The family group photograph was taken at the wedding of Jim Vlassopoulos (Kioukiouris) and Melita Zavitsanos. Pictured are - back row from L-R: Helen Stratos, Ioannis (Jack) Vlassopoulos (Kioukiouris), Jim and Toula Kandiliotis, Jim and Melita Vlassopoulos, Nick Defteros (Melita's uncle from Brisbane), Vicky and Orpheus Kandiliotis and Fotoula Moraitis, Jim's cousin. Flower girls/page boy: Christine, Clem Jr and Joanne Kandiliotis. Jim was born in Melbourne and Melita arrived in Australia from Ithaca in 1954. Jim and Melita met in Melbourne and were married in 1955. A black and white studio photograph of a wedding group which includes 5 men, 5 ladies, two little girls and a young boy. There are white trellis screens behind the group.

A group family photo of the Vlassopoulos family (Kopela) from Lahos taken in 1925 in Ithaca. Eugenia Vlassopoulou (nee Raftopoulou) is pictured with her in-laws and five young children. Her husband, Dimitrios Vlassopoulos, was in Australia at the time. They did not reunite till 1950. Back row L-R: Panos and Eustathios (Stathi) Vlassopoulos. Middle row L-R: Eustathios and Erigoni Vlassopoulou, Eugenia Vlassopoulou, unknown. Front row L-R: Costa, Nikos and Erigoni ( Nitsa ) Vlassopoulos. Prior to migrating to Australia Dimitrios had been to America where he had worked in cafes. He brought with him many ideas which he introduced in his business in Red Cliffs. Stathi, Pano and Costa all migrated to Australia in the 1930; their mother, Eugenia and siblings Erigoni and Nikos in the 1950s. In the early years the family had cafe businesses in Red Cliffs and Hopeton. Like other Ithacans members of the Vlassopoulos family migrated to Australia during the first half on the twentieth century and went on to open businesses in country Victoria and Melbourne. Also like many Ithacan women of that era, the wife/mother remained on the island to raise the children, whilst her husband's travelled abroad for work and to support their families.A black and white photograph of a family group of a man, three ladies, four boys and a little girls. The group were photographed outdoors. Another lady is standing and looking on in the background.kopella

Denis Sikiotis (Skiotis) is the young man who was lifting up his young cousin, Jim Morris (Mortaitis). They are pictured in South Yarra where Jim's family operated a milk bar located on the corner of Osborne Street and Toorak. Denis and his brother Hector were sponsored by their aunt Marigo Sikiotis to come Australia to study at RMIT. Both brothers were born in China where their father had migrated and established a business - more information about the Skiotis family history https://www.ithaca.org.au/images/Historical_Stories/Ed_192_Art_2_Skiotis_of_China.pdfA black and white photograph of a young man lifting a little boy up. They are both under a bare tree in a park.

Taken at the wedding of Marinos Drakopoulos and Eutichia Vlassopoulos. Pictured: Back row from L-R: Orpheus Kandiliotis, George Raftopoulos, Jim and John (Jack) Vlassopoulos (Kioukiouris). Middle Row from L-R: Danae Kandiliotis, Vicki Kandiliotis, Helen Lucas (Callis), Marinos and Eutichia Kandiliotis, Denise Stratos, and Irini Defteros. Front L-R: Joanne Kandiliotis, Agathi Drakopoulos (mother of groom), Anthony Drakopoulos, Christine Kandiliotis and Chrisostomi Kandiliotis. A photograph of a studio photograph of a family wedding group. There are five men, seven ladies, a young flowergirl, two little girls and a boy. vlass, drake

Pictured at an Ithacan Club are members of the Paizis family gathered at a function from l-r are Marika Paizi, Alkinoos Paizis, Tasia Paizis, Thalia Paizis, Desma Paizis (Black), Jimmy James, Sofia Paizis (Anastasiou), Anastasios Papadopoulos, Irini Pappas, Nikolaos Paizis. Nikolaos Paizis was known as 'the poet' (ο ποιητής) by the Melbourne's Ithacan community as he was renown for reciting nostalgic poems which he composed. A black and white photograph of people seated around a table at a function. There are five men, three ladies and three children in the group. One of the men has a little child on his knee.

