A black and white photograph of The Crossways in Marysville. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. A black and white photograph of The Crossways in Marysville.marysville, victoria, australia, photograph, the crossways cabaret, the crossways, crossways, crossways country inn, crossways historic inn, 2009 black saturday bushfires, accommodation

A black and white photograph of the dining area in The Crossways in Marysville. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. A black and white photograph of the dining area in The Crossways in Marysville.marysville, victoria, australia, photograph, the crossways cabaret, the crossways, crossways, crossways country inn, crossways historic inn, 2009 black saturday bushfires, accommodation

A black and white photograph of the view looking from the supper room into the dance room at the Crossways Cabaret in Marysville. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. A black and white photograph of the view looking from the supper room into the dance room at the Crossways Cabaret in Marysville.Looking from the supper room/ into the dance room at the/ Crossways Cabaret./ Marysville Visit.marysville, victoria, australia, photograph, the crossways cabaret, the crossways, crossways, crossways country inn, crossways historic inn, 2009 black saturday bushfires, accommodation, roy liebig

A black and white photograph taken in a dining area in the Crossways Cabaret in April, 1949. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. A black and white photograph taken in a dining area in the Crossways Cabaret in April, 1949.My wife Katie,/ does a little talking/ at the Crossways Cabaret./ Marysville Visit,/ April 1949.marysville, victoria, australia, photograph, the crossways cabaret, the crossways, crossways, crossways country inn, crossways historic inn, 2009 black saturday bushfires, accommodation, roy liebig

A colour photograph of The Crossways in Marysville. The Crossways was built in the early 1920s and is the oldest building in Marysville. The Crossways historic inn survived the 2009 Black Saturday bushfires thanks to the efforts of its c-owner Greg Cherry and, in the days after the fires, provided a much-needed refuge to the Marysville community and firefighters. A colour photograph of The Crossways in Marysville.marysville, victoria, australia, photograph, the crossways cabaret, the crossways, crossways, crossways country inn, crossways historic inn, 2009 black saturday bushfires, accommodation

This sepia coloured photograph show the image of the former Bank of Australasia in Warrnambool. The two-storey building was built for the bank on the corner of Timor and Kepler Streets and opened there for business in 1860. It is now one of the City's Historic Buildings. The Bank of Australasia was incorporated by Royal Charter of England in March 1834. It came to Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the Bank of Australasia in Sydney at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch of the Bank of Australasia opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street. Two huge mastiff dogs were kept in the backyard and let loose at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Back and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The photograph is significant historically for its connection with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 percent of all Offices. The photograph has local historical significance for its association with the Warrnambool Bank of Australasia, which was established early in Warrnambool's history. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group of today. The Bank was an integral part of the growth of local commerce and the community.Black and white (or sepia) rectangular photograph, landscape orientation. Image of a two-storey building on a street corner. It is the former Bank of Australasia, Warrnambool, on the corner of Timor and Kepler Streets that was built in 1860. The reverse has a round, serrated-edged red label with an inscription, covered in opaque tape, plus four lines of handwritten text. There are several pin holes through the photograph.Label with: "AH2 2 / W.BOOL" Writing in pen: "D. K. Frew / --- / ---- / ----"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, commerce, banking, samuel hannaford, w h palmer, basil spence, h b chomley, a butt, j r mccleary, a kirk, j moore, j s bath, c c cox, richard c stanley, historic building, roberts & co., james cust, bank of australasia warrnambool

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photograph of Thomas Pearce. Taken on July 22nd 1878 by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, thomas pearce, loch ard, photographic society of victoria

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photoghrap of Thomas Pearce. Taken by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information and a white adhesive label with hand writing on it.Label has hand writing “F-Ph 55/2-74” Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photoghrap, thomas pearce, photographic society of victoria, loch ard shipwreck

