Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Esplanade East and Spring Street, former corner shopIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, janet walsh, allen walsh, esplanade east, spring street

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Guernsey House, Esplanade East, corner Bridge StIdentified and dated on back in inkbuilt environment - domestic, janet walsh, allen walsh, guernsey house, esplanade east

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Shop at corner Station and Raglan StreetsIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, janet walsh, allen walsh, station street, raglan street

Shot in 1973 with particular interest in architectureAlong Station St, North towards Raglan St shows Alfred TerraceIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, janet walsh, allen walsh, station street, raglan street

Shot in 1973 with particular interest in architectureHouse on McCormack St Gasometer in backgroundIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, janet walsh, allen walsh, mccormack street

Shot in 1973 with particular interest in architecture26 McCormack St, from rear showing rear of Cricketers Arms HotelIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, janet walsh, allen walsh, mccormack street, cricketers arms hotel

Shot in 1973 with particular interest in architecture226 Bay St, corner Liardet St. Port Theatre in backgroundIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, bay street, liardet street

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Derwent House on Station StIdentified and dated on back in inkbuilt environment - domestic, derwent house, station street

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Former South Suburban Building Society, Bay St, commercial printers either sideIdentified and dated on back in inkbuilt environment - commercial, bay street, south suburban building society

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 51 Bridge St. ornate house with picket fenceIdentified and dated on back in inkbuilt environment - domestic, bridge street

The building was originally the Locomotive Hotel(1864-96), then the Yacht Club Hotel (1897-1909). From 1909 it was a boarding house until restoration as a family home in the 1980s Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Former Locomotive Hotel (then Yacht Club Hotel), then a boarding house since 1909 at 176 Princes StIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, princes street, locomotive hotel, yacht club hotel

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Raglan St flatsIdentified and dated on back in inkbuilt environment - domestic, raglan street

Booknon-fictionAn anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.feminism, feminist arts practice, australian artists, community arts, the women's art register

Booknon-fictionCollection of essays written by feminist theorists from several disciplines in Australia, New Zealand, Canada and the US, challenging 'western ' feminism, examining identity politics and intersectionality.post-colonialism, body, postmodernism, poststructuralism, theory, racism, globalization

non-fictionCollection of essays addressing issues of culture and difference in Australia in the late 20th century and ways to develop new thinking about the role of the arts in a multicultural society.multiculturalism, funding, access, community arts, cultural difference, arts policy reform, aboriginality

non-fictionA study of the field of Community Arts in Australia and the history of the Community Arts Board.community arts, art and working life, community arts board, community arts network, australia council, trade unions, murals, posters, activism, arts funding

non-fictionA collection of essays from various critics, activists and artists on the phenomenon that is pop-icon Madonna.susie bright, pat califia, cathay che, bell hooks, kirsten marthe lentz, carol a. queen, queer theory, popular culture

Carl Rudolph Braun (1823-1891) was the inventor of this instrument, as well as a type of decapitation hook. Braun was born and practiced in Austria, and followed Semmelweis as assistant to Klein at the Vienna Maternity Clinic in 1847, before becoming its head in 1856. Braud added a gynaecology section to the clinic in 1858, being convinced that obstetrics and gynaecology should be together. (Source: Baskett, Thomas. 'On the Shoulders of Giants: Eponyms and Names in Obstetrics and Gynaecology'). This device was included with a range of other obstetric instruments, mostly destructive instruments, given to RANZCOG from Box Hill Hospital labour ward in February- March 1998. The maternity service at Box Hill Hospital combined with St George's hospital in Kew to be known as Birralee Maternity Service. These instruments were collected by Julie Collette, Unit Manager, St George's Kew and given to RANZCOG Museum Curator, Susan Barnett.Craniotomy forceps, Braun's. Stainless steel forceps, with wingnut. Upper blade has open oval section and ridged grip section on the handle. Lower blade has serrated inner edge and ridged grip section on the handle. Wingnut is used for attaching the upper and lower blades of the forceps. Inscribed "B.H.H.L Ward" on forceps."B.H.H.L Ward"destructive instruments