Enjoying a family outing at Queenscliff are (l-r) Spiros Papadopoulos (Skiomenos), Tasia Paizis-Alpitsis, Irini Pappas, Spiro Paizis; front (l-r) Nick Lappas and Nick PapasA print of a photograph of two ladies and four men standing on a pier beside the water. The picture has been taken from another photograph.

Pictured are Laertes and Anastasia (Varvarigou) Kostopoulos with their children, Chris aged 4, held by Anastasia; Katina aged 10; John 8 years; and Maria 6 years. A copy of a black and white photograph of the Kostos family group. They are back from L-R:Baby Chris, Anastasia, Laertes Kostos. Front from L-R: Katina, John and Maria.varigos, varvaregos, kostos

The photograph features members of the Vlassopoulos (Vlass) family (Kopela) many of whom settled in the Mildura area. It was following the wedding day of Peter (Pano) Vlass and Joyce Mason. Pictured from L-R: Costa Vlass, Ida Mason (Joyce's sister), Peter (Pano) Vlass, Joyce Mason, Stathy Vlass, Bill (Vasilis) Florence (Floria) and Angelos (Agathangelos) Vrettos. Front from L-R: George Mason, Joyce's father; and Demetrios Vlassopoulos, father of Costa, Pano and Stathy. The photo was taken in Red Cliffs in the backyard of the Golden Key Cafe which was opened by Demetrios Vlassopoulos together with his brother-in-law Spiros Raftopoulos (Levendis). Demetrios Vlassopoulos (Kopela) arrived in Australia circa 1922-23 and settled in Red Cliffs where his brothers-in-law, John and Efthimios Raftopoulos, (Fiakas) had established themselves in a range of business enterprises in Mildura district. Demetrios' three sons, Stathy, Pano and Costa migrated to Australia during the 1930s. His wife, Eugenia (nee Raftopoulos) did not arrive in Australia till 1950 accompanied by her son Nikos. Like many women, Eugenia was left to raise her children whilst her husband migrated for work and to support the family back home. They had been separated for almost 30 years.A print of a photograph of a family group of six men and two ladies. The group are standing and seated in front of a house which has a water tank in the background.kopella

Pictured l-r: Peter Deftereos, Anna Defteros (nee Miriklis), Anna Maria Megalogenis and her parents Marina and Iaokeim Deftereos.