One of a collection of 15 sheets with copies of Postcards printed onto A3 sheets from the Shirley Jones Collection.Copies of postcards. Cowes Pier; Churchill Island; People waiting on the Cowes Pier for the Steamer; The Cowes Pier; View of Churchill Island; Coastal scene at Cowes; Postcard with 4 scenes at Churchill Island - Amess Cottage, Moonah Trees, Historic Cannon; Kilcunda General Store."Cowes from the Pier" - "Waiting for the steamer on the Pier at Cowes P.I." - "The Pier at Cowes" - "Churchill Island from Phillip Island" - "Churchill Island, Amess Cottage, Moonah Trees, Historic Cannon" - "The General Store Kilcunda Vic"cowes pier phillip island, churchill island, amess house churchill island, moonah trees, kilcunda general store, shirley jones collection, thelma astbury

One of a collection of photographs purchased from Photo First, Thompson Avenue, Cowes, when it closed in June, 2014.Large Sepia photograph of a motorcycle rider, possibly Agostini Agostart, standing and crowd of onlookers and team workers.Historic motorsport, Agostini Agostart.motor cycle racing, agostini agostart, photo first

Telofa house was in Chapel Street, Cowes. Early Hospital and Fire Brigade.Sepia photograph of Telofa, home of the Thompson family.Telofa,. Thompson house at Cowes. Built by James Findlay of Coburg in 1909-1910. Built of cement blocks.buildings - historical, telofa house, thompson family, cowes, historic houses, james findlay

The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor was Ossie or Oswald Underdown.[Source Cherry McFee]Faded black & white photo on cardboard mount of a man, believed to be Mr Underdown, standing in front of a house with a dog and horse.Underdown property in Rhyll. Later Strawberry Gardens.underdown family, rhyll, buildings - historical, historic homes, local identities, oswald underdown, photographs

House on Richardson's Hill. Historic significance??Photograph, light colour, of timber house and shed. Large trees, brick chimneys, corrigated iron roof.coloured photograph, richardson's hill ventnor phillip island, timber house, john cook

Covers from "Sunbeam Removable Control Appliances instruction manual". An example of 1960s advertising through cooking and homemaker books. In this book, instructions and recipes are given for using various Sunbeam Removable Control Appliances, such as frypans, and deep fryers. The back cover shows photographs of Sunbeam deep fryers.An example of mid 20th century advertising through 'how-to' books.Digital copy of front and back covers of a book.historic advertisements, recipes, electric appliances, electric frypans, sunbeam appliances, deep fryers

21st century photograph of heritage site: former Plenty bridge Hotel and Tollhouse, situated on the eastern side of Old Lower Plenty Road, near the Old Lower Plenty Road Bridge on the east bank of the Plenty River. Although the Hotel burnt down, poplar trees still exist on the site.3 pages, 1 x colour photograph printed on paper, 1 x Heritage Inventory (text) and 1 historic black and white photo.On colour photograph: Close-up site of Plenty Bridge Hotel (H7922-0265) and surviving poplar tree. A. Paul 3/03plenty bridge hotel, lower plenty, plenty river

Descriptions and photographs of seven early building of historical interest in Greensborough, nominated for the Banyule Heritage Study 2020 by Norm Colvin and Anne Paul on behalf of the Greensborough Historical Society. Buildings include: Stubley building, Genista house, Diamond Valley Community Hospital, Lobb's Cottage, Old Baptist church, railway electrical buildings, swimming pool in Plenty River at Greensborough.8 p., text and colour photographs.historic buildings, banyule heritage study 2020, greensborough

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. These photographs show remnant bush and the Parks Victoria sign in the area.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th centuryDigital copy of colour photographsmernda, parks victoria, bushland

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the Bridge Inn Hotel Mernda, established 1891. The hotel is still operating in the 21st century.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographmernda, bridge inn hotel mernda, mernda historic sites, hotels mernda

