Two ceramic egg cups, both chicken shaped with cup on back. Item 1 is yellow with a white cup, the chicken design achieved by molding, and has a larger cup. Item two is painted in different colours, and is slightly smaller.Item 2 has 'made in Japan' printed in blue on the underside.domestic items, food & drink consumption, egg, cup, food, kitchen, breakfast, chicken

Pamphlet - 3 fold - titled "Safe Travelling on M>Tram", full colour about safely travelling on M>Tram services, with boarding, on board and alighting text. Has photos of M>tram, trams in their livery and the pamphlet in their colours.trams, tramways, safety, m>tram, passengers, behaviour

This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire

Probably TAFE design student works, possibly connected to item 29218 Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 5 mounted 35mm slides featuring un-named student works.university of ballarat, federation university australia, tafe, diploma

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week in 2007. The total donation value is $110. The wallet was given out to Legatees for them to sell and then bank the proceeds using the banking slip and returning the green form to Legacy House for reconciliation. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt, the different colours correspond to the different badge colours and values.Example of how Legacy badges that were sold up to raise money for Legacy's work. White cardboard badge wallet with 19 badges of various denominations with accompanying coloured receipts, plus a banking slip, green form and letter explaining the process.legacy appeal, fundraising, badge week

Presented by Lieutenant-General Sir JJ Talbot Hobbs, KCB, KCMG, VD, LLD at a parade held on the Esplanade, Perth, 22 October 1927. With the re-activation of the Citizen Military Forces (CMF) following the Second World War, the 11th/44th Infantry Battalion (The City of Perth Regiment) was raised as a linked battalion in 1948 to carry on the identity and traditions of the pre-war 11th and 44th Battalions respectively. The King's and Regimental Colours formerly held by these two battalions were passed on to the new battalion who paraded them in rotation on ceremonial occasions. Under major reorganisation of the CMF in 1960, all individual infantry battalions that existed at the time within each State were amalgamated to form State regiments, taking effect from 1 July 1960. Thus from that date the 11/44th, 16th and 28th Infantry Battalions were amalgamated to form The Royal Western Australia Regiment. In September 1960, at a ceremonial parade held at Northam Camp, the Colours carried by all former battalions were handed over for safe keeping by the new regiment. These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. Dark green with gold fringes. In the centre the battalion colour patch of a white over blue oval within a circle inscribed "FORTY FOURTH INFANTRY", the whole within a wreath of Australian wattle and surmounted by the Imperial Crown. In the upper canton the Arabic numeral "44". The following battle honours are emblazoned on the Colour: SOUTH AFRICA 1899-1902, MESSINES 1917, YPRES 1917, BROODSEINDE, PASSCHENDAELE, SOMME 1918, ANCRE 1918, HAMEL, AMIENS, MONT ST QUENTIN, HINDENBURG LINE

Poster - paper, with white print, foreground full length black and white portrait photograph of an indigenous soldier. Background muted red to brown colours. Frame - top and bottom, timber slats adhered to the poster paper with top hanging string.Lettering on Poster. "Commemorating Indigenous Service in the First World War".framed accessories, poster, anzac day

This award was given to Mrs Irene Hudson Bendigo Womens Auxiilary, Bendigo RSL Sub Branch for 40 years service in 1983. She was previously made a Life Member in 1975. Irene was President of the Auxiliary from 1977 - 1979Merit badge, metals, colours are red, blue and gold, at the top in an arch shape is "RSL", centre in a shield design are 3 figures as per the RSL logo, under in a curve shape the word, "Merit", rear has a pin attachment and engraved.On rear engraved, "Mrs I.F. Hudson". At the bottom in raised lettering, "STG SIL".brsl, smirsl, award, merit, wabrsl

This cap was probably used during horse training rather than in competition racing. The owner, D. Bartlett, has not been identified but the family of Olive Bartlett, the donor, was involved in the horse-racing industry and it is presumed that the owner was a family member. This cap is retained for display purposes. Horse racing events , especially the May Racing Carnival, are important in Warrnambool. This is a cotton cap with a soft crown in black and red colours divided into six segments. There is a black button on top of the crown. The peak is covered with stiffened black material with a black bow. Inside the cap there is an orange-coloured rayon lining and the name of the owner.‘D. Bartlett’horse racing in warrnambool, history of warrnambool

These badges were produced in World War One in Australia to raise funds for the war effort. ANZAC Day is an important national holiday in Australia commemorating the landing of Australian and New Zealand troops on Gallipoli on 25th April 1915. The national day was instituted on 25th April 1916 and badges such as these would have been sold on the anniversary of the landing day. Badges were sold on trams, buses, at railway stations, other public buildings and at rallies held on or about ANZAC Day. These badges are a significant reminder of the many fund raising activities held in Australia to raise funds for the war effort.Three circular slightly concave metal badges featuring the profile of an Australian soldier in a slouch hat blowing a bugle. The background depicts sunrise in yellow and orange colours and text. The outer edge is gold coloured . The reverse has a metal clip.ANZAC DAYanzac day, badges