No 1: Matron Eagleton with Nursing Staff, Ballarat & District Hospital. Priscilla Wardle, far right - trainee nurse 1905-1908. No 2: This could be a group of trainee nurses at Ballarat Hospital. Circa 1906/1907. The nurses with the grey looking sleeves in this black and white photograph may be wearing the lilac uniform of Trainee nurses. The sitting nurse on the far right may already be qualified because she appears to be wearing the white of a trained nurse. Sitting in the middle with the cheeky grin could be Priscilla and the standing nurse on the far left could be Edith Popplewell. No 3: This photograph is labelled 1907 and Priscilla would have just commenced her training. She appears to be “fanning” a female patient presumably to cool her down. This could be upstairs in the Queen Victoria’s Women’s Ward. Priscilla graduated as a nurse in 1908. In this photograph Priscilla was at age 23 years. No 5: Sheila Kelly (left) and Priscilla Wardle. This photograph is labelled 1909 and shows Priscilla in an all white uniform indicating she has qualified as a nurse. Sheila Kelly appears to have darker sleeves/blouse (lilac) and may still be a trainee. No 6: There is a very good chance that this photograph is Edith Popplewell, standing left, Lily MacKenzie , standing on the right and Priscilla seated. Writing in her album is very hard to read but it appears to be “Pop McK & I”. The arm bands with the St John Cross denote they are “charge nurses” maybe in charge of a ward. Taking all this into account the photograph could be circa 1909/1910. No 8 & 9: Priscilla painting what appears to be a gate while wearing her nurse uniform. She has a big grin on her face. Together with Lily MacKenzie they were the principals in the Mount Stuart Private Hospital at 18 Duke Street. Daylesford. This property is now known as Mount Stuart House. Priscilla appears to be on Central Spring Road with the Daylesford Post Office in the background. Photograph 9 is labelled 1914 which would make it near the end of their tenancy between 1911 and 1914. No 10: This photograph raises some questions. Priscilla appears to have darker sleeves /blouse (lilac) which may indicate she is still a trainee however Priscilla is also wearing a “charge nurse” arm band. While my research shows trainee nurses can be a “charge nurse” this is not common practise. The scene appears to be at the door of a house/home. I am not sure if the children’s ward/orphanage at the Ballarat Hospital at this time was in such a building. It could be that it is at the Mount Stuart Hospital but this would mean Priscilla and Lily have duplicated the wearing of the “charge nurse” arm band. The St John’s logo looks different too. Priscilla Isabel “Pearl” Wardle (1884-1967). The armband indicates Priscilla is a Charge Nurse at the Ballarat Hospital. Nothing else known. No 11: Mary & I at Mount Stuart – House Daylesford – This is probably the nursery at the Mount Stuart House Private Hospital being run by Priscilla Isabel “Pearl” Wardle (1884 – 1967) and Selina Lily (Lil) MacKenzie or McKenzie (1882 – 1975) between 1910 and 1914. Mary is certainly Mary Young MacKenzie or McKenzie (1865- 1942) Lily’s stepsister who trained at Ballarat Hospital as “Mary Young “at the same time as Priscilla and Lily. Mount Stuart House still stands at 18 Duke Street Daylesford. Photo date 1912. No 12: Priscilla wearing her distinctive Queen Alexandra’s Imperial Military Nursing Service Reserve cape and badge. Possibly while nursing in London for a month in 1919 after the war. No 12A: Priscilla Wardle - WW1 Diary, OCR enabled. No 13: Priscilla and friends at No. 7 General Hospital, Malassises, Saint Omer, France in July 1915 The old monastery being used as a hospital can be seen in the background. The tents are the nurses quarters. This photograph may have been taken at the same time as the group photograph on page 250 of the diary transcription. Priscilla is thought to be the nurse at the centre in the QAIMNSR uniform. The nurses quarters at the No 7 General Hospital in Saint Omer in France where Priscilla worked for most of the first year of her Diary. Their Monastery (Hospital) at Malassises can be seen in the background. No 15: Priscilla is an Acting Sister working at the 2nd General Hospital for Officers in Havre, France, between March and July 1918. The nurses were enjoying their “tea party”. (see also page 253 of the Diary transcription) No 17: Priscilla at Havre - at 2nd General Hospital (Officers Hospital) in Havre., France Friday 29 March 1918 to Monday 29 July 1918 note the two dark bands on her right sleeve denoting that she is an “Acting Sister”. Priscilla is 34 years of age in this picture and in the three weeks prior to this posting she met Cyril Terence Charles Kirby (1892-1968) her future husband at the 42nd Stationary Hospital in Flixecourt while he was serving with the British Army during the battle and evacuation of Amiens. No 18: Priscilla Wardle at No 8 Stationary Hospital Wimereux, France - from Saturday 24 June 1916 to Tuesday 18 September 1917, Priscilla worked at this hospital for 15 months her longest time in one hospital. during the war. While at Wimereux on Sunday 1 July 1917 she was appointed an Acting Sister. Priscilla once said she disliked nursing in her cape and badges and here she is in her favourite “uniform” for work “the robe” as she called it. She may be leaving the “operating theatre” at Wimereux in this photograph. No 19: Priscilla worked in various operating theatres throughout France. This could be after she became an anaesthetist in 1918 and worked with this team. She is wearing her favourite uniform which is more comfortable. She did not like the collars and capes that were required to be worn. No 20: Priscilla and Sister Michael Meeke? (details not found) are having a quiet drink at the 2nd General Hospital for Officers in Havre, France. Note the dark bands on their sleeves denote their rank as nursing “Sisters”. While it looks like they are smoking look more closely they are in fact holding a “flute” style probably “cocktail” glass. Tea parties and cocktails, Havre could almost have been fun. No 22: 1913 – Ballarat