These baby shoes show evidence of once having an additional embellishment on the toe, such as a bow, flower or pom pom. The label written into the bottom of the shoe indicates that it was made by Everbest. Everbest is a shoe company that was established in 1979 in Singapore and primarily sells in South East Asia. Their brand is centred around timeless elegance and quality, which this pair of baby shoes is in keeping with. The Mary Jane shoe was popularised in the early 20th century as a shoe for children regardless of gender. They began to be known as Mary Jane's because of the character of Mary Jane in the Mary Jane and Buster Brown comics, a series of advertisements by the Brown Shoe Company in the USA. They remain a classic style for women and children.These shoes are a record of a small part of the social history of Chiltern, as well as show the continuing popularity of this style of shoe through time. They are also a record that a product of a Singaporean company that primary sells in other countries in South East Asia was able to travel all the way to regional Victoria and be present in the collection of the Chiltern Athenaeum.Pair of pink leather mary jane style baby shoes with gold metallic label on inner soleInner Sole: Lesley Everbest / Baby Shoe / Size 0baby shoe, leather shoe, everbest, leather, shoe, baby clothes, leatherworking, singapore, chiltern, chiltern athenaeum, chiltern athenaeum museum, chiltern athenaeum collection

The authors personal experiences visiting Kurth KilnKurth Kiln at the time the Friends of Kurth Kiln were formedTwo Page Article in the publication "Victoria's Heritage" by Mary Ryllis ClarkCopy shaded pink

Rectangular Wooden Box made from 3plywood with reinforced corners and wire banding. Open at the topForest Comm. Victoria / Forest Officer T Wescott / Kallista / via / FernTree Gully / Rly Station

Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015

Huddart Parker traded between 1876 and 1961. It was established in 1876 by James Huddart, T.J. Parker, John Traill and Captain T. Webb. The business rapidly expanded and was travelling between Melbourne and Sydney by 1882 and Melbourne to Adelaide from 1886. The Company was established in Geelong but moved its offices to Melbourne by 1890.It is likely this tea cup was used on the Huddart Parker shipping line some time from 1950 to the company's closure in 1961. Historically, the early establishment of the company in Geelong is significant for the region. The object is significant for its connection to Victorian transport from regional ports to larger cities. It is a good example of mid 20th Century hotelware and Duraline offerred 'unchippable crockery' for utilitarian purposes. Duraline was imported by Loftus Moran P/L who were based in South Melbourne and supplied the ware to hotels and institutions across Victoria. White glazed tea cup with blue transfer printed blue line around rim, blue geometric pattern around body and Huddart Parker line logo. Cup has a triangular shaped handle. Cup has a small hairline crack and a small chip.Dura Line/ Grafton China/ Made in Englad/ Loftus Moran Pty Ltd 1950huddart and parker line, geelong shipping, geelong maritime museum, duraline, grafton china, loftus moran p/l

Coloured linocutVerso: Signed and dated l.r. in pencil "E.L. Spowers 1933" Titled l.l. in pencil "The Works - Yallourn". Editioned: "4/30". Inscription l.r., pencil "Linocut L2 /2 /5"yallourn, power station

Watercolour on paperVerso: Signed and dated l.r. in pencil "E.L. Spowers 1933"yallourn, power station

Colour pencil drawing on paperNot signed. Not dated.drawing, diagrams, map, grid

Colour pencil drawing on paperNot signed. Not dated.grid, places, travel, buildings, snapshots

Colour pencil drawing on paperNot signed. Not dated.landscape, buildings, view, factory

Drypoint etchingTitled, edition 1/25, signed and dated 1923 under printed imagefactory, industrial, etching, architectural

Coloured linocut printSigned and dated along bottom of print.yallourn, landscape, linocut

Ink on paperSigned 'George Bell' in lower right cornerfigure drawing, life drawing

Ink on paperSigned 'George Bell' in lower right corner.life drawing, figure drawing, figurative study

Ink on paperSigned 'George Bell' in lower right corner.life drawing, figure drawing, study

Ink on pape.Signed 'George Bell' lower right corner. life drawing, figure drawing, study, pose, human form, body

Charcoal on paper-life drawing, figure drawing, study, human form, pose, body

Ink on paper-life drawing, figure drawing, human form, study, body, pose

Charcoal on paperSigned 'George Bell' in lower left corner.body, human form, figure drawing, life drawing, pose

Ink on paperSigned 'George Bell' centred along right edge of drawing.life drawing, figurative drawing, study, body, pose, human form