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the Mernda Mechanics Institute, established 1888. It was sited to the rear of the Bridge Inn Hotel on land donated by the hotel's owner. Today the Mechanic's institute is a small hall available to rent.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographsmernda, mernda historic sites, mernda mechanics institute, mechanics institutes victoria, bridge inn hotel mernda

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the Mernda Post Office, formerly the Mernda General Store. It is sited in Schotters Road. Today the Post Office has been relocated to modern premises in Mernda Village Drive.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographmernda, mernda historic sites, mernda post office, schotters road mernda, post offices, mernda general store

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the newly built Mernda Station, part of the railway extension on the old Epping line. This station was opened in August 2018. Mernda is now the end of the line. It is sited on corner Bridge Inn Road and Schotters Road. Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographmernda, mernda historic sites, schotters road mernda, mernda station, bridge inn road mernda

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows the Mernda Uniting Church, established in 1888. It is sited on Schotters Road. Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographmernda, mernda historic sites, schotters road mernda, mernda uniting church

In 2018 GHS members visited Turner's Bakery in Mernda for lunch and continued on to visit historic sites remaining in the Mernda area. This photograph shows remnants of the Mernda Market, established in 1919 as a livestock market. It was sited on Plenty Road in the carpark of the Bridge Inn Hotel. It evolved into a weekend 'trash and treasure' market although livestock auctions still took place on Mondays. In 2012 the livestock auctions moved to Whittlesea Showgrounds.Mernda is an area of rapid modern growth with a few remaining historic buildings dating from the 19th century.Digital copy of colour photographsmernda, mernda historic sites, mernda market, plenty road mernda, livestock auctions, trash and treasure markets

Photograph of Greensborough taken from a Rose Series postcard titled "Overlooking the township of Greensborough".Historic view of GreesboroughDigital copy of black and white photographgreensborough 1929, rose series postcards

THE LOG is a quarterly colour A5-size journal, typically of 72 pages. It includes illustrated articles of wide maritime and historical interest, together with comprehensive reports on recent shipping activities related to the Australasian region. non-fictionnautical association of australia inc., boats, professional associations, interest group, william gordon volum, naa

St Michael Paternoster Royal accommodates the offices of the central Mission to Seafarers in London. Obtained during a visit by Keith and Pat Dann to the Uk and historic London Mission.Part of a collection of Hasting Memorabilia collected by Keith and Pat Dann over a number of years. Prior to helping set up Hastings mission Keith Dann was also an active member at 717 Flinders St Mission.Photograph of a chapel interior with large pipe organ and wall plaquesst michael paternoster royal, london-uk, organ, mission to seafarers

70 pages : illustrations, facsimiles, mapsnon-fictionduke and orr dry dock, polly woodside, national trust, yarra river, south wharf, interest group

FRIENDS OF THE MISSION The Mission has always relied heavily on the patronage of its volunteers and sponsors who are kind enough to donate much-needed funds, time and expertise. In its first year, the Mission had only 99 pounds to its name, 90 pounds of which was taken up by the chaplain’s salary! Today the Mission is overseen by a Board of Directors and is run by a dedicated team of employees and volunteers. Even though developments such as containerisation in the shipping industry have meant that the number of seafarers on each vessel and their time spent in port has been drastically reduced, the needs of seafarers are just as pressing today as they were when the Mission first began. This window, titled ‘Jesus in the House of Martha and Mary’, was installed in 1947 in memory of Karen Brady, a volunteer and friend of the Mission, dedicated to providing for the needs of seafarers. This window is symbolic of the continuation of such needs in modern times.ontextual or historic information Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to member of the Guild, Karen Brady, who died during a black out hit by a car while she was on her way back home from the Mission, and two photographs of social activities organised for seafarers.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Ladies handing out light refreshments to seafarers during an outang at the Melbourne Zoo in 1907 BELOW: A full house awaiting New Years Eve dinner followed by entertainment in 1927reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, karen brady, lhlg, picnic, social events, catherine mclay, arthouse