nurse Priscilla Isabell “Pearl” Wardle (1884-1967) in Cannes on the French Riviera during leave from between Friday 20 February 1918 and Friday 6 March 1918.Priscilla is second from the left wearing her distinctive QAIMNSR cape of grey with dark “wine” coloured border. The other nurses are wearing their “travelling” army uniform. They were rudely called “Salvation Army Lassies” by American nurses for the way they were dressed. (see page 232 of Priscilla’s War Diary) The description of 1913 on this photograph is confusing. No 23: Priscilla with her best friend Edith Victoria Donaldson somewhere in the “mysterious far east” on their trip on the Orontes. Priscilla is second from left - this may have been taken at Durban during Priscilla's return to Australia in 1919. No 25: Priscilla Wardle, Ballarat nurse in her Queen Alexandra’s Imperial Military Nursing Service Reserve (QAIMNSR) uniform. Notice the distinctive grey cape with “wine coloured” border Priscilla is also wearing her QAIMNSR qualification badge (medal) on the right side. Because she has no dark (wine coloured) bands on her sleeves so this photograph may be before 1 July 1918. No 26: Priscilla met her husband to be English army Lieutenant Cyril Terrence Charles Kirby during the battle and subsequent evacuation of Amiens in France. As an army nursing “Sister” Priscilla also held the rank of Lieutenant. Priscilla was stationed at the 42nd Stationary Hospital between 7/3/18 and 23/3/18. She had just completed a fortnight break at Cannes on the French Riviera. They were married at Priscilla’s home “Waverley" at 215 Dawson Street Ballarat on Saturday 15 November 1919. Nov 15, 1919 – Mr and Mrs Kirby. The bride Priscilla Isabell “Pearl” Kirby (nee Wardle) (1884-1967) and the groom Cyril Terence Charles Kirby (1892– 1968) on their wedding day. Priscilla was 34 years of age and Cyril 27 years of age however their marriage certificate states that they were both 34 years of age. Their marriage certificate states they were married at Waverley, Dawson St, South, Ballarat in a Presbyterian service conducted by the Rev. John Walker, a Minister of the Presbyterian Church of Australia and the Moderator General of the Church we think for Victoria. Was it in an outdoor setting as the surrounds in this photograph seem to indicate. Their witnesses were Robert and Olive, Priscilla’s brother and sister. Cyril signed as C. Terence. C. Kirby and Priscila signed as Priscilla I. Wardle. The certificate lists Cyril (Terence) as a Bachelor, Born at sea on a British ship and his occupation as Sailor. His father interestingly is listed as Charles John Kirby, of independent means and his mother as Emily Newman. Priscilla is listed as a Spinster, born in Ballarat with occupation as a Nurse. Her father is listed as Henry Thomas Wardle, Timber Merchant and her mother as Isabella Allan. They are both resident at 215 Dawson St. Ballarat which was Waverley the Wardle family home. No 28: Reverse in Poppy’s handwriting: “Lovingly yours Poppy, Dec 1908” Taken the year after Poppy qualified at BBH. No 29: Reverse in Poppy’s handwriting: “With much love to you Cilla, Poppy 1915” This picture was taken in the same year as the Marquette sinking incident. Edith Catheina Popplewell RRC (1884-1972) in her New Zealand Army Nursing Service (NZANS) Uniform. Poppy is at age 29 years in this photograph. Poppy was awarded the Royal Red Cross (RRC) medal for her heroism during the sinking of the Marquette transport ship. She lost her best friend NZ nurse Lorna Ratray. No 30: Taken in Cairo. Poppy is in the centre and wearing her New Zealand army badge and cape. The two nurses on either side are Australian nurses probably wearing their unique silver Australian Army sunrise badge and cape. No 31: Reverse in Poppy’s handwriting: “Ward 7 on Xmas day 1917, with my love, Poppy, A Happy New Year to you – had the sweetest letter from Bobbie”. (Bobbie is Priscilla’s brother Robert). It is thought the nurse in the centre of the three on the left is Poppy. It is 1917 two years after the Marquette sinking. Poppy appears to be a “sister” note the two dark bands on her sleeve. The uniform also matches that of Poppy 2. This photograph is in Post Card form very common during WWI. Edith Popplewell RRC is the “Sister” in the middle of the group of three nurses on the left. She is a sister not a general nurse because of the two bands on her left wrist denoting her rank. She was in fact the Charge Nurse ( in charge) of Ward 7 at this time. Note the Christmas decorations. Poppy is at age 33 years of age in this photograph.Bobbie is Priscilla’s brother Robert Norman “Bobbie” Wardle (1895-1979). No 32: Lilly MacKenzie & Poppy – Otaki - Australian nurse Selina Lily (Lil) MacKenzie sometimes McKenzie (1882– 975) grew up and trained as a nurse in Ballarat Victoria. After completing her training Lily and Priscilla Isabell “Pearl” Wardle (1884 – 1967) conducted the Mount Stuart House Private Hospital in Daylesford Victoria. In late 1913 Lily travelled to Otaki, 32 kms north of Wellington in New Zealand and worked at the Otaki Cottage Hospital with close friend Edith Catheina Popplewell “Poppy” (1884-1976) who also grew up and trained as a nurse at the Ballarat Hospital. In 1914 Lily was matron of a private hospital in Taihape 150kms north of Wellington. Both Lily and Poppy volunteered for New Zealand but as New Zealand were not accepting Australian trained nurses she returned to Australia and enlisted in the Australian Army Nursing Service (AANS) in October 1915. Lily went on to serve in Egypt, England, France and Italy where she was awarded the Royal Red Cross (RRC) medal for her service. This photograph is while Lily and Poppy were working at Otaki Cottage Hospital in New Zealand. Circa 1914. trainee, charge sister, ballarat, hospital, 1905, 1908, ww1, mount stuart house, sleeman, wardle, popplewell, mackenzie, military, queen alexandra's imperial military nursing service reserve, daylesford, nurses, private hospital, edith popplewell, france, cairo, diary, ww1 diary, havre, lily mackenzie, eagleton, matron, otaki, new zealand, donaldson, malassises, kelly, young, kirby, priscilla

