The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Curved white cotton band with pin tucked rectangular inset front and back. It curves downward to enable the two bobbin lace panels to hang downwards. Has four crotched buttons. The stiches used are plait stitch, cloth stitch, and mesh stitch.lace, women's clothing

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cotton voile sleeves edged with broderie anglais. In poor condition, may have been removed from another garment. Probably hand worked, it is an example of cut worklace, women's clothing, sleeve cuffs, engageantes

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. White lace gathered onto tape which can then be sewn onto a garmentlace, women's clothing, collars

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream net bow edged with lace, gathered at the centrelace, women's clothing

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream lace collarlace, women's clothing, collars

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rectangular silk panel edged with lace at either end.lace, women's clothing

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. A fine cotton chemisette with collar and front opening edged with tape lace and then edging lacelace, women's clothing, bodices, chemisettes

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream collar. Panels of locked stitch lace onto netting are alternated with cut work. The neck edge is bound with fabric to attach the collar to a garment lace, women's clothing, collars

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. One of a pair of muslin cuffs as worn by maids. Hand sewn.women's clothing, sleeve cuffs

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream organdie collar. Machine embroidered with flowers and leaves at the edge of the collar. Trifoils embroidered at the neck edge of the collar. The collar is divided into three panels by two embroidered lines which open into a diamond shape at the outer edgewomen's clothing, lace, collars

Women's clothing: pink boned corset. Garment is patterned with flower motif. Suspenders attached to bottom of corset. Corset is laced up the back through eyelets. Item donated by Mrs. J. Mannix, 54 Bannister Street, Bendigo. On inside of garment 'Beauty's Contour, 148, Type ABD U.B.'female, corset, women's clothing, corset

Clothing. Very fine, white linen 12cms by 12 cms square, that has a band of white lace, 9 cm deep hand-stitched around the linen. This has given shape to the linen, as the lace motifs are circular in design, and the linen has been cut away to display the lace pattern.costume accessories, female, white linen and lace handkerchief

Clothing, brown leather covered swagger stick. Swagger sticks used by Officers as a symbol of authority, carried under left arm. Swagger stick belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.costume, male, military officer's swagger stick

Clothing. Cream coloured triangular ladies silk scarf. Mid blue border on two short sides with pattern of triangles and vine. Cream coloured centre has printed pattern of vines and leaves. Long edge of scarf is a raw edge that has been over locked. Old box 573.costume accessories, female, triangular silk scarf

Clothing. Pink nylon woman's panties with gussett and elasticized legs trimmed with 1.5 cm self stripe nylon fabric frill. Above each leg is a vertical insert (26 cm X 3.5 cm) of embroidered nylon fabric. Elasticized waistband. Nylon fabric has fleecy lining.Tag inside on seam, ''PLB Patolaine Lingerie of Refinement SW All Nylon''.costume, female underwear, woman's pale pink nylon panties

Clothing. Pink nylon woman's panties with straight legs trimmed with 3 cm coffee coloured lace. Front of each leg has three inverted V inserts (9cm deep). Back of waistband is elasticized. Front waistband (4cm) dips to V shape on either side of centre front.costume, female underwear, woman's pink nylon panties

Clothing. Gathered satin ribbon covered horse shoe with a 1cm wide satin ribbon bow at the top of the horse shoe. A .5 cm wide, 16 cm long ribbon loop attaches to the top of the horse shoe shape. A satin petalled flower trims each side of the lower edge.costume accessories, female, satin ribbon covered horse shoe

Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

There were many Comforts funds providing items for our troops overseas.Thirty two pages, white with black print, “ACF” badge in red on the front. The book as per the cover contains a guide to the various sections mentioned regarding of clothing .On the back of page 23 printed, “Renwick Pride”comforts fund, knitting, acf

Seventeen Hanro Knitting Mill newspaper color clothing advertisements dating mid 1950's. One from Bendigo Advertiser remainder Aust Women's Weekly.bendigo, industry, hanro knitting mill

Black Ink. Sketch printed on beige paper depicting soldier of Asian decent standing with hands on hips in military clothing. Ammunition box at his feet.Black bootsSketch done by Andy C. Neilsonsketch

James Bulloch Galloway - b. 1872 Govan, Scotland; 1889 ordained Townsville Qld; 1900 Charters Towers Qld; 1907 South Melbourne Dorcas Street (colleague with John Meiklejohn); 1913 Brisbane South (Park Church). John Meiklejohn MA BD b. 1841 Glasgow; University of Glasgow; Theological Hall of U.P. Church; 1872 ordained Glasgow City Mission; 1874 Kirkmairhill, UP. Lanarkshire; 1868 South Melbourne Dorcas Street Vic; 1901 First Moderator General Assembly of Australia; First Principal Emmanuel College, Brisbane; 1915 died 28 September.Galloway and Meiklejohn are seated adjacent to each other, facing the camera, dressed in clerical clothing. Meiklejohn is holding a sheaf of papers, and there is a small table at the rear between them."Rev. James Galloway and Rev. John Meiklejohn"meiklejohn, john, galloway, james

Brighton Congregational Church sports groupB & W photograph of a group of 27 boys and young men dressed in white athletics clothing, with black stockings and white shoes. Photo is mounted on grey card.brighton congregational church, sports

Part of S E Surman collection (album) page 13 lower right. Stella Todd, afterwards Stella Surman, was the youngest daughter of William and Lizzie Todd. She married Geoffrey Surman in 1926. Sepia portrait of girl with hair drawn back off face, wearing jacket with frill at throat, scarf and hat. Some of clothing in photograph has been coloured. ?stella todd, surman collection

Badge issued to K.W.Allen VX109839 2nd AIF. Refer 2192.4 medals and service history also 2195, 2196P.Badge "Returned from Active Service" brass, crown over Rising Sun, Wings and Anchor, Boomerang under. Rear has 2 lugs for clothing attachment.Front, "Returned from Active Service" Rear, "257624" "Issued by C/wealth Govt"badges, military, active service

Donated by Cpl Bramley who was in charge of our Catafalque party ANZAC Day 2006 Blue cotton, Black elastic strap. Sewn Tag Noone Image Wearclothing

Green sleeveless vest in polar fleece material with pale green bias binding around collar & sleeve openings. 5 button holes down each side of front and 2 button holes on back collar - with labelclothing