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Warrnambool and District Historical Society Inc.
Sheet Music, Varsoviana sur L'Etolie Du Nord, 1860s
This piece of music is the varsoviana dance piece from the Giacomo Meyerbeer opera, ‘L’Etoile Du Nord’ arranged by Camille Michel. The varsoviana was a slow graceful dance originating in Poland in 1850 and appearing in Australia in 1856. ‘L’Etoile Du Nord’ was a comic opera in three acts composed by Giacomo Meyerbeer in 1854. Meyerbeer was the most successful stage composer of the 19th century but his works are rarely performed today. Camille Michel was an editor, composer, author and arranger working from the 1840s to the 1880s. The varsoviana music arrangement probably dates from the late 1850s or 1860s. It is not clear who ‘Minnie Henty’ was but it is most likely that she was Minnie Adair who married George Henty, the son of Stephen and Jane Henty, pioneer settlers in Western VictoriaThis sheet music is most important mainly because of the ‘Minnie Henty’ signature. The Henty family members, founders of the first permanent Victorian settlement at Portland, were influential in the history of the Warrnambool area because of their connections with surrounding properties and with coastal shipping. The music also has social significance as an example of music popular in 19th century drawing rooms.This is a two-page piece of sheet music (cover and two pages of music notation) with the material printed in black on cream paper. The back cover is blank and the front cover has the title and names of the composer and the arranger with ornate scrolls around the printing. The edges and fold of the pages are much tattered and torn in some places. There is also a Warrnambool and District Historical Society stamp on the front cover and the signature of Minnie Henty. Front Cover: ‘Minnie Henty’ ‘Varsoviana sur L’Etoile Du Nord de G. Meyerbeer pour le piano par Camille Michel, Ent.Sta.Hall., Price 1s/-, London, Cramer, Beale & Co., 201,Regent Street & 67, Conduit Street and at 167, North Street, Brighton.’ henty family, giacomo meyerbeer, camille michel, warrnambool -
Kiewa Valley Historical Society
Book & Map - Australian Aborigines' Language, The Australian Race Vol. IV by Edward M. Curr, 1887
This book is the fourth volume of the Australian Race which was printed by the Government printer. The other 3 volumes cover the origin, languages, customs, place of landing in Australia, and the routes by which it spread itself over that continent. This book and map indicate an interest in the Aboriginal Race of Australia during the late 1880s.A local family owned this book indicating an interest in the Aborigines of Australia. The languages of Aboriginal tribes throughout Australia can be compared with those tribes of the Kiewa Valley adding (confirming) to the information sourced from alternative sources.Large thin brownish book with gold embossed title on front cover. 45 pages with blank cover pages. Each page has 8 columns giving the aboriginal word of each tribe giving a comparitive vocabulary of selected English words. Fold out map inserted in flap at rear. It is a map of Continental Australia, showing the routes by which the Aboriginal race spread itself throughout the continent.aborigines; first people of australia; aboriginal language; aboriginal tribes; kiewa valley -
Warrnambool and District Historical Society Inc.
Sheet music, Varsoviana sur L’Etoile Du Nord, 1860s
This piece of music is the varsoviana dance piece from the Giacomo Meyerbeer opera, ‘L’Etoile Du Nord’ arranged by Camille Michel. The varsoviana was a slow graceful dance originating in Poland in 1850 and appearing in Australia in 1856. ‘L’Etoile Du Nord’ was a comic opera in three acts composed by Giacomo Meyerbeer in 1854. Meyerbeer was the most successful stage composer of the 19th century but his works are rarely performed today. Camille Michel was an editor, composer, author and arranger working from the 1840s to the 1880s. The varsoviana music arrangement probably dates from the late 1850s or 1860s. It is not clear who ‘Minnie Henty’ was but it is most likely that she was Minnie Adair who married George Henty, the son of Stephen and Jane Henty, pioneer settlers in Western VictoriaThis sheet music is most important mainly because of the ‘Minnie Henty’ signature. The Henty family members, founders of the first permanent Victorian settlement at Portland, were influential in the history of the Warrnambool area because of their connections with surrounding properties and with coastal shipping. The music also has social significance as an example of music popular in 19th century drawing rooms.This is a two-page piece of sheet music (cover and two pages of music notation) with the material printed in black on cream paper. The back cover is blank and the front cover has the title and names of the composer and the arranger with ornate scrolls around the printing. The edges and fold of the pages are much tattered and torn in some places. There is also a Warrnambool and District Historical Society stamp on the front cover and the signature of Minnie Henty. Front Cover: ‘Minnie Henty’ ‘Varsoviana sur L’Etoile Du Nord de G. Meyerbeer pour le piano par Camille Michel, Ent.Sta.Hall., Price 1s/-, London, Cramer, Beale & Co., 201,Regent Street & 67, Conduit Street and at 167, North Street, Brighton.’ henty family, giacomo meyerbeer, camille michel -
Bendigo Historical Society Inc.
