Stormy skies can be memorable with dark and contrasting colours. They often appear menacing and producing apprehension in the air because of the oncoming weather. Fabrics used in this piece are all commercial. I have endeavoured to make the sky angry with stitches. The mesa has some very dark and ominous craggy rifts. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a storm featuring a colour palette of blues and browns.june brown, textile

Crowd scene, with Girl Guides and Boy Scouts standing to the side of three flagpoles with flags at half mast.

Framed collage of Australian raw wool by wool artist Pauline Osborn. Titled "Jimba on Manooka" (Sheep on Hill). Work specially made for the National Wool Museum after a visit by the artist in 1991.Wool collage of pastoral scene entitled "Jimba on Manooka" (English translation - Sheep on Hill). Framed and glazed.handicrafts

Replica of 147.1 - in files.Black & white photograph, unframed but pasted to cardboard album page. Shows crowd scene and rail trucks.rutherglen railway station

c1950 Snow scene in Main Street Olinda with old car parked outside the store of J.H. Gill.olinda, main street, snow, j.h.gill, gill

Scene of the smoky bush following a fire neat the Robinson property, Kamanange in Scenic Cres, Kalorama in 1935.bushfire, kalorama

Number 4 in commercial series.Small photograph, number 4 in Olinda series, showing ferns and fallen trees in natural bush scene.olinda, lyre bird gully, lyre bird, bush

Silver hand mirror decorated with scene of a girl with racquet on a tennis court. Materials: Silver/Metal, Glasstennis

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.25 / ‘Scene on the River Campaspe’ / Albumen silver photograph mounted on boardOn Reverse: ‘The River Campaspe flows into the River Murray, near the Town of Echuca. It is a river of considerable size, and is subject to frequent overflowing of its banks, in consequence of the low flat country through which it runs. Our illustration represents the River during one of the periodical floods, its depth being over thirty feet at the time.’nicholas caire (1837-1918), australia - landscape photography

Sepia Photograph, Bendigo Charing Cross, a street scene looking North towards the Bendigo Post Office.Mr Barton written on back

Beach scene looking along water line towards a vegetated area in background with two figures fishing.On plaque: Bellarine Peninsula Art Show 1991 Best Watercolour or Other Medium "Surf Fishing Ocean Grove" by John Sterchele Purchased by Bellarine Rural City Councilsurf, fishing, ocean grove, john sterchele, geelong

From McNamara collectionSmall card with country scene of tree and water with sheep. Words of "Wishing you a very happy Christmas"christmas, cards, ncnamara, heather

Geological Survey of Stawell 1875/76 by Norman Taylor, Geological SurveyorYellow Card Front and Rear Cover with B/W Picture of mining scene. with black Plastic spineGeological Survey of Victoria No.3 Geological Survey of Stawell Norman Taylor 1875/76stawell mining

Botanical Reserve Stawell West with a gentleman and boat. The first committee of management was gazette in 1863. In April 1870 the reserve was placed under the control of the Borough Council. The Botanical Reserve Stawell West is now called The Grampian Gate Caravan Park.Black and white photograph of a scene of trees lining a lake. A person is fishing on the bank with a small boat nearby.A glimpse of the lake, Stawell. W.J. Chapman photo. The post card is dated Sept. 8th 1915 to Dear Les and from Jane & Frank, Les's brother and sister.stawell

Small white card with scene of house in circle surrounded with blue flowers and 'Lest We forget' on frontFrom Bertha To Dorisdocuments, cards

3 copies of photographs (1 large, 2 small postcards of the same scene, one with a circular vignette). Written on the back of one Postcard: "Methodist Church in Ringwood opposite Railway Station and Mechanics Institute where Town Hall now stands c 1910. Photo by L.F.East" Written on back of other pstcard: "Ringwood 1910 from Railway Station looking across Whitehorse Roade. Photo L.F.East."

