Also black and white photograph showing workmen seated in a small open cabin which appears to be a control centre for working part of the machinery at the deep shaft oil well 05321 .1 16.5 x 16.5Black and white photograph showing two workmen standing in the liftcage prepared to descend to the deep shaft oil well at Lakes Entrance Victoriamachinery, oil and gas industry

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

This stock horse saddle was probably used in the mid 1900's. This was the period when cattle mustering was at its prime. The movement of cattle was by mounted stock horse only and not by other methods. Northern territory cattle stations in the late 1900's started to use helicopters for "cattle control". In the KIEWA Valley/Bogong High Plains and other rural cattle producing areas required well trained stock horses and stockmen for cattle control. It is only in the later 1900's that motor bikes and four wheeled quad-bikes have taken over, in part, from the mounted stockman.This horse saddle is very significant to the Kiewa Valley because of the early introduction of cattle stations in what initially was regarded as a semi remote location. The maintenance of cattle in the Kiewa Valley is and was an important requirement. A good stock horse saddle as and is important, especially during the period when cattle were grazed on the Bogong High Plains. The mustering and and moving cattle from the valley pastures to the high country was a demanding and dangerous exercise requiring "sure footed" stock horses.The "good" saddle was a vital part of this cattle mustering. A scientific study started in 1947 to study the impact of grazing cattle on the natural Alpine and sub Alpine vegetation found grazing cattle had an adverse affect on the natural Alpine and sub alpine vegetation, and grazing on the plains was stopped by the Victorian Government in 2005.This "camp draft" in the High Plains could take up to six weeks.This all leather "stock horse" saddle shows plenty of wear. It is in "full harness" configaration with stirrups and leg protectors horse, country, leather, gaiters, high, grazing, cattlemen, laces, studs

Currency issued to Citizens of occupied countries by Japanese Government to maintain economic control and to reduce Western influence. Items in collection of Richard William McGILVERY, RAAF. Refer Cat No. 7287P for his Service details, photos and awards.1. One Yen currency note. One side No.1 in two corners. Picture of elderly Chinese man in middle and some Chinese writing characters. Predominately black and "No.49" imprinted in red. On other side picture of building and some Chinese characters. Also 9 names written in black pen. 2. One Yen currency note. One Yen written in corner. Picture of more modern man on one side and a crowing rooster in bottom middle. Predominately black on white paper other side blue on white paper and Chinese Symbols and One Yen.Some in Chinese. One side No.1 in corners. On other side picture of building and lots of names scribed (including McGilvery) and date 3/5/47. 2. One side "1 Yen" and No.1. Second side "1 Yen" and Chinese symbols.bcof, japanese currency

Local currency issued by Occupational Forces (Japan) in Indonesia. Aim was to control economy and reduce Western influence. Item in the collection of Richard William McGILVERY, RAAF. Refer Cat No. 7287P for his service details, photos and awards.Small note predominately dark blue in colour on white paper. 5 cent denomination. No.5 in top corners. On back No. 5 in corners and in centre on blue stylised background.Front written "De Japansche Regeering, VIJF Cent" Stamp S over CH. Back. No 5 in corner and in centre.bcof, occupational currencies

During the construction of the Kiewa Hydro Electric Scheme visitors would have required a Meal Pass. This ticket would have been produced at the office for the purpose of controlling the people entitled to a meal and the number of people requiring one.Historical: This ticket indicates that a meal pass was required during the construction of the Kiewa Hydro Electric Scheme. This would have controlled the number of people entitled to a meal and enabled staff to both prepare the correct number of meals and to use the number of meals when finalising the budget.This orange ticket has been laminated. The writing on it is in black.Name: Slade S.E.C. / Kiewa Scheme No. 2703 Meal Pass (underlined) Issued subject to the conditions stated on the Pass / Acceptance Receipt H.H.C. Williams, Construction Engineer state electricity commission of victoria. kiewa hydro electric scheme. meal pass. mr slade.