Items in collection of K.W. Peatling. Refer to Cat 5140.2, Box 173 for his service details.Pouch - water proof, green and black camouflage colours, lid flap cover has a stud hole and green cord to attach to a section on the pouch with a stud hole, rear has a metal sliding keeper to attach to a military webbing belt.equipment, camouflage, pouch

Military issue as part of a soldiers kit and equipment.Water bottle pouch, green colours, water proof outer, soft felt inner, two folding flaps with press studs, back has a webbing section sewn on with 3 types of attachment to a webbing belt, 2 off steel.pouches water, equipment military

Item was used to carry a Hutchie or other items. Peter Ball collection, refer Cat No 4704Pouch water proof green and black camouflage colours, lid flap cover has a stud hole and green cord to attach to a section on the pouch with a stud hole, rear has a metal sliding keeper to attach to a military webbing belt.On the inside in black pen, “P Ball”equipment, camouflage, pouches

The newsletter was published to address the Mercantile Marine primarily officers in the service. This is the number 19. The term "Merchant Navy" was coined in 1919 by King George V. So this foyer predates 1919.An unusual example of newsletter circulated by the Missions to Seamen (UK) during WW1. The aim may well have been to boost morale but clearly targeting Merchant mariners.Small paper and ink (2 colours, black and blue) 4 page stapled paper pamphlet/booklet. First page features some small black and white printed hand drawn graphics of a river mouth and a decorative angel or female. ww 1, mercantile marine service, mercantile marine, ww1, first world war, great war

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)

This hat is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) hat in Airforce colours of blue and grey in camouflage pattern. Broad brim hat with black plastic cord end fastener on a blue cotton cord. Plastic tag on interior of hat lining with printed inscriptions.Inscription on tag: “Hard Yakka/AUSTRALIA/AUGUST 2015/PO No: CC2XZ8/LAY No: 10609/SQNCOR FARLEY/(broad arrow)/[Mobile Phone Number]/NSN: 8415-66-161-4051/SIZE: M 56cm/NAME:” Inscription on reverse of tag: “PM KEYS No:/75% COTTON/25% POLYESTER/CARE INSTRUCTIONS/HAND WASH IN COLD/WATER WITH MILD/DETERGENT RISE/WELL DO NOT WRING/TUMBLE DRY OR/DRYCLEAN (X)/DRIP DRY IN SHADE”camouflage, airforce, uniform, general purpose uniform, australian defence force

Two copies: (printed noted attached) 3.) Rectangular geological map edged in masking tape. Six colours define geology and are predominantly pink. Scale 40 chains to one inch .4) Notes referring to the Geological Map of Learmonth learmonth, lake learmonth, glendaruel, burrumbeet, mt blowhard, morton's hill, mt bolan, addington, mt cavern, coghill's hill, mt hollowback, mt pisgah, weatherboard hill, webster's hill, foster's hill, mt bolen, one mile hill, vaughan's hill, tourello stattion, ballarat to maryborough railway, saddleback hill, ceres, brown's hill, ross's hill, norman taylor, robert burrows, richard shephard, james finnie

Persian type rug, allegedly from Fortuna Villa. Rug has Aztec type design in blue, navy, orange, cream and beige colours. Woven from silk and hemp type material. Fringed on top and bottom. 1908 manufacture ?bendigo, house, fortuna villa

An ARVN Ranger dress uniform in camoflage colours of black, green, brown & beige. Uniform consists of a jacket (with long sleeves but rolled up), & trousers. This uniform belonged to Major Tu. The uniform has an insignia in gold & silver of Major Tu.uniform, arvn, south vietnam army, major tu

A Film, DVD in case named "A" Field Battery RAA. Red & Blue colours with a shield with the words 'Semper Paratus' (US Coast Guard song). Year of the Road Runner & description of contents of Film, DVD which runs 40 minsfilm, dvd, field battery raa

Ten medals in wooden frame, five medals attached to ribbons of various colours and five medals on metal bars. Awarded by Vietnam Government to Australian and New Zealand personel after 180 plus days in Vietnam between 1964 and 1973.medals, vietnam government, new zealand

Tea cosy in the form of a crinoline lady china doll to waist, crochet skirt in colours of green, mauve, pink,yellow, and cream. Green ribbon at back of dress and yellow pom-pom on front of dress. A slit in the skirt for spout and handle.domestic items, table setting, handcrafts, crocheting or crochet work

