Showing 2359 items
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Wangaratta Art Gallery
Painting, Elaine Burge, Forest Ferns At Healseville, 1983
Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Arts Council.A rectangular landscape of forest ferns painted in oil using shades of green, brown, and blue.Obverse: Elaine Burge/ (bottom right corner)wangaratta art gallery, elaine burge, landscape, forest, healesville, painting -
Wangaratta Art Gallery
Painting, Tony Convey, Home In The Valley, 1980
naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1980.A landscape of a valley scene featuring animals and humans painted in oil using vibrant colours.wangaratta art gallery, tony convey, naïve art, landscape, painting, outsider art -
Wangaratta Art Gallery
Painting, Ramon Horsfield, 'Morning Light' OR 'Towards Cathedral Mount', 1996
Rural City of Wangaratta Collection: Grand Winner 1996 Wangaratta Art Show.An oil landscape of rolling hills and a mountain painted in shades of yellow, blue, brown, and grey.Obverse: RAMON HORSFIELD/ (bottom right corner) 1996 Grand Winner - TOWARDS CATHEDRAL MOUNT/ By - RAMON HORSFIELD/ Judge - PAUL McDONALD SMITH/ (plaque on mounting board)wangaratta art gallery, ramon horsfield, landscape, painting -
Wangaratta Art Gallery
Painting, John Colin Angus, North East Valley, c. 1969
Rural City of Wangaratta Council Collection. Purchased with funds from Wangaratta Arts Council.A landscape oil painting of a lush and rocky valley painted in shades of green, blue, and brown.wangaratta art gallery, john colin angus, j colin angus, landscape, painting, north east victoria -
Dandenong/Cranbourne RSL Sub Branch
Framed Print, Print of -Line astern; Destroyer HMAS Vendetta flowed by Fleet oiler HMAS Supply
Print of -Line astern; Destroyer HMAS Vendetta flowed by Fleet oiler HMAS Supply. -
Kyneton RSL Sub Branch
Framed oil painting, Out of the Sun
Print of an oil painting depicting an aircraft flying with sun behind it. Red- orange colours.Out of the Sun, bottom left corner. (Signed) Ray Ellis, bottom right corner. -
Kew Historical Society Inc
Painting, James Govett, Cr Marie Dalley : Mayor of Kew, 1954
Minnie Mary Fimmel (1880-1965) was born at Kewell, near Minyip and married carpenter John Thomas Francis Moroney in 1897. His death left her a widow with two children. Minnie re-invented herself as Marie Minnie Dalley and commenced menial work in Melbourne. Known as ‘Ma’, she became a financially successful businesswoman, eventually owning various properties around Victoria including a ‘machinery factory’. She was much ‘talked about’ in the newspapers for her benevolent actions, particularly towards women. For this community service she received an O.B.E. in 1949. Aged 74, she became the first female mayor of Kew. Ma Dalley refused to accept a formal presentation of the honour at a ‘return ball’, insisting that the money be donated to St George’s Hospital, Kew. She continued to financially donate to various charitable organisations. Her piéce de résistance was a staggering £250,000 personal donation to further the building of St George’s Hospital. She died at Kew and is buried at Miniyip Cemetery. Framed large oil painting on canvas. Cr Marie Dalley in her mayoral robes. Painted inscription on reverse of canvas: ‘Ma Dally [sic]. 1st lady Mayer [sic] of Kew Vic. Pinxit Govett 1951". [Cr Dalley was Mayor of Kew in 1954-55, so the date given by the artist on the reverse is incorrect.]marie (ma) dalley, james william govett, ma dalley, minnie mary fimmel, mayoral portraits -
The Dunmoochin Foundation
Mixed Media Painting, Untitled, 1962
Mixed media painting of an abstract design containing sand, oil and acrylic on particle board. Signed (L.r) 'Hodgknison 62'.frank hodgkinson, painting, abstract, mixed media -
The Dunmoochin Foundation
Oil Painting, The Penitents, 1967
Oil painting depicting two male nudes crouching before Christ crucified on the cross. Signed (L.r) 'Clifton '67'. On reverse Blake Prize entry form clifton pugh, painting, male nude, christ, cross, blake prize -
Federation University Art Collection
Painting - Oil on canvas, [Still Life] by Gwen Graham, 1970
Gwen GRAHAM Gwen Graham was a member of the Ballarat Artists Society. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still life oil on canvas painting depicting a fruit bowl, vase and zucchini.art, artwork, gwen graham, still life, fruit, apple, banana, zucchini, vase, available -
Port Fairy Historical Society Museum and Archives
Painting, 1872