Pictured is Stathi Raftopoulos at Raft's Cafe which was located at 301 Swanston Street, Melbourne and was typical of many such businesses owned and operated by Greek migrants from Ithaca who had arrived in Australia before World War II. Stathi's family owned a business in Merbein in north-west Victoria before moving to Melbourne. Stathi eventually went into partnership and established the Cosmopolitan Picture Company which brought Greek films to Melbourne's Greek community during the 1960s through to the early 1980s. Ithacan Greeks who arrived in Australia during the first half of the twentieth century honed their entrepreneurial skills and found employment opportunities in various areas of the food service industry. Before the end of the Second World War many of the eating places in Melbourne, which included fish and grill rooms, tea rooms and milk bars, were owned by Ithacan Greeks. A black and white photograph with a white surround. A young man is standing behind a counter in a milk bar. There is a poster advertising a Greek film as well as crates of coca cola stacked in the background. The counter is finished in wood veneer. Boxes of assorted lollies are on the shelves behind. On the counter there is a container of straws .

Stathi Raftopoulos and his son Spiros are pictured outside shops in Merbein which were once owned by Stathi's family. The Merbein shops were owned by Efstathios Raftopoulos (Levendi) and his son Spiros Raftopoulos, grandfather and father of Stathi Raftopoulos. The family were from the village of Kolieri on the Island of Ithaca, Greece and migrated for Australia at different stages. Efstathios arrivied in 1895, son Spiros in 1922, and the younger Stathi (accompanied by his father Spiro who had returned to Ithaca to see his family) in 1933. Stathis' mother Hariklia and siblings Nakis and Loula arrived soon after. The family settled in Merbein, west of Mildura, where they ran a business until the late 1930s prior to settling in Melbourne.A coloured photograph of the exterior of a corner shop. Written on the back of the photograph: MY FATHER'S SHOPS/ IN MERBEIN VIC/ 15.4.93/ STATHI & SPIRO RAFTOPOULOSraftopoulos stathi levendi, merbein