Document - PAMPHLET - COMPLETION OF RENOVATION OF 18 VIEW ST, 1968
PAMPHLET - COMPLETION OF RENOVATION OF 18 VIEW ST. 4 page pamphlet (last page blank) . First page titled: 'We celebrate the completion of the erection of the Central Section of this Building (18 View Street, Bendigo) as the First Government Built Post Office on the 17th May, 1858 and the Eightieth Anniversay of the Incorporation of the Sandhust Trustees Company (Incorporated 1888)'. Inside - two pages of historical text relevant to above.organization, business, sandhurst trustees -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Kodak photographic postcard. Black and white with some green colourisation that has deteriorated. Photograph depicts young ladies, one dressed in Dutch costume sitting on a box on wheels. The second young lady is standing behind holding rope reins and is dressed in fancy dress polka dot patched overalls, blouse and hat. They are both smiling. The rear contains the words Post Card at the top and is otherwise blank.Kodakpostcard -
The Bible Museum
Bible, Holy Bible - Salesman Edition, c.1870
Leather bound book. The cover is sculpted cardboard with burgundy leather, heavily gilt embossed with pictures and text. The edges of the front and back covers are bevelled and gilt embossed. Silk endpapers at front with marbled endpapers at back. Numerous coloured illustrations, b/w illustrations. Bi-lingual in English and German. Abridged Bible text, as it is a travelling saleman's copy. Some blank ruled pages for subscribers details.Numerous family Births and Deaths noted, from 1850 to 1977. Various photos and tokens under the 'Family Portraits' pages at the rear.bible, family bible, saleman, travelling representative, family history, births, deaths, register, gilt embossing -
Orbost & District Historical Society
axe head
Inspected by Joanna Freslov, archaeologist 2/6/2008. Genuine Aboriginal axe head up to 2000 years old. Possibly came through trading from western district. Stone tools were used for a variety of purposes, in ways similar to those of the steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt.This stone is able to withstand repeated impact, and and wqas generall used for stone axes. The stone was dug or found and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This axe head is an example of an early stone tool used by the Indigenous people of Victoria.Small grey oval-shaped axe head.axehead stone-artifact aboriginal tool -
Orbost & District Historical Society
axe head
Inspected by Joanna Freslov, archaeologist 2.6.2008. Ground-edged axes first appeared in south-eastern Australia about 4,000 years ago and were used either with handles or hand-held. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt. This is able to withstand repeated impact making it suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of a stone tool used by the early Indigenous people of Eastern australia.A handmade stone Aboriginal axe head.axe-head aboriginal tool stone-artefact -
Ballarat Heritage Services
Photograph - Colour, Ospedale Degli Innocenti, Firenze, 2017, 11/2017
The buildings architect was Filippo Brunelleschi. The Ospedale degli Innocenti was a charity institution that was responsible for the welfare of abandoned children. It represented social and humanistic views of Florence during the early Renaissance. Above each column is a ceramic tondo. These were originally meant by Brunelleschi to be blank concavities, but around 1490 Andrea della Robbia was commissioned to fill them in.[7] The design features a baby in swaddling clothes. A few of the tondi are still the original ones, but some are nineteenth century copies. The Ospedale Degli Innocenti, Firenze museum holds a number of part tokens that a mother would leave with a child - keeping the other part in the hope they would be reunited, A number of photographs of the Ospedale Degli Innocenti in Florence, Italy. florence, firenze, hospital, filippo brunelleschi, the ospedale degli innocenti, tokens, orphanage -
Melbourne Tram Museum
Functional object - Inspectors table holder, Melbourne & Metropolitan Tramways Board (MMTB), 1960's to 1980's