Used in the rites of the Port Fairy Masonic Lodge for the second degreeOil Painting of second degree elements in the rites of the Port Fairy Masonic Lodge 67local history, societies, freemasons, second degree, masonic lodge, staircase -
Clunes Museum
Painting, Unknown
Marny Fenton was the first president of the Clunes MuseumMarny Fenton was the first president of the Clunes MuseumOil painting of house on corner of Service Street and Alliance Street, Clunes, Victoria, AustraliaSigned by M. Fentonartist, painting, fenton -
Orbost & District Historical Society
bottle, first half 20th century
In 1852 Bosisto opened Australia’s first commercial eucalyptus oil distillery, at Dandenong Creek in Victoria, followed by others at Emerald, Menzies Creek and Macclesfield. and began selling the oil locally. Eucalyptus oil was used as a liniment. Bosisto's bottles were generally used for eucalyptus oil. the eucalyptus oil industry was a significant early Victorian industry. Bosisto's products were commoly used in households of the first half of the 20th century. A flat-sided, brown, glass bottle with a threaded top. It has rounded shoulders.in rectangle on back - THIS BOTTLE IS AND ALWAYS REMAINS THE PROPERTY OF J. BOSISTO & COMPANTY LTD on base - F1196 M and 239 vertically -
Glenelg Shire Council Cultural Collection
Tool - Fork, Blubber Fork, n.d
Part of collection purchased from Brendan Kurtze by the City of Portland. Whaling industryWhaling implement, iron, painted gloss black, 2 prongs, short section of handle riveted into handle sleeve. The blubber fork was used to transfer sliced pieces of blubber, called "bible leaves", into the try pots for rendering or boiling it into oil. Bible leaves were thrown into the trypots with a blubber fork or blubber pike and heated until the whale oil tried out from them, much like the grease coming from bacon as it cooks. Care had to be taken not to burn the oil, but to be certain that all oil was extracted from the bible leaves.kurtze museum, whaling, blubber fork, maritime -
Glen Eira City Council History and Heritage Collection
Castor Oil Bottle
This Castor Oil Bottle is part of a Sanax First Aid Case which was used at the the former Carnegie Senior Citizens' Centre. The centre was located at 314 Neerim Road, Carnegie. When the Neerim Road facility closed, its activities were moved to the Carnegie Library and Community Centre. For Occupational Health and Safety reasons, Council no longer maintains first aid kits at senior citizens' centres. Brown glass bottle with green and white paper label with Sanax branding, and usage directions. Black plastic screw-top lid. Bottle has been decanted. Small cork stopper inside bottle."Sanax" CASTOR OIL / SOOTHING / APPLICATION / FOR THE EYES / OR AS AN / APERIENT / THE SANAX CO. / 223-225 BAY ROAD / SANDRINGHAM. TEL. 98-1604 / Left side of bottle: Internally -- Adult Dose: as a purgative, 1 to 2 table-spoonfuls. A valuable remedy for inflammation of the bowels, colic, diarrhoea, etc. Right side of bottle: Externally -- For eye burns of eye irritation, drop freely into the eye. A suitable application for caustic burns. -
Mont De Lancey
Functional object - Lamp
It was used as a bedroom lamp by Valmae (Colling) Gaudion in various railway houses lived in around Victoria in the days before electricity.A bedroom oil lamp with a light amber coloured glass bowl with a ring holder and blue oil inside. It has a green glass handle, a metal burner, cotton wick and a knob to adjust the flame. The chimney is clear glass with a decorated edge on the top.lamps, oil lamps -
Benalla Art Gallery
Painting, W. C. PIGUENIT, Mt Wellington at sunrise: a view from Risdon Cove towards Glenorchy, c. 1870
Born: Hobart, Tasmania, Australia 1836; Died: Hunter's Hill, New South Wales, Australia 1914RomanticismLedger Gift, 1976Rural landscape with cows, track, lake and large mountains and clouds. Golden gesso painted timber frame.Recto: Signed "W. C. Piguenit" in black oil in l.l.c of composition; Not dated; Not titledpainting, landscape, water, animals, cows, boats, trees, mountains, clouds, sky, colonial, reflections -
Benalla Art Gallery
Painting, J. H. SCHELTEMA, Full swing on the board, 1904
Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941RealismGift of Mr Gordon S. Ross, 1978Interior of shearing shed with figures, shears, animals and wool. Copper coloured gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.l.c of composition; Not dated; Not titledpainting, interior, shed, shearing, sheep, figures, animals, wool, farm -
