Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Navy blue and white printed pennant with a gold fringe. The pennant describes the competition, and in the spaces provided, the winning team has inscribed their team and personal names,BLACKBURN & DISTRICT NIGHT TENNIS ASSN / PREMIERS / SPRING 2012 / SECTION 9 / LADIES 'KEW DELIGHTS' / ANNE WRIGHT, ANNIE RUSSELL, ANDREA MURRAY, SALLY SWINGLER, SANDRA DOWNSkew heights sports club - 397 barkers road - kew (vic), kew heights tennis club - competition trophies

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.34; ‘The Punt, Echuca’; Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is the principal crossing-place on the River Murray at Echuca, as regards the ordinary road traffic from the district of Riverina, New South Wales. After the periodical floods, the Punt is found to be insufficient for the large traffic; but this inconvenience will not be found to occur again to any great extent, as the new Railway Bridge from Moama will considerably lessen the road traffic through the Township of Echuca.’nicholas caire (1837-1918), echuca (vic), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene near the Buffalo Mountains’ : Views of Victoria (General Series) No.41 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This scene is taken from the banks of the Buckland River, which is about five miles distant from the Buffalo Mountains, as seen in the distance. These mountains are frequently covered with snow, in consequence of their great altitude. The Buckland River is a small tributary of the Ovens River, which flows through the Beechworth district, and eventually finds its way to the River Murray. The Bridge which is seen on the right of the picture forms the roadway which leads from the Buckland Camp to the Township of Bright.’nicholas caire (1837-1918), landscape photography

A picture of the original Gordon Lodge lodge-room of 1886 - room currently in use by the Lodge's artist-in-residence. Below is a newspaper article from the North Melbourne Advertiser (Vic: 1873 - 1894) for Friday 22 April 1887 that describes the architecture of the building at the time of its completion. From some of the details included in the article it is obvious that the journalist who wrote the article was a Freemason. THE MASONIC HALL ASCOT VALE North Melbourne Advertiser (Vic. : 1873 - 1894) Friday 22 April 1887 THE MASONIC HALL ASCOT VALE The now Masonic Hall, Ascot Vale, the foundation stone of which was laid by the Worshipful Master of the Gordon Lodge (Bro, W. F. Lamonby) in October last has just been completed, and will be formally opened: with grand Masonic ball on the 13th prox. The hall stands on a fine block of land having a frontage of 50ft to the Maribyrnong road by a depth of 130 ft., and is built of brick and cement on a most substantial foundation of bluestone. The Tuscan style of architecture has been adopted with the most successful result, and the front design which is especially handsome, includes four massive pilasters with frieze architrave and enriched cornice, forming the entablature of the order,- and giving a most imposing appearance. The front door, over which are the masonic emblems, is seven feet wide, and two escape doors made to open outwards in compliance with the Central Board of Health regulations are also provided, in case of emergency. In the vestibule is a very fine elliptic arch with keystone enriched with fruit, and the whole floor, 9ft. 6in. wide, is laid with Cawkwell's encaustic tyles. On the right, of tile vestibule is a commodious committee room 22ft. by 12ft 6in with side entrance for members, so that in case the main hall is engaged no inconvenience need be caused. On the left is the Secretary's room, and off this again is a staircase cellar. The vestibule is well lighted with two exceedingly pretty chandeliers, which have a very pleasing effect and give it a nice bright appearance ascending a handsome staircase leading from the vestibule the upper storey is reached, and here everything is splendidly arranged, especially 'the Lodge Room, which is a model of neatness and of comfort. The dimensions are 28ft. x 22ft 6in. with an elevation of 17ft. 6in. to the beautiful cove ceiling, which is quite a work of art. At the east end of the room on a raised dais is the master's chair with the masonic emblems, and neat forms of polished kauri are placed at the sides for members, about 150 of whom can be accommodated. The lighting and ventilation have both been well attended to and all is very complete. The main hall is 75ft. by 35 ft. with a stage 15ft. deep, leaving the auditorium 60ft. x 35ft. with a seating capacity about 600. Round the walls up to 6ft 6in. is a handsome dado in Portland cement and above it are panelled Tuscan pilasters to the entablature, architrave enriched frieze and medallion cornice forming the main cornice to the hall. Immediately inside the cornice is a sunken panel all-round the ceiling relieved with ornamental outlet ventilators. There are twelve large windows, six on each aide, and the sashes, skirting boards, and doors throughout the building are beautifully painted in imitation of grained cedar. Two enormous gas reflectors, each for 50 lights are suspended from the ceiling and besides these, four elegant hanging chandeliers for lighting up the proscenium, and back of the stage, under which is a storeroom for seats, &c, when the hall is required for a ball. The floor is made of kauri, secretly nailed, and is beautifully finished off. At the back of the stage are two lavatories and ladies and gentlemen's dressing rooms, between which are a connecting passage for a call boy. Outside is a capital asphalted yard, and the other usual conveniences on an improved plan. There is a right-of-way asphalted on each side of the building, and a large lamp is to be placed opposite the main entrance to light up the front. Everything that forethought and ability could suggest to make the hall comfortable and popular has been done, and it now only remains for the public to avail themselves of the advantages offered them by the enterprising Company. The cost of the building and furniture, including a magnificent piano, was £2,500, and the land £300. Mr J. C. M. Cowan, of Ascot Vale, is the architect, and Messrs Parker and Pater, of South Melbourne, the contractors. The plastering was done by Mr I Nicholas, of Murray Street, Moonee Ponds, who is also entitled to great praise for his splendid workmanship. Mr Cowan has been most assiduous and particular in seeing that his instructions were carried out to his satisfaction, and the result must be exceedingly gratifying to him and to the directors. The Masonic hall is only one of the many buildings erected by Mr Cowan in this district, among the others being the well known residences of Meessrs. J. Levy, Mooneo Street; W. Murphy, Eglington street; G. Groube, Maribyrnong street; C. A. Arvier, Moonee Ponds ; and F. Paul, Mount Alexander road. It may also be mentioned that Mr Cowan generously presented the plans for the now local fire brigade tower which is acknowledged to be one of the strongest and most graceful around Melbourne, The new Masonic Hall does infinite credit to the borough, and in accommodation, design, and comfort it is not surpassed by any similar building of the kind outside the city.