Tramway Inspectors table holder - two sheets of Perspex with a ruled card between them held with an elastic or rubber band. Use by Inspectors to hold headway cards which they hand wrote out to suit themselves and their method of monitoring services. Inspector's would use a soft pencil on the Perspex sheet to mark off the services as they past their monitoring point. Normally the card would be used to note the suburban terminus departure time, city arrival time, their monitoring point, eg a junction, and other major points. They could also record crew change overs for meals and with other trams on them and what runs their next did. (Advice from Peter Winspur 24-3-2016) Five additional blank copies of the cards from a donation of Kevin Tierney added 5/8/2016. Addition blank card from donation of Gavin Young added 22/12/2020.trams, tramways, mmtb, timetables, buses, trams, inspectors -
Bendigo Military Museum
Accessory - DIARY, RSL VICTORIA 1969, Victorian RSL State Branch, C. late 1968
The pages of written text cover everything the RSL does from welfare, commemorative, legal aid, membership, women's auxiliary and housing to name a few. Bert Pollard was an active RSL Member involved in Committee and the District Board. He served in WW2.Diary black plastic covers with gold text on front cover, top has the RSL logo followed by "Serving Still - 1969 - Victorian Branch", inside first page are details re Anzac House Melbourne, there are 28 pages of written text, page for members personal details, 4 blank pages for notes, the Calendar itself folds out for viewing and to enter notes, last page has a 12 month calendar. "Bert Pollard, phone 5433741"brsl, smirsl, diary -
Bendigo Military Museum
Book - BOOK & LETTERS
Copy of receipts for donations made by Bendigo Preserving Company Patriotic Group to various charity groups in support of WW2 war effort. Includes 3 letters to Company thanking for donation.1. Small lined exercise book, Black & white cover with 36 sheets (72 pages). Last 24 pages blank and other pages have receipts stuck into books of donations for money raised to various organisations. 2. Typed thank you letter from Salvation Army. 3. Handwritten thank you letter from Red Cross. 4. Handwritten thank you letter from Red Cross.1. On front cover "The Educational Exercise Book" and picture of the statue of Jupiter in the Temple at Olympia. On back, conversion tables for weights and measures. 2. Salvo Letterhead and Thank You note. 3. Red Cross Letterhead and handwritten note. 4. Red Cross Letterhead and handwritten note.fundraising, receipts, ww2 -
Bendigo Military Museum
Postcard - POSTCARDS WW1, C1914 - 1919
1. He wrote about his trip with 'The Mastlot', last line is regards to Andy, Tom, Tom and the Barndows from Herb. 3. He wrote about the expected battle, had enough time in Egypt.1. Postcard photo of SS Horoata - troopship of 1st AIF. B & W print on the rear is a message to Dear Bill, dated 23 October 1914 from near Albany. 2. Postcard B & W photo of troops on beach at ANZAC cove, the rear side is blank. 3. Colourised photo of dhows on the Nile. Marked 99 Cairo. Scene on the Nile near Cairo. There is a letter written on rear from Herb.ww1, anzac, egypt -
Bendigo Military Museum
Document - NOTICE to RECRUITS, Australian Military Forces, 4.6.1943
The document is for Oliver Foster to report for a medical examination on 17th June 1943 at 8.30 in the fore noon,Document A.A.F.Mob.30, paper off white colour, “Notice to recruits” report for medical examination at Area 18B Hornsby 4.Jun.43, all print in black, typing in black, stamped top LH corner in purple & RH corner, hand signed in black pen, details at top have re person and where to report, bottom has list of items to bring if have them, rear is blank“FOSER Oliver, Rosedale Rd St Ives”notice, medical, documents -
Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: NOTE, 01/07/1909
Note signed by? B H ?heilland dated 1/7/09 mentioning Exchange n drawn by I H McColl in name of M P Kelly and script 200 shares in the Great Columbian Mining Co., 100 preference shares in The Commercial Bank of Australia Limited & Blank transfer for Bank Script signed by M P Kelly. He held the above as security for an advance of £109-9-7.business, stockbroker, kelly & allsop, kelly and allsop collection - letter to mr m p kelly, j h mccoll, great columbian mining co., the commercial bank of australia limited -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: SCHOOL HOLIDAY PROGRAM PERMISSION FORM 98