Benalla Art Gallery
Painting, Ethel CARRICK (FOX), In the Botanic Gardens, 1913, 1913
Born: Uxbridge, Middlesex, England 1872; Arrived: Melbourne, Victoria, Australia c.1914; Lived and worked: France 1905-1913, Australia: 1908 and 1913, Europe, Middle East and Asia 1916- c.1936; Died: Melbourne, Victoria, Australia 1952ImpressionismLedger Gift, 1980Garden setting with flowers, trees and small figures running down a path. Bronze brushed carved timber frame.Recto: Signed "CARRICK FOX" in deep navy oil in l.l.c of composition; Not dated; Not titledpainting, garden, figures, flowers, children, trees, path -
Benalla Art Gallery
Painting, W. LISTER LISTER, Flowering gums, Not dated
Born: Manly, New South Wales, Australia 1859; Lived and worked: England 1884-1888; Died: Sydney, New South Wales, Australia 1943ImpressionismGift of Wooleen Pty. Ltd., 1980Treed path leading up to top of hill and building. Bronze brushed timber frame.Recto: Signed "W LISTER LISTER" in brown oil in l.r.c of composition; Not dated; Not titledpainting, trees, building, landscape, path -
Benalla Art Gallery
Painting, W. B. MCINNES, Moonrise, 1910
Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismGift of Wooleen Pty. Ltd., 1980Evening rural landscape with buildings, trees and moon. Gold brushed timber frame.Recto: Signed and dated 'W.B. / McINNES 10' in brown oil in l.l.c of composition; Not titled painting, landscape, tree, sky, house, farm, moon -
Benalla Art Gallery
Painting, UNKNOWN, Untitled, 1885
Born: Dorchester, Dorset, England 1856; Arrived: Melbourne, Victoria, Australia 1869; Lived and worked: Spain, England, France 1883-1885; Died: Kallista, Victoria, Australia 1931ImpressionismGift of Wooleen Pty. Ltd., 1980Seaside Landscape with small figures playing and trees, water, grass, flowers and buildings in the distance. Unframed.Recto: Signed and dated "Tom Roberts / 1888" in mauve oil in l.r.c of composition; Not titledpainting, landscape, trees, figures, buildings, colonial, children, flowers -
Benalla Art Gallery
Painting, J. H. SCHELTEMA, Cows, early morning, 1905
Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941NationalismGift of Wooleen Pty. Ltd., 1980Rural landscape with grazing cows and trees. Gold gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.r.c of compostion; Not dated; Not titled painting, landscape, pastoral, cows, animals, trees, grass, rural -
Benalla Art Gallery
Painting, Eugene VON GUERARD, The fall of the Veliono near Terni with the view up the Valley of the River Nera, 1885
Born: Vienna, Austria 1811; Arrived: Melbourne, Victoria, Australia 1852; Died: London, Middlesex England 1901RomanticismLedger Gift, 1984Rural valley and mountain landscape with two figures walking down a track beside a waterfall towards a river. Gold brushed gesso decorative edged timber frame.Recto: Signed and dated "Eug.V.Guérard / D. 85" in red oil in l.r.c of composition; Not titledpainting, landscape, river, cliff, mountain, figures, buildings, waterfall, sky, clouds -
Bendigo Art Gallery
Painting, Wed Stuart, Pall Mall from Bull Street, c.1860, Circa 1860
Not signed (artist's name appears in painting, c.l. black oil, "STUART/ARTIST". Not dated -
Bendigo Art Gallery
Painting, Emma Minnie Boyd, Afternoon Tea, 1888
Signed and dated, l.r. corner, red oil "EMB" in monogram, "21/4/88" -
Trafalgar Holden Museum
Container - Flint's Medicated oil
Bottle used to hold cure for cuts and abrasions on horses and Cattle Circa 1900Sold by Holden and FrostSquare amber glass jar yellow paper label, screw on metal lid Paper stick on label, Flints medicated oil for cure of cuts and wounds on cattle and horses.flints, jar, medical oil -
Orbost & District Historical Society
bottle, late 19th century
This bottles is aesthetically pleasing and reflects an earlier stage of development in glass manufacturing.Very long, thin, green tinged bottle with spiralling glass neck. Contained salad oil.bottle glass container -
Orbost & District Historical Society
medicine, first half 20th century
This item reflects the changes in public health, medical practice and research over the last century.Small narrow wooden tube with lid holding a vial for mountain oil medicine. Original label.medicine mountain-oil quackery -
Bendigo Military Museum
Painting - PORTRAIT, FRAMED, Post WW2
Gold coloured wooden frame, blue oil paint portrait of soldier C PERRY, in hat.Handwritten bottom left: “C PERRY”illustrations-oil, military history, portrait