A rare photograph of massed Light Horse in Victoria shortly before mechanisation consigned the horse to history.Black and white photograph of large group of horsemen in ranks waiting in the process of watering horses at a lagoon. One copy of the image claims it to be 8th Light Horse Regiment watering horses at a Murray River lagoon, South Corowa NSW, September 1939; Wahgunyah Troop, C Squadron - this side of lagoon, Lieutenant J. Nott on grey horse in water. A second copy (Cat No 0690) asserts it is 4 regiments of light horse being 8th, 13th, 20th and 4th watering horses near Torquay Victoria, March 1940.On a label on reverse of 0690: "Picture taken about March 1940 when the 13th Light Horse from Gippsland, the 8th Light Horse from Upper Murray, the 4th Light Horse from the Western Districts and the 20th Light Horse from the Goulburn Valley were in camp near Torquay. Mr Cappur Webb of Glendoxey, Seymour, a member of the 20th said the picture must have been taken during and exercise about five miles north of Torquay. “We used to water our horses in that lake”, he said."

Murray Views No. 9. District Hospital Stawellstawell hospital

Murray Views No. 3. District Hospital Stawell stawell hospital

Information on Maryborough and district schools and their histories.Information invaluable as access to local school historic records is currently unavailable.A set of three hardcover (red) books detailing the history of education in Victoria. Volume 1 (general account of the development of education), Volume 2 (schools in the Wimmera, central Victoria and Geelong), Volume 3 (Melbourne, upper Goulburn, upper Murray, Gippsland regions). Published by the Education Department of Victoria.

Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The were 26 original member clubs which included Albury Ski Club, Bogong Ski Club, Myrtleford Ski Club, Tallangatta and District Ski Club and Wangaratta Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation.This Journal is significant because it documents the early development of skiing in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 1:- Resulting from a meeting between Bob Howe (Albury Ski Club) and Tom MItchell (Upper Murray S.C.) a group of Wodonga Boy Scouts have had their first skiing trip under the aegis of Albury Ski Club Page 11: Results for N.E.D.S.A. versus Southern Districts Ski Association (South Island, N.Z.) These events were held at Queenstown as part of the Trans Tasman Tour. Skippy St.Elmo placed 5th in the Ladies' Slalom and 4th in the Ladies' Downhill. Dick Walpole who was to become an Olympian in 1960, placed 5th in the Men's Slalom and equal 4th in the Downhill.tom mitchell m.l.a., toonallook, fred griffith

The Main Street of Bacchus Marsh underwent significant change from the early 1960s. Many older buildings began to be demolished after the early 1960s and into the 1980s. This view shows a central section of Main Street before this transformation took place. Produced as part of a series by the Murray Views Postcards and Souvenirs Company.Black and White postcard image of Main Street, Bacchus Marsh dated around 1950. View is looking towards the West.Murray Views No.7, Main Street, Bacchus Marsh, Vic.roads and streets bacchus marsh vic., main street bacchus marsh vic.

