Showing 3043 items
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Orbost & District Historical Society
black and white photograph / postcard, Early 20th century - pre 1906?
This photograph shows the Hospital Creek in flood. This is a pictorial record of a bridge in East Gippsland in the early 20th century.A black / white photograph / postcard of a road bridge across a flooded creek. It is in a bush setting.in front at bottom - "Hospital Creek in flood H.D.Bulmer photo Lake Tyers"bridge-hospital-creek tostaree-bridge -
Federation University Historical Collection
Photograph - Photo, Bill Fargher, Frank Wright at Daylesford, 1/1/1924 (exact); 1924
In 1860 Smeaton residents appealed for funds to establish a school. Patrick Curtain, and his co-workers raised more than £150 plus a land grant (Allot A, Sect 2, Township of Smeaton). Head Teacher John Forbes, with assistant Zillah North, opened a timber school building which measured 36ftx18ft (11.0x5.5m) on 1 September 1861 with 44 children. Rising enrolment to 65 in 1868 made building alterations necessary. During 1870-1 a residence of four rooms was supplied and in October 1882 a 20ftx18ft (6.1x5.5m) classroom. In 1907 a new brick building accommodated 122 children. Among notable ex-pupils are Major-General Bridgeford, Frank Wright ( Musical Director of the London County Council), Alex Wright, (AKA singer Andre Navarre), and Les Brooks. (Visions and Realisations) Frank Wright, aged 22, in a bush location at Daylesford - possibly at a mineral water spring.frank wright, daylesford -
Bendigo Historical Society Inc.
Document - BUSH COLLECTION: INSURANCE DOCUMENTS (S.A. BUSH), 1920-1930
Collection of 29 various insurance documents issued to S. A. Bush. Various insurance companies.person, individual, bush collection - personal -
Bendigo Historical Society Inc.
Document - BUSH COLLECTION: ROYAL AUSTRALASIAN ORNITHOLOGISTS UNION - REMINDER NOTICE, 1930
Royal Australasian Ornithologists Union - Reminder Notice to Miss M Bush re subscription.person, individual, bush collection - personal -
Churchill Island Heritage Farm
Photograph of bushland, Unknown
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. Black and white photograph showing dirt tracks leading through an area of dense bushIdentification number on reverse in penphotograph, churchill island, bushland -
Churchill Island Heritage Farm
Photograph - Photograph of yellow boat in the bush
Churchill Island Heritage Farm has a large photograph collection.Colour photograph showing a yellow cutout of a boat among the bush and a barbed wire fence.Catalogue number written on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of a woman standing in the garden, 1988
Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of a woman (Lady Stephen) holding a bouquet and standing in the garden behind a lavender bush.LADY STEPHEN IN C.I./GARDEN 1988 [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen -
Bendigo Historical Society Inc.
Document - BUSH COLLECTION: COLLECTION OF CORRESPONDENCE (S A BUSH), 1920's
Collection of handwritten and typed correspondence (S A Bush) - various sources and authors re business.person, individual, bush collection - personal, bendigo, bush collection, collection, business, commerce, retail -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, NVA
Green North Vietnamese Viet Cong bush hat with National Liberation front badgevietnamese clothing, bush hat -
Benalla Art Gallery
Painting, Percy LINDSAY, The harbour at Athol, Not dated
Born: Creswick, Victoria, Australia 1870; Died: North Sydney, New South Wales, Australia 1952ImpressionismGift of Wooleen Pty. Ltd., 1980Bush and urban landscape with figures, trees and water. Gold brushed and painted timber frame.Recto: Signed "Percy Lindsay" in red oil in l.l.c of composition; Not dated; Not titledpainting, seascape, landscape, figures, trees, buildings, women, child -
Tatura Irrigation & Wartime Camps Museum
Photograph, Captain Jenkins and Red Cross Group Camp 3
Captain Jenkins and a group of boys in the Red Cross group in Camp 3 during WW2.Black and white photograph of an officer and a group of boys standing in front of bushes and trees in background.captain jenkins, red cross australia, camp 3 ww2 -
Tatura Irrigation & Wartime Camps Museum
Photograph, Midwifery Sister Helene Moll
Helene Moll was an internee in Camp 3 and was a midwifery sister at Finschafen Lutheran Mission NG and at the camp hospital. Photograph is of her with 6 children she helped deliver. They are: Kate, Traud and Walter Wied, cousin Else Helbig, Theo Baer (on Sister Moll's lap) and his sister Gerda (obscured).Black and white photograph of a lady sitting on the ground with 6 children. Trees, bushes in the background.helene moll, kate wied, traud wied, else helbig, theo baer, gerda baer, camp 3 children -
Numurkah & District Historical Society
Postcard - Postcard showing map of Australia
Postcard featuring a hand holding a map of Australia, with a bush road scene printed inside it -
Uniting Church Archives - Synod of Victoria
Lapel Badge
3 Boys' Order of the Burning Bush (Victoria) blue and white enameled lapel badges. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Brown, Beth, Tapestry of the Frontier, 1989
Personal accounts of nursing in the bush and outback, with the Australian Inland Mission Frontier Services. Illustrated.aboriginals -
Clunes Museum
Postcard
BUSH SCENE WITH WAGON OF TIMBER, COWS, AND A FAMILY. TIMBER CARTING MT COLE BEAUFORTlocal history, document, postcards, postcards -
Mt Dandenong & District Historical Society Inc.
