Brown glass bottleMildara Supreme Australian Sherry on paper label

Brown glazed tile(on back) 4209ceramics, earthenware

see NA359Brown glazed tileT346 35 (Handwritten on back)ceramics, earthenware

Brown Leather Gloveshand written name F. Hollow. Label Made in Australia Size V409,1943

Turbo is a portrait of beloved local artist Trevor ‘Turbo’ Brown by Brunswick-based artist Amaya Iturri. Brown was a Latje Latje artist known for his bright paintings of dogs, birds and other Australian animals. Iturri worked with Brown in 2013 for the One of a Kind mural commission, supported by Merri-bek City Council, which can still be seen at Sparta Place, Brunswick. The two artists complement each other’s work, as they both use bright, figurative methods of painting to explore their subject matter. Iturri uses vivid blocks of colour to bring together a candid image of Brown drinking a coffee, which he often carried when out and about in Brunswick. The flecks of colour in the portrait blurs what is light and shade, and what is paint on Brown’s hands and face. True to Iturri’s painting practice, this portrait depicts Trevor ‘Turbo’ Brown as a local icon inseparable from his artworks – the perfect meeting place between life and art.

This coat was produced from wool first shorn in c.1928. In 1928 Mr Mal Groves took over the Dutchman Station near Port Augusta in South Australia. Whilst out riding in some rough country he came across a sheep that had been left by the previous owner of the station. As he carried shears with him, he sheared the sheep and left the fleece rolled up and partially covered by rocks and wood, as he had no bag to carry it back with him. He intended to come back for the fleece, but forgot about it until he came across it some forty years later. It was still in good condition (despite having experienced extreme temperatures and rainfall whilst in the open), so he showed it to Elders who arranged to display it at agricultural shows in Adelaide, Melbourne and Geelong. The Gordon Institute of Technology, Geelong, offered to spin the fleece into a fabric and make a coat for Mrs Groves. The fabric was tailored into a coat by Lindsay and McKenzie of Geelong and presented to Mrs Groves in July 1968 by the South Australian manager of Elder Smith Goldsbrough Mort Ltd. It is not know how the coat came to Elders from the Groves family, but Elders displayed the coat under the heading "The Fleece That Would Not Die" before donating it to the National Wool Museum in 1997. A video giving the history of the coat and a text panel used by Elders were also donated at the same time.Coat, brown wool. Long sleeves, knee length with three circular brown buttons and two external pockets. Lined in brown satin, with a blue and red label at the base of the collar.Wording: Solo;Method: Embroidered;Location: Label at base of collar, inside coat Wording: PURE WOOL;Method: Printed;Location: Label on side seam, inside coatfashion wool - characteristics wool processing textile mills textile mills, lindsay and mckenzie elders limited gordon technical college, royal adelaide show - exhibition (31/08/2001 - 08/09/2001), groves, mr mal groves, mrs, dutchman station, south australia, fashion, wool - characteristics, wool processing, textile mills

Primary School 502 Class Photo 1931-33. This photo is of pupils who attended Stawell 502 Primary school. The names of students are typed out on a separate sheet of paper. Sepia toned photograph of a group of school children. A back ground of treed on a brown lined mount card.Primary School 502 Pupils who attended 1931-33. Back row. Veron Cunningham, Ron Kindred, Jack Neighbour, Arthur , Jack Johanson, Allan Collins, Ian Cook, Edward Mills, Allan Coward, Les Arnel, George Hollaway, Bob Holloway, Lloyd Brown, Spencer Whelan, Jim Illig, Third row. Joan Hardwick, Gladys Leslie, Joyce Miller, Joan Fry, Jean Marshall, Valda Cottingham, Doreen Croes, Doris Gorman, Jean Gilbert, Pearl Burrows, Elleen Kindred, Olive Dalkin. Fourth row. Mavis Darker, Norma Chapman, Paisley Bradley, Lorna Skurrie, Edith Cox, Edna Stephens, Betty Knipe, Dorothy Whiteside, Joan Knipe, Jean Cox, Joan Vagg, May Young. Front row. Jack Greenwood, Jack Byron, Jock Hill, Len Draper, Arthur Haywood, Laurie Hay, Allan Walker, Allan Stockton.stawell education students

The Common buzzard, a medium-sized raptor, is found across Europe and Asia, and in Africa in the winter months. It is the UK’s commonest bird of prey, found in nearly every county. Due to their large size and their brown color, they are often confused with other species, especially the Red kite and the Golden eagle. They may look the same from a distance, but the Common buzzard has a very distinctive call, like a cat’s mew, and a distinctive flying shape. When soaring and gliding, the tail is fanned and its wings are often held in a shallow 'V'. The colour of individuals varies from dark brown to much lighter, though they all have a finely barred tail and dark wingtips. This species occurs across Europe and Russia, and parts of Northern Africa and Asia in the cooler winter months. It lives in a range of habitats, especially woodland, moorland, pasture, scrub, arable land, marsh bog, villages, and sometimes towns and cities. This particular specimen has been mounted in a correct stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Common Buzzard is brown in colour with lighter markings on the chest. It has a white patch of feathers on the back of its head and it has darker wingtips and yellow feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: 30 / Buzzard / Catalogue page 52. / Metal tag: 4043 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, bird of prey