Murray Comrie Collection. Subjects are posed in front of a building known locally as Victoria Hotel, now the Tarnagulla Public Hall.. Monochrome photograph of soldiers in uniform assembled in front of Victoria Hotel, in the main street of Tarnagulla. The men in uniform are all returned soldiers from the Tarnagulla district. They were drawn together to form the Guard of Honour on the occasion of the unveiling of the nearby War Memorial. Accompanied by a note that gives the following names: (Left to Right) Back Row: 1. _________ 2. George Graham 3. _____________ 4. Bob Clark 5. Joe Harwood Middle Row: 1. W. Kilgour 2. Perc. Ison 3. Lew Allen 4. Sam Patterson 5. Harry Bool 6. Bob Abbott 7. Will Smith Front Row: 1. Arthur Whimpey 2. Sgt ___ Graham 3. Les Radnell 4. Dave Roper 5. Fred Jackson 6. Bill James (David Gordon notes: This is not William James. He had been KIA by the time of the photograph.) tarnagulla, war, military, service, soldiers, veterans, ww1, first world war, graham, clark, harwood, kilgour, ison, allen, patterson, bool, whimpey, radnell, roper, jackson, james, abbott, smith

Murray Comrie Collection.Monochrome photograph of soldiers in uniform. Subjects are residents of Tarnagulla and other towns in surrounding district. All subjects served in First World War, dating the image to circa 1914-1918. Accompanied by a note that gives the following names: (Left to Right) Back Row: 1. Jim Browbill (Simpson's Creek) 2. Geo. Whyte (Tarnagulla) 3. Ken Bramley (Arnold's Bridge) 4. Geo. Riordan (Arnold's Bridge) Third Row from front: 1. Harold Spedding 2. Hewie Spedding (Laanecoorie) 3. Jack Graham (Murphy's Creek) 4. Syd Akers (Tarnagulla) 5. Geo. Corrie (Tarnagulla) Second row from front: 1. Geo. Clark (Llanelly) 2. Allan Mitchell (Llanelly) 3. Sergt. Anderson (Laanecoorie) 4. Jack Mitchell (Llanelly) 5. Will Kilgour (Tarnagulla) Front Row: 1. Fred Jackson (Tarnagulla) Same image as THA-2019.0203, which is an original print.tarnagulla, llanelly, laanecoorie, arnold, arnold's bridge, simpson's creek, murphy's creek, war, military, service, soldiers, veterans, ww1, first world war, kilgour, jackson, clark, mitchell, anderson, spedding, graham, akers, corrie, brownbill, whyte, bramley, riordan

Murray Comrie Collection.Monochrome photograph of soldiers in uniform posed in a military camp. Subjects are residents of Tarnagulla and other towns in surrounding district. All subjects served in First World War, dating the image to circa 1914-1918. Accompanied by a note that gives the following names: (Left to Right) Back Row: 1. ______________ 2. _______________ 3. Bert Whimpey 4. Bill Langan 5. Will Kilgour 6. Claude Whimpey 7. _______________ 8. ________________ Front Row: 1. Perce Ison 2. Arthur Whimpey 3. Syd Akers 4. Dave Roper tarnagulla, war, military, service, soldiers, veterans, ww1, first world war, kilgour, whimpey, langan, ison, akers, roper

Murray Comrie Collection.Monochrome photograph of soldiers in uniform posed in a military camp, with buildings made of corrugated iron in the background. Main assembled subjects are residents of Tarnagulla and other towns in surrounding district. All subjects served in First World War, dating the image to circa 1914-1918. Same image as THA-2019.0202 Accompanied by a note that gives the following names: (Left to Right) Back Row: 1. ______________ 2. Lew Allen 3. Bob Clark Middle Row: 1. ______________ 2. ________________ 3. _________________ 4. _________________ Front Row: 1. _______________ 2. Jack Sheldon 3. Will Kilgour 4. _________________ tarnagulla, war, military, service, soldiers, veterans, ww1, first world war, kilgour, allen, clark, sheldon

