Helen Pallikaros’ multidisciplinary practice aims to engage on an emotional level, exploring feminist themes drawn from the domestic realm and the internal psychological state. A focus of her practice is to use the body for the external mapping of internal conflicts and psychological landscape. She sources forms and images to create a visual dialogue that explores the interconnection between the human emotive conditions and primal origins. The space between the private and public self is explored via the application/negation of the trappings of identity and gender.australian art, photography, feminism, gender, female artist

Brenda Crute married Jim Bywaters 19671967 A delightful bridal gown fashioned in chantilly lace cur on empire lines, fitted sleeveless bodice with boat shaped neckline back and front. Sheath skirt. Chapel length nylon organza coat train with butterfly sleeves & edging of chantilly lace. Headdress - Pearlized orange blossom & leaves mounted to a three-tiered nylon tulle veil.wedding dress, brenda crute, jim bywaters, 1967, textiles - bridal - fashion, stawell - wedding

Black and white photograph of a group of students standing and seated on benches beside a Christmas tree on the lawn. Break up Day 1944On reverse, "1944 Break up day 2nd year students," and a list of names.students, helen dudley, 1991, centenary, 1944, break up day, second year students 1944, student group 1944

Black and white photograph. Garden View of Lily Ponds and Hilda Kirkhope Rock Garden. Glimpse of Summer House.On reverse, "1944-1945 near Hilda Dance's Rockery & looking towards Lily Ponds & French Willows."hilda dance, rockery, lily ponds, willows, garden view, helen dudley, 1991, centenary, hilda kirkhope, rock garden, summer house, luffmasnn ponds

250 p. : black cover, section of original dust jacket pasted to front. Title and author's name hand printed on spine.fictionfiction, helen ashton

“The tree is a universal symbol of life and knowledge. As such, its root system is the primary channel for its strength and very survival. The root system was chosen as the subject for this artwork because of these meanings and because it is an aesthetically pleasing form that is simultaneously familiar and unfamiliar. It takes the form of a tree but it obviously not a tree. “public art, fountain, mosaic

The Geoffrey Blainey Research Centre is a supervised reading room in the E.J. Barker Library on the Federation University Mt Helen Campus. It holds the Art and HIstorical Collections, as well as special librarry collections.Colour photographs of visitors to the Federation University Geoffrey Blainey Research Centre. * Dr Dorothy Wickham, 08 August 2012 * Gene Geoffrey and the Human Skin Covered Book * Major Neil Leckie RFD (Ret'd) with his newly released book 'Creswick's War: Through the Letters of Driver S. Gordon Spittle MM "The War Correspondent", 04 September 2019 * Barry Kentish and Peter Voterakis of the Ballarat Fly Fishing Club * Kevin Jewell and Robert Littlewood, trustees of the Keith Wingrove Memorial Trustgeoffrey blainey resaerch centre, visitors, dorothy wickham, gene geoffrey, neil leckie, barry kentish, peter voterakis, kevin jewell, robert littlewood