Stathi Raftopoulos was passionate about film and often showed movies to family and friends in his home cinema. He was a keen promoter of Greek film which he screened to the wider public as a travelling picture show man and later through the chain of Greek cinemas he was a partner in.A coloured photograph of a man standing next to a film projector in his home cinema. Two Greek film posters are on the wall behind him.

The photograph was taken during the Greek Orthodox Easter celebrations at Rousano, Exoghi on the island of Ithaca in 1947. The religious observance of Easter is very important events in the Greek Orthodox calendar and takes precedence over the Christmas observances. Easter Sunday is a day of celebration when the fast is broken and traditionally families come together to enjoy roast lamb usually on the spit.A black and white photograph of people gathered around a picnic in a rural setting. There are trees in the background and mountains in the distance. The photograph is one of a pair and has been backed onto cream board and laminated. A narrow typed label has been stuck across the bottom of the picture. Translated from the Greek: Easter at Rousano, Exoghi 1947. Photograph archives: Stathi Raftopoulos.

The picture is of Angelos Lekatsas (Lucas), his wife and three sons. Angelos was the second president of the Society between 1924.-1926. He was also president of the Greek Community of Melbourne and Victoria for three terms, from 1930-32, 1934-40 and 1949-52. Angelos arrived in Australia around the turn of century shortly after his brothers, Ioannis and Andreas. They owned the Lucas Cafe under the clocks of Flinders Street Station and the business remained in the family till the 1960s. A black and white photograph of a family outdoors. The three boys are sitting on a fallen tree trunk and the parents are standing behind them.

Pictured is Efthimios Raftopoulos and his nephew Stathis Raftopoulos. The Raftopoulos (Levendi) family commenced migration in the late 1890s. Members of the family initially settled in Mildura and Merbein where they operated various business enterprises. Some family members later came to Melbourne. The photograph was taken shortly after Stathi's arrival in Australia in 1934. His Uncle Efthimio arrived in Australia in the early 1900s. A sepia studio photograph of man seated and a young boy standing next to him. Both are wearing suits. A larger scanned copy of this photograph is in the duplicate folder. efthimios raftopoulos, stathis raftopoulos, levendi

Hariklia Raftopoulos (nee Moraitis) pictured with her sons, Stathi to the left, and Nakis (Nick) to the right. Her husband Spiros Raftopoulos was in Australia at the time the photo was taken. He returned to Ithaca and by 1934 the family eventually all migrated to Australia and settled in Melbourne.A scanned black and white photograph of a mother with her two sons. The mother is sitting on a chair and the boys are standing on either side of her.immigration

A family photo of Stathi and Kassiani Raftopoulos with daughters Leah and Rena and granddaughters. Pictured seated Kassiani and Stathi Raftopoulos. Standing left to right: Casey Koutsounis, Rena Varigos, Leah Koutsounis, Cassandra Varigos, Kathy Koutsounis, Margarita VarigosA coloured family photograph at a restaurant. The couple is seated and the younger females are standing behind them. families, daughterts, granddaughters

