The Langley family (see inscription ).Photo show a group of four men, three women and a boy. Some are seated and some are standing. All are wearing hats. They are in a bushy area with many trees behind them. A gate can be seen in the background."The Langley family, Arthur L. Charles (Sen) b.1853 Dad,Alice Maria (Freeman) b.1855 (Mum), Walter, Lucy & friends. Halls Gap late 1890's. Lucy m 1907 C/E to Thomas Waldron, Bellfield, Halls Gap by John William Davison (Vicar of Stawell)." written on back in blue pen.people, langley

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards

Black and white photograph of a Scalebuoy Unit attached to the side of a house. Unit is long cylinder with two pipes coming out of it and joined at the top. There are three gate valves on the unit. Some plants beside the unit.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, scalebuoy

Photo (copy) of 8 soldiers who stood guard duty at the gates of the Bendigo Base Hospital during the 1919 epidemic of the Spanish flu. Amos Haw ( second from right ), others un-named.buildings, hospital, bendigo base hospital, bendigo base hospital;, amos haw, spanish flu.

Harper factory buildings on Beach and Rouse Streets (colour photo). April 1977 View shows that demolition works have commenced. Roughly painted sign on gates saying "this site under security guard"built environment, built environment - commercial, harper's, demolition

Lasercopy from the original black and white photograph of the Graham Street level crossing taken from the station, looking towards the beach with the gates 'open' for a city-bound two-car 'Tait' train; 1960stransport - railways, doug smallpage (?)

Night time view of Beach St looking West towards West Gate Bridge James LAURITZ print of Port Melbourne, laminated (one of 18). Copies of slides produced for Port Melbourne Councilbeach street, local government - city of port melbourne, built environment, james lauritz, engineering - bridges, west gate bridge

Postcard, WW1, Sepia photo of the main entrance end of the damaged St Quentin cathedral. Rubble and tangled wire of the gate in foreground. GS and G35 handwritten in pencil on the back. See also Copy 1401.93postcard, postcard, ww1, france, st quentin, cathedral

Postcard, WW1, B&W image of a damaged Chateau, formerly the Portuguese Headquarters, after a German offensive at Estaires. Chateau sits behind a damaged iron fence with central gates. Copy Y 25postcard, postcard, estaires, france, ww1, chateau, portuguese headquarters, ruins

St. Matthew’s Church showing footpath and fence. The church is located in Scallon Street Stawell. St. Matthew's church was erected in 1868. The Spire was completed in March 1869 and the Church was dedicated on 11th April 1869. Now the United Church. Large photo of St. Matthew's Church taken from a post card in Album 13. p.28. The photo similar to 121.4 but shows the road, footpath and gate way in the picket fence with trees in the landscape.POST CARD The "Merle Studio" Main Street Stawell. stawell religion

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 6 Donald St., Burwood in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for in 2003 $560,000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 6 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway.6 Donald St., Burwood Margaret Picken © 2003 Fletchers whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 10 Donald Rd., Burwood in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 6 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway.10 Donald Rd., Burwood Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

Originally did not have Spanish style veranda. Has been fish and chip shop, milk bar, bike shop (Billy Bennett)Colour photograph of a pseudo Spanish style brick dwelling. Exterior painted white, tiled hip roof. Brick front fence, cyclone wire gates, at 17 Church Street, Lakes Entrance Victoriafences, houses, heritage study

B/W. The Weeaproinah passenger shelter with boy looking out, 3 March 1962. The remains of a picket fence and gate across the entrance to the shelter with an aged corrugated shed and failing overhead name plate...weeaproinah; railways;

Newspaper photo and article about Safety Houses. Photo shows Sally Burch, Seb Anderson and Caitlyn Anderson walking along a footpath. A front fence has a Safety House sign on the front gate.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, safety houses, sally burch, seb anderson, caitlyn anderson, bill hawking, jacquie anderson

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings.View through the old wire gates into the parking lot behind the former Kew Police Station and Court House. This was the entrance from Cotham Road with which supplies, prisoners, and police cars would enter.kew court house, public offices -- kew (vic), kew police station

Black and white photograph. T.H. Kneen farewelling students at the entrance gate on Graduation Day August 1948. Identified by T.H. Kneen 3 June 1992, "Ted Hawksworth, George Grumont and Rita Brown." t.h. kneen, students, graduation day, 1948, george grumont, commonwealth reconstruction training scheme, ted (e. r.) hawksworth, rita brown, crts, entrance gate

Catalogue card reads, "January 1979. Miner's cottage in pieces at second resting place, in council depot near front gate - on left under big pine tree".

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Ted Jenkins on the rear balcony of Amess HouseCatalogue number written in pencil on reverse. On reverse in pen 'Ted Jenkins Rear Verandah area. Old Bathroom is directly behind Ted. Note - gate had to be rehung'churchill island, amess house, ted jenkins

Prominent Wesleyan Buninyong familky.B/W photographic copy of original, studio family portrait, Trewhalla family 1903. Clarice, daughter standing left, Annie(mother, nee Pask) seated holding son Edgar, son Roy standing centre, Father Theo seated, daughter Doris standing right, leaning on father.Trewhalla family of Buninyong 1903. Left to Right Clarice, Annie (nee Pask) holding Edgar, Roy, Theo and Doris. Roy later presented the gates of the Buninyong School.buninyong, family, trewhalla

Eltham Gateway, Eltham War Memorial Gate, procured from funds donated by the late Cr Ernie Andrew and wife, Ellen AndrewTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, eltham war memorial, eltham war memorial gate, war memorial buidings

Digital image of "Watsonia to Show, platform only, adult" [no date c1970s]". This ticket for travel only, admission to Showgrounds paid at gate to Show.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of train ticket. Cream with black text and red cross.train tickets, watsonia station, royal melbourne show

Lower Plenty Road is now open and drivers can travel along the road without being stopped by boom gates at Rosanna Station.News article 1 page, black text and colour image .level crossing removal project, lower plenty road rosanna, rosanna station, hurstbridge rail line

Weatherboard Home Napier Street. Corrugated Iron Roof wrought iron Lattice Work on Veranda. Front picket fence with iron gate.stawell houses

Farmer in Seville area 1915-1917. Killed in Action Oct. 9th. 1917. No known grave. Remembered on Memorial at Menin Gate, BelgiumFramed photograph

Taken in Beechworth, this photograh depicts Camp Street and Albert Road looking towards Asylum Hill. In the center of the image, the railway gate appears to be closed. Black and white rectangular postcard. The image is printed on matte photographic paper and is mounted on cardboard. Obverse: NO INSCRIPTION Reverse: 7756 1997.2835 84-230-1 POSTCARD Beechworth with takers cart in foreground Townview . beechworth, camp street, albert road, asylum hill

The Mt Beauty Golf Course was a tourist attraction during the warmer months. The SECV Gate controlled entry to the KHES only allowing permitted workers.