Photograph
Ivy May Madden is seated at the front, possibly aged around 8 years, with her mother Ethel Child (nee Madden) standing behind her. The other two girls are unknown at this stage. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Sepia coloured photograph showing a woman and three young girls posed in a bush setting.ivy may child, ivy child, ethel madden, ethel child -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The scene is looking across the Kalorama Valley with land cultivated by the Jeeves family. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with bushes in the foreground, hills in the distance and a cleared, cultivated area in the centre.Below the photograph in the album" LOOKING INTO THE VALLEYkalorama, kalorama valley, jeeves, valley -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child and shows a shows an area of Kalorama that has been cleared to grow crops. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with bushes in the foreground, a cleared area in the centre and thick trees behind.ivy child, kalorama, crops -
Mt Dandenong & District Historical Society Inc.
Photograph, Property of Robinson Family Scenic Cres. Kalorama, c1930
Small home surrounded by bush in Scenic Crescent, Kalorama. An additional property of the Robinson family.kalorama, robinson, scenic crescent -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: EMU CREEK BUSH BAND
Black and white photograph. White edges. Emu Creek Bush Band. Dark photo. -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: EMU CREEK BUSH BAND
Black and white photograph. White edges. Emu Creek Bush Band. Sitting in shadeentertainment, music, emu creek bush band -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: EMU CREEK BUSH BAND
Black and white photograph. White edges. Emu Creek Bush Band. Peter Ellisentertainment, music, emu creek bush band -
Tarnagulla History Archive
Photograph of Treloar's Foundry employees demonstrating a stump extractor, Treloar's Foundry employees demonstrating a stump extractor, between 1855 and 1894
Murray Comrie Collection. This photograph shows the Treloar Foundry employees (possibly Henry Treloar with hand resting on the stump extractor) conducting a demonstration of their tree and stump extracting device on a farm in Inglewood while a large crowd watches. Information collated by Murray Comrie: H.W. (Henry) Treloar was a native of Redruth in Cornwall, where he was born in 1811. He worked as a blacksmith in his father's Cornwall foundry and then in 1840 went to work in Cuba as a foreman smith to the Royal Santiago Copper Mining Co. Returning to England in 1851 he remained for two years just as the reports of rich Victorian goldfields began to be heard there. He brought his family to Australia in September 1853, arriving in Geelong and then working in Heidelberg for eighteen months. He returned to Geelong to set up a business but after three months was drawn to the Maryborough goldfields, then Dunolly and then Sandy Creek (as Tarnagulla was then known), arriving in March 1855. He remained in Tarnagulla until his death. He established the Foundry in Tarnagulla in 1855 and was known as the best 'mining' smith in the district. After the decline of mining he turned to production of agricultural implements and the firm built a reputation in the field, through devices such as the 'NONPARIEL' tree and stump extractor, double furrow ploughs, seed harrows and scarifiers. On 26th October 1878 the firm won three first prizes for their implements at the North Western Agricultural Show at Inglewood. The business of Treloar & Son was taken over by the James Bros in November 1894. This photograph is a reasonable copy created from an older original, owned by Miss Doris Nicholls. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph of a large crowd of people watching a stump-removal demonstration in a bush setting.tarnagulla, commerce, industry, blacksmithing, smithing, foundry, businesses, treloar, james, buildings, commercial road, main street -
Malmsbury Historical Society
Photograph (Item), William Kiam And Wife Emily (Lipp) Kim & Children, Malmsbury c1920
People - "Kim, Emily (Lipp), William, Ivy, Daisy, Queenie, Maud, Geo &" -
Whitehorse Historical Society Inc.
Book, c1890
James Barclay was the brother of Mollie Campbell (mother of Bruce and Daisy of Campbell's Croft.Small brown leather covered pray book with 'Garden of the Soul'and a cross imprinted in gold.(stamp Imprint) Taylors West Melbourne Catholic Book Depot.|(By Hand) To James Barclay from a friend. March 11th '94|Pray for me.books, religion -
Rutherglen Historical Society
Domestic object - Beater or whisk, 1930 (Approximate)
Donated by Mrs Parkin, Daisy & used by her in the early days of her marriageBeater made of wire with wooden handle, for domestic use -
Rutherglen Historical Society
Domestic object - Beater or whisk, 1930 (Approximate)
Donated by Mrs Parkin, Daisy & used by her in the early days of her marriageBeater made of wire, for domestic use -
Phillip Island and District Historical Society Inc.
Functional object, Vases by Eric Juckert and Henning Rathjen
Eric Juckert He worked as a potter and painter from around 1949 to 1992 in Victoria. His pottery was also sold by the department stores Myer and David Jones under the trade name “Jacqueline”.He then set up a studio at Point Road, Grossard Point, Ventnor on Phillip Island, in 1959 where he continued working there until 1992. Henning Alfred Rathjen (1903–1968) was one of the Australian-born artists who established a new pottery studio to cater for local demand and post-war innovations in art pottery. Rathjen established his pottery studio in Melbourne in 1948, producing quality slip-cast wares over the next 20 years. HistoricalCream, rough surfaced vase with oval pinched top and daisies in relief around top by Eric Juckert. Small, cream rough surfaced vase with top that flares outward with leaves and cutout sections by Henning Rathjen.Eric Juckert, Rathjen, pottery, vases, eric juckert, henning rathjen -
Kew Historical Society Inc
Clothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots