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National Wool Museum
Book, Knitting, Hi-fi Knits by Villawool
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens and womens knitted garments.Hi-fi Knits / by Villawool / 3'3knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Ski and Sail by Villawool
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens and womens knitted garments.Ski & / Sail / BY / VILLAWOOL / 3'6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Vacation Knits by Villawool, special book no. 2
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens and womens knitted garments.Vacation Knits / BY / Villawool / SPECIAL BOOK No 2. / 3'3knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, The New Idea Knitting Book featuring bed jackets and dressing gowns
This knitting pattern book was published by The New Idea magazine and contains knitting patterns for womens bed jackets and dressing gowns.The / NEW IDEA / N.S.8 / KNITTING BOOK / Featuring / BED JACKETS / and DRESSING GOWNS / 6Dknitting handicrafts - history, the new idea, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Stitchcraft no. 157
This pattern book was published by Patons and Baldwins, UK and contains needlework and craft projects, as well as knitting patterns for womens garments.No. 157 / STITCHCRAFT / PRICE IN / AUSTRALIA / 1'-knitting handicrafts - history embroidery, patons and baldwins limited stitchcraft ltd, knitting, handicrafts - history, embroidery -
National Wool Museum
Book, Knitting, Stitchcraft no. 164
This pattern book was published by Patons and Baldwins, UK and contains needlework and craft projects, as well as knitting patterns for womens garments.No. 164 / STITCHCRAFT / PRICE IN / AUSTRALIA / 1'-knitting handicrafts - history embroidery, patons and baldwins limited stitchcraft ltd, knitting, handicrafts - history, embroidery -
National Wool Museum
Textile - Jumper, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Two-tone brown jumper with vertical ribbed pattern, raglan sleeves, ribbed collar and cuffs. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Whitehorse Historical Society Inc.
Accessory - Manicure Set
Manicure set: Two jars with lids and a bow pattern.One nail buffer with matching pattern. Small brush with matching pattern - all above are silver. Nail file, eyebrow tweezers, cuticle press have scroll pattern. All these items have silver handle. The seven items are enclosed in a velvet lined leather case.personal effects-toilet requisites, manicure -
Kew Historical Society Inc
Domestic object - Tea Cup, Saucer & Plate, Ridgways, c.1880
Item of family crockery donated by a Jean Woollard, KHS member, and Kew resident. Her family, residents of Kew since the 1860s, was highly involved in the political life of Kew. William Woollard was a councillor and mayor while Herbert Woollard was also a councillor and a member of the local Labor Party BranchGlazed earthenware tea cup, saucer and plate with transfer printed decoration, using the 'Hawthornden' pattern by Ridgways. The underneath of each item bears the maker's mark and a pattern registration date for April 1880.dinnerware, ridgways (1879-1920), earthernware, staffordshire ceramics, hawthornden pattern - reg. april 1880 -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1912
White Cotton Shift with Lace Yoke Waist plan Hem 9cm Wide Lace Rose Pattern Forming Yoke Trimmed with Rose Leaf Patterned Square Neck. Inserts of lace in Bodice. stawell clothing material -
Orbost & District Historical Society
jar, 1920'-1930's
A clear glass jar with a screw top metal lid. The lid has 19 holes in a circular pattern. The glass jar has a fluted pattern and on the front is a flat oval recess to take a label.Base - AGMcontainer glass shaker-jar australian-glass-manufacturers -
Wangaratta High School
WHS Yearbook, 2004
Yellow Yearbook with an orange sun pattern and a sketch of some school buildings along the middle and below is that a collage of student photos. Along on of the rays of the sun pattern is the text WANGARATTA HIGH SCHOOL 2004 WANGARATTA HIGH SCHOOL 2004 -
Mission to Seafarers Victoria
Accessory - Tie, 20th C
Necktie of MTS member, used for more formal or representational occasions. Worn by Captain Keith Dann, MtS Hastings.From the personal Collection of Mrs Pat Dann a former member of the Central MtSV and later with her husband Captain Keith Dann supported and founded the Hastings branch of the Mission to Seamen in the late 20th C. Men's polyester fabric necktie, in dark blue, covered with subtle black flying angel insignia patterns, in various sizes, and two more prominent white smaller flying angel insignia patternsnecktie, flying angel, tie, pat dann, captain keith dann, hastings mission, mission to seafarers -
Flagstaff Hill Maritime Museum and Village
Textile - Doily, c. 1910
This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, square shape, crocheted with diamond design incorporated in pattern, points around edged, Rectangle of cotton fabric inserted in the centre with cross stitch pattern. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, cross stitch -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 'Fleur de Lys', 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of fleur de lys in green on a paler green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Bendigo Historical Society Inc.