The photographs show a G glass tram westbound in Swanston St with a W class tram northbound during the mid to late 1920s. Enlarged from a postcard - see item 5883.Yields information about a G class tram and other trams at Flinders St station.Set of 2 Black and White photographs of a scene at Flinders St station with the G class tram enlarged.Has ink notes on rear regarding the location and the TMSV sales stamp.tramways, trams, g class, flinders st, swanston st, flinders st station, w class

Sketches of Stawell Water Supply Bovine Aqueduct October 5th 1881. The Grampian scheme planned by the the Borough Engineer John D'Alton. D'Alton's suggestion was that the water be carried from the source in an open channel two miles, then in a flume of timber. Later surveyed and planned a tunnel on a good line - to reduce the flume 72 miles and the main to Stawell to 15 miles. This sketch (illustrated Australian News October 5, 1881).Black and white photograph of a sketch a bush scene with mountains in background. The sketch depicts a trestle bridge construction. The Bovine Aqueduct stawell water supply

These photographs are of a production of "White Horse Inn" - Stawell town Hall - Spetember 1971. By Stawell Choral Society. Mr Roy Hurst - To Whom these photos were Presented - Helped with the stagingFive (5) small coloured Photographs of a stage prodution. Scenes on stage. Enclose din cream folders.(Hand Written) To Roy / From Stawell Choral Society/ Sept. 1971stawell, choral society, roy hurst

Photograph of three sketches of North Cross Reef Stawell. c 1874. Photo 1. No 3 Level, Ceiling of tunnel timbered rail line and truck - a workman. Photo 2. The Vertical reef. Photo 3. The Flat Reef. Examples of what the miners were like underground. Reproduction Rights Reserved - Copied by State Library of Victoria.Black and white photograph of three mining scenes (sketched) showing examples of wood timbered underground tunnels.North Cross Reef Stawell. No.3. Level (photo 1). The vertical reef. (photo 2). Workings on the flat reef. (photo 3).stawell mining

Salvation Army Bandsmen and Women at Mt. William bushland setting. 1900 was a period of gold rush. Photo taken at the time of the gold rush Mafeking in the Grampians. Black and white photograph of a scene depicting a group of people, some bandsmen & women. The background is a bushland setting.W. Hale Mount William. (handwritten 1900). on the back John Clark. The Stawell S.A. band at Mount William. Sept 1900 R.M. Perry.stawell religion

Given to Neville Lord as an infant in 1908Miniature china cup and saucer, hand painted scene of four figures in a garden setting with gold trim.cups and saucers, tableware

The photos relate to a collection re John EDWARDS VX3857 2nd AIF. Refer Cat No 536 for his service details..1) Small orange cloured envelope for photos. Front has "20 Cairo & Pyramid snaps" from artistic photos. .2) - .21) 20 B&W photos of scenes of Cairo and pyramids. Each photo has on the back in print the name and place of each scene.photography-photographs, egypt

One of a collection of 15 sheets with copies of Postcards printed onto A3 sheets from the Shirley Jones Collection.Copies of postcards. Cowes Pier; Churchill Island; People waiting on the Cowes Pier for the Steamer; The Cowes Pier; View of Churchill Island; Coastal scene at Cowes; Postcard with 4 scenes at Churchill Island - Amess Cottage, Moonah Trees, Historic Cannon; Kilcunda General Store."Cowes from the Pier" - "Waiting for the steamer on the Pier at Cowes P.I." - "The Pier at Cowes" - "Churchill Island from Phillip Island" - "Churchill Island, Amess Cottage, Moonah Trees, Historic Cannon" - "The General Store Kilcunda Vic"cowes pier phillip island, churchill island, amess house churchill island, moonah trees, kilcunda general store, shirley jones collection, thelma astbury

Contains photographs of a mans journey around the Middle East during World War 2.Documents a part of WW2 during the early 1940'sLeather covered photo album with 43 pages of mainly WW2 photographs.The front cover has coloured depictions of the pyramids , Egyptian figures and hieroglyphs. Back cover has the same scenes but not coloured.world war 2, ww2, second world war, royal australian navy, photographs

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 21 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos taken on a bushwalking trip to Marysville, Victoria. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. This photograph is of a stretch of the river at or near Marysville. The photographer has blocked out the edges to create an oval framing of the scene.henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria, marysville (vic.)

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 21 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos taken on a bushwalking trip to Marysville, Victoria. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. This photograph is of a waterfall at or near Marysville. The photographer has blocked out the edges to create an oval framing of the scene.henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria, marysville (vic.)

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society were able to identify a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene is of Boarding School Beach at Port Fairy and of bathing boxes on the stone reef.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy (vic.), boarding school beach