince Henry's Hospital in 1934. The book continues to relate the development of a modern teaching hospital up to 1969.prince henry's hospital-melbourne, hospitals-vivtoria -history, homeopathy-history

"I am an Australian of German parents born in Persia. I was taught by Peter Rushforth, with a very strong Japanese influence. My work attempts to incorporate these four elements of my history. For form, my influence comes from Art Nouveau, or Jugendstil as it is called in Germany. Techniques are informed by pottery from Japan, China, Korea and Germany. My colours are inspired by the Australian landscape. Using the language of woodfiring, I create a personal vocabulary with new subjects, grammar and syntax, which make each pot a one-off object containing all my diverse influences." (Roswitha Wulff)Roswitha WULFF (1941- ) Born Tabrize, Iran. Arrived Austrqalia c1949 Roswitha Wulff spent her early childhood with her mother, potter Helma Klett, in Germany. In 1964, she obtained a ceramics certificate from the East Sydney Technical College. From 1964-65, she worked with Robin Welch and Ian Sprague at Sprague's Mungeribar Pottery in Upper Beaconsfield, VIC. In 1966 she worked at the Sturt Pottery in Mittagong, NSW under Les Blakebrough. Between 1967 and 1969 Roswitha Wulff travelled overseas, spending 6 monthe with Robin Welch after his return to England and 9 months as a full-time thrower at Briglin Pottery, London, as well as working in potteries in Denmark and Germany. From 1969-70, she worked in North-West Pakistan as a research scholar for the Smithonian Institute and the University of NSW. Returning to Australia in 1970, she set up a workshop in Paddington, NSW, with the help of an Australia Council grant and taught part-time at the East Sydney Technical College and the Willoughby Workshop Art Centre. Since then she has been a lecturer and Head of Ceramics in many institutions, including the National Art School. In the 1990s she moved her studio to Botany Bay, NSW.. While working with the vessel form, she sees her pots as abstract landscapes. Recently she has also been working with wall tiles. During a residency at the Canberra School of Art in 2002, she developed tiles that looked like woodfired pillows with soft rounded rims. In 2007, she used such tiles to create a mural commemorating the Sesquicentenary of St Vincent's Hospital in Paddington. Woodfired stoneware bowl with flay ashSigned on baseroswitha wulff, jan feder, jan feder memorial ceramics collection, woodfire, ceramics, gippsland campus, botany bay studio pottery

Re-claimed material were used during the construction of Montsalvat, the artists colony in Eltham. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep. Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p131This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, montsalvat, swimming pool

First owners, Whites of England - hand made bricks, coffee jugs, hand made agricultural pipes and garden edgings. 1911 Commonwealth Insulator Co run by Gee Brothers - stone ginger bottles, insulators for PMG. 1920 Parker & Strangwood. Closed for a short while. 1931 Descendants of Gee Brothers. 1936 Commonwealth Art Tiles, Bricks & Pottery Works. 1961 Brick and Pipe Industries. 1971 Amalgamation leading to Vitclay.Four coloured photos ( a-d ) of the dismantling of Vitclay buildings in 1995 and subsequent vacant land for housingvitclay pipes pty ltd, pipeworks, commonwealth potteries pty ltd, clay industries, gee family, commercial insulators, brick and pipe industries, commonwealth art, tile, brick and pottery works

The first Housing Commission homes of brick and tiled roof built after WW2 in Stawell Dawson Street c 1950's. Also in the file a Newspaper clipping from News, Saturday, October 11. 1947. "George Mitchell Square" the first Housing Commission homes built in Stawell. George Mitchell was a member of Borough Council for 40 years and Mayor for 4 years. The housing estate was named in his honor. The architects "Buchannan Laird & Buchanan Geelong.Black and white photograph of a street scene. The photograph shows a line of brick houses along the street with timber fences. Four electric power lines are along the street with 2 in the distance. The street also has curb and guttering. The street to the right has a street post with "George Mitchell St" written on the street sign.stawell

black and white photograph. Bennett's Arcade, south end looking nth. Boy with pushbike, back of male figure, elder lady with shopping bag, dressed in hat, jacket with flower. Male and female both wearing hats and jackets. Various items of hardware, baskets, suitcases, etc. Tiled floor. Bottom R H S U1 593-10 on back A DONEYA. Doneyplace, arcade, bendigo

Colour photo; brick house. Unknown address but possibly Aulsebrook or Martin residence. Brown brick, cedar windows, single storey, tile roof. Man mowing grass on LH side, woman sitting in front of house reading a newspaper. On back of photo 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth Street, Golden Square, 3555. Phone 054 437565bendigo, business, aulsebrook and martin, photographers

The weatherboard house is one of the six weatherboard cottages which were built on the east side of O'Shanassy Street in the early 1900s. It has been listed in the Heritage Study in 1998. Scheduled as having some significance and recommended for further investigation.A coloured photograph of a weatherboard Victorian cottage with an overhanging verandah across the double fronted building. The weatherboard walls are painted biscuit and the window and door frames are tan. A wooden tile trim painted in biscuit, tan and dark green. There are two stepped chimneys protruding from the white painted corrugated iron roof. The overgrown garden has low growing trees and shrubs.george evans collection

James Tiller married Grace Stewart in 1921Photocopy of James Tiler and wife standing together in front of house. James is wearing shirt, buttoned vest, jacket, trousers and has a piece of leather across his hand, moustache. Mrs Tilley has white collar, white buttoned dark coloured dress with belt and round buckle, has light coloured jacket, hair is pinned back and wearing glasses.