Blank School Holiday Program Sept/Oct 98 Permission Form. Activities for the 29 & 39 September and 1 October with times are detailed. Children must wear shoes and suitable clothing and bring lunch and a drink each day. Permission has space for child/rens name, address, phone no. and contact person & phone no. Mentioned is that children will obey all instructions. Also details are given if the child needs medical attention.bendigo, history, long gully history group, the long gully history group - school holiday permission form 98, long gully community house inc -
Clunes Museum
Certificate
.1 CERTIFICATE OF APPREATION PRESENTED TO CLUNES SENIOR CITIZEN CLUB. BLACK PRINT ON A GREEN AND IVORY MARBLE LOOK PAPER SUNDAY JULY 1ST 2001 .2 YELLOW PIECE OF PAPER ISSUED BY CLUNES & DISTRICT AGRICULTURAL SOCIETY AKNOWLEDGING A "SPECIAL AWARD" ISSUED 21 NOVEMBER 1992 FOR GIVING TIME TO HELP OTHERS .3 BLANK INVITATION CARDS, GOLD EDGED DUCK ON BLUE BACKGROUND, BLUE PRINTINGsenior citizen club, senior citizen certificate -
National Wool Museum
Booklet, This is Lucy the Green blowfly Who Strikes Your Sheep, 1970
Part of a collection of items donated by Mrs Robyn Adams. Mrs Adams' is the daughter of Victor Clyde, a wool grower who owned and used the items in the donated collection.Paper booklet, 28 pages. Front cover is blue and white with black and red text and a colour sketch of a blue and green fly. Title reads - This is / "Lucy" / THE GREEN BLOWFLY / WHO STRIKES YOUR / SHEEP-. Internal pages have short text with images describing the effects of fly strike on sheep and ways to prevent it. Back cover is blank with small text in the centre reading -Printers: / COLOURSTONE PTY. LTD. / SYDNEY.-fly strike, mrs robyn adams, australian wool board -
Orbost & District Historical Society
axe head
Inspected by Joanna Freslov, archaeologist 2.6.2008 Ground-edged axes first appeared in south-eastern Australia about 4,000 years ago and were used either with handles or hand-held. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt which is able to withstand repeated impact, and so is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rockThe necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of an early axe head used by the Indigenous people of East Gippsland.A handmade stone Aboriginal axe head.aboriginal tool stone-artefact axe-head -
Flagstaff Hill Maritime Museum and Village
Container - Storage Tin, Late 19th or early 20th Century
The history of metal packaging began in Bohemia in the 1200s. Metal has been produced for a very long time. But the first metal used for packaging was tin. In particular, it was the process of tin plating that was invented in Bohemia. Before this no other metal was economically able to be used for packaging. Later, in 1667 Andrew Yarranton, and English engineer, and Ambrose Crowley brought the method to England. Here it was improved by ironmasters including Philip Foley. Then by 1697, John Hanbury had a rolling mill at Pontypool in South Wales. The method they developed involved rolling iron plates using cylinders. This process enabled more uniform blank plates to be produced than was possible by just hammering the tin.The use of tin to protect and store food and other items, revolutionised the world.Container metal cylindrical plain tin with separate lid. Join line on side of cylinder. Very rusty.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tin plating, food containers -
Flagstaff Hill Maritime Museum and Village
Container - Jug, Late 19th or early 20th Century