Photographic record of the World War I years & theatres of war. Maps of various battles are also included. An introduction to the book was written by John Keegan.Brown, buckram hard cover with title in gold lettering on spine. Brown dust cover with illustrations front & back. Title in brown & white on front & spine of dust cover. 256 pages with cut edges. Contains black & white illustrations. Brown end papers.books-military-history, illustrations

Brown – Henry. Frank & Des. Photocopies of four photos.stawell

Photographers: Historical Norman Brown, Contemporary George GitttoesSheetlet of 10x45c stamps. Historical on left: Charles Byrne and G Walker 29th/46th Btn New Guinea 1943 (AWM #16297) smaller image on left Light Horse on parade 1940 (AWM #001329). Contemporary on right: Trooper Jon Church carrying a child in Rwanda (1995) smaller image upper right Officers on Commando Officer Selection course Jul 1997. Selvedge features images of 13th Australian Light Horse in France 1918 (AWM #EO2979) and a soldier greeting the dawn in Balibo and the Rising Sun badge.

Lex Brown, 27.3.1918 Possibly New Zealand ServicemanRectangular postcard, sepia tone photo of WWI Soldier.passchendaele barracks trust, postcards, photographs

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as a Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. He sits on a wooden perch with his head turned to the left. A swing tag is attached to its leg.11 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

Insignia denotes Sergeant. Part of the Kevin John Herdman, No.397661 Collection. See Catalogue No. 5942P for details of his service record.Two sets of rang insignia, each consisting of three white and brown chevrons on a light brown background.uniform, rank insignia, kevin john herdman

Boots issued WW2.Pair of brown leather boots with brown leather laces, metal heel and toe tip. Leather sole.uniforms, footwear, boots, ww2

Replica leather boots - WW1 Army.Pair of light brown leather boots with brown leather laces. Leather sole. Makers stamp on sole.Makers stamp imprint on sole of boots - oval shape with crossed swords in centre. "Lawrance ......../SYDNEY AUSTRALIA"uniform, footwear, boots

LEATHER BOOTS ISSUED WWIIBoots- pair brown leather with brown leather laces. Metal heel and toe tips. Leather soleOn leather sole (^)B64 Stamped into leather upper top “W201/652”uniform, footwear, ww2

Doll with brown hair dressed in light brown Red Cross uniform with red cape & nurses veil.In ink under dress: “BUCHAN 90 - 100 years old”leisure object, red cross, doll

Uniform Gaiters belonged to Thomas Henry ISER V24933 and VX102660 2nd AIF. Refer Cat No 383.2 for his service details.Cloth Gaiters Khaki .1) Has dark brown Buttons .2) Has light brown Buttons.1) Hand written inside gaiter "Iser" stamped "?" and "RAM"gaiters uniform, military

R. Wilson and A D Rose maths books were very popular and formed a basis of education maths classes in the 1950's in Victoria. This is what would have been used in Mt Beauty Secondary School at the time.This has historic significance as it shows what maths was taught in the early - mid 20th century. This book would have been used in the Kiewa Valley schools by a local identity Wilma Davies therefore has social significance and good interpretive capacity. This book is now out of print and is a collectible item. Black cover with strips on side of the front. Light brown centre with brown writing and squiggle pattern below.Publisher inscription - Wilson and Rossbook, school, text book, wilma davies, educational, maths

Councilor G.C.Stewart was elected as a member to Ballarat Shire Council in 1915 until 1927.He served a term as Shire President in 1921-22.In 1924-25 he served the balance of term after the death of Councilor D.Walton. Original Historic Photo.This Sepia photo of Councilor G.C.Stewart,is set in wide brown frame with a brown "watermark" mount,rectangular in shape.Ex Councilor G.C.Stewart.ballarat shire council, 1915 1927, stewart g c

A dinner and 'smoke social' to farewell St Kilda members of the 2nd AIF during World War II, presented by the City of St Kilda at the St Kilda Town Hall on 24 February 1940.Yellow coloured folded card with folded yellow paper insert, printed in brown and tied with brown ribbonworld war ii, city of st kilda, 2nd aif

'Earth Blanket' is a quilt made by Pamela Farmer of Shoreham, Victoria in 2000. It is made from a wool blanket with merino and alpaca felt. The techniques used to make it include: felting, applique, quilting, machine and hand embroidery and it has been dyed with eucalyptus leaves. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Earth Blanket' was selected as the winner of this exhibition and was purchased for $2000. It was catalogue entry no. 5.Quilt, woollen felt with appliqued, quilted, dyed and embroidered surface. This quilt is mostly in brown and brown tones.P.F.quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), farmer, ms pamela, quilting, handicrafts

Beige linen tea cloth with brown drawn thread centre and brown stitched box thread hem.domestic items, sewing, handcrafts, embroidery

.1) A number of boys jump into the Brown Hill Pool. .2) The diving board at Brown Hill Pool.brown hill pool, brown hill community pool, swimming, swimming pool