Ganger's Fire Beater This was used to beat the flames of a fire. They were used by track Gangers when burning off the trackside vegetation, to ensure the fires were kept under control. the canvis was dampened with water before useHistoric - Railways Permanent Way and Works - track equipment - Ganger's Fire Fighting Mop Ganger's Fire Beater made of timber handle with canvas strips attached puffing billy, fire beater

Drawn by Margaret Donald, a former student and founding member of the Friends Of the Burnley Gardens (FOBG), it was given to Sandra Pullman who donated it to the Archives in 2013. Previous control number B14.0081. Margaret Donald died Feb 2015.Pen and ink drawing of the Summer House with a parent and child sitting inside it. sandra pullman, margaret donald, summer house, friends of the burnley gardens, fobg, sketch, ink drawing

City of Ringwood community information report for 1964, including sections covering Valuations-Rates, Sanitary Service - Sewerage, Private Street Construction, Loughnan Hill Road Scheme, Other New Works, Planning Scheme, Fire Hazards, Fly Control, Dogs, Annual Special Clearance of Refuse, Garbage Removal, Immunisation, Street Lighting, House Numbers, Home Help, Scholarships, Rubbish Dumping, Vandalism, and list of Council Representatives.rinx

This water standpipe is believed to be the only one of its kind in working order. It was originally located in Warrnambool, on the hillside at the corner of Mickle Crescent and Banyan Street, providing water for the Chinese Market Gardens below, on the flats. It was removed from this location on May 2nd, 1979, with the intention to relocate it at the new Flagstaff Hill Maritime Museum & Village. The standpipe lay in storage for years until the Warrnambool Company, Chemblast, offered to restore it for use as a working display. The display was officially opened on March 31, 2014. The water from the adjacent lake is drawn out with a hand operated water pump, and goes up into the standpipe, where flows through the canvas hose and into the top of the Furphy Farm Water Cart. The display is a visual acknowledgement of the years served by Flagstaff Hill volunteer and Friends of Flagstaff Hill Chairperson, Bob Crossman. Warrnambool’s early settlers had no water supply prior to the mid-1850s. They relied on rain water tanks, domestic wells and springs. The town experienced a huge, destructive fire in William Bateman Jnr. & Co.’s large produce store in November 1856, which highlighted the need for both a fire brigade and a good supply of water. In 1863 a volunteer fire brigade was established. In August 1880 the town celebrated the installation of its first water standpipe on the corner of Liebig and Timor streets. The water was pumped from springs at Cannon Hill through the connected pipeline to the standpipe, then distributed to households via horse and cart. Each of the licenced cart drivers were compelled by Council regulations to keep their carts full from sunset to sunrise, ready to cart water to outbreaks of fire. They received a fee for this service. In 1893 the town installed a water supply, sourced from the Merri River, stored in a reservoir basin and tower in north Liebig Street, and distributed throughout the town in a system of pipes. By late 1939 a reticulated supply was installed, with the water piped in under the Otway Scheme. Standpipes are still used in modern times in rural and remote areas for homes, farms, stock, agriculture and firefighting. Many commercial or government owned standpipes are metered, charging a fee for the quantities of water supplied. This water standpipe was made by Langlands Foundry Co. Limited, Melbourne, which was establish in 1842. It was Melbourne’s first foundry and iron shipbuilder, and one of the largest employers in Victoria at the time. Langlands was known for its high quality workmanship and wide range of goods for mining, engineering, marine, railway and other industrial uses. The company made the first cast bell, the first lamp posts in the colony, and the boiler for the first Australian train. In the 1860s it produced cast iron pipes for the Board of Works, which laid the pipes for Melbourne’s first reticulated water supply. The firm was bought by Austral Otis Co. in 1897.This water standpipe is significant historically as it is believed to be the only one of its type in working condition. The standpipe is significant for being manufactured by early colonial firm Langlands Foundry of Melbourne, which was known for high quality, cast iron products. The firm made the boiler for the first Australian train, assembled the first Australian paddle steamer and made the first Australian cast bell and lamp posts. Langlands was one of the largest employers in Victoria at the time. The standpipe is significant historically as it represents the evolution of water supply services in Australia. Standpipe; vertical cast iron water pipe, painted crimson, fixed in position, tapering inward from the round base to the rectangular joint near the finial on top. A hexagonal pipe extends at right angles from the joint, with an outlet fitting and flow-controlling wheel on the end. A length of canvas hose hangs from the outlet fitting. Inscriptions are on one face of the joint. The standpipe was made by Langlands Foundry Company of Melbourne. Embossed “LANGLANDS FOUNDRY CO. / LIMITED / ENGINEERS / MELBOURNE”warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, flagstaff hill, standpipe, stand-pipe, water standpipe, fire standpipe, firefighting equipment, water supply equipment, chinese market gardens, banyan street, liebig street, water tower, bateman’s fire, working display, water supply, town water, rural water, reticulated water, cannon hill spring, merri river, otway water, water carters, horse and cart water supply, volunteer fire brigade, langlands foundry, early melbourne, iron works, bob crossman, late 19th century water supply