The history of metal packaging began in Bohemia in the 1200s. Metal has been produced for a very long time. But the first metal used for packaging was tin. In particular, it was the process of tin plating that was invented in Bohemia. Before this no other metal was economically able to be used for packaging. Later, in 1667 Andrew Yarranton, and English engineer, and Ambrose Crowley brought the method to England. Here it was improved by ironmasters including Philip Foley. Then by 1697, John Hanbury had a rolling mill at Pontypool in South Wales. The method they developed involved rolling iron plates using cylinders. This process enabled more uniform blank plates to be produced than was possible by just hammering the tin.The use of tin to protect and store food and other items, revolutionised the world.Rusty tin jug with small pouring lip and handle. Very plain and possibly made from a jam tin and handle soldered on side.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tin plating, food containers -
Flagstaff Hill Maritime Museum and Village
Container - Storage Tin, Late 19th or early 20th Century
The history of metal packaging began in Bohemia in the 1200s. Metal has been produced for a very long time. But the first metal used for packaging was tin. In particular, it was the process of tin plating that was invented in Bohemia. Before this no other metal was economically able to be used for packaging. Later, in 1667 Andrew Yarranton, and English engineer, and Ambrose Crowley brought the method to England. Here it was improved by ironmasters including Philip Foley. Then by 1697, John Hanbury had a rolling mill at Pontypool in South Wales. The method they developed involved rolling iron plates using cylinders. This process enabled more uniform blank plates to be produced than was possible by just hammering the tin.The use of tin to protect and store food and other items, revolutionised the world.Container metal cylindrical plain tin with separate lid. Join line on side of cylinder. Very rusty.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tin plating, food containers -
Vision Australia
Award - Text, John Wilson Award citation - Katharine Margaret Rose, 1987
"The Committee, Blind Members and Staff acknowledge and record for posterity the outstanding service given to the blind people of Victoria by (blank) This exceptional contribution, which has enriched the quality of their living, was made in a selfless and warmhearted manner in the Association tradition of caring and sharing. Inherent in the many attributes displayed were the admirable qualities of leadership, loyalty, consistency of purpose, and a great generosity of spirit. In recognition of this distinguished service we now pay tribute to and honour Katharine Margaret Rose in the presentation of the John Wilson Award." Signed by Diana J. Jones (President), John Cook (staff representative), B. J. Sittlington (Chairman, Blind Members Council) on 16th October 1967.1 cream A3 page with tan border around edgeassociation for the blind, katharine (kitty) rose -
Ballarat Tramway Museum
Ephemera, Wal Jack, Wal Jack notebook, 1940's
Demonstrates Wal Jack's records, hand written in a recycled notebook. Note - several sheets have been cut from the book - appear to be done before use by Wal. The crossed out sheets have not been imaged - these have been transferred by Wal to Reg Item 5507 and re-ordered. Image 30 shows a sample of a crossed out page. See related documents for a pdf file of the contents. Scan No. BTM5623iX Page No. Title or Subject Notes 1 Front 2 Inside Cover Addresses for Jack McLean, John Buckland Trooper Larsen Inside front cover. 3 1 Note re NSWT steam tram motor, MMTB PCC import issues, Peter Duckett seeking info and Photo of Julien’s battery tram on test in Melbourne 4 2 MMTB No. 8, 4, photos, Tyrell’s of Sydney photos, Perth 63 dimensions and MMTB plans for Domain Road & St Kilda Rd Jtn. 5 3 Notes re NSWGR P32, VR locos at Wodonga 13/10/1941, SAR V Class V143, SAR locos – W and Wx 6 4 NSW Private locos, Woy Woy quarry and AGL at Mortlake 5 Blank 6 Blank 7 7 First cable trams – links to photos T154, 29, 154 (Adelaide) 8 8 T156, Powelltown, Ray Pearson Negs 9 9 QR B18 ¼ locos, Ray Pearson’s scrap book, PMTT Zeppelin style trams, MMTB T class locations and 178/179 rebuilding. 10 10 Hawthorn horse tramway, VR Black Rock terminus sketch 11 11 NSW Tramways, Ryde, MMTB L class, Geelong tramway notes 12 12 Locomotive “Ballarat” in WA, Brisbane and various contacts. 