Document - MERLE BUSH COLLECTION: PATTERN (GUIDES' BLOUSE), 1933
Five newspaper patterns in envelope for Guides' Blouse see (1202.43) . Envelope has printed address of Miss M. E. Bush with handwritten inscription ' Pattern of Gde Blouse 1933 Miss Ipsen'.organization, club/society, girl guides -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: NEW MONUMENT GMC N/L - TRANSFER JOURNAL, Oct 1939 to Jan 1941
Document. Black book with wavy pattern and red binding. Contains names of shareholders. White label with transfer journal and pattern on the front. Also stamped with New Monument Gold Mining Company No Liability.McColl, Rankin & Stanistreetorganization, business, new monument gmc n/l, mccoll, rankin & stanistreet, new monument gmc, gold mining, shareholders -
National Wool Museum
Book, Knitting, Patons and Baldwins' Specialty Knitting Book no. 111
This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments.Knitting book, front cover of "Patons and Baldwins' Specialty Knitting Book no. 111", WWII.PATONS & BALDWINS' / SPECIALTY / Knitting Book / No. 111 / 6D.knitting world war ii, patons and baldwins (australia) ltd, knitting, world war ii -
National Wool Museum
Book, Knitting, Villawool Knitting Book no. 77
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens, womens and childrens knitted garments.SPECIAL / VILLAWOOL / KNITTING / BOOK / No. 77 / 2'3 / "TRACY" / See P. 8 / 9 DESIGNS EXCLUSIVELY / IN GLEAM CREPE / WITH LUREX / See "FRONT COVER" Page 3knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Ski Knits by Villawool, special book no. 1
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens and womens knitted ski garments.Ski Knits / by / Villawool / SPECIAL BOOK No. 1 / 3'3knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Ski Knits no. 2 by Villawool
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for mens and womens knitted ski garments.Ski Knits No. 2 / by Villawool / 3'3 / Designs in / Slalom / Llama / Mohair / Starliteknitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 38
This knitting pattern book was published by the Alexandria Mills, Sydney during World War II and contains knitting patterns for womens garments.Sun-Glo / knitting book / series 38 / 7 d-knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 45
This knitting pattern book was published by the Alexandria Mills, Sydney during World War II and contains knitting patterns for womens garments.Sun-Glo / KNITTING BOOK / SERIES 45 / 7 d.knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 59
This knitting pattern book was published by the Alexandria Mills, Sydney during World War II and contains knitting patterns for womens garments.Sun-glo / Knitting / Book / SERIES / 59 / 1'3knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 73
This knitting pattern book was published by the Alexandria Mills, Sydney during World War II and contains knitting patterns for womens garments.Sun-glo / Knitting Book / SERIES / 73 / 1'3knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 76
This knitting pattern book was published by the Alexandria Mills, Sydney during World War II and contains knitting patterns for womens garments.Sun-glo / KNITTING / BOOK / SERIES 76 / 7d.knitting handicrafts - history, alexandria spinning mills pty ltd, knitting, handicrafts - history -
National Wool Museum
Folder, sample
Weaving sample folder: "H.A. WILKINSON" and contains "FANCY WORSTED SUITING" pattern sheet and 3 black patterned cloth samples.FANCY WORSTED SUITING (ink) H.A. WILKINSON (pencil)textile production weaving, textile production, weaving -
National Wool Museum
Folder, sample
Weaving sample folder: "E.C. McINTOSH 1963" contains "Fancy Woollen Coating" pattern sheet and 3 patterned cloth samples.E.C. McINTOSH 1963 (ink) Fancy Woollen Coating (ink)textile production weaving, textile production, weaving -
Parks Victoria - Andersons Mill
Tool - Pattern, bearing cover
Wooden pattern used to make impression in sand to form mold for casting hot metal. These patterns were for the caps for bearing covers.Wood, with an oval footprint. Pins underneath with covered channel across oval, cylindrical cap mounted on top of channel, semi-circular (approx) flanges either side of channel cover. -
National Wool Museum
Book, Knitting, Sun-glo Knitting Book series 57
This knitting pattern book was published by the Alexandria Mills, Sydney during World War II and contains knitting patterns for womens garments. Several of the patterns have been given names inspired by the war, including 'Patriot' (front cover) and 'On Leave' and 'On Duty' (inside back cover).SERIES 57 / 7d. / Sun-glo / Knitting Bookknitting handicrafts - history world war ii, alexandria spinning mills pty ltd, knitting, handicrafts - history, world war ii