This a photo is taken in the early 1980s at the baptism of Anastasi (Stasi) Trikaliotis, the son of Lea and Con Trikaliotis. Stasi, pictured held by his godfather, is the grandson of the Naki and Golfa Raftopoulos. The baptism of a child into the Greek Orthodox Church is a very important important family, cultural and religious event within the Greek community. A coloured photograph with rounded corners of a priest blessing a baby during baptism ceremony. A man is holding the baby.baptisms, religious ceremonies

In the 1930s Stathi Raftopoulos' family settled in Merbein where he is pictured on his horse together with his young sister Loula. A scanned black and white photograph of a young boy on a horse holding a little child.stathi raftopoulos, loula raftopoulos

Pictured l-r are Bill Florence (Vasilis Florias) playing violin, Peter (Pano) Vlass, Joyce Mason and Stathis Raftopoulos playing banjo. They are continuing the celebrations the day after Pano's and Joyce's wedding. The photo is taken in the back garden of the Golden Key Cafe in Red Cliffs which was operated by Pano's father Demetrios Vlassopoulos (Kopela). Stathi, Bill and Pano were all first cousins.The photograph reflects maintenance of family traditions and celebrations in their adopted country and the love of music. A black and white photograph of a lady and men relaxing outside a weatherboard house. The lady is seated in front of the men. A man on the LHS is playing a violin and the other on the RHS is playing the banjo. A corrugated iron water tank is behind the group. The photograph has been scanned from an original photograph. kopella, mildura

Following World War 2, Greece descended into civil war which lasted from 1946 - 1949. Young men from Ithaca fought in this war, including Nikos Vlassopoulos (Kopela) pictured centre back row. Following the war Niko together with his mother, Eugenia, migrated to Australia in 1950 where he joined his father Demetri who had been in Australia since 1922 and brothers, Stathi, Pano and Costa who had left Ithaca for Australia in the 1930s. In the early years of Ithacan migration, many husbands left their families and migrated to various countries that offered opportunities. Demetri and Eugenia had been separated for almost 30 years before they reunited in 1950. Prior to leaving for Australia Demetri had also spent time in America. Women were left to bring up children on their own during times of hardship and periods of war. A black and white photograph with crimped edges of eight young men sitting amongst low growing shrubbery having a meal break. Two men are standing each end of the group holding guns.kopella

The photograph was taken at an Ithacan Philanthropic Society annual picnic sometime in the late 1920s or early 1930s. Races were always a feature at the annual picnic. In those early most families travelled to the picnic ground in hired furniture vans. The annual picnic is still held today in February of each year. Pictured standing L-R: ? Kasamias; unknown; Nick Kandiliotis; Andreas Razos; unknown; unknown; unknown; Spiros Digaletos; Paizis?; Dimitri Megalogenis; unknown; Paris Gabriel; Kallinikos ?; unknown; unknown; Gerasimos Papadopoulos (Tsinis); Stratos Paizis; Cominos (Bourazanis)?; Kneeling: Nikos Stratos; Platon Varvarigos. The annual picnic gave Ithacans the chance to relax and mingle away from their work on Sunday. It was and still is an important social event in the society's calendar.A scanned black and white photograph seventeen men standing in a line and two others crouched down in the front. They are either preparing to have a race or they have completed one as four of them are wearing shorts and singlets while some of the others have rolled up their trouser legs and a lot of them are wearing running shoes. The group are standing in a picnic ground in a valley which is surrounded by trees.

Group of Ithacans at a social function. Pictured clockwise from L-R: Michael and Vicki Black, . . ? . ., Olympia Regos, Toula Black, Athina and Stathi Zavitsanou, Philippa Regos, Andreas Anagnostatos, Olga Black, . .? . . , George and Sia Andrews and their daughter Antonia (Toni). The image in the photograph clearly illustrates how the Ithacan community in Melbourne enjoyed meeting together as a family at social functions.A scanned black and white photograph of fourteen people dressed in semi-formal attire and sitting around a table at function. The photograph has been printed on A4 copy paper.