Black and white photograph of SEC No. 26, after completion of work to convert back to ESCo colours and California Open Combination tramcar. Photograph taken on depot fan track, late 1987, or early 1988. Recommissioned Boxing Day 1987.trams, tramways, ballarat, btm depot , tram 26

Colour photograph of W4 671 painted in the City of Ballarat colours shortly after its completion in 30.11.1995 Photographed on No. 4 road of the depot. Tram has the destination of Sovereign Hill showing. Two copies held. Printed on Kodak Paper. btm, depot, ballarat, livery, tram 671

Sticker advertising the Bendigo Easter Fair White triangle overlapping a red and yellow circle. Inside the triangle a stylized dragon in green red, yellow, black and white colours and a poppet head with underneath Bendigo premier town 1982- 1985event, easter fair, bendigo easter fair

Memorabilia of all Australian service elements engaged in Vietnam.Shows collective indication of all Australian Service elements engaged in Vietnam.Shield, Australian Force Vietnam; timber backing with metal artwork of: a border of Australian Corp insignias with a Red Kangaroo insignia being top and centre, South Vietnam colours bannered across world globe with sword vertical up centre.Australian Force Vietnam bannered across bottom of artwork.vietnam, vietnam war, diamond valley vietnam veterans sub branch

This former King's Colour was originally authorised by King George V in 1919 in recognition of services of 44th Battalion (AIF) during the Great War. Presented by HE the Governor General Sir Ronald Munro-Ferguson, PC, CGMG at a parade in King's Park on 2 October, 1920, however was not passed on to any AMF counterpart unit of the Citizen Forces, as one did not exist at the time. 44th Battalion (AMF) was formed in 1921 from elements of 16th and 51st Infantry Regiments and was presented with this colour by the Governor of Western Australia Sir Robert Furse McMillan at the Anzac Day parade on the Esplanade, Perth on 25 April 1922. The colour was subsequently consecrated by the Chaplain General, Archbishop COL Riley, OBE, VD, DD at a parade on the Esplanade, Perth, 15 November 1924. At the time of presentation this colour was a plain union flag with no central devices or other distinctions included on it. Following Military Board approval given in 1925 the centre circle and Crown were later added, in accordance with the approved design for a King's Colour. With the re-activation of the Citizen Military Forces (CMF) following the Second World War, the 11th/44th Infantry Battalion (The City of Perth Regiment) was raised as a linked battalion in 1948 to carry on the identity and traditions of the pre-war 11th and 44th Battalions respectively. The King's and Regimental Colours formerly held by these two battalions were passed on to the new battalion who paraded them in rotation on ceremonial occasions. With the accession of HM Queen Elizabeth II to the throne in 1953, all Colours that had originally been presented as King's Colours, and were still carried by units on the current Order of Battle, were automatically deemed to be Queen's Colours. Under major reorganisation of the CMF in 1960, all individual infantry battalions that existed at the time within each State were amalgamated to form State regiments, taking effect from 1 July 1960. Thus from that date the 11/44th, 16th and 28th Infantry Battalions were amalgamated to form The Royal Western Australia Regiment. In September 1960, at a ceremonial parade held at Northam Camp, the Colours carried by all former battalions were handed over for safe keeping by the new regiment. These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. Union flag with gold fringes. In the centre the Arabic numeral "44" on a red background within a circle inscribed "FORTY FOURTH INFANTRY ", surmounted by the Imperial Crown.

The wearing of lanyards, of various colours, on the right shoulder, applies to all members of the Australian Army except for Infantry Corps units and ‘A’ Field Battery, Royal Australian Artillery who wear their lanyards on the left shoulder. The word ‘Lanyard’ itself is commonly used to describe a short rope to hold something, and can therefore be used to describe various items in use by the military. Orange and blue plaited lanyardlanyard, twine

The Australian National Tartan was designed by Betty J Johnston and registered with the Tartan Register in 2003 (no.2742). Its colours portray Australia as a nation. It was produced in Scotland from Australian wool. See attached media.W7213 An information card about the Australian National Tartan from The House of Tartans. Online entry for Australian National Tartan registration no.2742. Accessed 11/09/2009.textile, the house of tartans, tartan, samples, canberra, australian capital territory

The building is the 3rd in a series of 3 water colours by Stan Thomas. The building is the HQ of the Kangaroo Flat RSL Sub Branch. The Sub Branch was formed on December 18th 1951. Refer Cat No 8231 for the series.Painting, water colour, gold timber frame, painting set in two white card insets showing a brick building with white double doors and a flag out the front with 4 large pot plants, by artist Stan Thomas.On top of the building, "Kangaroo Flat RSL", hand painted on "Stan Thomas"brsl, smirsl, painting, water colour, kangaroo flat