13 13 Notes re VR News – 1943, H class, derailments, max speeds, Koondrook tramway and Geelong level crossing. Individual typed sheets pasted onto page – loose within book. 14 to 17 14/17 List of MMTB trams to 877 and work trams Some errors noted. 18 18 Newspaper cutting – Tram Record Day revenue (Brisbane 10/1943), Steam Trams at Journey’s end – Sydney – 6/1943 list of equipment being sold by Sydney Ferries, at Parramatta, 6/1943. MMTB Tram crossings in Melbourne, list of Sydney photos sent to Wal. Cuttings and Individual typed sheets pasted onto page. 19 19 Midland locos WA, VR open wagon stencils and a siding at Mt. Evelyn. Individual typed sheets pasted onto page. 20 20 Note re Sydney four wheel tourist trams and Hawthorn Max. Traction cars locations c1945. 21 to 23 21/23 Notes on Geelong Bogie trams and carrying flags for declaration of Newtown and Chilwell as a city – 1/10/1949 (See also Reg Item 5641) 24 to 26 24/26 Notes on Wellington Corporation Tramcars 37 27 Kelburn – Karoi cable line Wellington 28 to 29 28/29 Auckland Tramway Board tramcars notes 30/31 Blank 30 32/33 Notes on Ballarat tramcars – ESCo Crossed out 34/37 Ditto – SEC Crossed out 38 Music for the people notes Crossed out 39 Notes on Ballarat trams with tail lights Crossed out 40/43 Notes on Ballarat bogie trams Crossed out 44/45 Notes on SEC tram controllers, dead man and truck lengths. Crossed out 31 45 List of Ballarat Destination roll – Dec 1949 32, 33 46/47 Notes on Bendigo Bogie Trams – 1940’s 34 48 Bendigo Destination roll on a Birney tram Easter 1950, notes on tram tail lights and fares on the Bendigo system. 49 Blank – though headed “Bendigo Birney Trams” 50 Notes trams used on special days in Ballarat Crossed out 51 Ditto and No. 24 and 23 Crossed out 52 Ditto, 15, 11, 23 and Gold tram Crossed out 53 Notes on 34 caused delays, 5/1950, and use of 23 as gold tram Crossed out 54 Notes on repair to track at Sturt and Drummond 6/1951 Crossed out - see Reg Item 7720. 55 Notes on track work in Ballarat early 1950’s Crossed out 56/57 Notes on 33, 37, pay as you enter signs and 1953 special workings Crossed out 58/60 Notes trams used on special days in Ballarat Crossed out 61/64 Blank 35 65 “Salute to the Cable Tram” – transcription of text from Truck and Bus Transportation (July 1948) 36, 37 66/67 Continued from above and list cable tram routes, opening, closing, length and route colours. 38 68 List of photos in Truck and Bus Transportation, Anniversary Issue July 1948 of cable trams. 69 Blank 39 70 Notes on Brunswick TT, Fitzroy TT colours, Adelaide Service trams and MMTB route lengths. 40 71 Notes on HTT colours, tramcars, PMTT trams and colours and NMETL colours, trams and route destination signs 41 72 Notes on MMTB routes, cable and other Melbourne tram disposals, and sale of cable trams and storage at Brunswick. 42 73 Blank - page was headed Lugarno, Switzerland and Italian border 42 Handwritten sheet – photos to get – R. Field and Peter Duckett. 43, 44 74/75 Listing of trains on all lines leaving Ballarat and days run. 45 77 Listing of negatives sent to K. Rogers in 1944 and list of MMTB Max. Traction bogie trams 117 to 138 and disposal 46 77 Listing of MMTB trams, - appears to be something to do with photos or negs held. 47 78 Listing of Ray’s (Pearson) negs /photos of Brisbane trams and other railway photos. 79 Blank 48 80 Prices of pine timber in 4/1942, list of photos “I want”, notes re VR Train length, Ironbark Gully bridge, 3817 in Harden smash 7/1948 and 1948 Ballarat destination roll. Partly crossed out. Rear Cover. Has a strong association with Wal Jack, his work to collect and record both railway and tramway information. Yields information about tramways in Ballarat, Bendigo, Geelong and other cities tramways and railways.Grey covered book with black binding containing 40 lined sheets (80 pages) with handwritten notes with the front cover partly cut out and the words "Jewellery & Engraving" book written in. Contains some newspaper clippings and pasted typed notes as listed below. The image number of each sheet is given. See individual pdf files. trams, tramways, mmtb, ballarat, bendigo, sydney, brisbane, railways, geelong, new zealand, victorian railways, sec, esco -
Warrnambool and District Historical Society Inc.