To use this tape, the tube would be broken in half using cat-gut breakers.Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Glass vial, containing silk umbilical tape [193.2] in sterile solution. The tape is wound around a flat spool.obstetric delivery

This operating table belonged to the famous gynaecological surgeon Dr Victor Bonney and was given to Dr Frank Forster in 1953 by his widow Mrs Annie Bonnie, a distant relative of Forster's. Dr Victor Bonney (1872 - 1953) followed his father into medicine and trained at St Bartholomew's and the Middlesex Hospitals. Writing his obituary in 1953, FW Roques said of Bonney that he "'made three great gifts to surgery. First, he was the pioneer of myomectomy; second, with Berkeley, he extended and perfected Wertheim's operation for carcinoma of the cervix; and third, he devised a fine surgical technique emulated by so many of his pupils. To theatre sisters, labour-ward sisters and young house-surgeons he will always be remembered as the discoverer of 'Bonney's Blue' [antiseptic solution].'" Bonney's utilitarian, portable operating table has a round, worn scrubbed patch showing traces of his famous blue solution.This portable operating table was owned and used by pioneering gynaecological surgeon Sir Victor Bonney in London, U.K. c 1900. Dr Bonney employed two theatre sisters and had two sets of instruments and portable operating tables. This made it possible for Dr Bonney to 'complete three or more operations a day by rotating staff and equipment with a chauffeur driven Lanchester or Rolls Royce', delivering them from one house to the next. The donor of the operating table, the late Dr Frank Forster, was a distant relative of Sir Victor Bonney's widow, Annie Appleyard, formerly of Tasmania. When he visited her in the UK after Bonney's death, she offered the operating table to Dr Forster for the RANZCOG Museum. It was still in a canvas bag in the boot of one of Bonney's cars. Sir Victor Bonney was the pioneer of myomectomy, the surgical procedure for removing uterine fibroids. In collaboration with Berkeley, he extended and perfected Wertheim's operation for carcinoma of the cervix. Bonney was an influential teacher, developing and promoting conservatism of surgical technique (minimal intervention) that has had a lasting influence in modern surgical practice. To theatre-sisters, labour-ward sisters and young house-surgeons he will always be remembered as the discoverer of Bonney's Blue an antiseptic that was characteristically blue.Portable, laminated operating table. Plywood rectangular table with two laminated plywood extensions, a head board, and a foot board. At the foot board are insets of canvas straps to support a patient's ankles. Two detachable stirrup poles, each with a canvas strap attached, fit into two holes at the lower end of the table. The table is supported by two timber trellis cross braces with metal bars, and supported at the centre by a metal rod that allows the table to pivot up and down. Two metal arcs with a locking mechanism fix the table at the desired elevation, allowing a Trendelenburg tilt ( a 45 degree tilt, with the patient's head downwards.) The operating table is demountable for transportation and re-assembly.obstetric delivery

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Market Shops Bay St, corner Liardet StIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, janet walsh, allen walsh, bay street, market shops

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 Graham Family Hotel cnr Graham St and Esplanade WestIdentified and dated on back in inkbuilt environment - commercial, built environment - domestic, built environment - industrial, janet walsh, allen walsh, graham family hotel, graham street, esplanade west

Shot in 1973 with particular interest in architectureSet of 31 photographs taken in June and July 1973 350 Princes StIdentified and dated on back in inkbuilt environment - domestic, princes street

Notes, p.337.non-fictionIn that hour was born in me a fear that lasted throughout the whole winter. It was the dread of dying in the mud, going down in that stinking morass and though dead being conscious throughout the ages. Waves of fear at times threatened to overwhelm me ... a little weakness, a little slackening of control at times and I might have gone over the borderline. In the light of the sun, on firm ground, I could laugh at fate. But where the churned mud half hid and half revealed bodies, where dead hands reached out of the morass, seeming to implore aid - there I had to hold tightworld war 1914-1918 - campaigns - western front, george deane mitchell - personal recollections