Pictured at a family gathering celebrating the baptism of Colin Lucas, son of Freda Lucas (nee Benias) and Spiro Lucas. from L-R: Stathi Vlass, Nick Lucas (Lekatsas), Con and Helen Vlass and Annie Vlass. A black and white photograph with a white border, of five people, three men and two ladies, sitting on a long form at a social function.

A photograph on the wedding day of Erigoni (Nitsa) Vlassopoulos (Kopela) and Kyriakos Kyriakakis in Ithaca. Freda Lucas (nee Benias) pictured on the left is the flower girl. The couple migrated to Australia in the 1950s and settled in Red Cliffs near Mildura where they ran the Vlass family business, The Golden Key café. Erigoni is the daughter of Dimitri and Eugenia Vlassopoulos and sister of Stathis, Panos, Costas and Nikos. Nitsa and Kyriako had three children, George and Eugenia born in Ithaca and Dimitri (Jim) born in Red Cliffs. Nitsa and Kyriako eventually retired in Greece.A black and white photograph edged with a crinkle cut white border of bride and her flower girls with a man and a lady standing on each side of her. They are standing in an open area with shrubs growing behind them

Members of the Vlassopoulos (Vlass) (Kopela) family together with Freda Benias are enjoying a day out in the countryside. Pictured L-R: back: Annie Vlass, Freda Lucas (nee Benia), Costa Vlass and Helen Vlass; front: Con Vlass, Demetri Vlass, Anna Vlass and Eugenia VlassA black and white photograph of three women, one man , two boys and two girls standing next to a sedan car in an open area. The photograph has a white border around it. A partial view of a utility truck with a lady standing next to it is on the RHS of the image.

The photograph was taken at the christening of Freda Lucas' first son, Nicholas at the Greek Orthodox church, Evangelismos. Godparents are Zaharia and Maria Morris (Moraitis). Pictured l-r, Spiro Lucas, Maria Morris, Freda Lucas (nee Benias) holding baby Nicholas, Zaharia Morris, Bill Benias and Nick Lucas (Lekatsas).The 'Evangelismos' Church in Victoria Street, East Melbourne was the first Greek Church in Melbourne. The foundation stone was laid in December 1900 and the first service was conducted in August 1902. Since that date it has been the venue for many important family celebrations. Baptism is an important family tradition for Greek families. A black and white photograph with a white border of three men, two ladies and a child standing outside outside 'Evangelismos' Church in East Melbourne

Pictured left are Pano and Joyce Vlass (Vlassopoulos, Kopela) who are entertaining Nick Lucas (Lekatsas Spiliatsos) from Melbourne and another guest on the terrace of their Ithacan home at Akrovoulia/Krouvoulia. Pano and Joyce returned to live in Greece in the 1970s and built their family home on the island in a stunning location overlooking Frikes Bay. Many Australian Ithacans visiting the island in the summer months enjoyed Pano and Joyce's generous hospitality.A number of Ithacans, although relatively not many, made the decision to return to Greece in their retirement years. For the Vlassopoulos (Kopela) family it was common. Parents Dimitri and Eugenia returned in the late 1950s and all their children, Stathi, Pano, Niko and Erigoni all eventually retired in Athens and Ithaca. Costa was the only sibling who did not return permanently.A square coloured photograph with rounded edges of four people sitting at a table on a terrace enjoying a meal under a pergola with grape vines. kopella, peter

Pictured are a group enjoying coffee somewhere in Greece. Standing are Maria and Zaharia Moraitis (Morris); seated: unknown, unknown, Erasmia Brown (nee Benias). Zaharia and Maria returned to Ithaca from Melbourne in the 1970s. Erasmia lived in Newcastle and returned annually to Ithaca to visit family. Greek coffee is served in small cups accompanied with a glass of water. A faded coloured photograph of five people around a table enjoying coffee. Three are seated at the table and two are standing behind them. A large window is behind the group who are drinking Greek coffee from small cups. There are glasses of water on the table.