Murray Comrie Collection.Sepia photographic postcard, with image of soldiers in uniform posed in a makeshift studio setting, with a prop boulder at left. Subjects are residents of Tarnagulla and other towns in surrounding district who served in First World War, dating the image to circa 1914-1918. Reverse is printed with postcard template. Accompanied by a note that gives the following names: (Left to Right) Back Row: 1. Luther Stone 2. Geo. Corrie (Waanyarra) 3. Cashen Fitzgerald 4. Bill Langan 5. ______________ 6. _______________ Front Row: 1. Bert Runting 2. Claude Whimpey 3. Bill James 4. _________________ Same image as THA-2019.0201 (slight difference in names).Stamped on reverse 'M. Comrie'. Hadwritten on reverse 'M. Comrie' and 'For Le Messurier, per Bill Gore' and '1'.tarnagulla, waanyarra, war, military, service, soldiers, veterans, ww1, first world war, stone, corrie, fitzgerald, langan, runting, whimpey, james

Murray Comrie Collection. Information collated by Murray Comrie: This photograph shows the Treloar Foundry with its chimney, employees and the Treloar home in Commercial Road Tarnagulla H.W. (Henry) Treloar was a native of Redruth in Cornwall, where he was born in 1811. He worked as a blacksmith in his father's Cornwall foundry and then in 1840 went to work in Cuba as a foreman smith to the Royal Santiago Copper Mining Co. Returning to England in 1851 he remained for two years just as the reports of rich Victorian goldfields began to be heard there. He brought his family to Australia in September 1853, arriving in Geelong and then working in Heidelberg for eighteen months. He returned to Geelong to set up a business but after three months was drawn to the Maryborough goldfields, then Dunolly and then Sandy Creek (as Tarnagulla was then known), arriving in March 1855. He remained in Tarnagulla until his death. He established the Foundry in Tarnagulla in 1855 and was known as the best 'mining' smith in the district. After the decline of mining he turned to production of agricultural implements and the firm built a reputation in the field, through devices such as the 'NONPARIEL' tree and stump extractor, double furrow ploughs, seed harrows and scarifiers. On 26th October 1878 the firm won three first prizes for their implements at the North Western Agricultural Show at Ingelwood. The business of Treloar & Son was taken over by the James Bros in November 1894. This photograph is a reasonable copy created from an older original, owned by Miss Doris Nicholls. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph of five men and a young girl standing in front of a house with white verandah posts and two brick chimneys. In the background a much taller brick chimney is visible.tarnagulla, commerce, industry, blacksmithing, smithing, foundry, businesses, treloar, james, buildings, commercial road, main street

Murray Comrie Collection. This photograph shows the Treloar Foundry employees (possibly Henry Treloar with hand resting on the stump extractor) conducting a demonstration of their tree and stump extracting device on a farm in Inglewood while a large crowd watches. Information collated by Murray Comrie: H.W. (Henry) Treloar was a native of Redruth in Cornwall, where he was born in 1811. He worked as a blacksmith in his father's Cornwall foundry and then in 1840 went to work in Cuba as a foreman smith to the Royal Santiago Copper Mining Co. Returning to England in 1851 he remained for two years just as the reports of rich Victorian goldfields began to be heard there. He brought his family to Australia in September 1853, arriving in Geelong and then working in Heidelberg for eighteen months. He returned to Geelong to set up a business but after three months was drawn to the Maryborough goldfields, then Dunolly and then Sandy Creek (as Tarnagulla was then known), arriving in March 1855. He remained in Tarnagulla until his death. He established the Foundry in Tarnagulla in 1855 and was known as the best 'mining' smith in the district. After the decline of mining he turned to production of agricultural implements and the firm built a reputation in the field, through devices such as the 'NONPARIEL' tree and stump extractor, double furrow ploughs, seed harrows and scarifiers. On 26th October 1878 the firm won three first prizes for their implements at the North Western Agricultural Show at Inglewood. The business of Treloar & Son was taken over by the James Bros in November 1894. This photograph is a reasonable copy created from an older original, owned by Miss Doris Nicholls. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph of a large crowd of people watching a stump-removal demonstration in a bush setting.tarnagulla, commerce, industry, blacksmithing, smithing, foundry, businesses, treloar, james, buildings, commercial road, main street