Leisure object - Sheet music, On the road to victory, 1941
This piece of music has been produced during World War Two (1941) as a propaganda and fund-raising piece for the people of Alexandria in Egypt. It has both Greek and British backing with the headings on the cover in both languages. The music is a march and the title suggests that victory is on the way so the emotions are being stirred to keep up the morale. Egypt in World War Two was still under British influence and Alexandria is a port in Egypt at the mouth of the Nile River. In 1941 British battleships were based in the Alexandria harbor and two of them were disabled by Italian Navy divers. Hence it is not clear why it was the Hellenic (Greek) Red Cross raising funds for Alexandria through the sale of this music which was produced in that city by the Moharrem Press (founded 1938) and composed by Lena Bonfiliou, probably a Greek person. It is not known if this piece of music was bought in Australia or brought back to Australia by an Australian military person during World War Two.This is an interesting piece of music. Its connection to Warrnambool is not known but it is an example of the type of music produced during World War Two to help the war effort. This is a four page piece of music, ‘On the Road to Victory’ (a march) with a front cover, a blank end page and two pages of musical notation. The latter pages have black printing on white pages. The front cover has both Greek and English printing and a colour image of four British and Greek flags resting on a gun carriage with armaments underneath and indications of an explosion. There is a red stamp on the cover (Hellenic Red Cross). The pages are in good condition. English printing: ‘On the Road to Victory, March, P12’ Stamp: ‘For the Hellenic Red Cross, Alexandria’ alexandria, hellenic red cross, warrnambool, on the road to victory music -
Kiewa Valley Historical Society
Scrapbook - C.W.A. Tawonga, C.W.A. Scrapbook Collected by C.Roper, 1945 to 1988
The Tawonga C.W.A. formed on 7th Feb. 1946. It was a very active group with 45 members in that year. Numbers fluctuated throughout the years and totalled 26 members in 1988. The Tawonga C.W.A. often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The book gives examples of all the activities the members were involved in over the years and their involvement with other C.W.A. groups in North East Victoria and Victoria. There are many photos of members and their activities too. These photos give a good representation of what womens fashions were during the mid part of the 20 century. Historical: Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect on available workers and the well being of the women and children. This scrap book was complied by Claire Roper one of the founding members of the CWA. It traces the history of the Tawonga branch of the CWA, its members and what they did which improved the living conditions for their community. Large scrap book held together by 3 large staples originally with blank pages. The pages have been written on and newspaper articles have been pasted in. The book was covered with light brown paper, the heading has been handwritten using block letters coloured in green with black outline. Centre front of the book has a photo of ladies dated 1978. Their names are typed in underneath. The book has then been covered by clear plastic.The title: "C.W.A. / Tawonga / Scrap Book / Collected by C. Ropercountry women's association of victoria. tawonga. clare roper. -
Kiewa Valley Historical Society
Photo Album - Country Women's Association of Victoria, 1990's
The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The Tawonga ladies competed in Handicraft and Home Industries Exhibitions during the 1990's and were very successful. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect on available workers and the well being of the women and children.Small photo album with Country Women's Association Prize Cards for handicraft and Home Industries Exhibition enclosed. Each Prize Card is filled out with (Third) Prize; Name; No.; Section; Branch - all Tawonga; and points. Some of the cards have been won from other CWA groups displays e.g.. Yackandandah. The album has several blank pages left over. The cover is a picture of a boat on a lake with red flowers in the foreground.country women's association of victoria. tawonga. handicraft. home industries. exhibition. kiewa valley group.c.w.a. -
Flagstaff Hill Maritime Museum and Village
Photograph, Foyle Photographic Studio, Wreck of La Bella, about 11/11/1905
The photograph shows the wreck of La Bella in Lady Bay, Warrnambool, Australia. It was probably taken on 11th November 1905, the morning after she was wrecked. “Foyle” written on the photograph is the name of Foyle’s Photographic studio. At the time of the photograph the studio was owned by both Charles and Lilian Foyle (sometimes known as Lillian or Lily), either of whom could have taken this photograph. They also worked together at a later date on the photographs, sketches and paintings of the famous and historical Pioneers’ Honour Board, which is currently on view in the Warrnambool Library. Foyles Photography was the studio of James Charles Foyle. He owned “Foyle’s Photo Card Studios” in Liebig St , Warrnambool, which operated between 1889 – 1919 . A letter to the editor (by Mr Edward Vidler) in the Melbourne Argus, 3rd August, 