Document, Diocesan Registry Forest Street Bendigo, From the Archdeacon of Bendigo,Ven. C.D.Sheumack, H.L., Letter to Harry Biggs referring to Bendigo Trust for return of a small filing cabinet and a green covered book on mining called ''Resources of the Central Goldfield''.both of which were in Albert Richardson's Collection.All Albert Richardson's possessions are under control of the Sandhurst Trustees and the Bendigo Trust awaits advice on how to deal with them.Diocesan Registry Bendigobendigo, church, diocesan registry

Set of two newspaper clippings from The Courier, 19/9/2006 celebrating the closing of the SEC tram system in Ballarat. .1 - "35-year tribute to lost tram service" with Frank Puls and Austin Brehaut at Carlton St .2 - "Tribute to lost trams after 35 years" with Frank Puls at the controls of 27. Story by James Kelly reporting on the closure and the Museum tram services and visitors. Photos by Ian Wilson.btm, closure, anniversary

Newspaper clipping from The Courier, Ballarat, 5/7/1972, about the concerns of the Brown Hill Progress Association that the tramway preservation project does not become "a plaything" for people who may want to play trams". Spoke about control of the organisation by Ballarat people. Cr. Chisholm noted the BTPS had six Ballarat based members on the Board, including the President. Cr. Pittard moved that a copy of the letter be sent to the BTPS.In red ink in top right hand corner '5/7/72'trams, tramways, brown hill progress association, museum establishment, btps, city of ballaarat

Photo of SEC Ballarat Tram No. 17 east bound in Sturt St, after crossing Doveton St. In the photograph are the buildings on the north side of Sturt St., including the CBC Bank building with a CAGA Finance sign on the top of the building . No. 17 has "Everything's under control in my all electric kitchen" SEC roof advertisement panel. Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of slide in light black ink "N17 Ballarat / Sturt St. " and in bottom left hand corner in black ink "P. Moses".tramways, trams, sturt st, doveton st, cbc bank, tram 17

Photo of No. 42 waiting to turn from Lydiard St. North to Sturt St. on 21/8/1971, while running the ARHS/TMSV special trams. Has National Mutual, Town Hall and Craigs Hotel in the background. Tram is showing "Special" and is fitted with SEC roof advertisement "Everything's is under control in my all electric kitchen". Kodak cardboard mount slide, taken by Peter Moses 21 August 1971.On the rear of the slide in black ink "Ballarat / ARHS special from Lydiard St into Sturt St." and "P. Moses" in the bottom right hand corner.tramways, trams, arhs, lydiard st north, sturt st.

Photo of SEC Ballarat No. 41 turning from Sturt St into Drummond St. South., with the Southern Cross Hotel in the background. Location known as Hospital Corner. Note the SEC/ ESCo electrical section isolator box in the median strip by the pole. Tram has a SEC roof advertisement "Everything's under control in my all-electric kitchen." Kodak cardboard mount slide, taken by Peter Moses assumed Jan. 1969.On the rear of the slide "P. Moses" along bottom right hand corner in black ink.tramways, trams, hospital corner, sturt st, drummond st, tram 41

Colour photograph of Ballarat No. 37 turning from Lydiard St. North, into Sturt St. north side by the Post Office with the destination City. Tram has the SEC roof advertisement "Everything's under control in my all electric kitchen". In the background is the ANZ bank, a single truck tram at the City terminus and two buses east bound in Sturt St. Photo on Agfa Paper and taken on Friday 21 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/15" in blue ink and date stamp "Friday 21 August 1971" also in faded green ink.lydiard st nth, sturt st, anz, tram 37

Colour photograph, printed on a postcard back format of SEC Ballarat No. 41 and 42 just to the north of Mair St on the double line portion of Lydiard St. Nth. No. 42 has destination of Sebastopol, No. 41, Lydiard St Nth and a SEC 'Everything is under control etc." roof advertisement. Buildings on both side of Lydiard St Nth in view, Union Fidelity Trustee Company and the Wimmera Cash Confectionery Supply shop.trams, tramways, lydiard st nth, mair st, tram 41