Murray Comrie Collection. Information written by Donald Clark, (source Tarnagulla: A history of Tarnagulla and Districts website): The hotel was built on Commercial Road in 1859 and was opened on 26/12/1859. Festivities lasted for three days on opening. The building was of two storeys, built of brick and plastered throughout. It contained one bar, three parlors, billiard room, dining room, and four bedrooms with twelve others detached from the main building. Other out buildings consisted of kitchen etc. and stables to accommodate 30 horses. There was an underground tank capable of holding 3000 gallons of water. The licence was granted to Patrick McDermott at the Dunolly Court on 17/2/1860 and renewed on General Licensing Day on 12th June, 1860, and was transferred to William Hawkins in 1861. The premises became the headquarters of the Bet Bet Roads Board, following which it became the Council Chambers for the Borough of Tarnagulla, until 1915. The building was beyond repair and was removed by pulling the place down and storing the material for use of the Public Hall Committee. This took place on March 27th and 28th, 1981. This image must be after 1866, when the building was purchased for use as Council Chambers and the original heavy cornice was removed as that is not present in this image. This photograph is a reasonable copy created from an older original. Monochrome photograph depicting Company's Hotel in Tarnagulla. At the time of the photograph the old hotel is being used as the Mechanics' Institute. tarnagulla, hotels, company's hotel, companys hotel, burstall hall, businesses, commercial road

Murray Comrie Collection.Sepia photographic postcard, with image of soldiers in uniform posed in a makeshift studio setting, with a prop boulder at left. Subjects are residents of Tarnagulla and other towns in surrounding district who served in First World War, dating the image to circa 1914-1918. Reverse is printed with postcard template. Handwritten note on reverse gives the following names: (From Left to Right) Back Row: Luther Stone, George Corrie, Cash Fitzgerald, Harry Biggs, Geo. Williamson Front Row: Bert Runting, Claude Whimpey, Bill (WIlliam) James, Bert Gray Same image as THA-2019.0026 (slight difference in names) Handwritten on reverse '1914-19 War' and 'Tarnagulla Boys' plus names.tarnagulla, waanyarra, war, military, service, soldiers, veterans, ww1, first world war, stone, corrie, fitzgerald, langan, runting, whimpey, james

Murray Comrie Collection. Original print.Photographic postcard with monochrome image of soldiers in uniform posed in a military camp, with buildings made of corrugated iron in the background. Main assembled subjects are residents of Tarnagulla and other towns in surrounding district. Reverse of item is printed as a standard postcard format. All subjects served in First World War, dating the image to circa 1914-1918. Same image as THA-2019.0025 which was accompanied by a note that gives the following names: (Left to Right) Back Row: 1. ______________ 2. Lew Allen 3. Bob Clark Middle Row: 1. ______________ 2. ________________ 3. _________________ 4. _________________ Front Row: 1. _______________ 2. Jack Sheldon 3. Will Kilgour 4. _________________ tarnagulla, war, military, service, soldiers, veterans, ww1, first world war, kilgour, allen, clark, sheldon

Murray Comrie Collection. Monochrome photograph depicting a wooden building somewhere in the district in or around Tarnagulla, possibly Arnold or Llanelly.buildings

Murray Comrie Collection. Monochrome photograph depicting a stone building somewhere in the district in or near Tarnagulla.buildings

Murray Comrie Collection. Monochrome photograph depicting a stone building somewhere in the district in or near Tarnagulla.buildings

Murray Comrie Collection. Monochrome photograph depicting a stone building somewhere in the district in or near Tarnagulla.buildings

Murray Comrie Collection. Monochrome photograph depicting a weatherboard building somewhere in the district in or near Tarnagulla.buildings

Murray Comrie Collection. A page from The Weekly Times newspaper, of Sept 16, 1964 with article titled 'Tarnagulla Ball for Dunolly Hospital'. Images of Tarnagulla & district residents including Henry and Arthur Dyer, Mr & Mrs James, Mr & Mrs Hurford, Alex Freckleton and Robert Ousley (both of the Tarnagulla Hall Committee), John Shay, and others. tarnagulla, dunolly, murphys creek, maldon, people, hospital, fundraisers, hall, public hall, hall committee

Murray Comrie Collection. A handwritten statement on lined paper relating to boundaries of the Special Licensing District of the Northern Circuit (court). Note on lower section states that the statement 'was pasted on cover of License Register Petty Sessions Sandy Creek 1860'.tarnagulla, court, petty sessions, licensing