1907, mentions that in that year Warrnambool would celebrate its 60th anniversary of its proclamation as a town, and that talented local artist Miss Lily Foyle would paint 200 portraits in watercolour of the pioneers who settled in the district prior to 1860. The Pioneer Honour Board can still be seen on display in the Warrnambool Library. In the Warrnambool Standard, Dec. 1917, “Mr Foyle’s studio was awarded contract to decorate rail cars on newly opened Trans-Continental railway, assisted by his sister, Miss Findlay.” The subject of the painting, La Bella, has its own tragic story. Read on for further details … On November 10th, 1905, the Norwegian-built barquentine La Bella approached Warrnambool at the end of her 37 day voyage. She was carrying a cargo of timber from Lyttleton, New Zealand, in heavy seas and evening mist. (On its only other visit to Warrnambool a year earlier the master had gone to shore to find a tow. He returned to the ship to find the crew drunk and unwilling to take up their posts, even though the ship was dragging its anchors and in a dangerous position.) As Captain Mylius steered La Bella to Lady Bay Channel the ship was tossed onto its side by heavy breakers and ran aground on what is now known as La Bella Reef. The sea was so rough that it wrenched a one-and-a- half ton anchor from the vessel. Several attempts were made by parties of volunteers in lifeboats to rescue the stricken sailors, but the rough conditions made this difficult for the boats to get close enough to the ship and the parties had to return to shore. The La Bella’s crew became exhausted and sailors were being washed overboard, one by one. By sunrise only five of the twelve crew still clung to the wreck. A local fisherman, 25 year old William Ferrier, rowed his small dingy through the heavy seas and managed to rescue the captain, whilst the volunteer lifeboat crew rescued a further three sailors, returning to shore. Ferrier made a final attempt at rescue and was able to reach its stern as the conditions eased slightly, saving the last remaining, terrified sailor just before the ship broke up and sank. William Ferrier became a national hero as news of the daring rescue spread. He was awarded the Silver Medal for bravery by the Royal Humane Society and was honoured by the Prime Minister and the Governor. He was presented with several other awards for his daring rescue. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history. The wreck now lies in 13m of water and is home to an abundance of marine life. Flagstaff Hill’s La Bella Collection includes a rail holder from La Bella, a photograph of William Ferrier with four of the five men rescued, a rail holder from the ship and the letter from the Prime Minister and other Members of Parliament that was sent to William Ferrier to commend him for his bravery. La Bella has been protected under the Commonwealth Historic Shipwrecks Act (1976) as a Historic Shipwreck since 23 April 1982 (VHR S401). It is archaeologically significant as the remains of an international and inter-colonial passenger and cargo ship. Flagstaff Hill’s collection of artefacts from the La Bella is of historical and archaeological significance because of its association with the La Bella, which is on the Victorian Heritage Register, and because of the relationship between the objects. The collection represents aspects of Victorian history, and the letter to William Ferrier demonstrates how important his rescue efforts were to Victoria and Australia. Black and white photograph of the wreck of the sailing ship La Bella in the bay at Warrnambool. The photograph shows the ship lying on its side in rough sea, with mast and rope rigging hanging loosely. Several large rocks are also visible. The photograph is a rectangle shape, mounted on heavy card, with slightly ragged edges. The photographer’s name, a title for the photograph and the location are hand written in white along the bottom third of the photograph. The back of the photograph is blank. Printed in white hand writing “Foyle”, “WRECK OF “LA BELLA”, “W’Bool”foyle, la bella, william ferrier, lady bay, lifeboats, lilian foyle, lillian foyle, charles foyle, james foyle, royal humane society medal, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village -
Bendigo Historical Society Inc.
Document - CURNOW COLLECTION: COLLECTION OF BLANK COMMERCIAL CHEQUES, 1920 - 1929
Collection of blank (unused) commercial cheques - Bendigo area with attached butts. A. The Northern Seed Supply co.; b: Bendigo Sewerage Authority; c: J. H. Lienhoop & Co.; d: W. M. Kentish & Co.; e.: The Bendigo Advertiser & Independent; f: Albert m. Bush, Dentist; g: Goornong Trotting Club; h: The Bendigo Taxicab & Motor Garage; I: Bendigo United Breweries; j: T. C. Wattsperson, individual, curnow collection -
Bendigo Historical Society Inc.
Book - MCCOLL, RANKIN AND STANISTREET COLLECTION: SOUTH FREDERICK THE GREAT CO. N.L. - CASH BOOK, 1934/39
Book; Leather bound accounts book - cash book starts 03/08/1934 to 08/06/1939, with note 'Assets of this company, together with cash in hand (pounds99:14:1) were taken over by Mines Department of Victoria in satisfaction of ? Of Indenture dated 09/09/1936, pages 62 to 200 missing (blanks). Includes Balance sheet for 31/12/1934. Cash Book South Frederick The Great ??? Co. N.L.MCCOLL RANKIN & STANISTREETorganisation, industry, accounting., mccoll rankin & stanistreet